5.1 Surround Sound editing in Adobe Premiere Pro
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- Опубликовано: 28 янв 2017
- UPDATE: Adobe has not renewed their Dolby license so as a result, any Dolby export functionality will not be available in any version of Premiere Pro CC, Audition CC or Media Encoder CC.
helpx.adobe.com/x-productkb/m...
This tutorial takes you through the process of creating and working with 5.1 files including making Sequence settings. Also covered is automating surround sound panning and isolating LFE in a 5.1 Sequence.
This is a link to an H.264 5.1 surround sound test file:
www.dropbox.com/s/78vb37k02cz...
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This is one of the most concise and impressive tutorials on 5.1 I've ever seen. Invaluable information! Thank you so much for this. This will help my editing significantly.
Wow, thanks!
3003934430@@VideoRevealed
jjgdswtyil
Thank you so much for this!! Between a couple of your videos on surround sound you saved me from having to go back to the post house and pay them a bunch of money to conform the surround to a couple small edits I had made to my movie. You are a life saver.
Wow, that's fantastic. Power to the people! 😝
Those tutorials are a crazy amount of work. Thanks a lot for all this great stuff! Keep on doing!
Thanks for noticing and yes they are a lot of work.
This is one of the most useful tutorials I've ever seen. Thank you thank you thank you. Editing in Premiere would be a hassle without you
I've been searching for this tutorial for two days. Thank you Colin. Not the first time you've saved my life. I've been trying to export a feature film to go to a QC company for distribution, and they want a 4444 with 8 mono audio tracks: L R C LFE Ls Rs LT RT. From what i understand this is a standard way to deliver features these days. Premiere makes it literally impossible to figure out.The channel output assignments being ganged as 1&2, 3&4 etc leads to not 8 discreet tracks as they are in the sequence, but four pairs of stereo tracks (if you don't pan). My test clips kept failing QC because I hadn't intuited that I needed to pan all tracks (including C) left and right in the sequence setup,which is completely counter intuitive. I have a feeling that will solve the problem. THANK YOU!
Sending something to a festival in 5.1 This is the most helpful thing I've found. Thanks! Subbed.
Thanks and welcome to VideoRevealed.
This video save us a lot of time the day before our private premiere. Thanks for sharing!
You're welcome!
Sir, you are really a master. I am learning a lot from your tutorials. Thank you very much for the video.
Awesome, I'm glad you liked it.
This is really helpful, I have a mix in separated mono tracks and this makes the process of render a master really easy, thanks!
Glad it helped!
I have 2 separate 5.1 systems One TV (HDMI) the other USB and both let me here the separate speakers in this video on U-Tube. Amazing.
Okay.
You are so Brilliant. Love the way use describe including the up to date with the present version with the most useful function. Really appreciated. :)
It's my pleasure.
you're a great teacher. you speak my language literally and figuratively.
Thanks for your support.
Thanks for the video, it's cristal clear and going to be very usefull for me! Just a note, as i'm working on my audio surround RN i've got my surround system plugged in my pc, and this video actually comes out in surround!
Glad it helped!
Man. Your tutorials are really good!
Thanks so much!
Described so good. Your videos are really good. Don't know why you have only 90k subscribers. You deserve to have more!
Thanks for the videos.
Thanks so much. After more than 6 years, I still have no idea how to get more subscribers. 😟
@@VideoRevealed
I think Because, most of the people don't want quality stuff, they need it quick and easy. Well, I should say that you are straight opposite doing lengthy and quality videos explaining everything which is great. Stay same, and I wish you will get more subscribers in the future. Thanks for the videos again!
True 👍👍👍👍🥰
Damn, who take dislike for this video? This absolutely useful video for surround sound design in Premiere!
I agree. I have one viewer who habitually disklikes every video I create. That's not a happy person that does that.
This channel is a gem ! 💎
Glad you liked it.
