*INFO* (for general public) Time: 2004.11.21, as part of the annual "Wiener Philharmoniker Week" in Japan Venue for this performance: Suntory Hall (サントリーホール) Ensemble: of course it is Wiener Philharmoniker _______________________ My god ... to omit all crucial informations is totally unacceptable for an uploader to do. If you happened to see this, please, please fill it.
Holy crap I'm sweating, I love how Tchaikovsky REALLY gets to the climax and makes everybody excited with it. He's exactly the sound of Russia and does triumphant music like none other romantic composer can do!
I agree. The 4th and 5th are like he is struggling with something and overcoming it. The 6th, however....it's like he struggles a little bit and then gives up and the music just fades away.
..jeeepers! i think i'm sweating with mr gergiev.. Tchaikovsky really knows what he's doing.. it always gets me, the ferocity of the end of the 1st movement followed by that gorgeous beautiful oboe starting the second (played oboe in school it's very difficult lol).. thankyou 🙂
початок розробки 9:48 найбільш наспівна тема розробки 11:20 11:53 - т фатума 12:20 - борьба человека и фатума 12:51 - реприза 15:22 - реприза, 2я ПП, эпизод с контрапунктом ГП 16:01 - реприза, ЗП 16:30 - кода 17:24 - новая тема человека 18:20 - увеличенная ГП 2ч 19:15 А(ава)ВА в- 2 тема(гимн) - 20:35 а - тоже ведут скрипки, но вариация (появляются наигрывания у Vc i Fl) в - неизменная В - танцевальный характер: пунктиры, 3-дольный размер, прозрачная оркестровка (сначала у дер.дух. + своя мелодическая линия у струнных (без четкого аккордового сопр.), затем наоборот В(величественный, торжественный) - 23:43 Фанфарное проведение (форте, тутти, фанфары валторн) ІІІч 28:20 Епізод - 30:02 Маршовий варіант - 30:44 Контрапункт 2х тем - 31:03 IVч 30:50 главная т.(фанфарная, торжественная, в стиле увертюры (первый рефрен) 34:04 - во поле берёза (первое проведение) ще одне уособлення людини 34:44 - 2га тема, танцювальної жанр.осн., теж урочистий х-тер. 35:00 - драматический эпизод, ЗП, є ще одним уособленням фатуму Має 2 драматичні розділи: - висх.тірати у дер.дух і стр. акцентують 2гу долю такта; у відповідь звучать нисх.фрази туб. , багато хром. Підтримується всім орк. - інший тип драматизму висх. хроматизовані тріолі, орнаментальні у скрипок в найвищому регістрі. В унісон з дер.дух. Аскетичність надає особливого драматизму. Розробка. Розробляється "во поле..." 35:48 - фанфарно у валторн 35:59 - драматично, фанфарно у туби, на фоні хвилеподібних, хроматизованих фігурацій стр. (з ЗП) Тутті посилює драматизм (найбільш драматичне звучання теми) 36:12 - найбільш світле звучання (вперше в маж.) 36:29 - трагічне звучання. Розчиняється, залишаються лиш ритм та інтонаційний контур 37;39 - кода. Во поле... - найбільш наспівний вар., ламається на хроматизми 38:46 - драматичне проведення, канон 39:03 т.фатуму 41:29 - во поле на фоні т.свята
Chaikovsky orchestraition goes beyond the most unimaginable inspiration. This 4th is for me the best of his six symphonies. And I have listened many good versions. This one is outstanding but listen also HR FRANKFURT symphony with Prieto, or Karajan with Berliner Philarmoniker, or Bernstein with Viena Philarmonic. Excellent too. Thanks for this fabulous pleasure for our souls.
The most beautifull gesture I ever seen considering a conductor in the name of Valery Gergiev interpreting one of the best symphony ever written, my favourite symphony, the 4th symphony of Tchaikovsky indeed and thank you for having posted that document
I so love when a conductor goes from the third to the fourth movement attacca. Gergiev kind of does it, but when there's just a breath between them it's incredibly exciting
And Michael Tilson Thomas, his performance of this symphony was amazing, I was there... complete symphony with his commentary is on You Tube, to me both are tops
@@romanreshetkin The best Nr.4 is from SF Symphony and MMT, I heard it live and it was incredible, look for Keeping Score, there is a full symphony even though Gergiev is good too.
In the 4th movement that was the most kick ass return to the 1st movement motif downbeat I've heard in any recording. At 39:19. I liked being knocked out of my seat.
Two guys on flutes? It has to be the old VPO! As for the work... not even Gergiev on RUclips can compare to seeing this symphony in real life with the horns blaring out the fate motif, although this is certainly a good performance. What is often missed is the tympanist performing almost like a drummer throughout the first movement.
I don’t know why the symphony number 6 is often considered Tchaikovsky’s crowning achievement while the 4th is far more powerful and richer in range of emotions...
