Thank you everyone for watching this video and for all of the kind comments and constructive advice. I just want to address one concern... the music in the background. As many people have suggested to me, this video would be better than it is if the music were either quieter, or gone entirely. I actually agree. This video would be a stronger production if the music were quieter (or completely gone) in several spots. This was a very early attempt of mine to create an arranging tutorial. I had just purchased my first "real" camera. All in all I think the video is a good effort... but my recent productions are WAY more polished. And the music is quieter in the intro and conclusion. AND the middle of the videos are usually music-free. Unfortunately, there is not good way for me to redo the audio for this video. If you were about to leave a comment suggesting that I turn down that background music. I've heard it loud and clear.... almost as loud as that darn music in the background!
Hey mate. I very useful trick mixing engineers use for music/dialogue is to have a gate in the music channel and have the side chain input from that gate coming from your vox channel. That way whenever you speak the gate ducks out the music. It’s a pretty elegant way of doing it and that means you don’t have to spend hrs doing volume automation.
THIS IS EXACTLY THE VIDEO I'VE BEEN LOOKING FOR!!!!! IVE WANTED TO WRITE BIG BAND FOR YEARS, AND I'VE FINALLY FOUND WHAT IM LOOKING FOR!!! When I heard the trumpets play for the first time, I legitimately cheered in my seat and clapped out of joy.
After ALL these years, a "big band" horn section that made sense to me. I guess it was the way it was presented in a "school context" in MY mind 70 years later! 😎
I am a choir composer and I always like the sound of big band, film score-like sounds. I have been struggling how to write a good harmony and this video helps a lot. I never learned any music theory class formally, but your explanation is clear and understandable, especially when you include some examples. Thank you. Could've found you sooner
Pretty much everywhere we can find people talking about voicings, drops, spreads, ranges.. But this is the first time I get to see somone talking about orchestration, how to distribute the notes within the horns, in a idiomatic manner. These are some real powerful tools. Tks very much!!!
@@PandemoniumBigBand I WANT TO THANK YOU MR. DEUTSCH ! FINDING YOUR CHANNEL IS LIKE THE UNIVERSE IS GETTING BEHIND ME. AS A SELF TAUGHT JAZZ COMPOSER, IM FINALLY AFTER 45 YEARS WORKING ON MY DEBUT ALBUM ( due out possibly Christmas …..? There’s still a ton of arranging and rewriting and rehearsing to do yet…. maybe I should say …. next spring? )…lol 👀 I INSIST THAT IT ALL BE ANALOG, MASTERED FROM TAPE. ( still buying second hand, old school board and outboard gear as we speak) ( Yes……. I’m a bit nuts. But….. I hate thinking I have to be ONLINE …. Just to record music.🥵 also….. the entire old school process “feels and sounds” warmer and…… hey…. HOME MADE CAKE…. JUST TASTE BETTER!!!! Lol) IM HOPING TO MIX EVERYTHING IN MY HOME STUDIO….. PLAYING ALLTHE PARTS MYSELF……. ( yeah I’m nuts )…lol ONLY WHEN ITS PERFECT….. WOULD I HIRE SESSION MUSICIANS AT A TOP KNOTCH STUDIO TO RE-RECORD IT … ”LIVE”!!!!!!!…. sure some vocal overdubs in post? PROPERLY,…WITH PROFESSIONALS ALONG WITH A TRUSTED MASTERING ENGINEER. IF ALL GOES ACCORDING TO MY DREAM…. THIS ALBUM WILL ( not only be the soundtrack of my life) BUT ALSO THE SOUNDTRACK OF A 45 minute ANIMATED STORY IM WRITING…. FOR THE YOUNG KIDS, AND TEENAGERS ….. WHO MUST LEARN TO WORK “ TOGETHER “ …. NOT GOING THROUGH LIFE AS JUST A SOLOIST…… BUT BECOMING PART OF A BIGGER PICTURE IN HARMONY…….. BY WAITING FOR “THEIR MOMENT” TO ADD TO THE MELODY OR NARRATIVE …….. IN THE ONGOING ENSEMBLE CALLED “ LIFE!” I TAKES PLACE IN A FANTASY WORLD….. IF TOLD RIGHT….. AND UTILIZES PEAK CGI, VOICEOVER ACTORS, AND PEAK CINEMATIC NUANCES….. IT SHOULD LEAVE A LASTING POSITIVE EMPACT …… I HOPE 👀.lol ( I WAS SIDETRACKED FROM MY TRUE CALLING AT 13…. AND BELIEVE IT OR NOT….. I JUST GAINED MY TRUE NATURAL FOOTING 4 YEARS AGO TO FINALLY ARRANGE THESE GOD GIVEN CHORDS AND VERSES THAT HAVE BEEN SILENCED FOR OVER 50 YEARS!! ( long story 🕯) AN AVERAGE SONG TAKES EASILY OVER A YEAR TO PERFECT ( if I’m lucky ) ………….. each and EVERY NOTE AND LYRIC IN WRITTEN AND REWRITTEN BORN OUT OF; NOT JUST DEDUCTION, REDUCTION, AND