Hi, Colin. Great tutorial. In the description of the video above, you provide a DropBox link to your finished "Surround_Test.mp4" file, which is super useful. That particular output file uses Dolby 5.1. When I import that file into the current version of Premiere Pro (v24.0.0), the audio comes in as 6 mono tracks. By any chance, do you have a version of "Surround_Test.mp4" that is exported with one of the other 5.1 formats that is currently supported by Adobe, so that the file imports as a 5.1 audio track? That would be useful to me. Many thanks!
Thanks a lot Colin. This video was very helpful. But I have a question. Towards the end around 17:38 you show the track A8 having a plus button which is then used to get the panned sequence . I don't see any such track when in my project when I follow what you've said. Any help on that?
You'll only see that when the clip you're adding has more tracks than the Sequence.
At 15:35 you pan left then right....and then left and right again....and then left and right again. Isnt that middle left to right sending all of your center audio to the left and your LFE to the right? Shouldn't you leave channels 3 and 4 center?
Amazing tutorial. Thank you!
Glad it was helpful!
sir i got 5.1 steam (6 ch) from sound department...what settings i should choose?
Hi Your tutorials are very easy to understand & very helpful to.
Thanks, I do my best to give you great content.
When I create a sequence with 5.1 it gives me one audio track that is 5.1, how do I get the other tracks under it that are for the specific speakers like in the tutorial?
What an amazing tutorial!!! THANK YOU!!!
You're welcome.
This is mind blowing! Thank you!
You're very welcome and I'm happy you liked it.
Mr. Smith, thank you for all of your great tutorials! I have a really dumb question as newbie to 5.1 mixing in Premiere (I have cc 2019). I have an M-Audio interface to which I have my two studio monitors attached. Here's the dumb question. Can I use 5.1 surround headphones and hear the 5.1 mix simply by plugging the headphones into the headphone jack on my audio interface? Does 5.1 decode through standard 1/4" output to a device (i.e., headphones) that can decode a 5.1 file? Thanks so much for your time!
Headphones are stereo only, so no 5.1. You need 6 separate outputs from your interface and 6 separate speakers to be able to monitor 5.1 sound.
I'm waiting for a long time.. thanks man
I know, but here it is! :-)
VideoRevealed pls make tut on exporting this and other latch read tools which u mentioned in the tutorial. 🤓
Exporting tutorial will be next Sunday. I'm working on the other one.
hi, thanks for this helpful video. I was wondering if it would be possible for me to mix in 5.1 (and hear in. 5.1) using Sonos speakers. thanks again!
You'd need 6 separate Sonos speakers plus an interface from the computer that offers 6 separate outputs. It's actually cheaper to buy a 5.1 receiver and speakers.
Great Tutorial...I love ur videos, Keep it up.
Thanks. Will do.
nice its actually working, im suprised
Thank you for this video! so now without the dolby license, it is not recommended to export a dcp file 5.1 from the latest version of premiere?
I suggest using another DCP solution; there are several out there but I'm not familiar with them.
Thank you for this tutorial - however i was wondering if I could get some help: I have followed your steps and made a new 5.1 sequence. But when dropping in my audio file new tracks are created that do not show the 5.1 yet can be adjusted with the track mixer...
Anyone who knows how to solve this? Do I need to change the audio files?
I'm really thankful for you sir. It helped me a lot.
Glad to hear that
You saved my bacon! I used this technique to create an 8 channel output. 5.1 plus Lt/Rt on channels 7 and 8. Thanks, and Subscribed!
Whoa, that's great that you were able to do that. Thanks for your support.
Hey Sam, how'd you go about doing the Lt/Rt? I'm struggling with how to achieve that. Are those two Stereo Tracks panned left and right?
Thank you! You just got a new subscriber!
That's great. Welcome to VideoRevealed.
Your videos are awesome and have helped me heaps. thanks!!!!
That's great to hear!
EXTREMELY HELPFUL
Thanks.
This is gold 🔥
the best video on this Rare topic ...
Now we just need Adobe to go back to including Dolby Digital licenses!
You ROCK so much. Seriously thank you!!!
I like never subscribe to anything and I'm subsccribing here!!!
Thank you for all your hard work!!!!!!!!
Yeah. Thanks and welcome to VideoRevealed.