3:10 Anyone know who that bass player is...the one that looks like a cello player? Seen him in other Christian Thielemann videos, would love to learn if he's just comfortable playing that way...or thinks the bass should be held similar to a cello? What are your thoughts?
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell. Jesus Christ died and resurrected for remissions of everybody's pre-existing sins to save from eternal hell. Penalty of sin already paid by Jesus Christ on The Cross. Accept HIM. Be saved from eternal hell. Enter heaven. Enjoy heavenly music. For free.
You like Bernstein better, then choose his playing! Saying something like this to a great conductor, without a single reason, is nothing more than hate speech ...
![Yeat & Quavo - 5BRAZY [Official Music Video]](http://i.ytimg.com/vi/4XxnTAwyxus/mqdefault.jpg)
One of the best gauged performances up to the very end. Tremendous impact!
*INFO* (for general public)
Time: 2004.11.21, as part of the annual "Wiener Philharmoniker Week" in Japan
Venue for this performance: Suntory Hall (サントリーホール)
Ensemble: of course it is Wiener Philharmoniker
_______________________
My god ... to omit all crucial informations is totally unacceptable for an uploader to do. If you happened to see this, please, please fill it.
No way you listen this spectactular piece of art and not get involved!
Gosh, I'm inlove of the woodwinds and the metals...
perfection in each note they play!
Holy crap I'm sweating, I love how Tchaikovsky REALLY gets to the climax and makes everybody excited with it. He's exactly the sound of Russia and does triumphant music like none other romantic composer can do!
I agree. The 4th and 5th are like he is struggling with something and overcoming it. The 6th, however....it's like he struggles a little bit and then gives up and the music just fades away.
peak romanticism
Chopin...
@@ciupenhauer chopin is the peak of the romanticism
@@teresabendanarodriguez1745 >imagine composing only for piano
..jeeepers! i think i'm sweating with mr gergiev.. Tchaikovsky really knows what he's doing.. it always gets me, the ferocity of the end of the 1st movement followed by that gorgeous beautiful oboe starting the second (played oboe in school it's very difficult lol).. thankyou 🙂
початок розробки 9:48
найбільш наспівна тема розробки 11:20
11:53 - т фатума
12:20 - борьба человека и фатума
12:51 - реприза
15:22 - реприза, 2я ПП, эпизод с контрапунктом ГП
16:01 - реприза, ЗП
16:30 - кода
17:24 - новая тема человека
18:20 - увеличенная ГП
2ч 19:15
А(ава)ВА
в- 2 тема(гимн) - 20:35
а - тоже ведут скрипки, но вариация (появляются наигрывания у Vc i Fl)
в - неизменная
В - танцевальный характер:
пунктиры, 3-дольный размер, прозрачная оркестровка (сначала у дер.дух. + своя мелодическая линия у струнных (без четкого аккордового сопр.), затем наоборот
В(величественный, торжественный) - 23:43 Фанфарное проведение (форте, тутти, фанфары валторн)
ІІІч 28:20
Епізод - 30:02
Маршовий варіант - 30:44
Контрапункт 2х тем - 31:03
IVч
30:50 главная т.(фанфарная, торжественная, в стиле увертюры (первый рефрен)
34:04 - во поле берёза (первое проведение)
ще одне уособлення людини
34:44 - 2га тема, танцювальної жанр.осн., теж урочистий х-тер.
35:00 - драматический эпизод, ЗП, є ще одним уособленням фатуму
Має 2 драматичні розділи:
- висх.тірати у дер.дух і стр. акцентують 2гу долю такта; у відповідь звучать нисх.фрази туб. , багато хром. Підтримується всім орк.
- інший тип драматизму
висх. хроматизовані тріолі, орнаментальні у скрипок в найвищому регістрі.
В унісон з дер.дух. Аскетичність надає особливого драматизму.
Розробка.
Розробляється "во поле..."
35:48 - фанфарно у валторн
35:59 - драматично, фанфарно у туби, на фоні хвилеподібних, хроматизованих фігурацій стр. (з ЗП)
Тутті посилює драматизм (найбільш драматичне звучання теми)
36:12 - найбільш світле звучання (вперше в маж.)
36:29 - трагічне звучання.
Розчиняється, залишаються лиш ритм та інтонаційний контур
37;39 - кода.
Во поле... - найбільш наспівний вар.,
ламається на хроматизми
38:46 - драматичне проведення, канон
39:03 т.фатуму
41:29 - во поле на фоні т.свята
Would you consider translating this information to English, please? It'll be most appreciated. It seems very interesting.
Chaikovsky orchestraition goes beyond the most unimaginable inspiration. This 4th is for me the best of his six symphonies. And I have listened many good versions. This one is outstanding but listen also HR FRANKFURT symphony with Prieto, or Karajan with Berliner Philarmoniker, or Bernstein with Viena Philarmonic. Excellent too.
Thanks for this fabulous pleasure for our souls.
I’ve heard those too. I overwhelmingly enjoy this incredible rendition.
