It's when you have played all the hardest standard repertoire, ballades, kreislerianes and appassionatas of the world, you settle down with something simple and beautiful because you know: you don't have to prove yourself anymore.
I get what you mean but at high levels there's basically no such thing as "settling". The best always make easy pieces hard, and they work to almost perfection to make it sound easy
I agree with so many of the comments, this is truly amazing. She's brought something new and exciting to an old friend. It's so crisp and clean and so beautifully played.
I've never heard this played so sympathetically and wise. The final movement's evolution to silence is worth all the years' listening I've done to hear this played this way. Thank you, Ms. Poon.
a truely inspiring performance... I love the way how gently she makes all these pieces her own but still keeps the spirit of Schumann alive. Wonderful. Familiar but fresh! GREAT! no.7 and no.12 are truely magic!!!
Thank you for this concert! I was there in June and I really loved her concert and the emotions she brought to the audience! Tiffany Poon is such a good pianist
So beautifull and so gentle how you play this piece. Never ever heard of Robert Schumann before since i follow you on you tube. About now i am a huge fan of this great composer. Also i am so glad i could see you perform for real last concert in Amsterdam, wow and wow never will forget this day. Keep on playing this beautifull music Tiffany and hope to see you again soon peforming more dead people music 😆
Track 10 is my favorite. I never listened to much of Schumann before Tiffany and have followed her journey on youtube and enjoy her vlogs and she is really inspring.
These pieces are close to my heart. They have so much emotional depth. It has always been a question of scholars whether or not they should be played by students. In my piano studies I quit playing etudes and undertook to learn these pieces, taking one a week. I don't think I've ever learned more from a single work. Even though now I am playing much more technically demanding work they remain some of my favorite music. They have so much to teacher in voicing, score interpretation and musical form. Every student should play these.
I understand they are meant for adults as a musical means to reflect on childhood. They exist purely for their musical content. Horowitz, Argerich, Kempff and many other great pianists understood this.
Der Dichter spricht, the last part, has always been my favorite; it never gets old. Schumann is my favorite composer. We are fortunate to have Tiffany here in New York City. 🙂
Vielen Dank für diesen besonderen Konzertgenuss, diese feinfühlige Interpretation, und auch für die Erläuterungen, die das Verständnis für die Musik ebenso wie die Sympathie für die Pianistin noch einmal vertiefen. Auf die Schumann-CD bin ich sehr gespannt!
Another inspired -- and inspirational -- Schumann performance, Tiffany! Your work here, as in the Davidsbundlertanz, demonstrates a deep and abiding connection you clearly have with Schumann. Clara would be a bit jealous, I think! Many "bravas"! 👏😉
Subline. Thanks DW Music for another amazing performance, and especially the thoroughly written about the composer, the work, the musician. This is better than even what record companies would do in providing the credits to all involved. Great performance by Ms Poon. She is another example of Hong Kong born Chinese American that achieves great thing in life through hard work and dedication. The subtle significance is her family came to US in 1996, just before the transfer of Hong Kong by the British back to the Communist China in 1997.
I love Kinderszenen. I have had the joy of hearing Hélène Grimaud playing them at the Music Center in Los Angeles. As a French immigrant, it’s not so easy to admit, but this is better. The best interpretation that I have heard.
I love your performance of this masterpiece. I have taught myself many of the sections but have yet to play them nearly as beautifully as you do, and I have not worked "Hasche Mann" up to speed- finding it very challenging to do that!
I think the Kinderszene < Glückes genug > is in D-Major ( the following one is A-Major and them all start off in G-Major... ...and Mama Joana is probably glad to see that I won't fail on pitch I dare modestly to say... And please get me out... ...so that there ain't no variation necessary - of Glückes genug > that turns minor... Le p'tit Daniel, Mama Joana makes me a winner... ...from breakfast to dinner ( ...ex brevitate what makes me apart from music some happy kid ( to be continued the way this sentence emerged yesterday with Mama Lita... )).
I noticed that as well. But I think it actually makes her look a little stiff. I’m not suggesting her very upright posture is wrong or affects her playing in a negative way, but she’s more “stiff” looking than most professional pianists I’ve seen
@@bloodgrss you can be blind to, but can't evade, her pretentiousness if she resorts to displaying visual showmanship to bolster her second-rated playing.
@@Deechimlew You would really have hated Liszt. But are you sure you are commenting on the right video? I see very little 'visual showmanship'. Pianists need to move more than just their fingers.
