In the intro he says it all. It maybe is the most honest and fun piece of music he has ever written, for me it's the most honest, fun and beautiful track ever made. I'm always trying to find words to describe what this track does to me... but honestly, I will never find them. Every year when I travel to France by car I play this one when I'm entering the south in the morning sun. Great views up ahead, between wine fields, leaving BS life behind for just a decent time, shed a tear. It happens to me every time.
writing & arrangement trumps sonics 9 times out of 10. Its super important to see tutorials like this. Big ups to Denis for doing it, Im sure he thought twice at some stage. Props.
Man I straight up needed to see this. I overthink all my tracks into boringness. It’s nice to here someone you can look up to say it’s just about getting out what you feel 🙇🏽♂️
i needed this tutorial so badly, ive been so caught up in thinking that i need to be an amazing sound engineer to make good tracks its so refreshing and reassuring knowing that one of my all time favorite dance tracks was made with such minimal emphasis on sound design.💯
I loved the Denis Sulta masterclass , I had been waiting for something like that for years so thank you, Could you do Patrick Topping - Be Sharp Say Nowt ? The song has over 11 million views and it think people would learn a lot from it. thanks
You’re my favorite because you are so genuine. I saw your set at electric picnic in Ireland back in 2018. Best set of the weekend, I’ve been to a lot of gigs and you’re the only dj that you can see that truly just enjoys being on the decks. Keep doing what you’re doing 🤍
I, as an amateur mixer, think that this topic is very misunderstood. If you compose and shape your track the eq moves can be drastic without problem. If you are a mixer and get stems from a producer you don't want to destroy the product a producer has created, so that leaves you operating in smaller boundaries. This is a sign topic not often talked about. So many mixing videos start with the raw track but it does not sound raw to me. The producer must have done something prior to make it sound good. These tracks are oftentimes clipped and controled before the mixer is doing anything and literally the mixer is adding just 10-15 % to the sound as a whole. I'd love to see more content about this thing because when you start out many people think that prior to mixing the track sounds boxy, flat and lifeless. I can't imagine that a good producer would send bad sounding tracks to a mixing engineer. Hope you get my point!
Very grateful for this, thank Denis you are amazing. Your music is incredible and you are so generous in sharing your techniques... and thanks Point Blank!!
Not that arsed about the track, but that jumper is gold, liked and subbed just cos of the jumper. edit: jk i was already subbed and i love the track, but that jumper is def the best thing in the video.
Fair play mate, it’s always those quick ones that seem to do the most damage, I’ve noticed it with my own material too!!! I played this to f’in death all over the world man, still love it!! Hit me up Dennis I’d love to do something for ya label :)
What a track! Can any sound design experts tell me how he's modified that preset? Downloaded the triple cheese vst and the sound for that specific preset is way off
would someone be able to explain if there are pros or cons to routing his busses as sends, as opposed to routing to a normal audio track as a bus or grouping?
I think that functionally, routing to a send is the same as routing to a group. Another technique in Ableton is to create parallel processing with audio group chains (aka audio effects rack, create one by selecting one or more audio effect plugin and ctrl/command g to make a group). This is basically the same thing as using multiple sends, you can balance the levels directly in the audio rack. Sends Pros - you can apply the same fx chain to multiple instruments; you can send a channel to multiple sends and then have control over the resultant sound by mixing the send levels as he showed with the the melody-pad thing (when he jacked up or down the reverb send) Cons - he's using post fader sends and sends only, so it might take more work to rebalance the levels if he wanted to lower the fader on the original channel; also if he wants a "dry" sound mixed in, would have to make a dry buss, or change the dry/wet setting on the sends which might require revisiting the send levels again. I think sends also use less CPU than parallel audio effect racks or groups, not sure on that though. So really, it's up to how you want to organize it. I've never used sends only like he does, gonna try it for my next track
I believe that's not the track that has "taken him to new hights" as the arrangment, mixing of the track does not radiate that high level of expertise of music making. I believe everyone that is involved in music making a little, can easily and quickly recognize. So it is a bit interesting he is holding a masterclass on it. It's rather the good manager and marketing that brought him to higher levels.