Hey Colin. Thank you so much for this super informative and helpful video. I'm showing a short video in my local cinema next week Friday, and I'm playing with the thought of making a 5.1 mix instead of showing only Stereo. I have a couple of "audio swells", lower-end frequency sounds just like you hear in big blockbuster films. Are those sounds only meant to be played on the LFE, you think? Or would I be well off, playing them from lets's say the 3rd Ch, center?
If the low drone-like humming sounds can only be truly felt by placing them in the LFE, should I go for your second option shown in the vid? (making a 6 Ch master, then throwing the nested seq into the 5.1 track). Tusen takk, muchos gracias, enkosi kakhulu - that's Thank You's in Norwegian, Spanish and Xhosa!! Hope it'll persuade you into answering my question : ) and THANKS!
Martin Ask
Answered via email.
@@VideoRevealed Could you put the gist of your answer as a reply so it's visible to the public? I'm learning a ton and would love to know the answer to his question :)
How to rendering wrap to dcp with 5.1...
You saved me!! Thanks!!!
Thanks a lot for this one!
You're welcome.
great video, thank you ! do you have a recommendation for a audio hardware to monitor my Pr surround sequence, i have active speakers (i don't want to go in a amplifier), thanks !
Sorry, I don't have any recommendations for hardware. Anything with multiple outputs will work. Most professional audio interfaces have 1/4" or XLR outputs that do not carry power so they plug right into active speakers.
Cheap recommendations would be a surround sound system, or home cinema system. I monitor using the _Sony BDV-E2100_ system as it has great sound for its pricerange. Please note that it only has 5.1 input through its Toslink connection. But I assume there are plenty options out there that do support better systems.
I think a system you plug in to your computer using USB would be the best for you, but I don't have a specific product to recommend you yet. However do get in touch with me if you want to look into a good system in your price range!
Hello. What I want to do is this: I want to get a stereo output in a channel with 5.1 surround. So that both 5.1 and stereo alternatives are available for the same sound file. For example, the person who has a 5.1 sound system at home should be able to activate this option and use it. 5.1 sound system should be able to activate the stereo sound in the same file and continue. I don't know how to do this, it is not found in any healthy source.
Jesus! U just saved my life... I really needed it
That's great!
Fantastic tutorial thank you so much!
You're very welcome.
if you allow me to give you some feedback: you have produced so many things and they are mixed up in the feed, I think: maybe it would be useful to create a difficulty level rate from 1 to 5, so who is beginner can quickly identify what they need [1 -2 ] and more advanced users can skip to level 3 4 5
I appreciate the feedback but many times I've had a professional tell me they learned something from a tutorial that I was sure was for newbies.
I know what you're saying but there is value in watching all my tutorials, even if there is something more advanced. For new users, it's a road map to where they should be looking to advance their skills.
Perfect. Thank you!
You're welcome.
How to rendering wrap to dcp for 5.1...
Great! What if I have a single 5.1 audio file? How do I break it down in Premiere to 6 mono channels so that I can pan each one to my taste? Thanks!
Select the 5.1 file in the Project panel, and in the Clip menu, choose Audio> Break Out To Mono.
@@VideoRevealed Thank you very much! And what are the exact settings for exporting mixed 5.1 audio file only, using Premiere CC 2017? Thank you!
wanted to ask you why do I have "MIX" In Audio track mixer in every track instead of "MASTER" ?
Well, I think the term "master" has been deemed culturally insensitive these days so it's being replaced. Master bedrooms are now Primary bedrooms.
Hello I have a realy realy important questions about the 5.1 keys and hope you can help me because I freak out since days. For example :I have a 2 min 5.1 story sequence, center keys, front keys ect but not I want to cut from the 2 minutes 10 secunds out and put the footage together all 5.1 keys dont move with the footage. All keys are at the same position. But I want to move all footage, audio (5.1 keys ect) any helps?
Track keyframes are not locked to the footage and need to be manually selected and moved by hand. Sorry, there's no other way.