ELIMINATION…. BUT… A STRONG CONVICTION THAT EVERYONE SONGS , FILMS, AND OTHER ART FORMS… ARE GIFTS FROM THE HEAVENS…. THEY ARE HERE TO HEAL AND INSPIRE MANKIND!!!!!!! THIS IS MY FIRST RODEO AND IM SURE IL GET THROWN OFF THE BULL… ( it’s sure not because of sales, fame, or fortune that this life goal exists..) lol MAYBE I WAS BORN UNDER A “LUSCIOUS” STAR… I DON’T KNOW.. lol BUT BEAUTIFUL HARMONIES … SLIGHTLY OFF THE BEATEN PATH, AND MATCHING LYRICS FROM THE SOUL… ARE MY ONLY GOAL IN EXECUTING THIS UNDERTAKING…. OF COURSE I SUBSCRIBED SIR!! THANK YOU AGAIN FOR SHARING YOUR IMPECCABLE COMPOSITIONS WITH THE WORLD!!! LIKE YOU………. THIS PROJECT IS DRIVEN ONLY AS A LABOR OF LOVE! IVE LIVED 67 1/2 YEARS WITH SO FAR ….. NOTHING TO ACTUALLY SHOW FOR IT OR SHARE…….EXCEPT MY HONESTY AND DIGNITY. LOVE AND LIGHT ARE HERE TO SPREAD……. USING OUR GIFTS …. MAYBE WE CAN INSPIRE JUST ONE PERSON ? I ADMIT…. ITS SCARY AND WAY OVER MY PAY GRADE…… IM SEMI RETIRED WITH A MODEST ONE MAN BUSINESS THAT PAYS THE BILLS.. SOOOOO, THIS WILL BE FINANCED….. ONE DAY AT A TIME….. no rush 👀lol BUT ….. THANKS TO YOU…… YOU’VE PROVIDED…. A LADDER…. …… TO GET …. A LITTLE MORE….. ON TOP OF IT TECHNICALLY AND MORALLY SPEAKING. I OWE YOU, SIR…. THE WORLD OWE YOU !! SINCERELY, GOD BLESS, 🎼RAIN AGAIN 🎼
I've been producing music for 20 years. Lately wanting to get into big band arrangements of our songs. Your channel is brilliant. Subscribed and looking forward to learning from you.
I hope you read this. I'm from Catamarca, Argentina, and it's very difficult to find where to learn these things here, so I really appreciate your content. Regards.
I'm barely an amateur musician - but this was really entertaining and 'demystified' how that fantastic sound from big bands is made that one hears in loads of period films etc. Subscribed to your channel - excellent!
Well, Well, Well!!! . . .I like the keep it simple approach. My pedigree is a whole lot academic and after 5 years of keyboards in a decent swing band, I'm ready to start some of my own arrangements. This really helped. I'm going to enjoy working through these and developing skills. Thanks!!!! Thank goodness for computer assisted notation . . .paper and pencil writing was soooo exhausting!!
one of the amazing tutorials... So light , so Explained. So easy for beginners to understand how to start writing for big bands! Subscribed! Thank you So much!
I've just "discovered" your channel. You do, in a couple of minutes, what it might take me a couple of weeks to finish. Amazing! I've been listening to recordings of Pandemonium Big Band, too. What an outstanding group of players you've assembled. Just THANKS! Good stuff, brother!
Amazing series of tutorials! A solid approach to arranging that also works well with strings! Those close voicings in pizzicato give a very specific 50’s vibe. Really opened up my palette. Subscribed!
Super tutorial and please don't even think about polishing these videos. I love your intimate, personal way of talking to us. Too many good videos are spoiled by fancy backdrops, high production values and too many adverts. Watching you is like talking to my personal tutor. Love it!
You help a lot you don't imagine, just saying about the disclaimer of 4 parts chorale I can rest in peace. I made an experiment/assignment of 8 bars of I Can't Give you Anything But Love thinking that is gonna be the GOAT and when I played on Finale I thought only, its sounds nice but no what was expected and when you said that, now everything has sense now, I recently started to make this type of arrangement and I'm new in all of this... THANKS
The idea of objectionable parallels is to create rich counterpoint with a small number of real parts. The idea is that objectionable parallels are a waste of your voices. This is absolutely true on an organ, the instrument of choice for working out vocal harmonies. If you only have 2 or 3 horns, you might want to try this even in a jazz context for a fuller sound. When you have a big band, however, it wouldn't make much sense to have four real parts that form a complete harmony and then distribute them out to the players. Rather, big band scoring typically relies on counterpoint between opposing groups, which do not have much if any contrapuntal interest inside of them; the interest comes from the groups' interaction, and the rhythm section makes sure it keeps swinging, which forgives more sins than you might imagine.
