This was so fun to stumble upon! Brian was my vocal coach for a year back in 2015 and there were many times that he challenged me like Pavarotti is challenging him in this video. Watching Brian, I can see that he is having a blast working with Pavarotti and its so fun to see him when he was younger and still developing his talents! Amazing!
Que bonita anécdota ¿y si lograste cantar con las enseñanzas de Bryan? A mi me llegó un video ayer en la noche de todos estos estudiantes de la universidad Julliards y me encantó, pero me quedé dormida con la participante anterior y apagué el celular y justo en la mañana al despertarme quise continuar con el video y me topé con la voz de este cantante, entonces vine a youtube a ver que encontraba de él. Me encantó.
@@zenoncmaHe is a well-trained singer yet not on the level of the 5 or 10 top singers in the world (at least at the time, no idea what happened to him afterwards). Just like there are hundreds of thousands of top level pianists yet only 100 or so having the great world travel career. The man is there to learn and he is learning a grandmaster technique from a grandmaster. Not being able to do it, is not only no shame but actually to be expected. He is there to get the idea of what to do, doing it will require hours and hours and hours in private singing
@@Kref3 liked your comment. I'm trying to imagine the baritone listening and paying attention in order to study and apply everything that he experienced there. A once-in-life experience.
It must have been a wonderful experience. Did he eventually learn to sing quietly? And do you know if he regretted walking out of the lesson before it was over?
Until you have to sing Verdi/Strauss/Wagner/Puccini and the 80 piece orchestra buries you. Remember Pav never actually sang any roles with gigantic orchestra's. He was a bel canto tenor, and as such, never had to directly compete with the orchestra.
An actual master class! What a privilege for the singer and the audience. Also, Pavoratti was singing that while sitting down! It makes it really hard to use your diaphragm when you're folded up. This was a lot of fun to watch.
Pavarotti's face at ~8:05 reminds me of a tango instructor in a milonga in Buenos Aires when my wife and I visited. We had been practicing for quite some time in the US and we received compliments in lay venues wherever we danced. Not so much in Buenos Aires.
Im a dancer as well. I dated a girl from Buenos Aires… she is a pro dancer. When I visited … we went out dancing frequently. I was mind blown by the level of nearly everyone. By the standard in the US, where I am from everyone at the club would’ve been considered a pro.
Absolutely mesmerising. Pavarotti had such a jovial, smiling demeanor but a look of absolute intensity appears when he is appraising the music. A true master,
I'll never forget Pavarotti's Toreador in Carmen. I was so entranced by it. He had so much color in that aria. "Toreador.. en ga-aa-aa-ar-de..." All the sun and ripened tomatoes of Italy poured their golden sunshine on those words. It was so full of warm sun. Carmen's sultry heat warmed the Toreador's heart, and that was his state of mind as he faced the bull and her dark eyes watching his deft movements. I love that song and used to sing it all the time. No one but Pavarotti sang it with that warm sunshine on those words. He really was a master of his craft, and such an expressive singer. So much abdominal control. Rest in peace, Maestro.🌹
yes Maestro I hear you. It's all about dynamics. Very often operatic vocalist can simply blast out everything. Then it becomes not only boring but even painful for the audience who yearns for nuance and meanings of the song.
Pavarotti's pianissimo singing is so beautiful (although he exaggerates a bit in the second verse for effect). And he can make the transition so effortlessly.
Even though I'm not a vocalist, I can really appreciate this master class. As a drummer, pianist, and organist, expression, and learning how speak at varied volumes is universal. Pavarotti was one of the masters for sure!
Паваротті неперевершений, чудовий, він весь у полоні того, що він зараз робить. Він великий майстер. Розкриваєш його для себе не тільки як геніального майстра співу, а і як чуйного, уважного педагога, який свою майстерність хочу вкласти в свого учня! ❤ Царство Небесне цій чудовій талановитій щирій людині. Упокой Господи його душу!
This freaking comment section… between those who start questioning the guy's tessitura, and those who think singing a lyrical piano is easy… I don't know which is more ridiculous.
