I see so many of these on Facebook marketplace, it's like everyone watches these RUclips videos, buys one, can't figure out how to use it and then sells it. I will still end up buying one lol
One of the best things I did was to get cozy with the manual. I've owned the Microcosm for about a year and I think I spent the first 2 months exploring the different sound banks bit by bit with the manual on my lap. Sure, I watched a lot of videos beforehand to familiarize myself with what I was buying, but once I got my hands on it I didn't watch anything for a while. I think slowing down and taking the manual seriously was the best thing I could have to carve out my own voice. It wasn't always a very musical process, but over the months cool ideas would emerge. In my opinion it's worth every penny.
I LOLed at the Zarathustra MIDI plug. That alone earned you a subscription. I totally agree about MIDI being a crucial part of an effect like this. Love the demo.
I really want to thumbs up 👍 this video again & again as I keep coming back for more inspiration as my journey with the Microcosm goes deeper. Thanks for this & keep making amazing video. 🎉 thanks 🙏
Aaah your channel is going places! You definitely accomplished your goal of showcasing parts of this effect that few have talked about already. I've been so curious about using a hardware effect as a DAW send effect, and you managed to help me wrap my head around that even while showing what Microcosm is capable of in the process. I also appreciate your timing with this one. I just ordered my Microcosm a few days ago, so I'm just about ready to start exploring this labyrinth myself.
Damn it kudos to you! Best demo video I've seen thus far of ANY product. This is how it should be done. Far from cookie cutter and very honest. Showing practical and creative uses of the features, not just listing what it can do. Earned a follower and a thumbs up from me. Bravo!
BTW I was playing with my microcosm in live and thought what if I put it on the send channel so I can blend multiple elements. it was cool, but ironically I came across this video and saw the trick you did with the phrase looper. ABSOLUTE GAME CHANGER!! All the thanks to you!
this was fantastic in every way!! super useful info, really interesting grooves & soundscapes, excellent video production... great stuff!! bravo!! & thank you. ;-)
Yes, this was a great gear demo that made me really want a piece of gear that I had heard about as nauseum, but am now giving a second thought to. Also : you just made incredible music that inspires me to want to go make music right now. So double thanks!
Respect, Donald. There's so much useful information in your amazingly well researched vid - and it's throughout entertaining, too. Love the musical approach to the demo, and the use of all those diverse sounds and contexts. Thanks for the MIDI revelation, you did spare us all going down a long and winding road - and for doing it all in full stereo. It's so great that you so often let us hear the dry signal in between to be really able to grasp what the microcosm is actually doing. Just got mine a couple of days ago and your demo helped immensely to start and get that thing going. Awesome piece of work, Donald. Keep on groovin'! P.S.: Would dig a Red Panda Particle 2 demo from you.
I just bought one of these based on all of the videos that loved it. My own goofing around over a couple of days has left me needing some guidance on how to make it useful. SUBSCRIBED and LIKED :)
Nice review! I wish there were more videos showing the Midi-capabilities of various effect pedals. One small tip thought, is to show the instrument you’re playing, rather than a shady waveform on a brown tv-monitor the first 10 minutes :) And nice cold milk is underrated.
Good point! I end up on the triangle wave a lot because I like to smooth the grains into each other, but the saw wave is great for punchier sounds, almost like a quick envelope. And the reverse saw is really cool for quasi-sidechained sounds when synced.
@@Bloom_Music For sure, and it’s also my overall favorite, but some things, like the glitchy ones with drums I really like the square wave sometimes. 😁 Worth playing with for sure! Cheers!
Man! Your work is amazing and excellent as always! Your voice is so clear, calm, and concise. I keep wanting more! Really wish you talk about synth like Poly/Matrix Brute or Matriarch or gear like Sp-404 mk II. Anything, friend! Cheers and peace 👍
Beautiful! Cool how you combined it with the 404 mk ll sampler. Can you guys out there imagine how this thing would sound in combination with the Tenori-On or the Nopia? Wicked! Imagine if Brian Eno had these goodies to his disposal back in the day....😘
Seems a fair price for what it does. Even over YT audio, sounds pretty detailed and undistorted. No piece of gear I have will sync effects to MIDI clock. They add import duty for the customer at checkout, which is very helpful.
Great demo. Made me want to know your sound sources too. Esp at 6:55 and 7:27. Those sounded great through the Microcosm. Most importantly, your video made me plug in my Microcosm and get inspired by Midi sync.