Nice, I just explored your channel and fount it very cool and useful since I'm sax-player and I'm recording horn sections by myself. Thank you for sharing these valuable knowledges!
wow very helpful tutorial. As a guitar player myself, I’m pretty fluent with music theory but not with how a big band horn section should sound. Thanks for giving me inspiration on how to write horns! Love from China. ❤
Thank you SO MUCH for the comment about parallel 5ths and 4ths. This was stuck in my head and was an impediment to creating decent arrangements. Thanks. This video is super helpful.
Hey Man! This was a really great series of videos! I've been playing shows and big bands since college. I've always wanted to transcribe a few big band charts including the Patrick Williams chart you referenced in another video. You and RUclips have provided great info and an easy path to understanding some concepts in writing for big band. Like many of the comments below your concise explanations and live recordings are invaluable. I'm a subscriber!
Wow, this is incredibly useful. I've found similar tutorials online, but yours is definitely the shortest and most comprehensible summary I've encountered.
Thanks so much for this information. I really appreciate it. You should think on creating a jazz composition course soon. I'll be the first student 👨🎓
Hi, you said that if the melody is on the root the second trumpet would be either on the six or 13 however when you were on the third measure where the chord is Dm7 the second beat melody was D (root) but the second trumpet you used a fifth (it was neither the 6th nor the 13th)
3:40 Do you mean leave out the root in the 2nd voice? There's no other way to arrange the chords otherwise so I presume this only applies to the 2nd voice
Here's a suggestion: I think you should start a Patreon page and give an insight into your own creative process, and how you approach these topics I spoke before, plus also some analysis of some of the big band fundamental writters you think must be looked at. Anyways, keep up the amazing work!!
@@PandemoniumBigBand Let me revise my reply. I think in watching 3 of your amazing videos I've gotten so much value. Let's just say the algorithm led me to one of your videos after a 2 week binge of Big Band. I'd like to develop my composer/arranger skills and your videos are inspiring me to explore my ideas... Good Stuff... Can I ask, what gives you most joy out of sharing this content?
Just found this video, Just subscribed. And WOW. Thank you sir. There are not a lot of professionals out there sharing their knowledge and experience about Big Band arrangements. Please continue doing these... Thanks
This is awesome, very concise and easy to understand! I’m definitely going to direct my arranging and composition students to this recourse for reference. 👏👏👏
I've always wanted to dip my toes into arranging for big band. Brilliant distillation of some easy things to do to get started. Looking forward to the rest of the series.
Nice! A great example of solid harmony without unnecessarily complicating things. I'll enjoy watching other harmony/voicing -related videos from you. Take care!
@@PandemoniumBigBand There is a topic I'm interested in, for my own selfish reasons. That is, your thoughts on how many instruments to use at one time, in various circumstances. As a young arranger, I often wrote more parts than necessary, especially when transcribing something from tape, only to find that when I saw the band live, there were fewer instruments in use.
5:27 I wish I could convince my classically trained music theory professor that jazz is beautiful too... If I showed him this awesome video he would probably fail me and kick me out of his class lol
@@PandemoniumBigBand I hope you're right, everyone has gotta be open to new things in order to truly grow and enjoy music... This video really opened up my eyes on big band writing! Thanks so much for your amazing tutorials!!
Hi.....excelent channel! congratulations.............could you tell us about mixing the big band in a song?, when producing a song in the studio.....how you pan left and right saxes, trombones, and trumpets? what´s recomended.....thank you!
These tutorials for big band writing are fantastic! What "secrets" might you share for tutti voicing of seven horns as in a little big band(A,T,B -2 trp. - 2 trbn.)? Thanks for all your work in passing on your expertise!
My newest video “tessitura”, is a good start to explaining how I tackle smaller section orchestration. The most important thing is to be aware of your instrument ranges AND how the instruments behave in various partials.
That was the clearest exposition on getting a classic big band sound I have heard yet. I have subscribed. I have a request if it's not too much. Could you talk about how to give parts to different sections of the band to make an actual chart out of a melody if that makes sense.
Thank you so much for the feedback! I am not sure exactly what you are asking about. Maybe you can reword your question... I think there is a good, juicy topic in there.
@@PandemoniumBigBand here is a better phrasing. What are the parts of a prototypical big band chart. It seems there are so many elements to a chart that are unique to the genre that don't occur in a pop song. I guess the question is about how form in big band chart differs from typical so g form So how do you lay out and plan a typical chart? Thank you
It's so amazing! Could you please, one day go, slowly in showing how sounds each melody note harmonized on 4 trumpets? all my congratulations! I'm from France.
