Andy, thanks for a great video. I'd love to see more "start to finish" videos like this. Learned so much about how you see a scene from the choices you're making throughout. Inspiring stuff!
I always had the idea of preserving details, always lowering the highlights and increasing the shadows but forgetting about the mood of the photo. This is really game changing, thank you so much!
Thanks for the comment, glad the video was useful. Yeah, there's this idea that bright light has to be controlled, but that can really flatten the image. Sometimes really leaning into the light can bring out really dramatic images
Just come across your channel, Andy. Absolutely excellent content, really enjoy your thought process, detailed explanation of workflow and how it is anchored on your feel for scenes and pre-visualisation. Enjoyable, informative, and your images stack up aesthetically, unlike many other tutorial channels. Bravo.
Thanks Andy, you've shown that editing an image doesn't have to be complicated - and the tip at the end of the video 'See the scene' is definitely one thing I need to be aware of and pay more attention to :) Thanks again
Thanks for the comment. Luminosity masks are incredibly powerful, and you can see from this video how much you can do with a gradient tool. It's fantastic in both PS and LR
Great stuff Andy, really enjoyed this. Your editing style for the chosen image was an exercise in restraint, very eye opening thanks a million for sharing
@@AndyMumford It’s just struck me that there are quite a number of YT landscape photogs who’ve followed your lead and are now in the Fuji camp, but I’m not aware of any you using or doing a video where you shoot only Fujifilm film sims for a landscape shoot. Having just bought a second hand XE3 to see what all the fuss is about, I’m intrigued to see what would happen if you had that as a challenge. (Minor adjustments in post allowed - but clearly already on the jpeg only). (If you’ve already done this just point me towards whichever one it was.) 🤙
Once again you deliver big-time, Andy! I am so glad i got to watch this video because it changed my ideas about post processing my images and provided me with food for thought as i continue down this creative journey! Thanks so much!
Thanks for sharing this inspiring video. In the photography journey, we are too easily fallen into the trap of getting better gears and gadgets, that we forgot what photography is all about. This video is so valuable in letting us know the whole process from capture to post, thanks so much!
This was a fantastic video Andy. I love you photographic style and composition and it's great hearing you explain your reasoning behind the creative decisions you make in your processing. Thank you!
Hi, Andy. Your videos on editing are really fantastic. With simple touches here and there you show us that we can bring lots of details and even turn an average picture into a much better one. Thanks a lot!
Thank you again Mr. Mumford. It‘s always a pleasure to get the notification for a new upload for one of your videos. I really adore your landscape photography and you are kind of an idol/inspiration for me and I hope one day I can shoot some photos that look the way your work does. Thank you once again 🙏
I just discovered your YT page, while searching for videos on photography in Tuscany. I am truly in awe of your work. Your entire process from capturing the picture to editing is outstanding. I am visiting Italy next month. I would love to get the names of the books you mentioned in the video. Thank you.
Wow, thank you for showing us how you paint your photo. Stunning photography and edits. I definitely need to learn to slowdown. That’s why I just got GFX100s with 45-100 and 110. Now I’m thinking I may need to acquire 100-200 as well.
Thanks for sharing Andy, great job on that image, and the others in the video. We have a family holiday near there in August, postponed from June 2020. Doubt the light will be as good in August but looking forward to being back in that part of the world.
Thanks so much Steve, really glad you enjoyed the video. It's a lovely area all year round. August won't be as green, but it's still a lovely place to spend time. The food alone is worth going for 😀
This video spoke to me... such soft use of editing to give that beautiful haze that I love in an image. I just subscribed and looking forward to more of your content.
Hi Andy, thanks for the content. Inspirational and didactic. Beautiful images. We are moving to Tuscany for good, within next year, and we'll be not far from Val d'Orcia. I may be able to join one of your photographic sessions if you'll be back again, who knows 😊
It was really interesting to see how you processed that image Andy. I was waiting for you to lift those shadows across the farmhouse but have to agree with decision you made not to do so.
Thanks for the comment Allan. With such strong directional light as this I like to leave the shadows there as I think it gives the image greater depth. As long as the details are clear I don't think they need to be brightened too much
Hi Andy, I really enjoyed this video. I like and will remember the “begin with the end in mind” approach to capturing the image with a view to what you will do with the post-processing. I’m thinking of heading to Tuscany in early October. Is this a good time to visit photographically in your opinion? A lot of photographers seem to recommend Spring or Summer. TIA.