Of course, someone that makes music himself recognizes this. But I guess this is the best example that sometimes less is more in producing music. Tbh I really like the track and so do a lot of other people, I think thats what it's all about in making music.
@@abscure9619 yes I know, nowadays everyone has become a teacher, a TED presenter, or whatever. Standards are just simply out of the game, I get that, my friend. I just do not agree with it. He is producing music at a level as 10thousands of bedroom music producers do after 2-3 years of experience. It is not an intuitive statement, it is purely what my observations say when I look into the track or this "masterclass".
It is about the soul, not about the knowledge. It is Evocative of melancholy, bittersweetness and joy, has a soul and makes people shiver and cry. There's crystal clear and up to standard music pieces that are skipped after a couple of seconds, and then there's this, pure bliss. You can learn everything but having some story to tell.
Who else would you like us to bring in and what track would you like to see?
I think Denis T'd it up nicely for Skream 🙌🏽
Paul Woolford, Vortex 150
Mella Dee
Patrick Topping, Melé, Bontan, Route 94.
Skream for sure
Just shows you don't need 100 channels to make an absolute banger... best ever example of less is more
@B W most of my tracks end up in the 25-30 range to be fair but this is defo inspiration to get more creative with half that space 🙌🏽
In the intro he says it all. It maybe is the most honest and fun piece of music he has ever written, for me it's the most honest, fun and beautiful track ever made. I'm always trying to find words to describe what this track does to me... but honestly, I will never find them. Every year when I travel to France by car I play this one when I'm entering the south in the morning sun. Great views up ahead, between wine fields, leaving BS life behind for just a decent time, shed a tear. It happens to me every time.
writing & arrangement trumps sonics 9 times out of 10. Its super important to see tutorials like this. Big ups to Denis for doing it, Im sure he thought twice at some stage. Props.
These are great sonics
Easily one of the greatest Boiler Room's we've hosted 🔥
Yes legendary stuff, Hubie smashed it too
Agreed💯 This track holds a special place in the boiler room history books. Iconic moment🔥
That set was insane, it's my go to.
The best boiler room of all boiler rooms period
Man I straight up needed to see this. I overthink all my tracks into boringness. It’s nice to here someone you can look up to say it’s just about getting out what you feel 🙇🏽♂️
Sulta is so full of passion even off stage. I love this guy!
Free VST’s and not afraid to EQ. I’ve spent a fortune and get nada finished lol.
Remember first time hearing this. Bicep playing it in Cosmic Ballroom Oct ‘15.
i needed this tutorial so badly, ive been so caught up in thinking that i need to be an amazing sound engineer to make good tracks its so refreshing and reassuring knowing that one of my all time favorite dance tracks was made with such minimal emphasis on sound design.💯
I have been staring at this song in span trying to figure out how everything was done, can't believe it was so simple! Thanks for making this!!
I loved the Denis Sulta masterclass , I had been waiting for something like that for years so thank you, Could you do Patrick Topping - Be Sharp Say Nowt ? The song has over 11 million views and it think people would learn a lot from it. thanks
refreshing. Love how its sitting on a uber expensive desk surrounded by outboard equipment. All you need is a little audio know-how and some passion.
Can't believe this only has 9 tracks in it, deffo good inspiration man.
LESS IS MORE
Great insight into routing and bussing / effects management. Cheers.
loved this track at that time...also putted in some mixes if I remember well
Word I learned so much from this
What a cool and smart dude, tune is a fucking banger too
You’re my favorite because you are so genuine. I saw your set at electric picnic in Ireland back in 2018. Best set of the weekend, I’ve been to a lot of gigs and you’re the only dj that you can see that truly just enjoys being on the decks. Keep doing what you’re doing 🤍
and done on a clearly very old macbook pro with a cd input on the side, proving its not the gear, its the producer
A landmark tune 👏
Denis is a Legend.