Close Voicing, pt. 1 Summary all of the harmonies within one octave major: major 6, major 6 / 9, major 7, major 9, major 13 minor: minor 6, minor 7, minor 9, minor 11 (no9) dominant: dominant 7, dominant 9, dominant 13 Rules 1. Leave at least a minor 3rd between the top voices 2. Leave out the root (unless the top voice is playing the 3rd / second voice plays the root) 3. If melody is playing the root, put 2nd voice on the 6th (13th) or 11th or 9th Cheating 1. Copy four trumpet parts in trombone staves and drop down an octave 2. Copy trombone parts into Alto 1-Tenor 2 3. Give Bari. Sax the roots
Thank you so much for your work and pedagogy ! I just asked myself, the 4th bar is a F#•7 ? Because I dont understand why we have Eb C A F# Thank you !!
Then I encourage you to jam out instead!... On my earlier lessons, the music is a bit too loud. Hopefully I've gotten better at this over the past few months.
For the full ensemble plan of doublings, I fear my trumpets are so low (melody in the range of concert C4-C5) that the trombones will sound muddy doubled an octave below. And the melodic peak is a little too high to bump the trumpets up an octave. I wonder what the practical limitations section ranges are for this doubling approach.
When your trumpet melody is so low, you should use a different orchestration technique. This method for full ensemble tutti orchestration works best when the lead trumpet melody is in the top half of the treble staff.
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
Thank you everyone for watching this video and for all of the kind comments and constructive advice. I just want to address one concern... the music in the background. As many people have suggested to me, this video would be better than it is if the music were either quieter, or gone entirely. I actually agree. This video would be a stronger production if the music were quieter (or completely gone) in several spots. This was a very early attempt of mine to create an arranging tutorial. I had just purchased my first "real" camera. All in all I think the video is a good effort... but my recent productions are WAY more polished. And the music is quieter in the intro and conclusion. AND the middle of the videos are usually music-free. Unfortunately, there is not good way for me to redo the audio for this video.
If you were about to leave a comment suggesting that I turn down that background music. I've heard it loud and clear.... almost as loud as that darn music in the background!
Hey mate. I very useful trick mixing engineers use for music/dialogue is to have a gate in the music channel and have the side chain input from that gate coming from your vox channel. That way whenever you speak the gate ducks out the music. It’s a pretty elegant way of doing it and that means you don’t have to spend hrs doing volume automation.
Is bigband polytonal like standard jazz?
Omg this video is so useful thank you! So many shortcuts but valuable writing technique thanks
what do you mean by polytonal? I assume you don't mean polyphonic?@@Harlem55
@@tommyromanowski Fukin' LOL!
THIS IS EXACTLY THE VIDEO I'VE BEEN LOOKING FOR!!!!! IVE WANTED TO WRITE BIG BAND FOR YEARS, AND I'VE FINALLY FOUND WHAT IM LOOKING FOR!!! When I heard the trumpets play for the first time, I legitimately cheered in my seat and clapped out of joy.
After ALL these years, a "big band" horn section that made sense to me. I guess it was the way it was presented in a "school context" in MY mind 70 years later! 😎
6:30 I busted out laughing at how simply you achieve such a rich full sound. Thx so much for such a clear, concise explanation.
I am a choir composer and I always like the sound of big band, film score-like sounds. I have been struggling how to write a good harmony and this video helps a lot. I never learned any music theory class formally, but your explanation is clear and understandable, especially when you include some examples. Thank you. Could've found you sooner
Glad you found me eventually!
Pretty much everywhere we can find people talking about voicings, drops, spreads, ranges.. But this is the first time I get to see somone talking about orchestration, how to distribute the notes within the horns, in a idiomatic manner. These are some real powerful tools. Tks very much!!!
Yes! You get it!
Great tutorial. As a classical music composer, I always have wanted to find tutorials like this! Really Thanks for precious tutorial!!
You are very welcome!
Look up Gary Lindsay's "Jazz Arranging Techniques from Quartet to Big Band." it's an insanely helpful book.
That straight octave drops for trombones and saxes certainly makes for a solid sound! Not something I usually do, but hey it works! Thanks.
The KISS method of orchestration. (Keep It Simple Stupid). I don't always write the harmony with this method... but this method always sounds great!
@@PandemoniumBigBand
I WANT TO THANK YOU MR. DEUTSCH !
FINDING YOUR CHANNEL IS LIKE THE UNIVERSE IS GETTING BEHIND ME.