Thanks for the comment, glad you found the video useful. Tuscany is always beautiful, but whether it's worth going in October really depends on what you want to see there. It's all farmland and the reason photographers prefer May is that the spring flowers are blooming and the fields are full of long green cereal, which looks really nice. It's still cool at night, so everything is green, and you have a high dewpoints, so mist is common. In October, you're at the end of summer. Most of the fields will have been harvested, so many will be just full of plowed earth instead of rolling green fields, there will be no flowers, and after the heat of the summer a lot of what was green will have turned brown. Also, the nights are hotter so the chance of mist is minimal. On the plus side though it will be really peaceful. May is now so busy that there are hundreds (that's no exaggeration, there are hundreds) of people at every single spot, and I no longer go there as it's just too frustrating to shoot in what often feels like a circus. In October you'll most likely have most places to yourself, but for sure, you won't get the classic Tuscany "look".
@@AndyMumford Wow, that's an incredibly comprehensive reply. Thanks so much! I have a general aversion to adding to the "over-tourism" problem, so if October is quieter that sounds like good news. I'll make it my business to create an "alternative" Tuscany Look. The structure of the landscape will still be there, as will that glancing low morning and evening light I guess. Plus we're going as much for the wine and food as the photography! Have bought back in to the GFX system having previously sold my 50R. I was missing those files too much. I'm thinking short to mid telephoto and the "X-Pan" crop as a starting point. I have an M42-fit Carl Zeiss Jena 135mm f/3.5 that covers the GFX sensor and is surprisingly sharp. Light and compact compared to the GF lenses too. Thanks again for the reply.
First off: Amazing shot. Truly! Second: Likewise with the edit. I learned a few tricks there! Third (just for curiosity): What the biggest difference you noticed when going from Nikon fx to fuji x (apart from the obvious size and weight)??
Thanks so much, and glad you found something useful in the video. As for the difference between Nikon and Fuji, apart from size and weight, it's just that I found using the Fuji cameras so much more intuitive, and they feel much more like an extension of my eye. That's purely personal though
@@AndyMumford Well, thank you to I guess 😊. Hmm. Interesting perspective. Has it ever been any doubt considering difference in raw data and image quality (if there are any noticeable differences) between the two systems to not not justify the switch?
It’s odd how You Tube suggests videos. In this case it’s uncanny as I was standing at the same location most mornings last week from 5:00 to 7:00 am in the hope of some mist but unfortunately it didn’t happen but there was some great light if a little hazy. I have basically many versions of the same image you used in this video so will definitely try your processing ideas.
Thanks for the comment John, glad you found the video useful. This location works really well with just good light and a little haze (as was the case here) or with lots of mist, which we had the following day. I tend to prefer the shots with good light though
These are so so helpful! I remember seeing that dehaze tip in one of your videos before and it has changed my editing forever! Thanks so much! Just a heads up - in the beginning with the linear gradient - you used defringe instead of dehaze ;)
Ahah, I realised that immediately after I uploaded it and there have been numerous posts pointing it out. 😀 As for the workshops, many of them do tend to sell out quite quickly. If there's anything you're particularly interested in, let me know before and I can put you on the priority list so you'll be the first to be informed. There's still one spot left on Iceland Summer 2023 😉
Your images are so inspiring. Thank you for this short tutorial! I'm going to use this as guidance next month for capturing the Pinggan village at sunrise. It is located in the caldera of Mt. Batur, Bali. I also plan to try my first attempt to capture the milky way there. Btw, any plans visiting Indonesia again?
Thanks so much, I really try to put as much useful content as I can into my video. I'd love to visit Indonesia again. No plans for the next couple of years, but at some point, for sure
Thanks, glad you enjoyed the video. Well, this image was done with the GFX, which has a bayer sensor and so isn't susceptible to "worming". However, having said that, when I edit with the smaller Fuji cameras with X-Trans sensors, it's never really been something I've noticed much or felt was an issue that I needed to tackle. I edit images from both cameras the same way
Thanks for video. Great as always. Very useful. And i like this format...from scratch to final product)). 24 minutes passed as 24 seconds. But still i like more CO... Begin to learn it. Also GFX100 s... Soon will be new review?))
Thanks so much, glad you found the video useful. I'd like to do more of these videos from capture to processing, but always feel they can get a little too long. As for the GFX, there'll be a review next month 😊
Thanks for the comment, glad you enjoyed the video. The location is Belvedere farmhouse…it’s pretty well known and easy to find as it’s just outside San Quirico d’Orcia.
bit confused. i remember you dropping down to the XT-4 and now i see you with a GFX 100s, a much bigger camera, size of a large DSLR. what is your main camera for Landscape ? i am eager to jump up to the GFX and have a Sony A1 and GFX 100s. each for its own purpose.
Great great video! some questions related to your last video of iceland. Did you have any problems with carry on backpacks going to iceland carring your gear? and what backpack did you use, capacity(lit)? the acelandair company, the max size of carry on is...55 x 40 x 20 cm, how was your experience with it? because i'm from Portugal i probably will have to take a 2 flights to get there. keep the good work. Have fun!