The most beautifull gesture I ever seen considering a conductor in the name of Valery Gergiev interpreting one of the best symphony ever written, my favourite symphony, the 4th symphony of Tchaikovsky indeed and thank you for having posted that document
ものすごい大熱演だ。
ウィーンフィルがここまで本気を出すとは。
これを見れた人は幸せだな。
凄演と言うにふさわしい。
And who said classical music was dull?? Either they have not heard this fireworks display or else they were talking out of their arse-end!!
8:36 ここからがカッコイイですね！
ウィーンフィルは素晴らしいです❤
素敵な動画ありがとうございます😊
I so love when a conductor goes from the third to the fourth movement attacca. Gergiev kind of does it, but when there's just a breath between them it's incredibly exciting
Only Gergiev for Tchaikovsky
Yeah this is THE performance of this symphony.....
Svetlanov, as well.
And Michael Tilson Thomas, his performance of this symphony was amazing, I was there... complete symphony with his commentary is on You Tube, to me both are tops
@@romanreshetkin The best Nr.4 is from SF Symphony and MMT, I heard it live and it was incredible, look for Keeping Score, there is a full symphony even though Gergiev is good too.
Any russian for tchaikovsky
32:19 it’s hilarious to see those big men plucking away on their huge double bass
Gergiev + Thaikosky = perfection!
Brilliant👏👏👏💗💙💙💕💕💕💗💙💕💕💕Magnificent performance!!!!!!!
In the 4th movement that was the most kick ass return to the 1st movement motif downbeat I've heard in any recording. At 39:19. I liked being knocked out of my seat.
OMG - just listened to MMT SF Orch version of the 4th movement - blew me into the next room! - loved the interpretation
Is anyone else listening while doing hwork and also plays an instrument? Btw I play cello😋
For me the best Versions, Gergiev Mariinsky Theatre Orchestra and Barenboim Chicago Symphony
Such incredible finely nuanced finesse,,,,,,,,
A noteworthy performance and flawless recording spoiled by a high-pitched tone present throughout the entire video.
Bravo,bravo, bravo!.. Thanks a lot.
Obrigado amigos e amigas musicistas!
Mir steht es nicht zu,einen musikalischen Kommentar zu publizieren,aber dass sich hier niemand äussert,ist einfach unglaublich
Grande Maestro 🙏🇮🇹
Two guys on flutes? It has to be the old VPO!
As for the work... not even Gergiev on RUclips can compare to seeing this symphony in real life with the horns blaring out the fate motif, although this is certainly a good performance. What is often missed is the tympanist performing almost like a drummer throughout the first movement.
Phenomenal!!!! Waaaaaa
Who knew? Joe Cocker also conducts symphony orchestra!
Exactly .....and what's suprising -not worse than singing.
ufff tremenda versión
I don’t know why the symphony number 6 is often considered Tchaikovsky’s crowning achievement while the 4th is far more powerful and richer in range of emotions...
Because they are not Russian.
11:15 ... Violins be like ((panic attack increases))
yeah he goes from 0 - 100 real quick, i enjoy versions where they do a proper accelerando there
Inconceivable, he did not use the toothpick...
He has this music in his DNA. Doesn't f#$king need any toothpick.
3:10 Anyone know who that bass player is...the one that looks like a cello player? Seen him in other Christian Thielemann videos, would love to learn if he's just comfortable playing that way...or thinks the bass should be held similar to a cello?
What are your thoughts?
Anyone ever thought making a transcription for two pianos ? As Liszt did for Beethoven symphonia eroica.
Good idea.
P.S. Liszt made for 1 piano :)
..i wouldn't be surprised if it has been done?
великолепно! только маленький уровень громкости.
Абсолютно совершенно
Magnifica
2nd movement: 19:13
I love it 😢😢😢
👍👍🌹🌹
Grande Gergiev!
Which orchestra is? No women at all, curious thing. Wait, I saw a viola.
I think it's the Vienna Philharmonic Orchestra:)
Because if there were women they would play better yes ofc.
Wtf who cares...what matters is the quality of the musicians. If they are all women, great! If they are all men, that's great, too!
30:00 :)
only Gergiev for tchailkovsky
33:50 mvt 4
💐🕊🧡🙏
30:15 , 37:56
38:44
6:20
Go and see Berrstein version...now thats tcaikovski
Mir steht es nicht zu,einen musikalischen Kommentar zu äußern,aber hier passiert gar nichts
Was genau sollte denn Ihrer Meinung nach hier "passieren"?
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell.
Jesus Christ died and resurrected for remissions of everybody's pre-existing sins to save from eternal hell. Penalty of sin already paid by Jesus Christ on The Cross. Accept HIM. Be saved from eternal hell. Enter heaven. Enjoy heavenly music. For free.
Bernstein's is better.
You so funny😄😄
Bernstein is dead.
You like Bernstein better, then choose his playing!
Saying something like this to a great conductor, without a single reason, is nothing more than hate speech ...
I agree, Bernstein owns Tchaikovsky's 4th to 6th.
8:20