AS A SELF TAUGHT JAZZ COMPOSER, IM FINALLY AFTER 45 YEARS WORKING ON MY DEBUT ALBUM
( due out possibly Christmas …..? There’s still a ton of arranging and rewriting and rehearsing to do yet…. maybe I should say …. next spring? )…lol 👀
I INSIST THAT IT ALL BE ANALOG, MASTERED FROM TAPE. ( still buying second hand, old school board and outboard gear as we speak)
( Yes……. I’m a bit nuts. But….. I hate thinking I have to be ONLINE …. Just to record music.🥵
also….. the entire old school process
“feels and sounds” warmer and…… hey….
HOME MADE CAKE…. JUST TASTE BETTER!!!! Lol)
IM HOPING TO MIX EVERYTHING IN MY HOME STUDIO….. PLAYING ALLTHE PARTS MYSELF…….
( yeah I’m nuts )…lol
ONLY WHEN ITS PERFECT….. WOULD I HIRE SESSION MUSICIANS AT A TOP KNOTCH STUDIO TO RE-RECORD IT …
”LIVE”!!!!!!!….
sure some vocal overdubs in post?
PROPERLY,…WITH PROFESSIONALS ALONG WITH A TRUSTED MASTERING ENGINEER.
IF ALL GOES ACCORDING TO MY DREAM…. THIS ALBUM WILL
( not only be the soundtrack of my life)
BUT ALSO
THE SOUNDTRACK OF A
45 minute ANIMATED STORY IM WRITING…. FOR THE YOUNG KIDS, AND TEENAGERS ….. WHO MUST LEARN TO WORK “ TOGETHER “ ….
NOT GOING THROUGH LIFE AS JUST A SOLOIST……
BUT BECOMING PART OF A BIGGER PICTURE IN HARMONY……..
BY WAITING FOR “THEIR MOMENT”
TO ADD TO THE MELODY OR NARRATIVE ……..
IN THE ONGOING ENSEMBLE CALLED “ LIFE!”
I TAKES PLACE IN A FANTASY WORLD…..
IF TOLD RIGHT….. AND UTILIZES PEAK CGI, VOICEOVER ACTORS, AND PEAK CINEMATIC NUANCES…..
IT SHOULD LEAVE A LASTING POSITIVE EMPACT …… I HOPE 👀.lol
( I WAS SIDETRACKED FROM MY TRUE CALLING AT 13…. AND BELIEVE IT OR NOT….. I JUST GAINED MY TRUE NATURAL FOOTING 4 YEARS AGO
TO FINALLY ARRANGE THESE GOD GIVEN CHORDS AND VERSES THAT HAVE BEEN SILENCED FOR OVER 50 YEARS!! ( long story 🕯)
AN AVERAGE SONG TAKES EASILY OVER A YEAR TO PERFECT
( if I’m lucky )
………….. each and EVERY
NOTE AND LYRIC IN WRITTEN AND REWRITTEN
BORN OUT OF; NOT JUST DEDUCTION, REDUCTION, AND ELIMINATION…. BUT… A STRONG CONVICTION THAT EVERYONE SONGS , FILMS, AND OTHER ART FORMS…
ARE GIFTS FROM THE HEAVENS…. THEY ARE HERE TO HEAL AND INSPIRE MANKIND!!!!!!!
THIS IS MY FIRST RODEO AND IM SURE IL GET THROWN OFF THE BULL…
( it’s sure not because of sales, fame, or fortune that this life goal exists..) lol
MAYBE I WAS BORN UNDER A “LUSCIOUS” STAR… I DON’T KNOW.. lol
BUT BEAUTIFUL HARMONIES … SLIGHTLY OFF THE BEATEN PATH, AND MATCHING LYRICS FROM THE SOUL…
ARE MY ONLY GOAL IN EXECUTING THIS UNDERTAKING….
OF COURSE I SUBSCRIBED SIR!!
THANK YOU AGAIN FOR SHARING YOUR IMPECCABLE COMPOSITIONS WITH THE WORLD!!!
LIKE YOU………. THIS PROJECT IS DRIVEN ONLY AS A LABOR OF LOVE!
IVE LIVED 67 1/2 YEARS WITH SO FAR ….. NOTHING TO ACTUALLY SHOW FOR IT OR SHARE…….EXCEPT MY HONESTY AND DIGNITY.
LOVE AND LIGHT ARE HERE TO SPREAD…….
USING OUR GIFTS …. MAYBE WE CAN INSPIRE JUST ONE PERSON ?
I ADMIT…. ITS SCARY AND WAY OVER MY PAY GRADE…… IM SEMI RETIRED WITH A MODEST ONE MAN BUSINESS THAT PAYS THE BILLS..
SOOOOO, THIS WILL BE FINANCED….. ONE DAY AT A TIME….. no rush 👀lol
BUT ….. THANKS TO YOU…… YOU’VE PROVIDED…. A LADDER….
…… TO GET …. A LITTLE
MORE….. ON TOP OF IT
TECHNICALLY AND MORALLY SPEAKING.