For those wondering, the piece is "Di provenza il mar il suol..." from Act II of La Traviata, sung by the role of Germont (baritone). ruclips.net/video/ut4d-fcZRcc/видео.htmlsi=VYDyYRymldXjS2yu&t=45 is an incredible performance of this aria by Matteo Manuguerra, demonstrating with mastery and subtlety what Pavarotti explained in this video. Manuguerra and Pavarotti performed La Traviata together in the past. RIP to two true giants of Opera.
The singer absolutely had the chops to forte the entire aria, and he did very well. What LP was asking for was control - to augment the effect for the audience. You can tell, when LP first suggests it, the baritone’s nonverbals say “Why would I bring it down?” And even after LP’s further explanation, he still wasn’t convinced of it. LP further explained. Then , LP conducted him toward pianissimo, and the baritone still wasn’t feeling it, as it was siphoning his large voice. LP was rooting for another iteration, but the guy said he was done. LP didn’t fight him on it. The baritone clearly has a very talented voice. No question. He simply wasn’t accustomed to any comment on the style of his delivery, and he effectively told LP “I’m out”. What LP was aiming for was vocal control to fluctuate the audience’s emotional and auditory barometer. No question the baritone can belt it out. LP was saying “Don’t pedal to the metal the whole way. Use control to prompt the audience to crave for more. Keep them waiting…then, at the right moment, return to forte and give them the booming finish which you’re clearly capable of doing.” LP was the master of this. Many other great tenors sang principally with their voice. LP was a very emotional performer. He would use piano/forte, along with facial expressions & visible emotion when performing arias as part of a full-costume production - to draw & pull the audience emotionally when performing (just) in a tuxedo, without the full-stage theater. This to me is a huge part of LP’s success, and a subtle reason why he was so popular, despite some critics saying he was technically not the best (ever). I can think of many instances where male opera performers were performing with their great voices - but Pavarotti always, ALWAYS and without exception, sang from the heart. He put the emotion of the aria (e.g., the soldier about to be executed in E Lucevan Le Estelle) into EVERY aria he sang. Didn’t just sing vocally, he wore the conflict and torment of the soldier visibly on his face while singing. He was fully emotionally engaged in whatever scene in life the lyrics were portraying. There are some critics of this. Some say this facet of him was too much, or he was pandering the audience, too much of a sap, etc. Personally, I disagree. Given the option of a singer who is just singing with their talented voice alone, versus an accomplished vocalist who is putting the entirety of their being (voice and heart, and emotion of the aria’s scene/conflict/predicament), I’ll take LP’s passion every time. His 1980 Lincoln Center performance, with conductor Zubin Meta, is a quintessential performance of this. During the arias, Meta picks up on LP’s emotion, and it drives Meta in his conducting. At the conclusion of several arias, LP is emotionally spent, and Meta’s interaction with him is spontaneous and right on point - both in the moment, and in the evening as a whole, amplifying what the audience experiences & takes away from the entire night. Some don’t care for the emotion, and criticize him per their standards on vocality alone. So be it. On the other hand, when I watch the RUclips video titled “Concierto 1980 Pavarotti”, I often go to 1:38:52, followed by 1:53:20, and find it stupendous. It captures the essence of what LP was striving for in talking with the baritone.
That's why Pavarotti is the best among the greatest of all times... Gigli, Krauss, Domingo... All fantastic but Pavarotti got absolute mastery of every word, tempo, mode, colour of his voice at all times till the end of his life. Pavarotti is just iconic, he personificates the Bel Canto in an unmatchable way. A craftman of emotions in real time with 60 musicians at his back.
@@Rickblaine1942 should be a matter of preference because I never will put Del Monaco above of Krauss, Domingo or Pavarotti... in many classic arias records, but I can see your emotions maybe are more linked to the power than the musicality... Said all Del Monaco was a strong technique and a talented man.
@@franciscojaviercastillosanz so you're saying that Del Monaco's voice wasn't as melodic as the 3 you mentioned? I think you are biased in mentioning spanish tenors being of spanish descent yourself. I may be wrong, but I can put Corelli and Lanza easily above Krauss. Again its a matter of what one's ear like. You have a great day.