Damn, those eq curves look crazy, but they work so whatever) Mybe that's the thing to learn from this guy
I, as an amateur mixer, think that this topic is very misunderstood. If you compose and shape your track the eq moves can be drastic without problem. If you are a mixer and get stems from a producer you don't want to destroy the product a producer has created, so that leaves you operating in smaller boundaries. This is a sign topic not often talked about. So many mixing videos start with the raw track but it does not sound raw to me. The producer must have done something prior to make it sound good. These tracks are oftentimes clipped and controled before the mixer is doing anything and literally the mixer is adding just 10-15 % to the sound as a whole. I'd love to see more content about this thing because when you start out many people think that prior to mixing the track sounds boxy, flat and lifeless. I can't imagine that a good producer would send bad sounding tracks to a mixing engineer. Hope you get my point!
it's mostly drastic cutting rather than boosting which is a big difference. Cutting like that helps open up space for the other parts to sit in
One of my favorite producer's, thanks for this clip
Amazing getting an insight on his productions and mindset!
Very grateful for this, thank Denis you are amazing. Your music is incredible and you are so generous in sharing your techniques... and thanks Point Blank!!
I love the music of Denis Sulta, especially this track,.it has such a catchy melody. Pete Tong championed it, thankfully.
Love his mum too.
Witnessed this banger in Berghain!! BOOM!!
Legend
Came for the jumper, stayed for the knowledge
Been listening a lot to this one lately! Really cool to see this
i just figured out how to use random patterns from my Behringer TD-3 to make a song melody for different parts, shifted into key...
This tune is a masterpiece
Great advice on the outro
this song is one of the goats
those days in 2015 .... bro!
Class vid, didn't realise it only had 9 channels! More of these vids would be great.
Not that arsed about the track, but that jumper is gold, liked and subbed just cos of the jumper. edit: jk i was already subbed and i love the track, but that jumper is def the best thing in the video.
This is fabulous- thank you ☺️
yesssss been waiting for this for too long !!!
Once saw this guy playing in NL, he was prepping with a bottle of tequila 😂
Legend
Not buckfast ? 😊
Standard ;)
Claire club? Ade2019? 🤣
He's Scottish, you sound surprised?!
What a sick video. Brilliant
Excellent 🙌
Few know that you can do this randomisation on velocities and more in Bitwig
True masterpiece from this guy. Just saw this video and my heart missed a beat :D
So helpful! 🔥
Thank you for this🙏
Damn that was awesome 👏
Liked the outro !
absolute masterpiece this, euphoria to the brim🧲🧲
Excellent watch
Dude uses the analog mixing console as a laptop stand :D
Thanks
such a great track
Such a great breakdown!
This is sooo good!
Idol!
Fair play mate, it’s always those quick ones that seem to do the most damage, I’ve noticed it with my own material too!!! I played this to f’in death all over the world man, still love it!! Hit me up Dennis I’d love to do something for ya label :)
Also Camel Crusher and camel space are now built into Logic as Phat Fx and Step FX I think they’re called 🤔
ayee seff ive seen you live great to see you in the comments
@@kidchina7201 Class bro, whereabouts? I so need to get back out there now jeeeezus
Legend🖤
What a track! Can any sound design experts tell me how he's modified that preset? Downloaded the triple cheese vst and the sound for that specific preset is way off
Class 😎
This is wild 💣
I love the bass line, its simple and great
Wicked insight guys
this was so helpful! fucking great track too :)
how is ableton running on that machine? that's gotta be like a 2011 MBP
i like uhe freeware too :)
I have a 64key midi but I still use the mac keyboard 🤣
Nice!
🔥🔥🔥
@Point Blank More Old Skool Choons Please LOVE DA LFO Break Down
cool dude
So Denis is using Return channels for his busses? Am I hearing this right?
