The orchestra is playing really well to support the soloist. That's not always a given at competition performances. I hope you record this concert one day playing on wood.
What a wonderful orchestra! This is the first time of all the recordings I have heard of this concerto where parts of the orchestra has some small "comments" peaking through here and there, especially in the first part. I don't know if this is due to the conductor (unfortunately I don't recognize who it is) or the sound engineer but its like hearing this beautiful concerto for the first time. 😍 I feel I don´t need to say anything about the soloist. Anyone can hear how divine his sound and technique is. 🤩
I have watched almost all of Sebs videos, but there is something about the sound of this flute combination which isn't registering. I get that he is using the metal head likely for projection over the orchestra, but it sounds like his flute is fighting him in some sections. The headjoint is trying to force the body into doing something it's not capable of, the sound breaks when he plays loud. I love wooden flutes (I have one myself), but in my opinion a metal flute with a wood head delivers a more homogeneous sound than a wood flute with a metal head.
And I agree with you.. I've used this head joint as a last minute decision after suspecting the wooden one beginning to crack and well, I've never done it again ;) Since then it's wood on wood, metal on metal or a good bottle of wine :)
@@MrSbas1208 it's the ease in which you play that draws my ears, you could play on a potato and make it sound beautiful. Also: you mean "it's wood on wood, metal on metal, and a good bottle of wine." ;)
Hehe, I was wondering why the "Frankenflute" :) At first I thought of Maximilian Schwedler's 'reform flute' with its metal head on conical wood body, which would be the ideal period instrument choice for this piece. Lovely playing!
Bravo! Very sensitive performance. Real rubato as "prescribed" by the best traditions in romantic style. Unfortunately not appreciated by some contemporary wind players....
Just a question before the final held note at the end of the second movement Sebastian plays the D# (I think off the top of my head) before the orchestra plays the final chord and I swear they are meant to come together. Is this intentional? I'm merely wondering as I actually really like the effect it creates and am considering doing it myself in future. If anyone knows or Seb if you're reading this I'd be interested on your opinion. Many thanks!
Excellent! You have become the quiz master, participant, spectator - cum-audience and the viewer of the program on TV /mobile phone! The jack of all trades (but) and master of (none) everything.
@@ninoding it comes from Sebastian Jacot himself :) he answered a comment from Marcus Boyd 3 years ago. Marcus said that he didn't get the combination and Sebastian answered that he was suspecting that the wooden headjoint was about to crack.
@@ninoding no worries :) I had to double check, I wasn't sure where I saw the information. But thank you for apologising, it's a rare thing on the internet...
I hope one day. For all musicians. The AUDIO PEOPLE GET IT RIGHT. I have to put volume up so much with flute. Enjoying it and BOOOM in comes the rest of it is startling. So unnecessary and EASILY correctly to compensate if they knew what they were doing.
It's a Haynes cocus wooden flute, only 1 of 3 that Haynes made if I remember correctly. Wooden flutes are making a comeback at the moment, they went out of fashion as such in the later 1900's.
The body and footjoint are one of three cocus wooden Haynes made in 1999. You often see him play with an all wooden flute, the headjoint I think he uses at the moment is a Braun.
Yep as said above, Haynes body and foot and 14k Lafin.. wanted to play the Braun head joint but it starting cracking and leaking during practice so went with B plan :)
@@MrSbas1208 Disappointing to hear that the Haynes headjoint that I assume came with the flute wasn't adequate for your needs. Would you mind telling where the Haynes headjoint falls short?
i'm browsing recordings of this piece as i learn it and in every single one you comment that "Galway's interpretation is better." that is a contradiction: an interpretation is subjective to each listener. i HAVE heard Galway's interpretation. AND I personally prefer other interpretations. (though Galway's is beautiful, it's not my favorite.) there is no "better" interpretation, only personal preferences. no need to put other people down for liking a different performer's rendition of the piece.
@@grace-yp3sv hey bro, just wanted to make sure we don get off on the wrong foot xD, The reason why I have mentioned this interpretation on multiple videos, is due to the fact that it wasn't mentioned at all... so I thought I'd bring another flavour to the table- I apologise if it offended you in any way!
That is literally the best interpretation I’ve ever heard. So beautiful. I’ve listend to it like a thousand times and every time I’m touched.
Try with Galway.
I would say both Galway and this one no good ! Galway worst!