All of the synth sounds in the video were made using Arturia's MiniFreak V. And many of them are from the free patch bank I shared in the description of my MiniFreak video! Link: ruclips.net/video/VUzMbIkc_6Q/видео.html
Ok, see?! All the videos I've seen on the microcosm the last few years did not go into this kind of detail. All you did was connect it via midi back to the DAW or interface and actually gave us time (more than 1 measure) to hear the full attack and release of the effect then the same source sound without the effect (more than 1 measure). Sadly too many RUclipsrs don't do that. Thanks for keeping it simple!! 👏👏👏 Followed. Awesome demo video!
What you’re really buying here is how the excellent brains at Hologram patched three basic modules: grains, delay and pitch shift. You can make your own versions of these sounds with those 3 building blocks (plus reverb and a looper). But what you’re really buying here is a set of clever patchings/presets. I have both a Microcosm and a modular, and i enjoy the Microcosm. But in modular I’d probably just patch my own. Ymmv of course.
I’ve sold off my rack. I had the Microcosm do some great stuff on the module level. Had a Strymon AA.1 because it was very quiet with adequate gain. The Pamela’s with the expansion module with midi which would go into the Hologram.Was able get rock solid sync. Very happy with this set up. But yeah Modular would be ideal.
Nice video! I found the same things you have. If your not using midi with this pedal your wasting time trying to find the sweet spot. The unpredictably of this pedal is it’s blessing yet it’s curse lol. I love happy accidents but you really need good insurance with the microcosm.
Apart from a great review you have very interesting music ideas. Do you produce songs too? Could you add links to your Spotify etc, to your video descriptions?
Keep an eye on the mix knob, especially during the Sound Examples section. I make sure to start 100% dry, and then typically fade to dry at some point during each example so you can hear the difference. Maybe not as obvious visually as actually pressing the bypass switch, but same result.
@@Bloom_Music Thanks for the reply! I actually didn’t know that the Microcosm had a “line in” mode, and was concerned about impedance mismatching. Super awesome feature!
All I did was an audio cable from the output of my interface to the input of the pedal, and then an audio cable from the output of the pedal back to an input on my interface. I used the "External Audio Effect" device to handle the routing within Ableton Live, and most DAWs will have an equivalent option. After that, if you want MIDI sync and control, you'll need to run a MIDI cable from the MIDI out of your interface to the MIDI in of the pedal. If you need more detail than that to get up and running, I would suggest checking out the manual that came with the pedal!
Yes, so the LPP is just acting as a controller for Ableton Live. In my Live set I have an FX track with the External Audio Effect on it, which is set up to run through the Microcosm. From there, I'm just using the LPP to adjust the send levels of each track. So the more I turn up the send, the more signal for that track that is passed through the Microcosm. Hopefully that is clear!
@@Bloom_Music thanks for that, I’m more curious of the analog patching , how you are sending those changes to the microcosm, is it just via midi out of an interface?
@@tomfoolery4077 Gotcha. Yes, just a straight up MIDI cable from an interface, and all of the MIDI data is coming from clips in the Live session. During the poptart bit, it's the "Microcosm Looper Control" and "Microcosm Effect Control" tracks that I'm using to control it, and the clip names give a description of what they are each doing. I've set up follow behaviors to launch the clips and scenes at the appropriate times, so it's a completely automated performance of the Microcosm. I focus in on the Live session a couple of times, so you should be able to pause it and see what's going on there.
I don't think so. Based on the manual, it only transmits MIDI clock. The page of the manual with the control change map specifically calls out that it "receives" those MIDI messages, but does not mention transmitting them.
Thanks for showcasing this. Love the information. Would you mind assisting me with how to set this up on Ableton? I currently have the following: Roland MIDI USB UM-One TRS cables Scarlett 4i4 Audio Interface Ableton DAW MacBook M1 Ableton Push 2
Hmmm… That’s a very broad question, as there are dozens of ways you could set this up, depending on your needs and goals. I would recommend watching some RUclips tutorials on 1) how to route audio/midi within Live, 2) how to route audio/midi through an audio interface using Live, and 3) how to use the “External Audio Effect” effect in Live. If you get familiar with those three topics, you should have everything you need to configure your setup.
Technically, yes, but it will depend on your workflow. The Microcosm will sync to the MiniFreak over MIDI no problem, but the MiniFreak only sends sync info when the sequencer is running. If you adjust the MiniFreak's tempo while the sequencer isn't running, that adjustment isn't sent. If your use case allows you to always have the sequencer running (even an empty sequence will still send sync), then I would say it would work. Note that switching presets on the MiniFreak stops the sequencer, so that would be something to manage if you're considering using it in a live environment. But if we're just talking about studio/bedroom use, syncing via the sequencer should work just fine!
I need a clarification: all the sounds that can be heard in the video clip are entirely produced by this device or does the melodic line come from outside and the device only processes it??