@@DWClassicalMusic i russi sono convinti di essere il motore fondamentale del cosmo e scelgono di parlare e scrivere solo nella lori (bellissima) lingua. Se potessero falsificare la SUA nascita farebbero diventare JSB russo
![Stromae, Pomme - “Ma Meilleure Ennemie” (from Arcane Season 2) [Official Visualizer]](http://i.ytimg.com/vi/1F3OGIFnW1k/mqdefault.jpg)
It's when you have played all the hardest standard repertoire, ballades, kreislerianes and appassionatas of the world, you settle down with something simple and beautiful because you know: you don't have to prove yourself anymore.
I get what you mean but at high levels there's basically no such thing as "settling". The best always make easy pieces hard, and they work to almost perfection to make it sound easy
I agree with so many of the comments, this is truly amazing. She's brought something new and exciting to an old friend. It's so crisp and clean and so beautifully played.
We're glad you enjoyed it. Make sure to follow us in order to not miss out in the future 😊
Crisp clean playing with so much love for what you do. That is what good life is all about -- forget yourself, let the music speak.
I can't stop listening to this recording - I think it has become one of my favorite
I've never heard this played so sympathetically and wise. The final movement's evolution to silence is worth all the years' listening I've done to hear this played this way. Thank you, Ms. Poon.
Who else have you heard play this?
@@alexeykulikov2739 Martha Argerich, Horowitz …
a truely inspiring performance... I love the way how gently she makes all these pieces her own but still keeps the spirit of Schumann alive. Wonderful. Familiar but fresh! GREAT! no.7 and no.12 are truely magic!!!
Omg! I'm so happy for her, she's great!!
Thank you for this concert! I was there in June and I really loved her concert and the emotions she brought to the audience! Tiffany Poon is such a good pianist
This is so wonderful - I have listened like 5 times in a row - this is wonderful
We're glad you enjoyed it. Make sure to follow us in order to not miss out in the future 😊
Ну что за прелесть, очарование эта Тифони исполняет гениального Шумана❤
My 'God' that was breath taking!
Cheers!
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So beautifull and so gentle how you play this piece. Never ever heard of Robert Schumann before since i follow you on you tube. About now i am a huge fan of this great composer. Also i am so glad i could see you perform for real last concert in Amsterdam, wow and wow never will forget this day. Keep on playing this beautifull music Tiffany and hope to see you again soon peforming more dead people music 😆
Track 10 is my favorite. I never listened to much of Schumann before Tiffany and have followed her journey on youtube and enjoy her vlogs and she is really inspring.
These pieces are close to my heart. They have so much emotional depth. It has always been a question of scholars whether or not they should be played by students. In my piano studies I quit playing etudes and undertook to learn these pieces, taking one a week. I don't think I've ever learned more from a single work. Even though now I am playing much more technically demanding work they remain some of my favorite music. They have so much to teacher in voicing, score interpretation and musical form. Every student should play these.
I understand they are meant for adults as a musical means to reflect on childhood. They exist purely for their musical content. Horowitz, Argerich, Kempff and many other great pianists understood this.
I love her Träumerei! 🤗
Fabulous performance, with a rare transparency of counterpoint.
Der Dichter spricht, the last part, has always been my favorite; it never gets old. Schumann is my favorite composer. We are fortunate to have Tiffany here in New York City. 🙂
For me, the highlight is the opening "Foreign Lands and People".
me too
May be
Vielen Dank für diesen besonderen Konzertgenuss, diese feinfühlige Interpretation, und auch für die Erläuterungen, die das Verständnis für die Musik ebenso wie die Sympathie für die Pianistin noch einmal vertiefen. Auf die Schumann-CD bin ich sehr gespannt!
A Schumann Rave concert! 😍 Vid of her fabulux La Campanella is also on YT you wan't hear it played better by anyone.💯
Hi Tiffany, i just bought your CD here in Berlin. Hope, to see and hear you once in Berlin- may be in the Philharmonie?
Greetings ftom Gemany!
Another inspired -- and inspirational -- Schumann performance, Tiffany!
Your work here, as in the Davidsbundlertanz, demonstrates a deep and abiding connection you clearly have with Schumann. Clara would be a bit jealous, I think! Many "bravas"! 👏😉
Wonderful.
So beautifully characterised one could enter deep into that world with you.