@@xianfengyan6636？wdfym
@@xianfengyan6636what's good?
@@xianfengyan6636 请学习英语
mi è arrivato dritto al cuore....che spettacolo di flautista
C’est la classe et ça vient du cœur et de l’âme. Bravo!!!!
Allegro Molto Moderato (0:00)
Lento (9:30)
Finale Moderato (16:00)
Most beautiful, sincere, in the tradition of the French school I am from. Bravissimo for a memorable performance.
One of Reinecke's freshest, most delightful compositions - written at age 84!
Un talento senza Limitii da ascoltare e riascoltare.
A very musical performance overall, the romantic style conveyed very well....pleasure to listen to....
0:33 I. Allegro molto moderato
9:33 II. Lento e meso
16:03 III. Moderato - In tempo animato - Tempo I
Beautiful clear and solid tone.❤
The orchestra is playing really well to support the soloist. That's not always a given at competition performances. I hope you record this concert one day playing on wood.
Nothing about wood or gold,diamond…., tightly, closely sound never changed!
What a wonderful orchestra! This is the first time of all the recordings I have heard of this concerto where parts of the orchestra has some small "comments" peaking through here and there, especially in the first part. I don't know if this is due to the conductor (unfortunately I don't recognize who it is) or the sound engineer but its like hearing this beautiful concerto for the first time. 😍 I feel I don´t need to say anything about the soloist. Anyone can hear how divine his sound and technique is. 🤩
the best interpretation I’ve ever heard. So beautiful
Your music is touched my heart and please keep it up ！ Music is playing by soul not only teachiqe ！ xoxo
Absolutely BEAUTIFUL and BRILLIANT on all fronts. Wow!!
listen to his harp concerto and the violin concerto - tears
Piękne brzmienie, świetne wykonanie. Gratuluję! :)
Idealne tempo w III części, stylowo.
Che stamina e concentrazione! Bravissimo!
I have watched almost all of Sebs videos, but there is something about the sound of this flute combination which isn't registering. I get that he is using the metal head likely for projection over the orchestra, but it sounds like his flute is fighting him in some sections. The headjoint is trying to force the body into doing something it's not capable of, the sound breaks when he plays loud. I love wooden flutes (I have one myself), but in my opinion a metal flute with a wood head delivers a more homogeneous sound than a wood flute with a metal head.
The judges seem to disagree with you. He came in first.
@@allenmiller2071 Let them disagree, they hold no weight in my assessment.
And I agree with you.. I've used this head joint as a last minute decision after suspecting the wooden one beginning to crack and well, I've never done it again ;)
Since then it's wood on wood, metal on metal or a good bottle of wine :)
@@MrSbas1208 it's the ease in which you play that draws my ears, you could play on a potato and make it sound beautiful. Also: you mean "it's wood on wood, metal on metal, and a good bottle of wine." ;)
Hehe, I was wondering why the "Frankenflute" :) At first I thought of Maximilian Schwedler's 'reform flute' with its metal head on conical wood body, which would be the ideal period instrument choice for this piece. Lovely playing!
Music starts at 0:34
Bravissimo!!!
روايات الدنيا كلها فيها شخص متخصص بالحدث وتوصيله وتوضيح كنهه!
الفلوت يقرأ الحتة الخاصة به .. إنما هناك الموزع الذي هو الراوِ العليم!
Super,bravo et merci !
Magnifique :)
Bravo bravo bravo fantastic brilliance grandiose music concerto super wow wow wow
Bravo!
Very sensitive performance. Real rubato as "prescribed" by the best traditions in romantic style.
Unfortunately not appreciated by some contemporary wind players....
The sounds is so close! No matter what kind of flute you use! Nothing about instruments, it’s about the way you blowing! Tightly emb..
Pięknie!
9:18 magico..
Very fine tone quality and expressive music!! BRAVO!
15:50 - it is very hard to play high notes softly, effortless
Bravo!!!!!
보통 플루티스트 들은 8분음표 16분음표에도 비브라토 넣는게 습관들이라 듣기 불편한데 이 분은 딱 비브라토 넣어야할 부분만 넣어서 음악이 더 깨끗하고 좋게 들리네요 ㅎㅎ 완벽한 연주입니다
Jacot = genius.
the best!
sonorità ottocentesche,..bello
You gave the A to the oboist?)))
Beautiful sound, bravo!
That’s how we flutists build ground
Molto bello !
very confident!!!