@@VideoRevealed so you can't editing the video after placing track keyfrems without changing all the keyframes? Really bad
I use CyberLink PowerDirector and had problems with 5.1 Audio when editing 4K 60fps videos. I notice that you use 30 fps - can you use 4K 60 fps in Adobe?
Yes, Premiere Pro can create 4k Sequences with almost any frame rate.
thank you so much sir for your tutorial
You're welcome.
Since premiere pro doesnt support dolby anymore can you create a tutorial on how to use dolby's conversion tool? Im trying to separate music from clips that involve music, so if you know how to do that without using 5.1 in premiere than I guess that would also be super helpful.
Sorry, I'm not familiar with, and don't own any Dolby software.
So my question is how do I export an already created and mixed 5.1 audio track (single track) properly?
I'd love to know this too - i've got a 7.1 from he audio studio, and I cant figure out how the hell to sync and export it to my footage from premiere :(
Hey Colin where would the dialogue go in a film scenario where more than 1 person is speaking and I'm trying to checkerboard the tracks. Do I need to create 2 center tracks for 5.1 mix?
5.1 panning is just another setting for any track. So yes, create as many dialog tracks as you need and pan them accordingly.
@@VideoRevealed Hi, I have a similar question. I am working with a 5.1 mix and in editing the video have ended up with multiple overlaying 5.1 tracks - How do I export this video as a single 5.1? What exactly do you mean by pan them accordingly?
Hello Sir. I'm working on a small project with a 5.1 video and i need only the SFX from it but i don't know how to isolate them properly. Little bits of the SFX mixes in the other channels and a bit of dialogue is present as well. I made a post on Adobe's Support Community about the issue i'm having and someone replied that i can't rip the SFX from a 5.1 mix alone, thus needing a SFX stem to be able to isolate them completely from the mix but i don't have access to that stem. I'm new to Premiere Pro and i don't know how 5.1 audio mixing work so if you can help me solve this or if there is a good workaround, it will make my day. Thanks in advance!
If I understand you correctly, you're asking for the ability to take an already mixed audio file and separate the parts? I don't know of any software that will do that. Sorry.
So I have 6 channel audio from a concert, the actual concert is in dolby digital and dts 5.1 channel, when I convert them to 6 wave files to listen to them separately into audacity, the stereo files have sound and work perfectly, but the mono tracks, the center channel, Sl, Sr channel don't have any audio is there a problem with the file or my audio system?
I am not familiar with Audacity so I don't know if it's working correctly or not.
@@VideoRevealed I've tried it on on every software not just audacity, it seems to be the 3 mono channels the center, sl, and sr channels that are not working.
Awesome!
Thanks so much!
very informative... thanks for sharing.... i taught a lot from your channel...👍👍👍👍👍👍👍
Thanks.
Hi, I noticed that once I put the various keyframes on the audio clip, if I move it on the timeline, the key frames that I put remain on the same position of the timeline, they are not moved together with the clip. the key frames of the volume yes, but those of the plugins not .. why? thank you
Track keyframes do not move with the clips. Clip keyframes move with the clips but you can't use them for 5.1.
You have to manually select the keyframes and move them yourself. Use the Pen tool to select multiple keyframes by dragging around them.
@@VideoRevealed I did it so, Thank You
thank uuuu, this is very helpful
That's great to hear.
Thanks for the great video! Wondering if you can make any suggestions on some good, compatible audio interfaces for Premiere Pro?
Adobe says "any audio hardware with frequency above 44000 Khz are accepted in Premiere Pro," but I see often in the forums that not audio interfaces work well (i.e. some get locked by PP)
Premiere Pro uses the drivers that are installed by the audio interface and the operating system. If you can see the interface in the operating system, then Premiere Pro will see it too.
If you want my recommendation then I'd say use anything from Steinberg, Focusrite, MOTU, and stay away from Behringer or M-Audio.
VideoRevealed thank you for your suggestions!
You are the best!!
Thank you.
Hi, so I edited a track on audition, 8d audio track, when I export the video , the audio do not export the audio with 8d sound, it is stereo, I tried to change on the composition, on the audio tab, but do not work. is that way to make it work? when I export the video
I asked a computer audio engineer what 8D is and he said it's not a real thing.
sos un capo papa!!! Thanks!!!!!
