Swatching All My Red & Violet Watercolors
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- Опубликовано: 10 сен 2024
- So after having swatched all my greens, blues and earth watercolors. It's time, in this 4th video in the series, for swatching all my red and violets.
Materials used in this video:
Baohong Academy watercolor paper 300gsm Cold pressed
Escoda Perla Round Size 10
Rembrandt Cadmium Red Light
White Nights Cadmium Red Light
Schmincke Horadam Cadmium Red Light
Van Gogh Permanent Red Light
Rembrandt Cadmium Red Medium
Mijello Mission Gold Permanent Red
Mijello Mission Gold Permanent Red Deep
Mijello Mission Gold Light Red
Holbein Perylene Maroon
Lukas Madder Lake Deep
Rembrandt Permanent Madder Lake
Van Gogh Madder Lake Deep
Mijello Mission Gold Rose Madder
Rembrandt Carmine
Schmincke Horadam Permanent Carmine
Mijello Mission Gold Rubine
Mijello Mission Gold Burgundy Red
Kusakabe Ruby Rose
Mijello Mission Gold Bright Rose
Lukas Genuine Rose
Van Gogh Dusk Pink
Jackson's Opera Rose
Mijello Mission Gold Bright Opera
Kusakabe Magenta
Rembrandt Quinacridone Rose Magenta
Van Gogh Quinacridone Rose
Mijello Mission Gold Red Violets
Rembrandt Permanent Red Violet
Mijello Mission Gold Bright Violet
Mijello Mission Gold Bright Clear Violet
Mijello Mission Gold Compose Violet Deep
Holbein Permanent Violet
Van Gogh Dusk Violet
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I'm watching marathon color comparison. I'm really enjoying the videos and learning so much. Thank you.
You're very welcome 🙏 Thanks for watching and commenting 😊
Red & magenta:
I love Pyrrole Red, Scarlet Lake and Vermilion Hue by Holbein, Bright Red, Madder Rose and Magenta Rose by Rosa Gallery, Quinacridone Rose by M. Graham, Quinacridone Magenta and Quinacridone Red by QoR, Aster by Julia K Art Studio (a very deep, slightly granulating magenta), Venice Purple by St. Petersburg White Nights, and Permanent Carmine by Schminke. The last one mixes amazingly when you use a lot of it, plus, mixed with a PR179 (like the comparably bight Venice Purple) it makes a really nice, deep red. ☺️
Purple:
Quinacridone Violet by QoR (a bright version), Quinacridone Lilac by Rosa Gallery (a deep version), Dioxazine Purple by QoR, Carbazole Violet by Daniel Smith (a slightly muted PV23), Manganese Violet and Cobalt Violet Hue by Schminke, Ultramarine Violet by Blockx, and Cobalt Violet by Winsor & Newton.
I have an intense transparent Pyrrol orange in my palette, but if I needed more opacity, I would get that lovely Cad Red Medium by Rembrandt (PR108)… stunning colour. So intense ❤️
THANK YOU!!!!!
Hi , Thanks for sharing these beautiful colors . Just wondering if you could next time start from below the text ? So we can still read the brands and names after the swatch is filled ?
The van Gogh dusk paints are really that dark! I love them. I prefer muted colours.
I like the dusk colors too. I wonder if the Rembrandt versions are much different?
@@JayNathanWatercolor I think they are very similar!
@@peteinuk Probably best to save money then and go with the Van Gogh ☺️
@@JayNathanWatercolor I am admittedly a cheapskate but honestly I can't see the difference!
@@JayNathanWatercolor maybe more concentrated since Rembrandt makes the Van Gogh student grade.
loved this video..
Thank you very much 🙏
mijello blue violet has more of a separation than the red violet if that's what you're after. i think it's cool you have a good range of warm and cool reds :) i love most PR122s for a go-to magenta/cool red but i think VanGogh's carmine PR176 has to be my fave 'crimson' colour. i do wish it didn't dry dull though since it's absolutely gorgeous when wet.