@@Rickblaine1942 bias? My whole point is Pavarotti is above all of them in technique Musicality and performances... I feel no shame to recognise compatriots talents when necessary, the fact you say my opinion is bias for that doesn't make it real. And most important doesn't rest reasons to my previous argument.
@@franciscojaviercastillosanz for all the reasons you hold Pavarotti as #1 I dont. To you he is musically superior but not to me. Again no one is right or wrong as we are dealing with subjective taste.
He clearly is not interested in anything except pedal to the metal with his booming baritone voice. To the point that he tells Pav “not interested, I’m out”, and leaves. lol
What mr. Pavarotti did was no coloring in the piano voix mixte singing which the bariton is not able to. Mr. Pavarotti used very simple speaking voice with some breath and great support from the diaphragm Coloring instead brings muscles in a certain position/action in the throat and you will not be able to free the voice which you need to do what Mr. Pavarotti did.
Piano with pretty much any instrument and voice is a function of the precision afforded by opposing muscle groups and the control of those conflicting muscles is more difficult.
Please send this video to Christina Aguilera and Pattie LaBelle. No, seriously, dynamics are so important to make a song more appealing. Such a great advice.
Yes. Especially Patty who sings much more lyrical songs. I appreciate her contribution to musical theatre, but I don't perticularly like her singing style.
Two main elements in classical music are tempo and dynamics. The singer sings pretty much in high notes all the way, would be nicer to have variations of low and high notes...
Not notes, but volume, known as dynamics. And as an tenor, soprano, baritone, you MUST use your entire register, ind it must be seen as a single piece, homogeneous.
The baritone singer has a strong and able voice, and belts out the entire aria. Pavarotti’s observation is that if the singer will sing part of the aria softly, it will enhance the effect, and make the audience crave for the baritone to start booming loudly again. However, the baritone perfomer is not feeling what Pavarotti is saying. He tones his sound down a little bit, yet Pavarotti is saying “even more, even more softly”. Pavarotti is rooting for another pass/iteration of the aria, but the baritone says he’s done, and leaves. Pavarotti doesn’t fight him on it. The audience claps, and it’s over. A number of commenters here, much more knowledgeable than I, comment that being able to sing softly requires a completely different type of technique and skill set. By doing so, though, you can lead the audience through a completely different experience and outcome. But…the baritone wasn’t interested, and walked.
yep. too much. I could hear it the first time even before I knew what pavoratti would say. and I don't know much about opera...you can hear it's all too pushed and should be more expressive and soft...sometimes, I think it's not always something that can be taught; if it's truly felt, in your bones, you don't need a coach.
Guess his ego has been pretty much hurt when facing that he just can’t do it, perform like requested, being very frustrated in public. Struggling now with his selfconfidence. That’s not an easy task to take especially in public! After a lesson like this a musician needs time to practice what that genius asked for. Next step in developing his potential by training other muscles inside 😉
❤❤❤Can you please put my operas "Anne Frank", "Evgeny Van Gogh", "9/11" in stage as an Operaproduction 2023? I am the composer and I'll move to Salzburg, if it's needed. Mit freundlichen Gruessen, Und ich brauche TV und BBC world .J.S. Grigorian. I wanna have 33.333.333.333. pro opera of mine . + 33% on sales and recordings. . ❤❤❤❤❤❤❤❤❤❤❤❤
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
This was so fun to stumble upon! Brian was my vocal coach for a year back in 2015 and there were many times that he challenged me like Pavarotti is challenging him in this video. Watching Brian, I can see that he is having a blast working with Pavarotti and its so fun to see him when he was younger and still developing his talents! Amazing!
Que bonita anécdota ¿y si lograste cantar con las enseñanzas de Bryan?
A mi me llegó un video ayer en la noche de todos estos estudiantes de la universidad Julliards y me encantó, pero me quedé dormida con la participante anterior y apagué el celular y justo en la mañana al despertarme quise continuar con el video y me topé con la voz de este cantante, entonces vine a youtube a ver que encontraba de él. Me encantó.