Hi Joao, glad you enjoyed the video. With regard to carry on, I never actually use my photo backpack as a carry on when I fly for exactly this reason. I use FStop gear packs, which have a removable internal camera unit where all the photography gear goes. I remove this from the backpack and carry it in a smaller tote bag, and the backpack is folded flat and goes inside my luggage in the hold. This way I've never had a problem and the bag fits comfortably underneath a seat. Having said that, I've seen so many photographers take their camera backpacks on IcelandAir flights without any problem. It often astonishes me how many people are able to take large cases and bags onto planes, but I prefer not to have the stress. Also, it's usual to have to go to Iceland in two flights, I usually go via Frankfurt or Manchester, but there is a new low cost Icelandic airline called Play www.flyplay.com which fly direct from Lisbon to Keflavik
Andy, another fantastic video!! Thanks very much for sharing your editing techniques. I've taken to using LR more and more and just leaving Photoshop alone but after seeing this video I'm going to investigate using it again. Especially after seeing the Luminosity panel. Could you please let me know which TKAction panel you use and maybe a link to get that one? I notice from that website that there are several different versions.
Thanks so much for the comment, really glad you enjoyed the video. I use an old version of the TK action panel, it's version 4. Pretty much any version will be fine as long as it has the different mask (Shadows, Lights and Lights) and the sharpening action, which is excellent
To be honest, it's not really a camera that's suits my style of shooting. It's designed for sports and action photography, so it's not a camera I think I'll review. When the high resolution XH2 comes out later this year then I'll almost certainly review that.
Hello Andy, outstanding job as always. I am trying to decide between C1 and LR; I rewatched your video from a couple of years ago about switching to C1, but it seems to me you went back to LR at some point later on. I also shoot Fuji, and I would love to know which one you recommend to invest on.
Thanks for the comment, glad you enjoy the videos. With C1 or LR it really depends on which you find most intuitive to use. I've switched back to Lightroom because the updates to the masking system are excellent and I find it much easier to edit with. Images look better right out of the camera in C1, but I find it easier to get the look I want in LR
Hi Andy, great video and super images. Thanks. I have noticed that most workshops are offered around May, is that the time of year most conducive to mist? This is not a convenient travel time for me... Sept / Oct are best... how are conditions then?
Thanks for the comment, glad you enjoyed the video. May is the best time for Tuscany for a lot of reasons. Mostly because that's when it's at it's greenest and the fields are full of long cereal. There are also lots of flowers, and warm days/cold nights bring the best chances of mist. By September/October it looks very different. It's the end of summer, which is hot in Tuscany, so all the fields are brown and harvested, so often it's just bare soil as opposed to waving green grass. There are also no flowers, and the warmer nights mean that mist almost never occurs.
Thanks so much, glad you enjoyed the video and images. I don't have a lot of time nowadays for solo trips outside of workshops (which is where I earn most of my income), but usually try to have one trip a year. Later this year hopefully in Utah, last year I was supposed to be camping in Senja but COVID happened. Before 2017 though pretty much all of my trips were alone or with my wife.
@@AndyMumford Hi, thank you for the detailed answer. I always have a little trouble finding people who like to take photos...so I often travel alone. I am currently considering going to the Dolomites alone. Your photos from the Dolomites inspire me to go to the mountains. But I'm not really convinced of that yet, solo traveling isnt mine😅
Great video Andy - you were one reason I recently switched to Fuji! (The weight savings being a huge factor). Two questions - for this image, did you consider using capture one to edit or did you go with Lightroom for a particular reason? I’m just now learning captureone and haven’t determined if I should fully switch. Second, I’ve noticed you shoot a lot around f8. Do you find f8 is often sharper than f11? I have the trusty 55-200 and the 10-24 but am still getting used to them. Thank you so much!
Thanks for the comment Ryan. I use Capture One less and less nowadays. Lightroom has gotten so good with it's last updates, and some of the techniques I prefer to use, like the light sculpting with the dehaze slider, simply don't work as well in Capture One. As for aperture, f8 is the sweet spot for those two lenses. Actually, with the 10-24mm, f7,1 is probably where it's best.
@@AndyMumford Very good to know and thanks for responding! I do like how in Capture One you can get access to all the tools when creating masks (not sure why Lightroom restricts you there), but I have to say I haven't noticed much of a difference when comparing files in each. Thanks again ~
Thanks, glad you enjoyed the video. The parts outside where recorded with a DJI Pocket 2, which comes with it's own remote mic. It has a deadcat that comes with it. I actually forgot to turn the mic on for a part of the video, so it's done with the internal mics on the Pocket 2. The processing and composition part were recorded at home with a proper Blue Yeti Nano microphone into Adobe Audition, so the sound there is richer
Fuji users on RUclips are strange. They went from DSLR til X-T2/3/4 for the smaller size. And then they upgrade to GFX with camerahouse and lenses much bigger than mirrorless full frame.