Definitely not as good of a sound as you would get with a dedicated audio device, but not having to sync 100+ clips when cutting a video makes it 1,000,000x worth it! The difference for RUclips audio is probably negligible anyways.
@@Bloom_Music Another great idea amongst so many, thanks - it's so great to follow the "how-to-understand" part with the "just-listen-to-get-the-feel"…
They are definitely in the same family. However, the Panda has fewer options. It would kind of be like getting just one of the Microcosm's four sections, is the best way I know how to describe it. The Microcosm will produce a wider variety of sounds, plus it has the looper. And the included reverb will get you much further into ambience land, if that's your thing. However, the Panda can do a lot of tricks with pitch that the Microcosm cannot. The Microcosm's pitch changes are mostly predetermined based on the effect variation selected, and are typically octaves. The Panda gives you direct control over pitch, in semitones, independent of speed. Very cool!
Would have been good to show people how you set it up, I have one and it can get a little complicated. The demo was great but people need to look under the hood.
23 minutes and 47 seconds, where can I listen to these types of instrumentals all the time? I don't mean LoFi Girl (although its cool). I'm looking for 1980s inspired synth instrumentals.
I know you said no LoFi Girl, but if you're not aware, they recently added a Synthwave channel. That's the closest thing I can think of! ruclips.net/user/liveMVPTGNGiI-4?feature=share
I’ve wanted one for a long time, but the price is just too damn high. It’s an amazing pedal, and can be used to liven up an otherwise boring track, and as a complete package it is very attractive, but not at 650. An MPC One costs less and has a decent granulator, synth engines, looper, sequencer, sampler, effects plugins that can be layered per sample or per track or on top of master, can even run some vst’s, and does a lot more for less than this one effects pedal, to put those 650 into perspective. But I do still want one.
This same argument could be made for pretty much any high end or boutique hardware effect. You are always going to be able to emulate it in a DAW or MPC-like device for cheaper. But there's a reason pedals continue to sell like hotcakes despite this! A lot of people prefer the immediate, personal interface of a dedicated device over a shoehorned GUI or fiddling with a mouse. I feel much more creative when I'm using a hardware effect or synth. Just personal preference!
@@Bloom_Music as someone who is about 98% DAWless, I agree. I do much prefer knobs and physical keys to a screen and a mouse. In this one video You’ve used more Ableton and iOS than I have in a year. Love Your videos - the miniFreak review is the biggest reason I now own one 😁 this one is so close to pushing me over the edge on Microcosm as well! I do have a few worries about it, that make the 650 price a factor: 1) without MIDI sync it seems like it’s difficult to get it to repeatedly do exactly what You want. Great for inspiration or jamming, and happy accidents, but unreliable for production or live sets and 2) for the first week or a month, it would probably be amazing, but it does have a somewhat distinctive sound, enough so that by now I’ve heard quite a bit of microcosm to tell when it’s there and it does start to sound the same on a lot of tracks. It’s possible that once You get used to what it sounds like, it feels like it’s no longer that varied and makes everything sound microcosmey.
Fine revelation of Hologram - Microcosm strengths ..... particularly favoring personal application with Prophet 5 and Deepmind 12. DAW guy recently diverting to analog polysynths __ still quite naive. Committed to add Microcosm to recent UAFX Del-Verb & Astra. Truly unsure of complementary vs conflicting role(s) Microcosm can play. 🤷🏻♂
the sky is the limit...but the xontrolling of option should be followed more like a regular Dj fx mixer with some buttons.. for live Sets with analog mixer or audio only its far limited for controlling the features..
OP are the effects inside the Harmonizer or is a track looping (Traktor) off camera also? I’m assuming the initial track is external. Sweet piece of equipment.
@@Bloom_Music I see. And If I wanted to use The Harmonizer with my analogue mixer (Model 1), audio interface and Laptop/Traktor, I would connect the fx to the mixer or the audio interface? Tx.
It's a 'plugin in a box'. This would be best suited for guitarists who are not good with computers - if you ARE good with computers - you won't need this.
