Linocut printmaking Tutorial 05: Preparing the Print Paper

Welcome to part 5 of the Linocut printmaking tutorial series! This series is an introduction into linocut printmaking, from start to finish. In this video we are going to talk about printmaking paper, how to choose it, and how to prepare it for printing. Let me know in the comments what your favorite paper is!
This video is just an introduction to the world of printmaking paper. As I mentioned in the video, and as with everything in this series, try out different papers, and find the ones you enjoy the best! This is just a small sample of what's out there.
-----------------------------------------------------------------------------------------------
▼Tools and Materials used in this video:
www.diodepress.com/tools/
▼Want to support Diode Press? Behind-the-scenes photos, exclusive content, and more...
/ diodepress
▼You can purchase my work here:
www.diodepress.com/shop
You can always find me here:
▼Website: www.diodepress.com
▼Instagram: / diodepress
▼Facebook: / diodepress
-----------------------------------------------------------------------------------------------
Music in this video:
8bit Dungeon Boss Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
creativecommons.org/licenses/b...

[@maggiefreeman6513]

Really enjoying this excellent series. Thank you.

[@SpoffordPress]

This series is fantastic, Graham! Thanks for the shoutout! "Usu Mino" is a very thin Japanese tissue traditionally used for wood engravings. It's great for a quick proof or a nice sharp dark print via hand burnishing. I'm not crazy about editioning on it (too thin!). I think it came from McClains or NYArtSupply! 😊

[@mkbman45]

This series is very informative. Thanks.

[@lapressedelalex2836]

Nice video tutorials Graham ! I'm used to thick papers and had great results with Zerkall 210g, it's really smooth and renders strong blacks. I definitely have to try thin asian papers as I don't have a large press.

[@wilhelmhagberg4897]

Good informative video. I like the torn edges look but at the same time I like the sheets to be exact in size for registration purposes (I make reduction prints). Don’t know if there is a solution for that dilemma?

[@fikriyanirahman6924]

hi graham! I'm new to this whole linocut printmaking thing. I'm just wondering if we can use a regular 100g paper we usually use for regular office standard printing with machine? And I saw some people soak their paper on water, wouldn't that break the paper?

[@rrrabbit807]

Hi Graham, Your videos are very useful, Thanks.
I'm learning to print with the woodcut technique so I've watched many of your videos.
I have a question, it's probably a stupid question.
I was in a specialized shop to buy some paper and I got advice from the shop assistant.
I bought some sheets of Japanese paper (it should be)
When I arrived home I realized that the paper has a smoother side and a more rough one, I checked if there are any backlit logos but I didn't find any.
Now I'm in doubt.
On which side should I print ??
help please:-)
Thanks

[@MischievousMoron]

Thank you for this! I loved printmaking in college, but years later I have forgotten a lot of these important steps.

[@MuckyMath]

Why do you tear it rather than use a boxcutter?

[@charlesdobbs2788]

.87