Well, I've had GFX content on my channel since the GFX50S first came out 4 years ago, and I still use the XT4 and XS10 (well, my XT4 broke when I dropped it earlier this year and I'm waiting on the new Fuji announcements later this month before I decide whether to replace it with the XH2 or wait on the XT5). I use different Fuji cameras and lenses all the time for various projects and reviews, and its "strange" that people find that strange.
I’ll never understand why people use three or four tools to do the same job. I guess it makes them feel like they’re working magic. Sliders, tone curve, calibration, plug ins. Under the hood it is all curves. Just learn to use curves.
It’s really not. While it’s true that most of the sliders, including thing like deglaze and sharpening, are just altering contrast on one level or another. The way that it applied, from micro to macro level, high pass etc (which isn’t controllable in LR) is very different. You simply cannot recreate it simply using curves. And besides that, until about 2 weeks ago curves wasn’t available locally on a LR mask. At any level in photography (or life for that matter), there are always different paths to achieve the same result, and instead of forcing everyone to do it the same way, it’s far better to give people different tools because what’s intuitive for one isn’t for another
Watching an entire edit is such a game changer, thanks so much for posting! (And lovely image!)
Thanks so much, glad you found it useful
Andy, thanks for a great video. I'd love to see more "start to finish" videos like this. Learned so much about how you see a scene from the choices you're making throughout. Inspiring stuff!
Thanks so much for the comment, really glad you enjoyed the video
I always had the idea of preserving details, always lowering the highlights and increasing the shadows but forgetting about the mood of the photo.
This is really game changing, thank you so much!
Thanks for the comment, glad the video was useful. Yeah, there's this idea that bright light has to be controlled, but that can really flatten the image. Sometimes really leaning into the light can bring out really dramatic images
First time I have come across you, enjoyed watching and will folow now. Cheers.
Thanks so much for the sub Sandy ,hope you enjoy the content
That is awesome thanks for sharing
Thanks so much for watching
This made me realise that my editing is soo basic, inspirational!
Thanks for the comment, glad you found the video useful
Just come across your channel, Andy. Absolutely excellent content, really enjoy your thought process, detailed explanation of workflow and how it is anchored on your feel for scenes and pre-visualisation. Enjoyable, informative, and your images stack up aesthetically, unlike many other tutorial channels. Bravo.
Thanks so much, really glad you enjoyed the video and found it useful. I hope you enjoyed some of my other videos
I loved the video.
Thanks so much, glad you found it useful
Thanks Andy, you've shown that editing an image doesn't have to be complicated - and the tip at the end of the video 'See the scene' is definitely one thing I need to be aware of and pay more attention to :) Thanks again
Thanks for the comment Ian, glad you found it useful
Love watching these worflow videos, takes me right back to my last trip to the Val d'Orcia.
Thanks so much, glad you found it interesting. Val d'Orcia is a lovely place
Love the edit. Masterfully done.
Thanks so much
Great video. You have really convinced me that I need to delve deeper into luminosity masks and the gradient tool! Thanks, Andy.
Thanks for the comment. Luminosity masks are incredibly powerful, and you can see from this video how much you can do with a gradient tool. It's fantastic in both PS and LR
Awesome Video!
Thanks so much, glad you enjoyed it
Great stuff Andy, really enjoyed this. Your editing style for the chosen image was an exercise in restraint, very eye opening thanks a million for sharing
Thanks so much Michael, glad you found it useful and interesting
Thanks for such brilliant content. Your sessions helped my photography to improve lot.
Thanks so much for the comment, it’s really nice to know the videos have been useful
Really nice and good explanation of how to play with the light. Recording the episode in the field is a nice addition.
Thanks Jeroen, really glad you found it useful
Great stuff! 👍
Thanks so much
@@AndyMumford It’s just struck me that there are quite a number of YT landscape photogs who’ve followed your lead and are now in the Fuji camp, but I’m not aware of any you using or doing a video where you shoot only Fujifilm film sims for a landscape shoot. Having just bought a second hand XE3 to see what all the fuss is about, I’m intrigued to see what would happen if you had that as a challenge. (Minor adjustments in post allowed - but clearly already on the jpeg only). (If you’ve already done this just point me towards whichever one it was.) 🤙
Once again you deliver big-time, Andy! I am so glad i got to watch this video because it changed my ideas about post processing my images and provided me with food for thought as i continue down this creative journey! Thanks so much!
Thanks so much for the comment Paul, glad you found the video useful
Brilliant 🙏
Thanks so much 🙏
Fantastic video - thank you for sharing your process!