@@alan17717 Is this pedal made out of gold or smth? …how much is it? $700, 800, 900? That is ridiculous…maybe for someone who is earning 3-5k a month and who lives in California or in London that price is ok, but most probably 85-95% of global population can only dream about it. Me personally, I can afford it but I think that I rather buy 2-6 other fx pedals and actually Microcosm does not bring any new technology to the table…it only yields technologies that are already out there…and I think that I rather have more flexibility by having those different features separated vs all in one box... Besides that…we have XXIst century and a piece of metal, few knobs, circuit board and a few chips produced and assembled in a third world country, designed by “western” engineers who take advantage of ENGINEERS from a third world country…should not cost 1000%, 2000% or even 5000% more then a production cost. It is a good pedal but that price is a ripoff…especially in times if there is global distribution so easy accessible. I personally would pay for it max 300-400€ and would love to see there “MADE IN USA”! Btw. Cardboard box 📦 production must be also very expensive so it drives the price to the moon 🚀🚀🚀🚀🤭 Just tired with this “worth the price”…gosh… I can buy a used car for that money!!!🙄 Car made in Germany! 😂
Compared to what? I have one and I think it is worth every penny that I spent on it. Can't say the same thing about other gear or software VSTs that I have bought over the years. I guess it depends on what you want to do with your music
@@DeepSpaceus ..any of that feature is not a new revolutionary technology…in fact you don’t even need a vst in order to achieve most of these effects (if not all)…vst also use musicians ideas who did not have those tools when they were creatively using their software. Yeah …700 here, 700 there, 700 everywhere! 🤑🤑🤑 So you have it and you will never buy any other gear again!?!💩
That midi cable reveal alone was worth a like.
Dave, what are you doing with that MIDI cable, Dave?
I see so many of these on Facebook marketplace, it's like everyone watches these RUclips videos, buys one, can't figure out how to use it and then sells it.
I will still end up buying one lol
One of the best things I did was to get cozy with the manual. I've owned the Microcosm for about a year and I think I spent the first 2 months exploring the different sound banks bit by bit with the manual on my lap. Sure, I watched a lot of videos beforehand to familiarize myself with what I was buying, but once I got my hands on it I didn't watch anything for a while.
I think slowing down and taking the manual seriously was the best thing I could have to carve out my own voice. It wasn't always a very musical process, but over the months cool ideas would emerge. In my opinion it's worth every penny.
10/10 youtube channel, from the clean presentation, humour to very informative applications. Another sub here!
THIS is the most useful video on using the Microcosm that I've seen, thanks!
I LOLed at the Zarathustra MIDI plug. That alone earned you a subscription. I totally agree about MIDI being a crucial part of an effect like this. Love the demo.
I read this comment, and I knew it was coming, and I still LOLed at it.
DAMN THAT MIDI INTRO WAS SO GAS!!!
that moment when the midi din revelation occurs made me literally laugh out loud bahahahah
They were wise to send this to you. I went from completely ignoring this to seriously considering putting it on my wish list. Great work!
I don’t know why it took this video to get me to sync my Microcosm to midi but it did and now my life has changed. Thank you!
Beautifully produced review and demo of the Microcosm. Thank you.
Really hope your channel blows up soon, this is such a well made video
Wow, that pan on the MIDI connector was really, really well done.
Awesome! loved the "BEHOLD THE POWER OF 5 PIN MIDI" 🤣
I just ordered mine and your video has elevated my excitement exponentially!
great review...now an even more intriquing pedal with your insights and creative use cases!
A truly useful tutorial at last!
I really want to thumbs up 👍 this video again & again as I keep coming back for more inspiration as my journey with the Microcosm goes deeper. Thanks for this & keep making amazing video. 🎉 thanks 🙏
Man…you may have been the one to finally convince me to get one 👍🏽
Aaah your channel is going places! You definitely accomplished your goal of showcasing parts of this effect that few have talked about already. I've been so curious about using a hardware effect as a DAW send effect, and you managed to help me wrap my head around that even while showing what Microcosm is capable of in the process.
I also appreciate your timing with this one. I just ordered my Microcosm a few days ago, so I'm just about ready to start exploring this labyrinth myself.
Hi Ryans, I also received mine today, any tips for using a hardware effect as a DAW send effect?
Totally nailed it. Thank you for this amazing review. I own one and i can say for sure, that this is the best video about microcosm i've seen so far
Thanks!
the midi revelation part was a revelation itself - great idea, great execution, funny & brilliant at the same time. subscribed.
Same
Late to the party but great video dude, love the aesthetic.
This is the best video I've seen about this pedal great job man
Damn it kudos to you! Best demo video I've seen thus far of ANY product. This is how it should be done. Far from cookie cutter and very honest. Showing practical and creative uses of the features, not just listing what it can do. Earned a follower and a thumbs up from me. Bravo!
BTW I was playing with my microcosm in live and thought what if I put it on the send channel so I can blend multiple elements. it was cool, but ironically I came across this video and saw the trick you did with the phrase looper. ABSOLUTE GAME CHANGER!! All the thanks to you!
this was fantastic in every way!! super useful info, really interesting grooves & soundscapes, excellent video production... great stuff!! bravo!! & thank you. ;-)
Great job! You’re one of the few people to use this pedal correctly!
Great job showing the looper and MIDI capabilities. Haven't seen a video like that on this platform.
