erinnert mich sehr an Liszt ....ich nehme an , dass Richard Strauss, noch sehr jung .......wohl auch von Liszt noch beeinflußt war...aber in diesem Werk kann man schon die geniale Tonsprache des späteren Richard Strauss erkennen.....ein tolles Orchesterwerk für einen so jungen Komponisten (22 Jahre jung), der später der genialste Komponist des 20 Jahrhunderts sein wird. Fantastisches Orchester....danke fürs herunterladen:-)
Mich erinnert es auch etwas ab Tschaikowsky (Romeo und Julia, Manfred). Interessant sind auch die noch früheren Werke von Strauss. Seine 2. Sinfonie ist ein Mix aus Wagner, Bruckner und Brahms, da war er noch sehr auf der Suche nach einer eigenen Stimme.
Decription: (00:36) Macbeth's theme, proud, vehement and tragically grandiose "by the bass trumpet" (Allegro un poco maestoso, D minor) (02:50) Lady Macbeth's counter-theme, supple, devilishly seductive (A Major) (07:36) Then development: lyrical character section evoking the love of Macbeth Dialogue of the demented couple. (semper più furioso -Strings and wood) (07:47) Murder decision is made (presto) (08:24) The superbly royal theme of Macbeth (calls of the four trumpets) (09:03) The debate which agitates the hallucinated spirit of the hero (moderato maestoso) (11:23) A distortion of Macbeth's theme the definitive grip of madness. (Primo tempo) (14:38) The fatal action is accomplished during a last (furioso). (17:28) The final measures, of a bitter and heartbreaking grandeur, summarizing the painful fate of regicide. (poco allagrande e molto tranquillo) (20:26) _________________________________________________________________ Decription: (00:36) Le thème de Macbeth, fier, véhément et tragiquement grandiose "par la trompette bass" (Allegro un poco maestoso, Re mineur) (02:50) Le contre thème de Lady Macbeth, souple, diaboliquement séducteur (La Majeur) (07:36) Puis développement: section de caractère lyrique évoquant l'amour de Macbeth Dialogue du couple dément. (sempre più furioso -Cordes et bois) (07:47) La décision du meurtre est prise (presto) (08:24) Le thème superbement royal du Macbeth (appels des quatres trompettes) (09:03) Le débat qui agite l'esprit hallusiné du héros (moderato maestoso) (11:23) Une déformation du thème de Macbeth l'emprise définitive de la folie. (Tempo primo) (14:38) L'action fatal s'accomplit au cours d'un dernier (furioso). (17:28) Les mesures finales, d'une amère et déchirante grandeur, résumant le douloureux destin du régicide. (poco allagrande e molto tranquillo) (20:26)
As a person who has read the Shakespearean play of Macbeth before, your effort is much appreciated 🎉and thank you very much that you allow me to correlate my knowledge of the book to this beautiful piece
Beautiful musical performance of the instrumentalists and the leader. It is a remarkable work! Excellent acoustics and very nice video editing. Thank you all and best regards. Pierrot
I have never liked this work, thinking it is a boring mess aurally and structurally, but I must admit I enjoyed it more this time, hearing it in a really fine performance and great video presentation. It still remains my least favorite Strauss symphonic poem, however.
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erinnert mich sehr an Liszt ....ich nehme an , dass Richard Strauss, noch sehr jung .......wohl auch von Liszt noch beeinflußt war...aber in diesem Werk kann man schon die geniale Tonsprache des späteren Richard Strauss erkennen.....ein tolles Orchesterwerk für einen so jungen Komponisten (22 Jahre jung), der später der genialste Komponist des 20 Jahrhunderts sein wird. Fantastisches Orchester....danke fürs herunterladen:-)
Mich erinnert es auch etwas ab Tschaikowsky (Romeo und Julia, Manfred).
Interessant sind auch die noch früheren Werke von Strauss. Seine 2. Sinfonie ist ein Mix aus Wagner, Bruckner und Brahms, da war er noch sehr auf der Suche nach einer eigenen Stimme.
Andrés Orozco-Estrada is an exceptionally talented conductor and certainly extracts the very best from this orchestra.