I OWE YOU, SIR….
THE WORLD
OWE YOU !!
SINCERELY,
GOD BLESS,
🎼RAIN AGAIN 🎼
I've been producing music for 20 years. Lately wanting to get into big band arrangements of our songs. Your channel is brilliant. Subscribed and looking forward to learning from you.
I hope you read this. I'm from Catamarca, Argentina, and it's very difficult to find where to learn these things here, so I really appreciate your content. Regards.
This is FANTASTIC advice! Power tips in such a short time, thank you!
Glad it was helpful!
I'm barely an amateur musician - but this was really entertaining and 'demystified' how that fantastic sound from big bands is made that one hears in loads of period films etc. Subscribed to your channel - excellent!
As a user of “session Horns & “V Horns saxophone “ I found this tutorial really helpful for building up big band arrangements..thank you for posting
Well, Well, Well!!! . . .I like the keep it simple approach. My pedigree is a whole lot academic and after 5 years of keyboards in a decent swing band, I'm ready to start some of my own arrangements. This really helped. I'm going to enjoy working through these and developing skills. Thanks!!!! Thank goodness for computer assisted notation . . .paper and pencil writing was soooo exhausting!!
one of the amazing tutorials... So light , so Explained. So easy for beginners to understand how to start writing for big bands! Subscribed! Thank you So much!
You are very welcome!
jesus christ theres 30+ of these?
you are a saint!
Lol. I did a ton of these. More to come too.
I've just "discovered" your channel. You do, in a couple of minutes, what it might take me a couple of weeks to finish. Amazing! I've been listening to recordings of Pandemonium Big Band, too. What an outstanding group of players you've assembled. Just THANKS! Good stuff, brother!
I'll keep this channel on my A list.
You are such a good teacher and composer, I like your videos very much.
Thank you! I was unsure about how to harmonize the second trumpet when the lead plays the root - thanks!
Amazing series of tutorials! A solid approach to arranging that also works well with strings! Those close voicings in pizzicato give a very specific 50’s vibe. Really opened up my palette. Subscribed!
Super tutorial and please don't even think about polishing these videos. I love your intimate, personal way of talking to us. Too many good videos are spoiled by fancy backdrops, high production values and too many adverts. Watching you is like talking to my personal tutor. Love it!
Thank you so much!
You help a lot you don't imagine, just saying about the disclaimer of 4 parts chorale I can rest in peace. I made an experiment/assignment of 8 bars of I Can't Give you Anything But Love thinking that is gonna be the GOAT and when I played on Finale I thought only, its sounds nice but no what was expected and when you said that, now everything has sense now, I recently started to make this type of arrangement and I'm new in all of this... THANKS
Check "reinput pitches" in sibelius if You do it the same way as in video. Great tutorial!!!
Thank you thank you. I am new to your channel and appreciate this. You have no idea how much this helped me.
Thank you for making this series Elliot! Really helped me to understand and get into arranging songs for Big Band
You are the best ! Yeah you are the best. I mean that you are the best .Do you realized that you are the best ? Thanks from the botton of my heart .
Thanks so much!!! been hours through videos, turorials, etc... and this is what i needed!
Thank you so much. You corrected some of my mistakes and riles I have broken as an arranger.
Nice! I'm a """composer""" of """pretty mediocre""" levels, and I understood this well and could write at least something big-band-ish
The idea of objectionable parallels is to create rich counterpoint with a small number of real parts. The idea is that objectionable parallels are a waste of your voices. This is absolutely true on an organ, the instrument of choice for working out vocal harmonies. If you only have 2 or 3 horns, you might want to try this even in a jazz context for a fuller sound. When you have a big band, however, it wouldn't make much sense to have four real parts that form a complete harmony and then distribute them out to the players. Rather, big band scoring typically relies on counterpoint between opposing groups, which do not have much if any contrapuntal interest inside of them; the interest comes from the groups' interaction, and the rhythm section makes sure it keeps swinging, which forgives more sins than you might imagine.
Good insight
Nice, I just explored your channel and fount it very cool and useful since I'm sax-player and I'm recording horn sections by myself. Thank you for sharing these valuable knowledges!
this was just straight up awesome
6:05 I was always told by others I worked with that I was cheating or doing it improperly when I wrote like this, But I knew I was right all along
Yessir!
This is awesome Elliot! I'm going to be sharing this with my comp students who will be writing for big band next semester!
Thanks Dan! There a like 40 more tutorials to watch after that one. It’s been several months though. I need to get back to it.
Very straightforward explanation. You answered some questions I had. Thanks!!!!!!!
Wow! excellent video and very well explained! thank you very very much!!
wow very helpful tutorial. As a guitar player myself, I’m pretty fluent with music theory but not with how a big band horn section should sound. Thanks for giving me inspiration on how to write horns! Love from China. ❤
Thank you SO MUCH for the comment about parallel 5ths and 4ths. This was stuck in my head and was an impediment to creating decent arrangements. Thanks. This video is super helpful.