Yes, this was a great gear demo that made me really want a piece of gear that I had heard about as nauseum, but am now giving a second thought to. Also : you just made incredible music that inspires me to want to go make music right now. So double thanks!
Ad nauseum?
@@sub-jec-tiv I hate auto correct SO much, lol.
Respect, Donald.
There's so much useful information in your amazingly well researched vid - and it's throughout entertaining, too.
Love the musical approach to the demo, and the use of all those diverse sounds and contexts. Thanks for the MIDI revelation, you did spare us all going down a long and winding road - and for doing it all in full stereo.
It's so great that you so often let us hear the dry signal in between to be really able to grasp what the microcosm is actually doing.
Just got mine a couple of days ago and your demo helped immensely to start and get that thing going.
Awesome piece of work, Donald. Keep on groovin'!
P.S.: Would dig a Red Panda Particle 2 demo from you.
Thanks for taking the time to type all of this out!
I just bought one of these based on all of the videos that loved it. My own goofing around over a couple of days has left me needing some guidance on how to make it useful. SUBSCRIBED and LIKED :)
Awesome video! I love this pedal so much. I used midi since day one on it!
thanks for your time, amazing video!
Your content is outstanding. Thanks man.
Glad you found the MIDI ports. :) Use mine with the Deluge. MIDI opens up a whole new world. Not many use the feature the way you have. Thanks!
Well done with this video! I also think the freeze/hold features are underrated! Looking forward to your next videos :)
And the looping, as well!
You need way more followers on the channel, that was a great video
brother nice channel" im sure. you are gonna grow very big! very nice review, shots, lught, sound etc. Subscribed!
Great sound⚡⚡
Nice review! I wish there were more videos showing the Midi-capabilities of various effect pedals. One small tip thought, is to show the instrument you’re playing, rather than a shady waveform on a brown tv-monitor the first 10 minutes :) And nice cold milk is underrated.
Thanks for the feedback.
Don't be afraid of the Shape knob! ;) Great video!
Good point! I end up on the triangle wave a lot because I like to smooth the grains into each other, but the saw wave is great for punchier sounds, almost like a quick envelope. And the reverse saw is really cool for quasi-sidechained sounds when synced.
@@Bloom_Music For sure, and it’s also my overall favorite, but some things, like the glitchy ones with drums I really like the square wave sometimes. 😁 Worth playing with for sure! Cheers!
😂 that midi sequence was perfect
Man! Your work is amazing and excellent as always! Your voice is so clear, calm, and concise. I keep wanting more! Really wish you talk about synth like Poly/Matrix Brute or Matriarch or gear like Sp-404 mk II. Anything, friend! Cheers and peace 👍
I don't have access to those synths specifically, but definitely more synth related content coming in the future!
@@Bloom_Music great! And this comes from a guitarist
Nice video - beautiful aesthetics and clarity. Personally I found the MicroCosm difficult to manage, so really helpful.
"ok just one more". and i'm subscribed!
Great video man!
I got mine last year. I love it.
Well done! I didn’t think I needed this. Whoops.
the midi in revelation was worth a like and subscribe from me
This is one of the few hardware units I would definitely want to own
the midi revelation was so consequent ... dramatically great ...
amazing tips, than you!
Beautiful! Cool how you combined it with the 404 mk ll sampler. Can you guys out there imagine how this thing would sound in combination with the Tenori-On or the Nopia? Wicked! Imagine if Brian Eno had these goodies to his disposal back in the day....😘
haha 11:38 so lovely how u connect the midi ❤
Seems a fair price for what it does. Even over YT audio, sounds pretty detailed and undistorted. No piece of gear I have will sync effects to MIDI clock. They add import duty for the customer at checkout, which is very helpful.
Great demo. Made me want to know your sound sources too. Esp at 6:55 and 7:27. Those sounded great through the Microcosm. Most importantly, your video made me plug in my Microcosm and get inspired by Midi sync.
All of the synth sounds in the video were made using Arturia's MiniFreak V. And many of them are from the free patch bank I shared in the description of my MiniFreak video! Link: ruclips.net/video/VUzMbIkc_6Q/видео.html
Ok, see?! All the videos I've seen on the microcosm the last few years did not go into this kind of detail. All you did was connect it via midi back to the DAW or interface and actually gave us time (more than 1 measure) to hear the full attack and release of the effect then the same source sound without the effect (more than 1 measure). Sadly too many RUclipsrs don't do that.
Thanks for keeping it simple!! 👏👏👏 Followed.
Awesome demo video!
I hope one day they can make this as a modular
It is begging for it!