Thanks for the comment. Glad you enjoyed it
Masterful work! 👏👏
Thanks so much Omar, glad you enjoyed it. Hope all is well with you 🙏
@@AndyMumford I’m good thanks. Looking forward to attending another one of your workshops… so many places to choose! 🤔
@@oshamma Would love to see you on another workshop Omar 🙏
Thanks for sharing this inspiring video. In the photography journey, we are too easily fallen into the trap of getting better gears and gadgets, that we forgot what photography is all about. This video is so valuable in letting us know the whole process from capture to post, thanks so much!
Thanks so much for the comment Brian, glad you found the video useful
Great video, Andy!!
Thanks so much 🙏
This was so helpful. Just back from my first trip to Tuscany. This helps so much with the editing process 🙂
Thanks so much Gareth, glad the video was useful. And I hope you enjoyed your trip to Tuscany. It really is a lovely place
What fabulous pictures Andy and your editing technique really makes them come alive. Such a great tutorial as usual, thank you.
Thanks so much for the comment, glad you found the video useful
This was a fantastic video Andy. I love you photographic style and composition and it's great hearing you explain your reasoning behind the creative decisions you make in your processing. Thank you!
Thanks so much Spyros, really glad you enjoyed the video and found it useful
Thanks for sharing that Andy really enjoyed the whole process, final result was amazing. Awesome location.
Thanks so much for the comment Ross, glad you found the video useful
Thnks Andy. Interesting, artistic and very useful as usual. Congratulations!
Thanks so much Thomas, glad you found it useful
Hi, Andy.
Your videos on editing are really fantastic. With simple touches here and there you show us that we can bring lots of details and even turn an average picture into a much better one.
Thanks a lot!
Thanks so much, really glad you found it useful
Great video Andy
Thanks so much for the comment
Thank you again Mr. Mumford. It‘s always a pleasure to get the notification for a new upload for one of your videos. I really adore your landscape photography and you are kind of an idol/inspiration for me and I hope one day I can shoot some photos that look the way your work does. Thank you once again 🙏
Thanks so much for the comment, really glad you enjoy the content
I just discovered your YT page, while searching for videos on photography in Tuscany. I am truly in awe of your work. Your entire process from capturing the picture to editing is outstanding. I am visiting Italy next month. I would love to get the names of the books you mentioned in the video. Thank you.
Thanks so much for the comment, really glad you enjoyed the video
Wow, thank you for showing us how you paint your photo. Stunning photography and edits. I definitely need to learn to slowdown. That’s why I just got GFX100s with 45-100 and 110. Now I’m thinking I may need to acquire 100-200 as well.
Thanks so much. The GFX is fantastic, but yeah, personally I can't imagine not having the longer lens with it
Beautiful photos with great instructional content. Really looking forward to your September workshop in the Dolomites. Cheers.
Thanks so much Tom, really looking forward to being back in the Dolomites later this year
Welcome back to Italy Andy!
Really nice images as always, ciao!
Thanks so much Luigi, really glad you enjoyed the video
Andy, great work as always. Loved the whole processing workflow and your thought process going through it.
Hey Surf, how are you doing? Glad you enjoyed the video. Iceland is getting closer, can't wait to get back 😀
Thank you so much for this great and instructive video! 🙏🤗
Thanks so much, really glad you found it useful
Love it. Great video
Thanks so much 🙏
excellent video!
Thanks so much, glad you enjoyed it
Thanks for sharing Andy, great job on that image, and the others in the video. We have a family holiday near there in August, postponed from June 2020. Doubt the light will be as good in August but looking forward to being back in that part of the world.
Thanks so much Steve, really glad you enjoyed the video. It's a lovely area all year round. August won't be as green, but it's still a lovely place to spend time. The food alone is worth going for 😀
This video spoke to me... such soft use of editing to give that beautiful haze that I love in an image. I just subscribed and looking forward to more of your content.
Thanks so much Sally, really glad you enjoyed the video
Hilarious, i just bought this spot (belvedere dawn) as a large print from you ;) What a timing.
Thanks so much for buying the print 🙏 Much appreciated
Hi Andy, thanks for the content. Inspirational and didactic. Beautiful images. We are moving to Tuscany for good, within next year, and we'll be not far from Val d'Orcia. I may be able to join one of your photographic sessions if you'll be back again, who knows 😊
Thanks for the comment, enjoy your move to Tuscany..it's a beautiful part of the world
@@AndyMumford thank you
Fantástico maestro👏👏👏🤘😘
Thanks so much 🙏
It was really interesting to see how you processed that image Andy. I was waiting for you to lift those shadows across the farmhouse but have to agree with decision you made not to do so.