Bus and return, same thing in this case
is it just me or does denis sulta have the nicest scotish accent :D
I'm even Scottish and know what you mean. He sounds a bit like James McAvoy also lol. 👍
Ketty geezer
is there a mono sequencer in logic?
💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪
anyone recognize the sample pack used at 6:00 ?
I couldn't find the mono sequencer in live 11. I don't have max for live. Are there alternative plugins that do the same?
You gotta download the max for live essentials under packs. Might only be available for suite
would someone be able to explain if there are pros or cons to routing his busses as sends, as opposed to routing to a normal audio track as a bus or grouping?
I think that functionally, routing to a send is the same as routing to a group. Another technique in Ableton is to create parallel processing with audio group chains (aka audio effects rack, create one by selecting one or more audio effect plugin and ctrl/command g to make a group). This is basically the same thing as using multiple sends, you can balance the levels directly in the audio rack.
Sends
Pros - you can apply the same fx chain to multiple instruments; you can send a channel to multiple sends and then have control over the resultant sound by mixing the send levels as he showed with the the melody-pad thing (when he jacked up or down the reverb send)
Cons - he's using post fader sends and sends only, so it might take more work to rebalance the levels if he wanted to lower the fader on the original channel; also if he wants a "dry" sound mixed in, would have to make a dry buss, or change the dry/wet setting on the sends which might require revisiting the send levels again.
I think sends also use less CPU than parallel audio effect racks or groups, not sure on that though.
So really, it's up to how you want to organize it. I've never used sends only like he does, gonna try it for my next track
Fantastic tutorial except for the tip around using delay to shift sounds into thier own stereo space. Lieteral phasing nightmare waiting to happen :/
Anyone know the simple delay new version name?
It's now just called "Delay"
Can anyone please tell me what programm is being used in this video?
Ableton Live
Denis needs to fix the fan on his MacBook or is it just my tinnitus pløying with me?
Intel runs hot
bring peggy, lets see if she can break down her own track :D
lol haha
Hi What is the FLstudio equivalent of the monosequencer? x
The actual step sequencer has all you need
Step sequencer where you click to sequence drums there you can do paning pitch and many more things 🔥
@@alexlassabeatmaker as in the menu that comes up in the keyboard tab at the bottom to edit pitch velocity etc. Of notes
@@ravirana2001 as in the menu that comes up in the keyboard tab at the bottom to edit pitch velocity etc. Of n
@@maxredden9232 that can do the same .
how tf do you even get max for live
sorry mate but this bit got me howling 2:06 ahahahahhahahahhahaha
me one day
Only 9 tracks but sounds big
All I got from this video is he’s wearing airmax’s with adidas socks
Logic bought camel audio, now native to Logic
Charlie pace from TV series LOST would Denis sulta in 2021..
12:55
😂
No way my man is still using an OG Mac with a CD reader. That’s so classic
First!!
202
Is this guy from trainspotting?
2nd
I believe that's not the track that has "taken him to new hights" as the arrangment, mixing of the track does not radiate that high level of expertise of music making. I believe everyone that is involved in music making a little, can easily and quickly recognize. So it is a bit interesting he is holding a masterclass on it. It's rather the good manager and marketing that brought him to higher levels.
Of course, someone that makes music himself recognizes this. But I guess this is the best example that sometimes less is more in producing music. Tbh I really like the track and so do a lot of other people, I think thats what it's all about in making music.
@@abscure9619 yes I know, nowadays everyone has become a teacher, a TED presenter, or whatever. Standards are just simply out of the game, I get that, my friend. I just do not agree with it. He is producing music at a level as 10thousands of bedroom music producers do after 2-3 years of experience. It is not an intuitive statement, it is purely what my observations say when I look into the track or this "masterclass".
It is about the soul, not about the knowledge. It is
Evocative of melancholy, bittersweetness and joy, has a soul and makes people shiver and cry. There's crystal clear and up to standard music pieces that are skipped after a couple of seconds, and then there's this, pure bliss. You can learn everything but having some story to tell.