BRAVO
Just a question before the final held note at the end of the second movement Sebastian plays the D# (I think off the top of my head) before the orchestra plays the final chord and I swear they are meant to come together. Is this intentional? I'm merely wondering as I actually really like the effect it creates and am considering doing it myself in future. If anyone knows or Seb if you're reading this I'd be interested on your opinion. Many thanks!
ライネッケフルート協奏曲、珍しいらしいのでは、
初めて聴きましたが、良いです。
Who's the conductor?
Jun Märkl
Thanks
You're welcome
Excellent! You have become the quiz master, participant, spectator - cum-audience and the viewer of the program on TV /mobile phone! The jack of all trades (but) and master of (none) everything.
Superb!
Why the gold headjoint with wooden body?
I think the wooden headjoint was about to crack so at the last minute he took this one (happened to me once...)
@@emanuelleblessig9374 not likely. Perhaps he wanted more projection for playing with an orchestra.
@@ninoding it comes from Sebastian Jacot himself :) he answered a comment from Marcus Boyd 3 years ago. Marcus said that he didn't get the combination and Sebastian answered that he was suspecting that the wooden headjoint was about to crack.
@@emanuelleblessig9374 oh I see, my apologies.
@@ninoding no worries :) I had to double check, I wasn't sure where I saw the information. But thank you for apologising, it's a rare thing on the internet...
Браво!
I hope one day. For all musicians. The AUDIO PEOPLE GET IT RIGHT. I have to put volume up so much with flute. Enjoying it and BOOOM in comes the rest of it is startling. So unnecessary and EASILY correctly to compensate if they knew what they were doing.
0:36
lol that's hilarious!! The conductor looks like someone out of a Bugs Bunny cartoon!!
Reinecke >>>>
Wow! this is really great. Thanks for sharing. :)
17:10
19:40
🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
First movement: 0:34
very good !
16:02
What type of flute is that? I've never seen one like that. Made of wood?
I was wondering the same thing! I am unsure what type of flute this is but I'm very curious to find out .
It's a Haynes cocus wooden flute, only 1 of 3 that Haynes made if I remember correctly. Wooden flutes are making a comeback at the moment, they went out of fashion as such in the later 1900's.
@@lilac749 see my other comment replying to the original comment! Hope it helps!
What kind of flute is he using? Are the body and foot wooden?
The body and footjoint are one of three cocus wooden Haynes made in 1999. You often see him play with an all wooden flute, the headjoint I think he uses at the moment is a Braun.
14k lafin
@@justanotherfluteguy thanks!
Yep as said above, Haynes body and foot and 14k Lafin.. wanted to play the Braun head joint but it starting cracking and leaking during practice so went with B plan :)
@@MrSbas1208 Disappointing to hear that the Haynes headjoint that I assume came with the flute wasn't adequate for your needs. Would you mind telling where the Haynes headjoint falls short?
What happened to this musician? I hardly find recent videos of him. Is he performing? Is he going on stage?
Not how I would've interpreted it. There were really nice moments and then moments where he blew through when he could've/should've....
Excelente técnica, limpieza, sin embargo, faltó corazón
soporifero ...sgrana troppo un concerto non così difficile,anzi.
Certo, un concerto semplicissimo, soprattutto in una finale internazionale.
come mai noi italiani dobbiamo sempre fare commenti fuori luogo? Caro Enrico in platea siamo tutti intonati, soprattutto lei! ;)
Clearly none of you have heard Galway's interpretation...
i'm browsing recordings of this piece as i learn it and in every single one you comment that "Galway's interpretation is better." that is a contradiction: an interpretation is subjective to each listener. i HAVE heard Galway's interpretation. AND I personally prefer other interpretations. (though Galway's is beautiful, it's not my favorite.) there is no "better" interpretation, only personal preferences. no need to put other people down for liking a different performer's rendition of the piece.
@@grace-yp3sv hey bro, just wanted to make sure we don get off on the wrong foot xD,
The reason why I have mentioned this interpretation on multiple videos, is due to the fact that it wasn't mentioned at all... so I thought I'd bring another flavour to the table- I apologise if it offended you in any way!
@@grace-yp3sv also, Blau does a great job too, check it out if you haven't already.
mindless execution, whistling.....
I mean it was enough for first prize
7:22
Who's the conductor?
16:05
9:35
2:01
9:55
0:34
9:40