Supercharge Your Soloing - Soloing With Major Triads
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- Опубликовано: 17 мар 2023
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YES! Now to ornament these triads, sliding into them from a 1/2 step below, slide into them from a 1/2 step below EACH NOTE. Enclose each note with a 1/2 step above and a 1/2 step below.
Great lesson Jeff! You’ve unlocked this idea for my simple brain! Thanks very much. I must say you having killer tone and vibrato makes it a pleasure to learn whilst working on this. 👍👍👍
sick lesson opened up a load of doors for me :) Thank you !!!!
Awesome!
'Soloing with Major Triads' is a course we ALL need. Pure Gold and Top information.......in fact you might say...Gold Top! :)
Thanks Jason!!
Thought Jerry immediately.Nice.
Wow. What an amazing thing to keep in your pocket. Thank you!!
Cool ! And you are welcome!
Great Lesson. Especially for those of us who are just starting the study of triads and triad pairs. Thanks Jeff. 😎 T
Thanks Tim!!
Excellent stuff
Thanks!
Great video. Love that LP!
Thank you!!
This is amazing information. Thank you.
Thanks man!!
I love using triad pairs as between them they contain 6 notes of the mixo scale and it does not seem scalar. Great course Jeff and I highly recommend it. Cheers!
Yup!! Thank you for the support!
@RB I’m also liking triad pairs for this reason and only recently discovered them thru the examples on the videos.
Good stuff! 😊
Thanks Chuck!
jeff another great video.....i love this your the best......
Thanks !!
great lesson jeff. thank you
Thanks!
Always good stuff from you Jeff... I am going to be having surgery sometime soon to help control the tremors in my right arm and after I do I'll be hitting you up for lesson's again man... Hope you and your family are well as well as the dog and Mr. Blackwell...
Jeff I love ur teaching style and ur playing!
Thank you.
Just my level thanks Jeff !!! Fabulous help love it
My pleasure and thanks for the support!
Yes, lovely and concise, and I can attest that the extended coarse is rad. I’ve come a long way lately and this kind of insight is a huge part of that.
Thanks man!
lovely lesson, doing this tonight. Cheers Jeff.
Awesome!
The foundational glory of triads and their inversions! Spot on Jeff! I also like to do a major triad and when I play the triad again, I’ll switch to the 7th or sometimes something suspended. I’m not completely sure, but I think that I kind of picked that up from listening to John McLaughlin and Shawn Lane.
Yup! Just scratching the surface here!
I love that Les Paul.
Thanks! Me too!
Door opened - Thank you!
Excellent!
Jim Haubert here, I am teaching my students this stuff along with double stops which lends itself to the CAGED system, it just opens up using the whole neck of the guitar, good stuff here Jeff!!
That’s awesome Jim!!
@@JeffMcErlain my improv opened up when I finally learned triad inversions all over the neck, and now I associate all vocabulary, scales, licks as notes around those triads. I never bothered with CAGED, but I assume my triad based system is basically the same thing ?
@@zaqintosh the caged this is basically triad inversions. But I never learned it that way. I learned it the real way. 😂 caged is cool to begin with but falls short very quickly.
What a fantastic video have a good weekend also I like fender strinstrume
Thanks!!
@@JeffMcErlain you welcome
Great lesson! Thanks Jeff
Thanks Brother!
It got real interesting when I tried this over Dm6 and Bm7b5. Bouncing back and forth between that and the F&G major just gave me a bunch of new ideas.
*THANKS JEFF*
It’s all about those extensions!!
@@JeffMcErlain I've been trying to decipher Django's
"Minor Swing" for years.
I discovered that F#m7b5 could sub for Am6, And Bm7b5 was a sub for Dm6.
One time I had the honor and pleasure of jamming with a really good fiddle player who knew the tune. She was impressed with my subs, and she liked the way I alternated between the voicings. Big fun and happy day!
Nobody’s home..! Gonna crank it up and play some triad’s..! 👍🏼❤️
Awwww yeah!
You could play C# over G through a 1980s Peavey on that LP and it would sound like warm butter on a perfectly crisp baguette.
Cool lesson Jeff! 😊
😂
Wonderful tutorial Jeff - thanks very much! Great tone and playing too - how was your amp set up?
Thanks. That’s a fractal FM3 using the JTM45 model with light breakup.
👍
🙌🏻
In 1984, I saw that same gold top in a music store for $550. Sadly, too much money for a 22 year old me.
Yup. Everyone wanted pointy headstocks back then.
This is actually a Jerry Garcia(esque) technique as well. You can hear this all over his playing! Of course this works no matter what the Genre.
I mentioned that in the video. 😉From Coltrane to Jerry to Van Halen!
@@JeffMcErlain Sorry! I obviously missed that part...(damn Tinnitus!😁)
@@zososhep Ha!! I know it well...
The cool factor on the Gold Top is off the chart. Does the replacement bridge solve the problems?
I passed up one of those in the 80s because it was so awkward. The original bridge is a disaster.
It's a beautiful guitar otherwise.
It does solve the problems. It plays great, impossible without one though. It’s the Joe Glaser bridge.
@@JeffMcErlain My current Gold Top is a total mutt. A hillbilly junkyard ratrod. It looks kinda like a '56 but it's put together from 2 that got destroyed, and then they raided the parts bin for hardware. I've had it since 1987, and it works perfectly.
I love to see the look on the normies faces when they play it.
The next time it changes hands will be at my estate sale.
Tasty Jeff
🙏🏻
Sounds way too jazzy
Perfect 👌