He didn't seem like a good listener .. 🤔
@@zenoncmaHe is a well-trained singer yet not on the level of the 5 or 10 top singers in the world (at least at the time, no idea what happened to him afterwards). Just like there are hundreds of thousands of top level pianists yet only 100 or so having the great world travel career. The man is there to learn and he is learning a grandmaster technique from a grandmaster. Not being able to do it, is not only no shame but actually to be expected.
He is there to get the idea of what to do, doing it will require hours and hours and hours in private singing
@@Kref3 liked your comment. I'm trying to imagine the baritone listening and paying attention in order to study and apply everything that he experienced there. A once-in-life experience.
It must have been a wonderful experience. Did he eventually learn to sing quietly? And do you know if he regretted walking out of the lesson before it was over?
I'm a working opera singer, and I wish I had a similar lesson 10 years ago. Singing opera quietly is so much harder than singing it loudly
Until you have to sing Verdi/Strauss/Wagner/Puccini and the 80 piece orchestra buries you. Remember Pav never actually sang any roles with gigantic orchestra's. He was a bel canto tenor, and as such, never had to directly compete with the orchestra.
Where Pavarotti just broke into song by way of demonstration at about 4:11 and that voice.... oh how I miss his voice!
An actual master class! What a privilege for the singer and the audience.
Also, Pavoratti was singing that while sitting down! It makes it really hard to use your diaphragm when you're folded up. This was a lot of fun to watch.
Contrary. It is easier to use diaphragm when you are folded
When you’re so good your lessons are a show. I suppose I can watch this a hundred times and keep learning.
Pavarotti's face at ~8:05 reminds me of a tango instructor in a milonga in Buenos Aires when my wife and I visited. We had been practicing for quite some time in the US and we received compliments in lay venues wherever we danced. Not so much in Buenos Aires.
Im a dancer as well. I dated a girl from Buenos Aires… she is a pro dancer. When I visited … we went out dancing frequently. I was mind blown by the level of nearly everyone. By the standard in the US, where I am from everyone at the club would’ve been considered a pro.
Absolutely mesmerising. Pavarotti had such a jovial, smiling demeanor but a look of absolute intensity appears when he is appraising the music. A true master,
The absolute master singer, maestro Pavarotti. The dynamics of his singing is unreal, the control ! Grazie mille, maestro!
I'll never forget Pavarotti's Toreador in Carmen. I was so entranced by it. He had so much color in that aria.
"Toreador.. en ga-aa-aa-ar-de..." All the sun and ripened tomatoes of Italy poured their golden sunshine on those words. It was so full of warm sun. Carmen's sultry heat warmed the Toreador's heart, and that was his state of mind as he faced the bull and her dark eyes watching his deft movements. I love that song and used to sing it all the time. No one but Pavarotti sang it with that warm sunshine on those words. He really was a master of his craft, and such an expressive singer. So much abdominal control. Rest in peace, Maestro.🌹
Chat gpt?
Wtf
Pavarotti no sólo fué un cantante genial. Es un ser humano exquisto, lleno de humor, gentileza, bondad y generosidad! Una persona bellísima.
Good grief, what an incredible experience to sing for LP. Life changing
yes Maestro I hear you. It's all about dynamics. Very often operatic vocalist
can simply blast out everything. Then it becomes not only boring but even
painful for the audience who yearns for nuance and meanings of the song.
Pavarotti's pianissimo singing is so beautiful (although he exaggerates a bit in the second verse for effect). And he can make the transition so effortlessly.
This is a great lesson for any musician !
Can't even imagine what it would be: to learn from a legend. Some mixture of joy and dread, probably.
The realization that you will never be THAT good must be so painful when put in this position. But then again, no one else is that good either
But what if music is not a competition? Because, you know, it's not. 😂😅 @@Anibal-gg9px
Even though I'm not a vocalist, I can really appreciate this master class. As a drummer, pianist, and organist, expression, and learning how speak at varied volumes is universal. Pavarotti was one of the masters for sure!