I'm not really sure I'm after any kind of violet 🤣
I've not tried Van Gogh's Carmine yet. Sounds good though.
most of these colors are stunning and the way you swatch is very satisfying. I love Mijello PR179, I have the same pigment in Schmincke but rarely use it. The violets in my main palette are pv23 and PR122, both 6 year old half pans from w&n ( they were my first artist's grade paints and still half-full, a little goes a long way!), pv55 from Schmincke and PV19 from Mijello. I also use DS Moonglow and Shadow Violet from Roman Szmal, so yeah a lot of violets ^_^
Thank you very much 🙏 I've only tried Holbein's PR179. I'm not sure if I would buy that pigment again though. It is nice but I don't think I need it as I use light red and Indian red.
I like the look of Roman Szmal's shadow violet. I'm looking forward to trying that brand in the future.
@@JayNathanWatercolor yes, I totally get it. I love pr101 in any form, it's such a versatile pigment. And affordable too!
I have replaced all of my cadmium reds and yellows with a yellow that is really similar and the reds with Pyrrol Red and Pyrrol Scarlet.
I also don't have any Permanent Alizarin Crimson.. I always mix Magenta into one of the Pyrrol Red pigments and be okay with it.
Talking about Carmine... Ruby Red from Schmincke is a much cleaner color. This would be also a good color if you mix a brown from your primaries like.. Ruby Red, Quin. Gold and Delft Blue. Also really nice if you paint skin tones. Quinacridone Violet would be a good addition to that triad if it's going to be a skin tone palette, I think.
Thanks for all the tips. I often think about replacing the cadmiums but the yellows and reds I try just aren't as nice 😭
when u get the chance, try out Daniel Smith's Deep Scarlet. its such a unique pigment that no other brands carry as watercolor paint as far as I know. its a rich deep earthy red that isnt the same to anything else. one of my fave pigments to use for anything really
Thanks for the suggestion - I've added it to my cart at Blick, and will get it when I place my next order :)
Thank you for the recommendation. I'm sure I will get to try it some time in the future. ☺️
I really like Trans Pyrrol Orange by QOR and Pyrrol Red Light that work well for me. I just ordered a few colors from Davinci...perm red....is one.
I'm recognizing a pattern - why's it that reds aren't as lightfast? Well, it's definitely one of the reasons I don't have as many of them on my palette as I have of other colours ^^' Also, I don't have any cadmiums on it and mo cobalts - BUT thank God, there's quinacridones and perylene, because those are ones that are on it instead. I love my ruby red, because it's a nice, slightly bluish red that makes for a great mixer, I follow videos by Kimberly Crick here on YT, used my Schmincke Horadam tube to make my own dupes for Daniel Smith's Moonglow and Roman Szmal's Misty Morning :3
Also, I'm just in love with those Van Gogh dusk colours and just like you I tried mixing my own of them - but they never worked as well as the actual colours that they have in store. And I even used the Van Gogh PBk 11 by them to try out. So, I guess I just have to wait for them to make more dusk colours. Mixes with blues would be cool, or a rusty colour with that black granulation settling out would be real cool :)
The Van Gogh Dusk colors are very nice and, you're right, mixing them yourself doesn't turn out quite the same. I wonder if they have any plans to release more in the future?
hi there, jay.. norakag here.. as someone who also paints lots of earthy landscapes, i highly suggest you try mixing the dusk colors , or the deep violets , into greens and browns .. they are such a rich way to intensify values , shadows, etc.. I'm hooked on all the dusk colors ...
thanks for another interesting video!! norakag👍👍
Hi. You're very welcome. Thank you for the tips ☺️🙏
A lovely range of reds, Jay. Rembrandt has very nice reds in his new cart, very extensive reds. My favorite reds are PR254 and PR122. My favorite violet is PV23. There are very nice compossed reds, but I always prefer monopigment It is posible. Great Swatches.