Thanks for watching.
i’m still confused. does the audio file have to already be 5.1 or can you make a normal audio file into 5.1 using this method?
Audio files could be mono or stereo. Then you put them in the tracks and you assign the tracks exit like L, R, C, LFE, etc.
Excellent video but I maybe missing something, how do I convert from my stereo audio that’s already in the timeline to 5.1 ? Or is that too late ? Lol
You can't do that in the Timeline. You need to export out a new audio file that is set to 5.1, import it back in and place it on the Timeline.
It won't change anything thought; the 2 tracks in a 5.1 Sequence will sound the same as 2 tracks in an exported 5.1 audio file.
Is it possible to mix 7.1 in Premiere Pro or any alternatives? Thank you!
Premiere Pro does not support 7.1 surround sound and I'm not aware of any other available options.
I don't see 6 channels only 2. Followed instructions in this video to the letter. It must be something I'm doing wrong. Is there a setting I should be aware of?
You're most likely not adding the correct Master Track or Track format.
Or, you're looking at the Clip Mixer and not the Track Mixer.
Can you teach, how to Export 7.1 Surround Sound? >
Another LFE work around; Edit > Edit in Adobe Audition > Sequence... Once your project is in Audition, open the track panner panel. There is an "LFE Only" button that will isolate the LFE. Make sure to turn up the LFE percentage on the bottom slider or you won't hear anything. I know this is a Premiere Pro tutorial but I hope that helps.
Sounds interesting.
@videorevealEd I need your help. I'm using Adobe premiere cc 2017. I followed your instructions and opened a 5.1 six audios but I'm having two challenges. 1. There's no auto pan in all the channels just like yours. It only has a master pan. 2. Second problem is, I can't insert any audio into the 6 channels. I tried using mono audio files and it didn't work... Pls help me asap. I'm desperate 😭😭
You'll only see the surround panner if the track is mono. Right-click on the left side of the Timeline and choose Add Track. Pick mono. Now drag your media to that track.
Also, why are you using 2017? Update to 2020 for tons of new features, better stability and more.
Plus icon for source patching? I don't have it.
That will only appear if you have more tracks in the clip you're selecting than you have available tracks in the Timeline.
But wouldn't it be better anyway when you do it with 6 mono tracks? Then you can asign manually what should be put out on the different channels... because I do not know where I could get music in native surround?! Or did I get something wrong?
Yes, except for the LFE (subwoofer) which you can't isolate with a mono track. That's why it's better to have a properly mixed 5.1 track; which you can produce in Audition!
@@VideoRevealed thanks!!
Hello Sir...i got a project to complete i got 5.1 pcms delivered i cant mix in a setup right now due to covid just using a headphone can you please help in monitoring in sterio that would be helpful
You can't monitor 5.1 in stereo. You really need surround speakers.
very nice to understand
Thanks.
that was really cool explanation (please excuse my latino english) i got digital audio conected to my 5.1 amplifier, ¿how can we monitor the 5.1 mix from premiere?
You need some type of audio interface that has 6 separate outputs. As long as your operating system can access all those outputs, then Premiere Pro can too. There are many interfaces out there, many support USB so they work on macOS and Windows.
@@VideoRevealed thanks! i´ll try (my card has all thoose outputs) it is sad to be unable to use the 5.1 enviroment using digital
If your operating system can see the outputs, then so can all Adobe applications. Here is a screenshot: imgur.com/xl4Vx5T
If you can't see the outputs when choosing the correct Device Class, then your card isn't using standard protocols.