Паваротті неперевершений, чудовий, він весь у полоні того, що він зараз робить. Він великий майстер. Розкриваєш його для себе не тільки як геніального майстра співу, а і як чуйного, уважного педагога, який свою майстерність хочу вкласти в свого учня! ❤
Царство Небесне цій чудовій талановитій щирій людині. Упокой Господи його душу!
Totally right. Singing softly in the upper part of the voice is so much harder than singing with the full voice.
Remarkable how much difficulty he has to sing in tune when singing softly. Must be so difficult.
A real master!! Never forgotten!
This freaking comment section… between those who start questioning the guy's tessitura, and those who think singing a lyrical piano is easy… I don't know which is more ridiculous.
They're being inquisitive and abrasive and arrogant. Pavarotti had the gift to teach sweetly.
This is a wonderful lesson.
Thanks for sharing these gems.
This dude sounds great. Very pleasing tone
First time i see Pavarotti talking not singing
My first time also
For those wondering, the piece is "Di provenza il mar il suol..." from Act II of La Traviata, sung by the role of Germont (baritone).
ruclips.net/video/ut4d-fcZRcc/видео.htmlsi=VYDyYRymldXjS2yu&t=45 is an incredible performance of this aria by Matteo Manuguerra, demonstrating with mastery and subtlety what Pavarotti explained in this video. Manuguerra and Pavarotti performed La Traviata together in the past. RIP to two true giants of Opera.
Lovely aria
The singer absolutely had the chops to forte the entire aria, and he did very well.
What LP was asking for was control - to augment the effect for the audience.
You can tell, when LP first suggests it, the baritone’s nonverbals say “Why would I bring it down?” And even after LP’s further explanation, he still wasn’t convinced of it.
LP further explained. Then , LP conducted him toward pianissimo, and the baritone still wasn’t feeling it, as it was siphoning his large voice.
LP was rooting for another iteration, but the guy said he was done. LP didn’t fight him on it.
The baritone clearly has a very talented voice. No question. He simply wasn’t accustomed to any comment on the style of his delivery, and he effectively told LP “I’m out”.
What LP was aiming for was vocal control to fluctuate the audience’s emotional and auditory barometer. No question the baritone can belt it out.
LP was saying “Don’t pedal to the metal the whole way. Use control to prompt the audience to crave for more. Keep them waiting…then, at the right moment, return to forte and give them the booming finish which you’re clearly capable of doing.”
LP was the master of this. Many other great tenors sang principally with their voice. LP was a very emotional performer. He would use piano/forte, along with facial expressions & visible emotion when performing arias as part of a full-costume production - to draw & pull the audience emotionally when performing (just) in a tuxedo, without the full-stage theater.
This to me is a huge part of LP’s success, and a subtle reason why he was so popular, despite some critics saying he was technically not the best (ever). I can think of many instances where male opera performers were performing with their great voices - but Pavarotti always, ALWAYS and without exception, sang from the heart. He put the emotion of the aria (e.g., the soldier about to be executed in E Lucevan Le Estelle) into EVERY aria he sang. Didn’t just sing vocally, he wore the conflict and torment of the soldier visibly on his face while singing.
He was fully emotionally engaged in whatever scene in life the lyrics were portraying.
There are some critics of this. Some say this facet of him was too much, or he was pandering the audience, too much of a sap, etc.
Personally, I disagree. Given the option of a singer who is just singing with their talented voice alone, versus an accomplished vocalist who is putting the entirety of their being (voice and heart, and emotion of the aria’s scene/conflict/predicament), I’ll take LP’s passion every time.
His 1980 Lincoln Center performance, with conductor Zubin Meta, is a quintessential performance of this. During the arias, Meta picks up on LP’s emotion, and it drives Meta in his conducting. At the conclusion of several arias, LP is emotionally spent, and Meta’s interaction with him is spontaneous and right on point - both in the moment, and in the evening as a whole, amplifying what the audience experiences & takes away from the entire night.
Some don’t care for the emotion, and criticize him per their standards on vocality alone. So be it.
On the other hand, when I watch the RUclips video titled “Concierto 1980 Pavarotti”, I often go to 1:38:52, followed by 1:53:20, and find it stupendous. It captures the essence of what LP was striving for in talking with the baritone.