Thank you Jose. I agree with you that mono pigmented reds are usually nicer. Thank you for watching and commenting 🙏☺️
🥰🥰❤❤
Thank you 😊
Thanks for video. No one can swatch so well.
Are all Mijello Mission Gold colors in the cups hard to accvate? I have heard that a few times. Or does it only affect single few colors?
My favorite Red/Pink/Violet pigments are: PR254, PR207/209, PR122, PR179, PR233, PV19 pinkish ones, W&N PV14 Cobalt Violet, PV15.
A few pigments there that I'll have to try out in the future. Thanks for the recommendations ☺️🙏
I start to wonder how big your entire paintcollection is....😳
Weird brand by the way, Mijello, a lot of rather strange multi pigment hues. If I remember corrct they even have a 3 pigment burned sienna imitation....why? PBr 7 is fine, lightfast, inexpensive, how is that hue an improvement on the original?
I have far too many watercolors 🤣 I do paint every day though and am determined to work my way through all of them.
Yes Mijello have their weird earth mixtures. They all seem to be hues using PBr25 or PY150 mixed with other pigments. You're right that it is strange that they replace the inexpensive genuine pigment with a hue mixture. I guess they're just trying to do something different? The hues are actually quite nice colors.
I do keep a diox. purple in my pallate. I like Holbein but Qor is my fav. For reds: Turner Rose Red(pv19), Holbein Rose Madder(pr83), Qor perm. Alizarin Crimson(pr177), Qor Pyrrole Red Light(pr255)., and some others.
Tfs
QoR is a brand I've not tried yet. I've seen in videos that they disperse like crazy on the paper? I look forward to trying them.
@@JayNathanWatercolor yes, that's true. They move quickly in water. I think that's what attracted me to them. Before that I mostly used Holbein, Turner and Daniel Smith paints.
@@jrm2716 and Jay Nathan Watercolour,
Hi Jay, Hi Jr M
I thought the same about Qor.
It is Qor pigment, the paper, and the water amount, that makes Qor go crazy. The right combination. Paper has grain too, which also makes Qor move less on some directions. Some Qor paints don't move at all. See Oto Kano's series.
Is there a reason why you don’t have any Daniel Smith’s paint ? And only appear to use the occasional Wensor and Newton student grade Cotmen ?
Hi. Thank you for watching and commenting 🙏Daniel Smith isn't widely available here in Thailand and it's much more expensive than Rembrandt, Mijello, Holbein etc. I have used a few of their watercolors which were all fine but I just don't see the value in buying them over any other brand.
I can get 5ml tubes of Winsor & Newton here in Chiang Mai but again it's much more expensive. A 5ml tube of W&N cost 2.5 times the price of a 5ml tube of Holbein and I can get a 15ml tube of Mijello for much cheaper than a 5ml tube of W&N. It's crazy.
Cotman is available everywhere here and is pretty cheap. Same with Van Gogh.
@@JayNathanWatercolor I didn’t know your location. Here in NY the Holbein and German brand paints at either as expensive or some cases more expensive than DS. Go figure. Thanks for responding back and thanks for the video.
Lol I do the same thing, swatch all my reds only to remember I forgot a few, when I`m finished)) How did you acquire many reds if it`s not the colour you tend to use much? I suppose some came with the sets. I love deep reds, both cool (Schmincke transparent red deep) and warm (White Nights Venice purple). Cadmium red dark, too. At the moment I prefer pyrrol scarlet to cad red med. But there are reds I`d still like to try.. For some reason I love rose of ultramarine (DS), and deep, moody violets I mix myself.
Well I keep trying to convince myself that I should use non earth reds and violets more often in my work and I keep thinking I'll find one I will really like 🤣 Plus we have crazy cheap sales of Mijello and Rembrandt a few times a year here. It's fun to try different pigments and manufacturers.
@@JayNathanWatercolor indeed)) I wish I could find the two brands where I`m at. I love White Nights pan Pr179. It`s transparent unlike earth reds, if it helps