What you’re really buying here is how the excellent brains at Hologram patched three basic modules: grains, delay and pitch shift. You can make your own versions of these sounds with those 3 building blocks (plus reverb and a looper). But what you’re really buying here is a set of clever patchings/presets. I have both a Microcosm and a modular, and i enjoy the Microcosm. But in modular I’d probably just patch my own. Ymmv of course.
@@sub-jec-tiv Sounds like Beads + a Looper could achieve it?
@@sub-jec-tivwhat is a good grain plug in? Cause on MASCHINE there is a standard grain delay and stereo delay, so I’m wondering the difference
I’ve sold off my rack. I had the Microcosm do some great stuff on the module level. Had a Strymon AA.1 because it was very quiet with adequate gain. The Pamela’s with the expansion module with midi which would go into the Hologram.Was able get rock solid sync. Very happy with this set up. But yeah Modular would be ideal.
Cool upload! Would love to hear you play with the Microcosm and JX-08 together.
Really nice video, well produced, and very helpful. Would you buy one with your own money?
Nice video! I found the same things you have. If your not using midi with this pedal your wasting time trying to find the sweet spot.
The unpredictably of this pedal is it’s blessing yet it’s curse lol. I love happy accidents but you really need good insurance with the microcosm.
This is amazing! Any plans on showing us how it plays with the KO II????
It's currently not on my board (had to make room for the Chroma Console 🙂), but I may break it out for the K.O. II + synths video I'm working on!
Apart from a great review you have very interesting music ideas. Do you produce songs too? Could you add links to your Spotify etc, to your video descriptions?
The only music I really make is to support these videos, but glad to hear you find it interesting! Thanks!
Without clear dry/wet comparisons, it's very hard to understand which sounds are made by the effect and which don't.
Keep an eye on the mix knob, especially during the Sound Examples section. I make sure to start 100% dry, and then typically fade to dry at some point during each example so you can hear the difference. Maybe not as obvious visually as actually pressing the bypass switch, but same result.
Nice.
I know i am a new subscriber, but i would love to see a video showcasing the potential of any of the elektron octatracks (mk1, 2, or 3)
I have never owned an Octatrack, but I hope to someday! 🤞🏼
thanx for sharing info..how did You do the oscylloscope out of the old tv?
The TV is just a prop. The oscilloscope is added in post using the plugin Signalizer!
legend!
what synth is shown at 3:59 ?
That is the excellent MSW-810, which I will be making a video on at some point!
For timing you need to use tap tempo on the left bro or connect 5 pin
Alright I’m convinced. I’m buying one. My wallet does not thank you, but I do!
....another magic box that will make you a star....
how are you sending audio from your DAW to the microcosm?
Just a run of the mill audio interface, audio output into the pedal.
@@Bloom_Music Thanks for the reply! I actually didn’t know that the Microcosm had a “line in” mode, and was concerned about impedance mismatching. Super awesome feature!
how did you connect the Microcoms to your computer. I'm still having problems getting mine to work properly. Thank you in advance.
All I did was an audio cable from the output of my interface to the input of the pedal, and then an audio cable from the output of the pedal back to an input on my interface. I used the "External Audio Effect" device to handle the routing within Ableton Live, and most DAWs will have an equivalent option. After that, if you want MIDI sync and control, you'll need to run a MIDI cable from the MIDI out of your interface to the MIDI in of the pedal.
If you need more detail than that to get up and running, I would suggest checking out the manual that came with the pedal!
Cool vid, man. What synth were you using around 6:00? Sounds sick!
All of the synth sounds in the video came from Arturia MiniFreak V!
@@Bloom_Music I'm running to get myself one! thx!
@@ChorusHunter I have several videos on the MiniFreak. 😉 I love it!
Was that Cavern Caprice from DKC3 @26:15 ? Love the vid man!
Haha, not intentionally, but the DKC games were my jam back in the day, so it may have subconsciously slipped through!
Sounded great either way! Those songs are burned into my brain, love those games. Cheers!
Could you explain the signal chain when you were using the LPP as a effect send to the Microcosm.
Yes, so the LPP is just acting as a controller for Ableton Live. In my Live set I have an FX track with the External Audio Effect on it, which is set up to run through the Microcosm. From there, I'm just using the LPP to adjust the send levels of each track. So the more I turn up the send, the more signal for that track that is passed through the Microcosm. Hopefully that is clear!
@@Bloom_Music thanks for that, I’m more curious of the analog patching , how you are sending those changes to the microcosm, is it just via midi out of an interface?