Thanks for the comment Allan. With such strong directional light as this I like to leave the shadows there as I think it gives the image greater depth. As long as the details are clear I don't think they need to be brightened too much
Would be interesting to see a video on mid tones and luminosity masks for those of us who don’t want to pay for an actions tool
There are plenty of videos around that show how you can make your own luminosity masks. Just do a YT search
Hi Andy, I really enjoyed this video. I like and will remember the “begin with the end in mind” approach to capturing the image with a view to what you will do with the post-processing.
I’m thinking of heading to Tuscany in early October. Is this a good time to visit photographically in your opinion? A lot of photographers seem to recommend Spring or Summer. TIA.
Thanks for the comment, glad you found the video useful. Tuscany is always beautiful, but whether it's worth going in October really depends on what you want to see there. It's all farmland and the reason photographers prefer May is that the spring flowers are blooming and the fields are full of long green cereal, which looks really nice. It's still cool at night, so everything is green, and you have a high dewpoints, so mist is common.
In October, you're at the end of summer. Most of the fields will have been harvested, so many will be just full of plowed earth instead of rolling green fields, there will be no flowers, and after the heat of the summer a lot of what was green will have turned brown. Also, the nights are hotter so the chance of mist is minimal.
On the plus side though it will be really peaceful. May is now so busy that there are hundreds (that's no exaggeration, there are hundreds) of people at every single spot, and I no longer go there as it's just too frustrating to shoot in what often feels like a circus. In October you'll most likely have most places to yourself, but for sure, you won't get the classic Tuscany "look".
@@AndyMumford Wow, that's an incredibly comprehensive reply. Thanks so much! I have a general aversion to adding to the "over-tourism" problem, so if October is quieter that sounds like good news. I'll make it my business to create an "alternative" Tuscany Look. The structure of the landscape will still be there, as will that glancing low morning and evening light I guess. Plus we're going as much for the wine and food as the photography!
Have bought back in to the GFX system having previously sold my 50R. I was missing those files too much. I'm thinking short to mid telephoto and the "X-Pan" crop as a starting point. I have an M42-fit Carl Zeiss Jena 135mm f/3.5 that covers the GFX sensor and is surprisingly sharp. Light and compact compared to the GF lenses too.
Thanks again for the reply.
First off: Amazing shot. Truly!
Second: Likewise with the edit. I learned a few tricks there!
Third (just for curiosity): What the biggest difference you noticed when going from Nikon fx to fuji x (apart from the obvious size and weight)??
Thanks so much, and glad you found something useful in the video. As for the difference between Nikon and Fuji, apart from size and weight, it's just that I found using the Fuji cameras so much more intuitive, and they feel much more like an extension of my eye. That's purely personal though
@@AndyMumford Well, thank you to I guess 😊.
Hmm. Interesting perspective. Has it ever been any doubt considering difference in raw data and image quality (if there are any noticeable differences) between the two systems to not not justify the switch?
It’s odd how You Tube suggests videos. In this case it’s uncanny as I was standing at the same location most mornings last week from 5:00 to 7:00 am in the hope of some mist but unfortunately it didn’t happen but there was some great light if a little hazy. I have basically many versions of the same image you used in this video so will definitely try your processing ideas.
Thanks for the comment John, glad you found the video useful. This location works really well with just good light and a little haze (as was the case here) or with lots of mist, which we had the following day. I tend to prefer the shots with good light though
These are so so helpful! I remember seeing that dehaze tip in one of your videos before and it has changed my editing forever! Thanks so much!
Just a heads up - in the beginning with the linear gradient - you used defringe instead of dehaze ;)
Also - will definitely join one of your workshops as soon as find one that isn’t sold out 500 years before it happens 😂
Ahah, I realised that immediately after I uploaded it and there have been numerous posts pointing it out. 😀
As for the workshops, many of them do tend to sell out quite quickly. If there's anything you're particularly interested in, let me know before and I can put you on the priority list so you'll be the first to be informed. There's still one spot left on Iceland Summer 2023 😉
Your images are so inspiring. Thank you for this short tutorial! I'm going to use this as guidance next month for capturing the Pinggan village at sunrise. It is located in the caldera of Mt. Batur, Bali. I also plan to try my first attempt to capture the milky way there. Btw, any plans visiting Indonesia again?
Thanks so much, I really try to put as much useful content as I can into my video. I'd love to visit Indonesia again. No plans for the next couple of years, but at some point, for sure
Beautiful work. Was wondering how you tackle that worming effect that happens when you edit fuji files in Lightroom?
Thanks, glad you enjoyed the video. Well, this image was done with the GFX, which has a bayer sensor and so isn't susceptible to "worming".
However, having said that, when I edit with the smaller Fuji cameras with X-Trans sensors, it's never really been something I've noticed much or felt was an issue that I needed to tackle. I edit images from both cameras the same way
Hey andy at 9:30 you were pulling the defringe tool and not the dehaze one just incase you missed that
Bloody hell you're right! Not sure how I missed that!