Hey Man! This was a really great series of videos! I've been playing shows and big bands since college. I've always wanted to transcribe a few big band charts including the Patrick Williams chart you referenced in another video. You and RUclips have provided great info and an easy path to understanding some concepts in writing for big band. Like many of the comments below your concise explanations and live recordings are invaluable. I'm a subscriber!
A lot of Big Band arranging books dazzled me, but your approach is easy to understand and to work with. Thank you!
I'm so glad!
Very clear your explanation. It answered some questions I had. Thanks!!!!
Fabulous, keeping it simple works (usually). Looking forward to more of this.
There’s hours more! You just watched my first arranging tutorial. I’ve made over 20! Enjoy!
@@PandemoniumBigBand Fantastic, had no idea! Thanks
wonderful!!! thank you very much
Elliot, just discovered your channel - just what I've been lookin for. THanks so much for posting these, Best wishes from UK
Cheers!
Simply, you're the best 💞
Done, love it Bro.
Wow, this is incredibly useful. I've found similar tutorials online, but yours is definitely the shortest and most comprehensible summary I've encountered.
Thanks so much for this information. I really appreciate it. You should think on creating a jazz composition course soon. I'll be the first student 👨🎓
Thank you Daniel! I’m sure I will eventually
In the third bar there is absolutely no reason not to add a C (the 7th) in the 2nd Trpt, sounds great !
You're right. On Beats 1 and 3, it could be F - C - A - G. I'm already "upgrading" the chord to minor 11 on beats 2 and 4.
DUDE!!!! you're awesome!!!
hi, you sir have not just a new suscriber, but a fan!!! woow . what a great job, great teacher
Hi, you said that if the melody is on the root the second trumpet would be either on the six or 13 however when you were on the third measure where the chord is Dm7 the second beat melody was D (root) but the second trumpet you used a fifth (it was neither the 6th nor the 13th)
Great information. I write music, but now I want to get into big band arrangement. Thanks
Great tutorial Elliot! Crystal clear explanations and good editing. Hope to see you again soon xo
Thanks AJ! Lets hang soon
3:40 Do you mean leave out the root in the 2nd voice? There's no other way to arrange the chords otherwise so I presume this only applies to the 2nd voice
Here's a suggestion: I think you should start a Patreon page and give an insight into your own creative process, and how you approach these topics I spoke before, plus also some analysis of some of the big band fundamental writters you think must be looked at. Anyways, keep up the amazing work!!
That's a good tip. I have been hesitant to start a Patreon page, but I'll definitely give it a second thought.
someone is getting a lot of attention! So happy for you, I love your videos!
Thank you!
I enjoyed that! Will save this... I don't read much but I am interested in studying this to understand. Thanks!!
Thank you! I hope you can get something out of it!
@@PandemoniumBigBand Let me revise my reply. I think in watching 3 of your amazing videos I've gotten so much value. Let's just say the algorithm led me to one of your videos after a 2 week binge of Big Band. I'd like to develop my composer/arranger skills and your videos are inspiring me to explore my ideas... Good Stuff... Can I ask, what gives you most joy out of sharing this content?
Can you do a video on your approach to writing 5th trumpet parts? From my experience, an octave below the lead?
Great idea.
Just found this video, Just subscribed. And WOW. Thank you sir. There are not a lot of professionals out there sharing their knowledge and experience about Big Band arrangements. Please continue doing these... Thanks
Welcome aboard! I just posted lesson #3
Thanks for sharing this, I found it super useful and I'm wondering what's the sample library you are using in your Sibelius? It sounds great.
This is awesome, very concise and easy to understand! I’m definitely going to direct my arranging and composition students to this recourse for reference. 👏👏👏
Thanks Donny. I really appreciate it. Let me know if you have any topics that you'd like to see me cover.
Maybe, open voicing’s or some Thad style voicings?
THANK YOU
This is great. Thank you very much.
I've always wanted to dip my toes into arranging for big band. Brilliant distillation of some easy things to do to get started. Looking forward to the rest of the series.
Nice! A great example of solid harmony without unnecessarily complicating things. I'll enjoy watching other harmony/voicing -related videos from you. Take care!
Thanks Mike! I already announced the next topic (harmonizing non-chord tones)... let me know if you have any requests.
@@PandemoniumBigBand There is a topic I'm interested in, for my own selfish reasons. That is, your thoughts on how many instruments to use at one time, in various circumstances. As a young arranger, I often wrote more parts than necessary, especially when transcribing something from tape, only to find that when I saw the band live, there were fewer instruments in use.
Thanks SO much!