That's why Pavarotti is the best among the greatest of all times... Gigli, Krauss, Domingo... All fantastic but Pavarotti got absolute mastery of every word, tempo, mode, colour of his voice at all times till the end of his life. Pavarotti is just iconic, he personificates the Bel Canto in an unmatchable way. A craftman of emotions in real time with 60 musicians at his back.
Its a matter of preference but voice and performance wise no one can touch Del Monaco
@@Rickblaine1942 should be a matter of preference because I never will put Del Monaco above of Krauss, Domingo or Pavarotti... in many classic arias records, but I can see your emotions maybe are more linked to the power than the musicality... Said all Del Monaco was a strong technique and a talented man.
@@franciscojaviercastillosanz so you're saying that Del Monaco's voice wasn't as melodic as the 3 you mentioned? I think you are biased in mentioning spanish tenors being of spanish descent yourself. I may be wrong, but I can put Corelli and Lanza easily above Krauss. Again its a matter of what one's ear like. You have a great day.
@@Rickblaine1942 bias? My whole point is Pavarotti is above all of them in technique Musicality and performances... I feel no shame to recognise compatriots talents when necessary, the fact you say my opinion is bias for that doesn't make it real. And most important doesn't rest reasons to my previous argument.
@@franciscojaviercastillosanz for all the reasons you hold Pavarotti as #1 I dont. To you he is musically superior but not to me. Again no one is right or wrong as we are dealing with subjective taste.
Thanks for posting
Fascinating. Thank you for making the video available.
8:52 ill maestro giving life lessons. Grazie
What a master
When your voice's so good that you need to stop the applauses
The pupil seems very resistant and pays such little heed to the guidance he is given. My eyes would be riveted on the master. In sheer terror lol😂
He clearly is not interested in anything except pedal to the metal with his booming baritone voice. To the point that he tells Pav “not interested, I’m out”, and leaves. lol
His voice😮 so moving … magic happening
Personally, I preferred the world when Pavarotti part of it.
El grande Maestro Pavarotti 🙏🙂
What mr. Pavarotti did was no coloring in the piano voix mixte singing which the bariton is not able to. Mr. Pavarotti used very simple speaking voice with some breath and great support from the diaphragm
Coloring instead brings muscles in a certain position/action in the throat and you will not be able to free the voice which you need to do what Mr. Pavarotti did.
Piano with pretty much any instrument and voice is a function of the precision afforded by opposing muscle groups and the control of those conflicting muscles is more difficult.
How amazing it is that someone so powerful cannot sing piano! He can't help but project 100%
, It's a marvellous approach!
What a lesson
Pav sort of looks like Bruce Lee explaining kung fu. His face and the use of his voice talking are very similar.
The dynamics in this song are amazing kkkkk interesting ❤
The guy was not listening to Pavarotti to sing in forte haha you can see the frustration in Pav's face 🤣 6:33
4:35 The very moment the maestro realizes they're applauding his superiority.
Qué bella voz 😅
Please send this video to Christina Aguilera and Pattie LaBelle. No, seriously, dynamics are so important to make a song more appealing. Such a great advice.
Yes. Especially Patty who sings much more lyrical songs. I appreciate her contribution to musical theatre, but I don't perticularly like her singing style.
@@Kasino80Labelle not Lupone
R.I.P.
A wonderful chance to learn and improve. For all
Che meraviglia soprannaturale
Dynamics baby
Amazing baritone !!! Even if he sadly didn’t learn to sing a real piano.
You cannot learn new singing techniques in 10 minutes… he probably learned later in his life.
Pavarotti ❤❤❤❤❤❤
Anyone can sing loudly, it's easy. Singing piano is much more difficult, especially for male voices.
Ain’t that the truth
What a guy...
amazing! Harika Bayıldım
Two main elements in classical music are tempo and dynamics. The singer sings pretty much in high notes all the way, would be nicer to have variations of low and high notes...
Not notes, but volume, known as dynamics. And as an tenor, soprano, baritone, you MUST use your entire register, ind it must be seen as a single piece, homogeneous.
