Just found your channel, been looking for arranging tutorials specifically for so long, this is great stuff!!! Would absolutely love if you could do something related to 70s jazz-funk/orchestral disco breaking down the harmonic structures/interplay between sections. I am passionate about writing music in these genres and it is so hard sometimes to find tailored advice. Again, really great content, keep it coming!
You're the best. Very fortunate to have worked with you. I will never be that theoretical, and wish I could have been, but meanwhile... you're the best! 😁
fantastic video. very well done and inspiring. to Ab/Gb to Cm7/F i could add diff bass notes for the Ab/Gb chord like Ab/A or Ab/E or even Ab/B or Ab/G and that would be all poss. bass notes then. other than that, i couldnt think of more. excellent job adi !
@@AdiYeshaya Adi, Can you make a video on how you hid the staves under the chord symbols in Finale ?? Many of us would buy Finale if we knew how to do that.
In my opinion, when multiple parts are recorded by the same player and each part is isolated, the sound tents to be a bit sterile. Still, I thought it would be nice to hear real players as opposed to sampled sounds.
@@AdiYeshaya oh, I didn’t mean in your videos, I meant in the records I’ve heard in the last 5-10years. Not all, but some that have real players. Maybe it’s the recording process? Because the sound is true when you go see a marching band for example
![Natanael Cano - Amor Eterno [Official Video]](http://i.ytimg.com/vi/EO4prCs6WpM/mqdefault.jpg)
Wow this lift me 3 years ahead of my studied in just 10 and a half minutes
Just found your channel, been looking for arranging tutorials specifically for so long, this is great stuff!!!
Would absolutely love if you could do something related to 70s jazz-funk/orchestral disco breaking down the harmonic structures/interplay between sections. I am passionate about writing music in these genres and it is so hard sometimes to find tailored advice.
Again, really great content, keep it coming!
You're the best. Very fortunate to have worked with you. I will never be that theoretical, and wish I could have been, but meanwhile... you're the best! 😁
Thank you Christopher! I loved working with you too!
8:08 is so lush and Thad Jonesy! Great stuff
What a great channel, just discovered it and i'm binge watching all yours vids right now. Keep up the good work!
Eye opening and very illuminating!! Thank you Sir!
Thank YOU Sir!
Thanx, Maestro. New Subbie (2-25-22).YIPEEEE!!! 🌹🌹🌹😎
Wow, thank you!
You should have 1000x the likes and subs.
Thanks Adi ❤
That was a great video. Thank you for your effort. I like especially the quality of the audio examples.
Great practical tips, as always! Thank you for sharing!
Very useful
Thank you so much for sharing your great knowledge!
Wow. This is an amazing video; I’ll be busy for a while. This is homework for months. Thanks a lot!
Great tips. I am going to spend a lot of time learning all these concepts. Thank you very much!
A fantastic array of creative options - thank you! 👍🏻😀
Woooooo- Thank you, Adi! You took us into deep waters there at the end. I miss your teaching so much right now!
Wow, thank you Quinn! Great to hear from you. What are you up to?
Yes!
Excelente !!!’
Yes, new content here! Pure gold 🙏🏻
Excellent job! So many thanks!!
Лайк в поддержку канала
Really great!!!
Beautiful!
Great content!
EXCELENTE, ESTA TODO AHI, NO COMPLAIN, THANK YOU .
Hi Adi! Great video.
👌
fantastic video. very well done and inspiring. to Ab/Gb to Cm7/F i could add diff bass notes for the Ab/Gb chord like Ab/A or Ab/E or even Ab/B or Ab/G and that would be all poss. bass notes then. other than that, i couldnt think of more. excellent job adi !
Excellent Video!
Thank you!
Hi Adi. On this video at the 2:36 point you put a graph of chords on the screen. What plug-in or software is that graph from ?
Hi, I used Finale and just hid the staves under the chord symbols.
@@AdiYeshaya Adi, Can you make a video on how you hid the staves under the chord symbols in Finale ?? Many of us would buy Finale if we knew how to do that.
@@ExclusiveLM it’s a good idea. I may do something like that but until then: highlight the region using the staff tool and type H.
@@AdiYeshaya Ahh !!! Will do. Much appreciated Adi.
God DAMN
can you tell me why real recorded horns, these days, sound like synth horns vs back in the days of E,W&F| AWB and the jazz stuff that came before?
In my opinion, when multiple parts are recorded by the same player and each part is isolated, the sound tents to be a bit sterile. Still, I thought it would be nice to hear real players as opposed to sampled sounds.
@@AdiYeshaya oh, I didn’t mean in your videos, I meant in the records I’ve heard in the last 5-10years. Not all, but some that have real players. Maybe it’s the recording process? Because the sound is true when you go see a marching band for example