5:27 I wish I could convince my classically trained music theory professor that jazz is beautiful too... If I showed him this awesome video he would probably fail me and kick me out of his class lol
I’m sure he wouldn’t. Different music is orchestrated in different ways.
@@PandemoniumBigBand I hope you're right, everyone has gotta be open to new things in order to truly grow and enjoy music...
This video really opened up my eyes on big band writing! Thanks so much for your amazing tutorials!!
Ace stuff, there seems to be limited information on this subject on youtube. Glad I found your channel.
More to come! I’m glad you like the tutorials
@@PandemoniumBigBand great stuff, I look forward to the next one 👍
Hi.....excelent channel! congratulations.............could you tell us about mixing the big band in a song?, when producing a song in the studio.....how you pan left and right saxes, trombones, and trumpets? what´s recomended.....thank you!
To the point. Excellent!
I loved your video! Crystal clear explanation!
Thank you so much.
These tutorials for big band writing are fantastic! What "secrets" might you share for tutti voicing of seven horns as in a little big band(A,T,B -2 trp. - 2 trbn.)? Thanks for all your work in passing on your expertise!
My newest video “tessitura”, is a good start to explaining how I tackle smaller section orchestration. The most important thing is to be aware of your instrument ranges AND how the instruments behave in various partials.
All put together-- Sweet! Thanks!
Great tutorial, 🙏
MORE LOVELIES VIDEOS!
Thank you!
effective. thanks
That was the clearest exposition on getting a classic big band sound I have heard yet. I have subscribed. I have a request if it's not too much. Could you talk about how to give parts to different sections of the band to make an actual chart out of a melody if that makes sense.
Thank you so much for the feedback! I am not sure exactly what you are asking about. Maybe you can reword your question... I think there is a good, juicy topic in there.
@@PandemoniumBigBand here is a better phrasing. What are the parts of a prototypical big band chart. It seems there are so many elements to a chart that are unique to the genre that don't occur in a pop song. I guess the question is about how form in big band chart differs from typical so g form
So how do you lay out and plan a typical chart? Thank you
@@jlrinc1420 Thats is a great topic. I'll give it some thought. Look out for it soon!
It's so amazing! Could you please, one day go, slowly in showing how sounds each melody note harmonized on 4 trumpets? all my congratulations! I'm from France.
Thank you Mike!
Great Videos... thanks .... great info
Excellent video, clear and to the point
Close Voicing, pt. 1 Summary
all of the harmonies within one octave
major: major 6, major 6 / 9, major 7, major 9, major 13
minor: minor 6, minor 7, minor 9, minor 11 (no9)
dominant: dominant 7, dominant 9, dominant 13
Rules
1. Leave at least a minor 3rd between the top voices
2. Leave out the root (unless the top voice is playing the 3rd / second voice plays the root)
3. If melody is playing the root, put 2nd voice on the 6th (13th) or 11th or 9th
Cheating
1. Copy four trumpet parts in trombone staves and drop down an octave
2. Copy trombone parts into Alto 1-Tenor 2
3. Give Bari. Sax the roots
Very nice! Do you have a formula/guide/rules for voicing 3 horns (jazz) Trumpet, Sax, Bone.
Of course! I'll put that on my short-list for future video topics.
@@PandemoniumBigBand Thank you, looking forward to it !
A practical explanation with a good pedagogical approach, thanks again!
You are very welcome! Welcome to the channel!
What instrument library were you using? Sounds great
Thank you. I recorded real instruments.
Thank you so much for your work and pedagogy !
I just asked myself, the 4th bar is a F#•7 ?
Because I dont understand why we have Eb C A F#
Thank you !!
The 4th bar is Eb dim7 (it says that in the piano staff). Diminished 7 chords are built by stacking minor 3rds… and there are only 3 of them!
Man, thank you very much!
The music in the background is so good during the harmonizing of the trumpets that I find it hard to concentrate.
Then I encourage you to jam out instead!... On my earlier lessons, the music is a bit too loud. Hopefully I've gotten better at this over the past few months.
thanks so much for this lesson.
Have subbed!
you said that we have to leave out the root .. but in the fifth mesure at the last noir you putted the root in the third voice .. can you explain?.
very nice !
Just wow
You are a God! Thanks 3000 🙏
Good video
thank you !
Magistral
Gold
For the full ensemble plan of doublings, I fear my trumpets are so low (melody in the range of concert C4-C5) that the trombones will sound muddy doubled an octave below. And the melodic peak is a little too high to bump the trumpets up an octave. I wonder what the practical limitations section ranges are for this doubling approach.
When your trumpet melody is so low, you should use a different orchestration technique. This method for full ensemble tutti orchestration works best when the lead trumpet melody is in the top half of the treble staff.
@@PandemoniumBigBand Thank you for clarifying the ranges, Elliott!