@@VideoRevealed thanks... i´ve been trying but have no good result, ¿could we talk via e-mail? TIA
EDIT: The surround sound video file shows up as surround in Premiere Pro CC but it only shows one panner for the 5.1 sound. I tried unlinking/disconnect the sound from the video in the timeline as well as bringing in the individual mono .WAV files of the 5.1 mix I made in FCP X and no dice. I have tried various methods you showed and made sure I played with the track options which are perhaps what I am doing wrong. Frustrating
I'm pretty frustrated but I really love your channel and hope you grow faster! Very clean and simple and to the point! Often when I am frustrated with an Adobe app and I search for solutions on RUclips I get short when someone blabbers on for 10 minutes before showing the 1 minute fix! >:( Still can't figure out why Premiere won't show me the panners. I used to love mixing surround sound in Final Cut Pro X as it is much more visual but I had to ditch it for a Windows Workstation (3900X, PCIe SSD's, 1060GB) and a really nice Razer Blade 14 (5900HX, RTX 3060, 1TB PCIe SSD). Will premiere not allow you to do multichannel mixing if you don't have some sort of multitrack device or fox multichannel "device" in the computers sound settings?
As much as I love perfecting every aspect of my video from cinematography aspects like lighting, glass, etc. to editing LOG video the picture is only half the show! I have found my really short shorts I make just screwing around impress people more when I do a proper 5.1 mix regardless of whether I am able to present it in 5.1 I have always found my 5.1 and even 7.1 mixed stuff mixes down to stereo lovely!
Try breaking the file into mono files.
Hello. I just have a stereo track on my video and I have to show it in a cinema. We made a test with our stereo file and of course just the front speakers were activate.
But I want that all the speakers diffuse all the sound all the time. I just want to keep the stereo image in the cinema. It's an immersive piece of sound.
What's the best way to do it? 1 stereo track for front left and front right. Then 1 stereo track for back left and back right. Then what do I do with the center and the sub?
Thanks for the video tough!
5.1 mixing isn't done like that. There is no way to easily convert stereo to 5.1, you need the original media and it needs to be mixed properly. Just sending the same signal out all speakers will not sound good.
Hi Laurent! I'm on the same situation that you are. I need to adapt a stereo track to be able to hear it from all the speakers of the teather. I don't care if it is the same audio track replicating on different sources. did you find a way to achieve this? I could use your help for this emergency. I'd deeply appreciate any details on this. cheers!!
HI, I'm in the same situation. Did you make it work?
Donwload Sony Vegas and open the stereo audio in a 5.1 setup, then you can play it in that, it will make it not the same sound to every speaker but it will be balanced, then you need to add a lfe channel
My film school is only lightly touching on surround sound (mostly because I asked them to), however the lecturer says he will migrate over to ProTools to teach this as he's a professional sound engineer for films and he prefers to teach in that program.
Would any of your future programs touch up on (or feature) Pro Tools and their surround sound capabilities?
Sorry, I don't use Pro Tools.
Hello Al, first of all we can see with your face expression how really difficult audio can be tricky in details!! I love to hear perfect audio but hate to work it myself...anyway I wanted to say something about the sequence you created with Multichannel, you imported the audio and as well we did not hear the whole sound, but there is one button that let you hear the whole audio (in the Audio Track Mixer window, on the master on the top there is something called Monitor All Channels).
I wanted to try if we still here the left and right movement but i am not on my workstation.
Anyway I am sure you know about it but wanted to ask, why you did not talk about it ?
Thank you.
I didn't mention it because I missed it! Sorry, and thanks for pointing it out.
VideoRevealed no problem we all understand how hard it is to make audio tutorial🖒🖒keep on doing your amazing work.
Hi, I'm working as a video editor for a pilot film project which will be projected in Dolby Atmos Theatre but our sound mixing for film is not Dolby Atmos mix. It's just 5.1 mixing. Is there going to be any issues while screening? My second question is..as a video editor do i need to care about audio tracks settings while exporting movie for cinema? because i heard...video and audio tracks are given as separate files to the cinema
I haven't worked with Dolby Atmos so I really don't know. I would guess that the audio needs to edited in a program that supports Atmos and exported out to the format the theater screens at which would be any number of formats.
It might be worthwhile to source out a professional audio house to guarantee your results.
@@VideoRevealed thank you very much for the reply
when i do this, my timeline dont gif the 5.1 i can't put audio there what is whrong? codec?