@@tomfoolery4077 Gotcha. Yes, just a straight up MIDI cable from an interface, and all of the MIDI data is coming from clips in the Live session. During the poptart bit, it's the "Microcosm Looper Control" and "Microcosm Effect Control" tracks that I'm using to control it, and the clip names give a description of what they are each doing. I've set up follow behaviors to launch the clips and scenes at the appropriate times, so it's a completely automated performance of the Microcosm. I focus in on the Live session a couple of times, so you should be able to pause it and see what's going on there.
In the 404 does the cable from hologram are stereo or mono settings?
I had it hooked up in stereo.
Does it also *send* midi CC’s and Control changes during a performance? … such that you could record the control/midi performance to use again?
I don't think so. Based on the manual, it only transmits MIDI clock. The page of the manual with the control change map specifically calls out that it "receives" those MIDI messages, but does not mention transmitting them.
Thanks for showcasing this. Love the information.
Would you mind assisting me with how to set this up on Ableton?
I currently have the following:
Roland MIDI USB UM-One
TRS cables
Scarlett 4i4 Audio Interface
Ableton DAW
MacBook M1
Ableton Push 2
Hmmm… That’s a very broad question, as there are dozens of ways you could set this up, depending on your needs and goals. I would recommend watching some RUclips tutorials on 1) how to route audio/midi within Live, 2) how to route audio/midi through an audio interface using Live, and 3) how to use the “External Audio Effect” effect in Live. If you get familiar with those three topics, you should have everything you need to configure your setup.
Has anyone explored running the microcosm in the signal chain of regular hifi? As a way to shape and play with the sound?
So sorry… but those initial Depeche Mode like sounds in the beginning were dope ❤
Theoretically speaking, can I solely use a Minifreak as a clock source to bring the Microcosm into synced mode?
Technically, yes, but it will depend on your workflow. The Microcosm will sync to the MiniFreak over MIDI no problem, but the MiniFreak only sends sync info when the sequencer is running. If you adjust the MiniFreak's tempo while the sequencer isn't running, that adjustment isn't sent. If your use case allows you to always have the sequencer running (even an empty sequence will still send sync), then I would say it would work. Note that switching presets on the MiniFreak stops the sequencer, so that would be something to manage if you're considering using it in a live environment. But if we're just talking about studio/bedroom use, syncing via the sequencer should work just fine!
Yes, I clock many thing with it
I need a clarification: all the sounds that can be heard in the video clip are entirely produced by this device or does the melodic line come from outside and the device only processes it??
The Microcosm is an effects box only, it does not produce any sound by itself.
Great video. I watched it prior to getting the microcosm. What do you use to record the output?
I recorded the output of the pedal directly into the stereo input of my Atomos Ninja Flame.
@@Bloom_Music I certainly wasn't expecting anything with a screen. Very cool. Thanks.
Definitely not as good of a sound as you would get with a dedicated audio device, but not having to sync 100+ clips when cutting a video makes it 1,000,000x worth it! The difference for RUclips audio is probably negligible anyways.
want to listen to the device and the volume of your microphone is 3 times higher... very nice...! had to put a compressor on the video.
There is a “no talking” version linked in the description.
@@Bloom_Music Another great idea amongst so many, thanks - it's so great to follow the "how-to-understand" part with the "just-listen-to-get-the-feel"…
Very nice indeed. Pity the retail price is so baffling.
Is this pedal similar to Red Panda Tensor at all?
They are definitely in the same family. However, the Panda has fewer options. It would kind of be like getting just one of the Microcosm's four sections, is the best way I know how to describe it. The Microcosm will produce a wider variety of sounds, plus it has the looper. And the included reverb will get you much further into ambience land, if that's your thing. However, the Panda can do a lot of tricks with pitch that the Microcosm cannot. The Microcosm's pitch changes are mostly predetermined based on the effect variation selected, and are typically octaves. The Panda gives you direct control over pitch, in semitones, independent of speed. Very cool!
@@Bloom_Music Thank you very much for the reply!
Would have been good to show people how you set it up, I have one and it can get a little complicated. The demo was great but people need to look under the hood.
23 minutes and 47 seconds, where can I listen to these types of instrumentals all the time? I don't mean LoFi Girl (although its cool). I'm looking for 1980s inspired synth instrumentals.
I know you said no LoFi Girl, but if you're not aware, they recently added a Synthwave channel. That's the closest thing I can think of! ruclips.net/user/liveMVPTGNGiI-4?feature=share
I’ve wanted one for a long time, but the price is just too damn high. It’s an amazing pedal, and can be used to liven up an otherwise boring track, and as a complete package it is very attractive, but not at 650. An MPC One costs less and has a decent granulator, synth engines, looper, sequencer, sampler, effects plugins that can be layered per sample or per track or on top of master, can even run some vst’s, and does a lot more for less than this one effects pedal, to put those 650 into perspective. But I do still want one.