Gott erhalte unsere wunderbaren Rundfunksinfonieorchester !!!!
Decription:
(00:36) Macbeth's theme, proud, vehement and tragically grandiose "by the bass trumpet" (Allegro un poco maestoso, D minor)
(02:50) Lady Macbeth's counter-theme, supple, devilishly seductive (A Major)
(07:36) Then development: lyrical character section evoking the love of Macbeth Dialogue of the demented couple. (semper più furioso -Strings and wood)
(07:47) Murder decision is made (presto)
(08:24) The superbly royal theme of Macbeth (calls of the four trumpets)
(09:03) The debate which agitates the hallucinated spirit of the hero (moderato maestoso)
(11:23) A distortion of Macbeth's theme the definitive grip of madness. (Primo tempo)
(14:38) The fatal action is accomplished during a last (furioso).
(17:28) The final measures, of a bitter and heartbreaking grandeur, summarizing the painful fate of regicide. (poco allagrande e molto tranquillo) (20:26)
_________________________________________________________________
Decription:
(00:36) Le thème de Macbeth, fier, véhément et tragiquement grandiose "par la trompette bass" (Allegro un poco maestoso, Re mineur)
(02:50) Le contre thème de Lady Macbeth, souple, diaboliquement séducteur (La Majeur)
(07:36) Puis développement: section de caractère lyrique évoquant l'amour de Macbeth Dialogue du couple dément. (sempre più furioso -Cordes et bois)
(07:47) La décision du meurtre est prise (presto)
(08:24) Le thème superbement royal du Macbeth (appels des quatres trompettes)
(09:03) Le débat qui agite l'esprit hallusiné du héros (moderato maestoso)
(11:23) Une déformation du thème de Macbeth l'emprise définitive de la folie. (Tempo primo)
(14:38) L'action fatal s'accomplit au cours d'un dernier (furioso).
(17:28) Les mesures finales, d'une amère et déchirante grandeur, résumant le douloureux destin du régicide. (poco allagrande e molto tranquillo) (20:26)
As a person who has read the Shakespearean play of Macbeth before, your effort is much appreciated 🎉and thank you very much that you allow me to correlate my knowledge of the book to this beautiful piece
Thank You very much!
Beautiful musical performance of the instrumentalists and the leader.
It is a remarkable work!
Excellent acoustics and very nice video editing.
Thank you all and best regards.
Pierrot
Muy bonita!!!!
Buenas noches y feliz fin de semana.🌿
00:24 Allegro, un poco maestoso
1:03 A
2:10 B
3:35 C /agitato
4:06 D
5:09 E / tempo primo
6:17 F
6:37 G
6:53 H
7:08 I
7:36 K / sempre piu furioso
8:06 L / Presto
8:24 Tempo I, Allegro, un poco maestoso
8:42 M
9:03 Moderato maestoso
9:20 N
9:56 O
10:42 P
11:01 Q
11:22 Tempo primo, Allegro, un poco maestoso
11:53 R
12:30 S
12:52 T
13:19 U
13:38 V
13:53 W
14:11 X
14:37 molto agitato
14:50 V
17:09 BB
Vielen Dank!
Magical
0:24
I have never liked this work, thinking it is a boring mess aurally and structurally, but I must admit I enjoyed it more this time, hearing it in a really fine performance and great video presentation. It still remains my least favorite Strauss symphonic poem, however.
I agree completely with your comments. Strauss had not quite found his "voice" (as they say) when he composed this early work.
Irgendwann fliegt er davon....
Thank’s for copying Beethoven 9 at the beginning, Strauss!
Not at all. Are you deaf?
Of course it means Beethoven's Ninth. We call this a quote (and it is in the original key!): listen where I come from and where I am about to go!
The quotation of something in the first about 1, 5 seconds seems like a friendly joke.
Another discrepancy between the baton and the performance. The entire orchestra seems to resist the hasty tempo set by the conductor.
Sorry but I'm not seeing that.
@@bobareebop Whether there is such a discrepancy or not depends on every listener's personal feeling.
It is a tale told by an idiot, full of sound and fury signifying nothing...