Ending on that dad joke
¡Increíble, no sólo cantaba sino tocaba el pianoforte!
Poderoso
Wow
I envy this
4:11
3:15 yes
Please it is good to be noted the name of this aria for me..please be kind attetion if someone who knows..
Di provenza il mal il suol
Mr Forte haha
Ele fez uma cara de quando se quebra uma taça de cristal.
The pupil is a wonderful singer but... I come here often for Pavarotti, just to hear his Di Provenza... just for the little bit.
Name of the song?
❤❤❤❤❤❤❤❤❤
Can someone tell me what is the song? This is so beautiful….
D.. The aria is Di Provenza
Thank you so much!
sembra di ascoltare un megafono da festa campestre
xfactor version 0.0
Grand maître
could someone explain what is happening here?
The baritone singer has a strong and able voice, and belts out the entire aria. Pavarotti’s observation is that if the singer will sing part of the aria softly, it will enhance the effect, and make the audience crave for the baritone to start booming loudly again.
However, the baritone perfomer is not feeling what Pavarotti is saying. He tones his sound down a little bit, yet Pavarotti is saying “even more, even more softly”.
Pavarotti is rooting for another pass/iteration of the aria, but the baritone says he’s done, and leaves. Pavarotti doesn’t fight him on it. The audience claps, and it’s over.
A number of commenters here, much more knowledgeable than I, comment that being able to sing softly requires a completely different type of technique and skill set.
By doing so, though, you can lead the audience through a completely different experience and outcome. But…the baritone wasn’t interested, and walked.
Piano is not singing but speaking, and it comes from the soul, and only from diaphragm
What’s the name of the song?
"Di Provenza il mare il sol" from La Traviata.
yep. too much. I could hear it the first time even before I knew what pavoratti would say. and I don't know much about opera...you can hear it's all too pushed and should be more expressive and soft...sometimes, I think it's not always something that can be taught; if it's truly felt, in your bones, you don't need a coach.
which aria is? Thanks
Auri. It is Di Provenza
What piece are they working on??
Germont's air from "Traviata"
Di provenza il mar, il suol
@@ahava77 thank you!
@@ekaterinaisachenko545 thank you!
WHAT SHOW IS THIS ??
whats the name of the piece ?
La traviata 2nd or 3rd act not sure
Di provenza il mar, il suol
What is song name?
"Di Provenza" from Verdi's La Traviata,
@@Fafner888 thanks😊
Song????????????
Aria dude
Darude - Sandstorm
Can’t concentrate with the sharp pencil fluttering in front of his eyes
That’s the instrument Pavarotti used to draw dude’s beard on
Io sono il figlio
Bella voz de barítono bajo…Pavarotti no se lucia en ese registro sin embargo a el barítono lo lleno increíblemente bien. Congratulations.
He sounds like a tenor
He's baritone.
@@mugrad25and it seems he's dramatic baritone
@@chezbe 100% correct...maybe a verdl baritone because tessitura is quite high
@@mugrad25 anyway he sounds kinda heavy for average baritone
That’s the verdi Baritone sound
This guy has no respect for what pavarotii has to say. Wow
Maybe he just didn't get it.
Guess his ego has been pretty much hurt when facing that he just can’t do it, perform like requested, being very frustrated in public. Struggling now with his selfconfidence. That’s not an easy task to take especially in public! After a lesson like this a musician needs time to practice what that genius asked for. Next step in developing his potential by training other muscles inside 😉
You have no idea how hard it actually is. You have to find the right placement and the millisecond you lose it, you crack.
The voice is very flat and sounds boring in my opinion.
proud to be Italian :D
Pessimo, impostazione errata,ingolato.
❤❤❤Can you please put my operas "Anne Frank", "Evgeny Van Gogh", "9/11" in stage as an Operaproduction 2023? I am the composer and I'll move to Salzburg, if it's needed. Mit freundlichen Gruessen, Und ich brauche TV und BBC world
.J.S. Grigorian. I wanna have 33.333.333.333. pro opera of mine . + 33% on sales and recordings. . ❤❤❤❤❤❤❤❤❤❤❤❤
Name of the song ?
Di Provenza