The first song is like her theme song to me now😊
Wonderful performance. Looking forward to listening to the album
Wonderful playing and outfit. Enjoyed this very much. Great job!
Subline. Thanks DW Music for another amazing performance, and especially the thoroughly written about the composer, the work, the musician. This is better than even what record companies would do in providing the credits to all involved. Great performance by Ms Poon. She is another example of Hong Kong born Chinese American that achieves great thing in life through hard work and dedication. The subtle significance is her family came to US in 1996, just before the transfer of Hong Kong by the British back to the Communist China in 1997.
Wuuuuuuoouuuu excelente interpretación ❤ She is The Best 🎉
Bravo!!! ❤❤❤
"Der Dichter spricht" really is a miniature master piece.
Lovely, really poetic. Thank you so much!
El más apropiado lugar para el concierto ❤
Amazing performance
Quanta delicatezza, meravigliosa esecuzione, adoro questa pianista 💛
I love Kinderszenen. I have had the joy of hearing Hélène Grimaud playing them at the Music Center in Los Angeles. As a French immigrant, it’s not so easy to admit, but this is better. The best interpretation that I have heard.
J'adore ça !
Wonderful.
We're glad you enjoyed it. Make sure to follow us for the latest uploads 😊
Tiffany LOVE~~
Suona con una delicatezza che sa fermare il tempo grazie mille
Can someone tell Tiffany Poon that I love her? 😍
Wonderful choice for relaxing 👏👏👏
BRILLIANT! A very personal and heartfelt performance. And so wonderful ❤
I love your performance of this masterpiece. I have taught myself many of the sections but have yet to play them nearly as beautifully as you do, and I have not worked "Hasche Mann" up to speed- finding it very challenging to do that!
Such a charming piece.
We're glad you enjoyed it. Make sure to follow us in order to not miss out in the future 😊
Beautiful performance 🌷❤️🎶
Tiffany WOOOOO!!!
Love her! 🖤🤍
An exquisite performance. Thanks to DW.
❤️❤️❤️
Wunderbar🧡
Wonderful Pianist!
Tiffany觸楗很好
I loved!!!
👏🏼👏🏼👏🏼💐💐💐🌹🌹🌹❤️❤️❤️
Delicately and beautifully played
We're glad you enjoyed it. Make sure to follow us for the latest uploads!
Top
I fell in love again at 6:09
(00:00) Coming on stage
(00:21) 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)
(02:02) 2. Kuriose Geschichte (A Curious Story)
(03:07) 3. Hasche-Mann (Blind Man's Buff)
(03:39) 4. Bittendes Kind (Pleading Child)
(04:39) 5. Glückes genug (Happy Enough)
(05:17) 6. Wichtige Begebenheit (An Important Event)
(06:09) 7. Träumerei (Dreaming)
(08:51) 8. Am Kamin (At the Fireside)
(09:47) 9. Schumann Ritter vom Steckenpferd (Knight of the Hobbyhorse)
(10:32) 10. Fast zu ernst (Almost Too Serious)
(12:40) 11. Fürchtenmachen (Frightening)
(14:13) 12. Kind im Einschlummern (Child Falling Asleep)
(16:16) 13. Der Dichter spricht (The Poet Speaks)
---------------------------------------------------
1.見知らぬ国と人々について
2.不思議なお話
3.鬼ごっこ
4.おねだり
5.大満足
6.重大事件
7.トロイメライ（夢）
8.暖炉のそばで
9.木馬の騎士
10.まじめくさって
11.怖がらせる
12.眠りに入る子供
13.詩人は語る
15:35 scream fits perfectly
Tiffany! 😊
a once in a generation piano player.
Remove the cougher
And so many people fidgeting...drives me nuts!
She said the second half was better😮
A troll that deliberately wanted to make its mark on this video. I would have just stopped playing and STARE at the cougher.
@@bikedawglol, people can't control their coughing! It is annoying though.
That cougher is so annoying and inconsiderate.
I'll be back to eavesdrop!
🎼🎼🎼🇩🇪🇩🇪🇩🇪💖💖💖👏👏👏
若い女性の演奏で聴くのははじめてです、upありがとうございます。
Thank you for your comment. If possible, please comment in English next time so that more people can follow the discussion. All the best!
the coughing at 6:11 is criminal D:
💖
Ist gute schon, christus der nuns sileg match, der deutsche music auch, liebe Deutschland 😮
That is a lot of notes to have to remember.