Is your audio file a 5.1? Did you try to manually add a 5.1 audio track by Right-clicking on the Track Header and choosing Add Tracks...
Here is a screenshot: imgur.com/a/3finL
can u show the same in sony vegas
how to do 5.1
I have never used Sony Vegas. Sorry.
Please tell me where can I find some practical recommendations about audio-recording for a movie? How to record these 5.1... how to record LFE.
Those are actually several different jobs:
- On set sound recording
- Sound mixing
- Sound Design
- Foley
No one records in 5.1, you make a 5.1 mix by using all the people in this list. It's not something you can learn from a couple of videos, it's a very complex collection of skills.
I understand!.. But I have no money for the serious work. And still must to make some films for to start with. So I have to learn all I could.
Spend time making mistakes, that's the only way you will gain knowledge.
Great! Thanks !
You're welcome.
Thanks a Lot Sir
You're welcome.
Would it be easier to to change all your mono files in your project to 5.1 (e.g. the L file would he 5.1 with the channel set to the L channel)? Than just import 6 different 5.1 files (i.e. each file would be L, R...)?
That would work only if you didn't want to pan the tracks.
@@VideoRevealed Awesome! Tracks were already mastered I'm just making some cuts. Now if I could only export in the same lossless quality (1.5 mbps). DD seems to cap at 640 kbps.
That might be a licensing restriction.
I have a question, can i turn my 5.1 audio to normal audio?
i dont really need 5.1 audio and it just gives me problems, and i dont know how to deactivate this option
No, as I show in this tutorial, once you choose 5.1 as your Master Audio, you can't change it. You can create a new Stereo Master Sequence, then copy and paste all the tracks from the 5.1 Sequence.
HELLO YOU CAN RECOMMEND ANY COMPATIBLE SOUND CARD FOR AUDIO 5.1 (INTERNAL OR EXTERNAL) THAT WORKS CORRECTLY. THANKS
I'm assuming you're on Windows?
If so, then any ASIO supported cards with six or more outputs will work. This is what I use and it's solid:
www.steinberg.net/en/products/audio_interfaces/ur_series/models/ur824.html
thanks, for you time....
If you're working with just 6.0 instead of 5.1 (so no LFE), is it best to have "Standard" for your track types when making a new sequence? Or still "5.1"?
It all depends on the content; if you are starting with 5.1 clips, then use 5.1 tracks, otherwise Standard or Mono are fine.
I see, thank you! I've been having issues with my export(s) rearranging the audio channels/messing up the mix, it might be a codec thing instead.
Sir thanks sir.i have a doubt. How do I move or trim these 5.1 waves if I want to edit the footages after mastering sir...please answer ❤️
You can only edit them if you break them into mono channels.
@@VideoRevealed sir thank you soo much sir.❤️❤️❤️just now I did it in premiere sir and it solved my issue❤️ just one more question sir. My media college teacher said that "5.1 mix we do in premiere is not proper 5.1 mixing.its called as leveling." What's the difference between Mixing - leveling - mastering ?
Hi, when you made the multichannel sequence, why did you turn the center and LFE channels to left and right? Shouldn't they be at the center?
In a Multichannel Master the panning is really just routing. The LFE needs to go to channel 4, which is the right output of 3-4. Make sense?
Ooh yes, now it makes sense. Thank you very much! Also great vid.
thank you!!
You're welcome.
Thank you SO much. I've wanted to know how to do this for the longest time. You work for Adobe as well right? I've seen you on their channel.
Thanks. I worked for Adobe for 17+ years until 2014.
@2:58 you talk about multichannel audio interface such as USB Thunderbolt of Firewire that has multiple outputs.
You neglected to mention TOSLINK (Optical). Most modern motherboards made in the past several years will have this integrated into the rear IO.
Oh yeah, I think some vendors offer them as some kind of combo jacks so they're easy to miss.
@@VideoRevealed TOSLINK stands for Toshiba Link, and I think it's trademarked. Now that I check, PC vendors call the connector SPDIF Optical. Which to my understanding is the same thing, just avoiding the trademark.
www.purdylounge.com/spdif-vs-toslink/