@@AndyMumford I would not be able to narrate a youtube video whilst editing a photo so I can't judge haha
Thanks for video. Great as always. Very useful. And i like this format...from scratch to final product)). 24 minutes passed as 24 seconds. But still i like more CO... Begin to learn it. Also GFX100 s... Soon will be new review?))
Thanks so much, glad you found the video useful. I'd like to do more of these videos from capture to processing, but always feel they can get a little too long.
As for the GFX, there'll be a review next month 😊
hi Andy...thanks for the tutorial. Could you please also share the coordinates of the location from where this was shot?
Thanks for the comment, glad you enjoyed the video. The location is Belvedere farmhouse…it’s pretty well known and easy to find as it’s just outside San Quirico d’Orcia.
bit confused. i remember you dropping down to the XT-4 and now i see you with a GFX 100s, a much bigger camera, size of a large DSLR. what is your main camera for Landscape ? i am eager to jump up to the GFX and have a Sony A1 and GFX 100s. each for its own purpose.
Hi Rob, I've been using the X series since the XT1 and I love the cameras. I use different Fuji cameras and lenses for different trips and reviews.
Great great video! some questions related to your last video of iceland. Did you have any problems with carry on backpacks going to iceland carring your gear? and what backpack did you use, capacity(lit)? the acelandair company, the max size of carry on is...55 x 40 x 20 cm, how was your experience with it? because i'm from Portugal i probably will have to take a 2 flights to get there. keep the good work. Have fun!
Hi Joao, glad you enjoyed the video. With regard to carry on, I never actually use my photo backpack as a carry on when I fly for exactly this reason. I use FStop gear packs, which have a removable internal camera unit where all the photography gear goes. I remove this from the backpack and carry it in a smaller tote bag, and the backpack is folded flat and goes inside my luggage in the hold. This way I've never had a problem and the bag fits comfortably underneath a seat.
Having said that, I've seen so many photographers take their camera backpacks on IcelandAir flights without any problem. It often astonishes me how many people are able to take large cases and bags onto planes, but I prefer not to have the stress.
Also, it's usual to have to go to Iceland in two flights, I usually go via Frankfurt or Manchester, but there is a new low cost Icelandic airline called Play www.flyplay.com which fly direct from Lisbon to Keflavik
@@AndyMumford Thank so much Andy for the feedback. I'm gonna take a look to that system to see if it fits my needs. Keep the good work!
Andy, another fantastic video!! Thanks very much for sharing your editing techniques. I've taken to using LR more and more and just leaving Photoshop alone but after seeing this video I'm going to investigate using it again. Especially after seeing the Luminosity panel. Could you please let me know which TKAction panel you use and maybe a link to get that one? I notice from that website that there are several different versions.
Thanks so much for the comment, really glad you enjoyed the video. I use an old version of the TK action panel, it's version 4. Pretty much any version will be fine as long as it has the different mask (Shadows, Lights and Lights) and the sharpening action, which is excellent
@@AndyMumford Thanks so much, Andy.
Can you review the new Fuji XH2-S Andy ? Waiting for your in-depth reviews !!!
To be honest, it's not really a camera that's suits my style of shooting. It's designed for sports and action photography, so it's not a camera I think I'll review. When the high resolution XH2 comes out later this year then I'll almost certainly review that.
@@AndyMumford wow, I thought that this was the only XH2 camera around. I’ll definitely prefer the higher res one too!!
I was very impressed by your skills Andy, great way of working with light. Thanks so much you for this video. The result is quite astonishing.
Thanks so much Alex, glad you found the video useful
Hello Andy, outstanding job as always. I am trying to decide between C1 and LR; I rewatched your video from a couple of years ago about switching to C1, but it seems to me you went back to LR at some point later on. I also shoot Fuji, and I would love to know which one you recommend to invest on.
Thanks for the comment, glad you enjoy the videos. With C1 or LR it really depends on which you find most intuitive to use. I've switched back to Lightroom because the updates to the masking system are excellent and I find it much easier to edit with. Images look better right out of the camera in C1, but I find it easier to get the look I want in LR
Hi Andy, great video and super images. Thanks. I have noticed that most workshops are offered around May, is that the time of year most conducive to mist? This is not a convenient travel time for me... Sept / Oct are best... how are conditions then?
Thanks for the comment, glad you enjoyed the video. May is the best time for Tuscany for a lot of reasons. Mostly because that's when it's at it's greenest and the fields are full of long cereal. There are also lots of flowers, and warm days/cold nights bring the best chances of mist.
By September/October it looks very different. It's the end of summer, which is hot in Tuscany, so all the fields are brown and harvested, so often it's just bare soil as opposed to waving green grass. There are also no flowers, and the warmer nights mean that mist almost never occurs.