This same argument could be made for pretty much any high end or boutique hardware effect. You are always going to be able to emulate it in a DAW or MPC-like device for cheaper. But there's a reason pedals continue to sell like hotcakes despite this! A lot of people prefer the immediate, personal interface of a dedicated device over a shoehorned GUI or fiddling with a mouse. I feel much more creative when I'm using a hardware effect or synth. Just personal preference!
just consume the product, goy
@@DeepSpaceus by the time they ship ir to EU and add import tax on top, its ~620. It’s about 650€ in GAS friendly stores here.
@@Bloom_Music as someone who is about 98% DAWless, I agree. I do much prefer knobs and physical keys to a screen and a mouse. In this one video You’ve used more Ableton and iOS than I have in a year. Love Your videos - the miniFreak review is the biggest reason I now own one 😁 this one is so close to pushing me over the edge on Microcosm as well! I do have a few worries about it, that make the 650 price a factor: 1) without MIDI sync it seems like it’s difficult to get it to repeatedly do exactly what You want. Great for inspiration or jamming, and happy accidents, but unreliable for production or live sets and 2) for the first week or a month, it would probably be amazing, but it does have a somewhat distinctive sound, enough so that by now I’ve heard quite a bit of microcosm to tell when it’s there and it does start to sound the same on a lot of tracks. It’s possible that once You get used to what it sounds like, it feels like it’s no longer that varied and makes everything sound microcosmey.
Fine revelation of Hologram - Microcosm strengths ..... particularly favoring personal application with Prophet 5 and Deepmind 12. DAW guy recently diverting to analog polysynths __ still quite naive. Committed to add Microcosm to recent UAFX Del-Verb & Astra. Truly unsure of complementary vs conflicting role(s) Microcosm can play. 🤷🏻♂
Blade Runner called. They want their soundtrack back.
Everything is clear except that: how to get wave of sound on monitor (Panasonic). How you have done that??? 😮 😂
It’s not real, it’s just a prop! The waveform is added in post.
the sky is the limit...but the xontrolling of option should be followed more like a regular Dj fx mixer with some buttons..
for live Sets with analog mixer or audio only its far limited for controlling the features..
OP are the effects inside the Harmonizer or is a track looping (Traktor) off camera also? I’m assuming the initial track is external. Sweet piece of equipment.
All of the synth sounds are coming externally from MiniFreak V, driven by MIDI clips in Ableton Live.
@@Bloom_Music I see. And If I wanted to use The Harmonizer with my analogue mixer (Model 1), audio interface and Laptop/Traktor, I would connect the fx to the mixer or the audio interface? Tx.
It's a 'plugin in a box'. This would be best suited for guitarists who are not good with computers - if you ARE good with computers - you won't need this.
4:39
Please. slower with the knobs, they arent shakers!
I need to get a better job
Price and availability is a slap in the face of musicians…
I'm might be brainwashed by all these youtubers, but I got it and think it's worth the price
@@alan17717 Is this pedal made out of gold or smth? …how much is it? $700, 800, 900? That is ridiculous…maybe for someone who is earning 3-5k a month and who lives in California or in London that price is ok, but most probably 85-95% of global population can only dream about it. Me personally, I can afford it but I think that I rather buy 2-6 other fx pedals and actually Microcosm does not bring any new technology to the table…it only yields technologies that are already out there…and I think that I rather have more flexibility by having those different features separated vs all in one box...
Besides that…we have XXIst century and a piece of metal, few knobs, circuit board and a few chips produced and assembled in a third world country, designed by “western” engineers who take advantage of ENGINEERS from a third world country…should not cost 1000%, 2000% or even 5000% more then a production cost. It is a good pedal but that price is a ripoff…especially in times if there is global distribution so easy accessible.
I personally would pay for it max 300-400€ and would love to see there “MADE IN USA”!
Btw. Cardboard box 📦 production must be also very expensive so it drives the price to the moon 🚀🚀🚀🚀🤭
Just tired with this “worth the price”…gosh… I can buy a used car for that money!!!🙄
Car made in Germany! 😂
Compared to what? I have one and I think it is worth every penny that I spent on it. Can't say the same thing about other gear or software VSTs that I have bought over the years. I guess it depends on what you want to do with your music
@@DeepSpaceus ..any of that feature is not a new revolutionary technology…in fact you don’t even need a vst in order to achieve most of these effects (if not all)…vst also use musicians ideas who did not have those tools when they were creatively using their software.
Yeah …700 here, 700 there, 700 everywhere! 🤑🤑🤑
So you have it and you will never buy any other gear again!?!💩
We live in an era where there is no shortage of more accessible options to express your musical ideas.