@@AndyMumford Thanks Andy.. appreciate your comments.
Have you ever taken longer photo trips abroad alone? Last but not least, great video and some stunning images📸👍🤯
Thanks so much, glad you enjoyed the video and images. I don't have a lot of time nowadays for solo trips outside of workshops (which is where I earn most of my income), but usually try to have one trip a year. Later this year hopefully in Utah, last year I was supposed to be camping in Senja but COVID happened. Before 2017 though pretty much all of my trips were alone or with my wife.
@@AndyMumford Hi, thank you for the detailed answer. I always have a little trouble finding people who like to take photos...so I often travel alone. I am currently considering going to the Dolomites alone. Your photos from the Dolomites inspire me to go to the mountains. But I'm not really convinced of that yet, solo traveling isnt mine😅
Hello my question is fuji recipes. Do they effect the RAW file? I just got into using RAW+Jpeg. So many 3rd party recipes. Thanks
The Fuji film simulations or any recipes don’t affect the RAW file.
Great video Andy - you were one reason I recently switched to Fuji! (The weight savings being a huge factor). Two questions - for this image, did you consider using capture one to edit or did you go with Lightroom for a particular reason? I’m just now learning captureone and haven’t determined if I should fully switch.
Second, I’ve noticed you shoot a lot around f8. Do you find f8 is often sharper than f11? I have the trusty 55-200 and the 10-24 but am still getting used to them. Thank you so much!
Thanks for the comment Ryan. I use Capture One less and less nowadays. Lightroom has gotten so good with it's last updates, and some of the techniques I prefer to use, like the light sculpting with the dehaze slider, simply don't work as well in Capture One.
As for aperture, f8 is the sweet spot for those two lenses. Actually, with the 10-24mm, f7,1 is probably where it's best.
@@AndyMumford Very good to know and thanks for responding! I do like how in Capture One you can get access to all the tools when creating masks (not sure why Lightroom restricts you there), but I have to say I haven't noticed much of a difference when comparing files in each. Thanks again ~
Hi, Great work, Andy! I'm a Fujifilm adept as well) What time of year was it, if i missed this info?
Thanks for the comment. This was shot in May
@@AndyMumford i've been to Tuscany in early May, it wasn't so green as in your photos, how so?
Really great stuff, thank you! Also, sound is good considering you are outside. What microphone and deadcat are you using?
Thanks, glad you enjoyed the video. The parts outside where recorded with a DJI Pocket 2, which comes with it's own remote mic. It has a deadcat that comes with it. I actually forgot to turn the mic on for a part of the video, so it's done with the internal mics on the Pocket 2. The processing and composition part were recorded at home with a proper Blue Yeti Nano microphone into Adobe Audition, so the sound there is richer
With your Linear Gradient at around 9:05 you didn't use the Dehaze you used Defringe instead.
haha, yeah, I noticed that after posting. It's so weird that I didn't notice it while I was recording it
Great Video, but in the first linear gradient, you are moving the defringe slider and not the dehaze tool.
Yep, realised after I posted it
Is it still a photography?
ဆရာ..ယူက်ဳ႔မွာမေတြ႔တာၾကာပီ..ျပန္ေတြ႔ရတာ၀မ္းသာပါတ္ဆရာ
Hope you enjoyed the video 🙏
Fuji users on RUclips are strange. They went from DSLR til X-T2/3/4 for the smaller size. And then they upgrade to GFX with camerahouse and lenses much bigger than mirrorless full frame.
Well, I've had GFX content on my channel since the GFX50S first came out 4 years ago, and I still use the XT4 and XS10 (well, my XT4 broke when I dropped it earlier this year and I'm waiting on the new Fuji announcements later this month before I decide whether to replace it with the XH2 or wait on the XT5). I use different Fuji cameras and lenses all the time for various projects and reviews, and its "strange" that people find that strange.
I’ll never understand why people use three or four tools to do the same job. I guess it makes them feel like they’re working magic. Sliders, tone curve, calibration, plug ins. Under the hood it is all curves. Just learn to use curves.
It’s really not. While it’s true that most of the sliders, including thing like deglaze and sharpening, are just altering contrast on one level or another. The way that it applied, from micro to macro level, high pass etc (which isn’t controllable in LR) is very different. You simply cannot recreate it simply using curves.
And besides that, until about 2 weeks ago curves wasn’t available locally on a LR mask.
At any level in photography (or life for that matter), there are always different paths to achieve the same result, and instead of forcing everyone to do it the same way, it’s far better to give people different tools because what’s intuitive for one isn’t for another
Great content, high quality as usual. Just a question, are you now shooting with GFX 100s ?
Thanks so much, glad you enjoyed the video. I have both the GFX and X Series systems and shoot with both