I think the Kinderszene < Glückes genug > is in D-Major ( the following one is A-Major and them all start off in G-Major... ...and Mama Joana is probably glad to see that I won't fail on pitch I dare modestly to say...
And please get me out... ...so that there ain't no variation necessary - of Glückes genug > that turns minor...
Le p'tit Daniel, Mama Joana makes me a winner... ...from breakfast to dinner ( ...ex brevitate what makes me apart from music some happy kid ( to be continued the way this sentence emerged yesterday with Mama Lita... )).
The fast bit is OK
15:37 extra organ notes?
Bravo,sol el duyulmuyor.
❤❤❤❤❤❤🎉🎉🎉🎉
Por qué la gente siempre va a toser a los conciertos?
Pasa lo peor
동영상의 타이틀을 정할 때에 원어민의 자문같은건 중요치 않은가 보지 ?
=로버트 슈만: 킨더제넨, 작품 15 | 티파니 푼, 피아노=에서 '킨더제넨'은 킨더스쩨넨'으로 아주 쉽게 달을수 있는데 . . .!
Thank you for your comment. If possible, please comment in English next time so that more people can follow the discussion. All the best!
Ovviamente qualcuno deve tossire appena inizia a suonare Träumerei hhhh!!
Questa gente maleducata!!!!
Paga il biglietto del concerto apposta
Not too shabby for an RUclips pianist, but an Arrau she's not.
I've never seen a pianist sit so erect while playing---such great posture!
I noticed that as well. But I think it actually makes her look a little stiff. I’m not suggesting her very upright posture is wrong or affects her playing in a negative way, but she’s more “stiff” looking than most professional pianists I’ve seen
@@joncaju yes, for sure, but at least she looks better than some hunchbacks i've seen like glen gould!
@@bikedawgthe GG position Is by specific musical reason
Where did half the notes go? I can't hear them--soft doesn't mean "not heard"!
You need to either have your hearing checked, or just turn up the volume on your device 😂
maybe you you need to hear it live :D
pta pta pta - lack of sinc LH and RH, which I don't like. Sorry
Poon: Lose Schumann for a while, overdone. Try Prokofiev's Toccata.....if you can.
en passant..
she has no power no spirit. she plays like a lot player do. Nothing special or inspirating
Too metronomic
Poon. I didn't watch the first note being played. She has nothing to say
Unfortunately the performance is marred by exaggerated mannerism throughout the recital.
Silly; have you actually watched pianists over the last 50 years? And, why watch, just listen...
@@bloodgrss you can be blind to, but can't evade, her pretentiousness if she resorts to displaying visual showmanship to bolster her second-rated playing.
@@Deechimlew You would really have hated Liszt. But are you sure you are commenting on the right video? I see very little 'visual showmanship'. Pianists need to move more than just their fingers.
🤡
RUclipsr😂
弹得有气无力，好无聊
К чему эта манерничанье? Застывшие на клавиатурой ручки? "Псевдоартистизм"? Отсутствие вкуса
Thank you for your comment. If possible, please comment in English next time so that more people can follow the discussion. All the best!
@@DWClassicalMusic i russi sono convinti di essere il motore fondamentale del cosmo e scelgono di parlare e scrivere solo nella lori (bellissima) lingua. Se potessero falsificare la SUA nascita farebbero diventare JSB russo
👎👎👎👎👎
@user-kj2zq4rq4s
1 秒前
(00:00) Coming on stage
(00:21) 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)
(02:02) 2. Kuriose Geschichte (A Curious Story)
(03:07) 3. Hasche-Mann (Blind Man's Buff)
(03:39) 4. Bittendes Kind (Pleading Child)
(04:39) 5. Glückes genug (Happy Enough)
(05:17) 6. Wichtige Begebenheit (An Important Event)
(06:09) 7. Träumerei (Dreaming)
(08:51) 8. Am Kamin (At the Fireside)
(09:47) 9. Schumann Ritter vom Steckenpferd (Knight of the Hobbyhorse)
(10:32) 10. Fast zu ernst (Almost Too Serious)
(12:40) 11. Fürchtenmachen (Frightening)
(14:13) 12. Kind im Einschlummern (Child Falling Asleep)
(16:16) 13. Der Dichter spricht (The Poet Speaks)
---------------------------------------------------
1.見知らぬ国と人々について
2.不思議なお話
3.鬼ごっこ
4.おねだり
5.大満足
6.重大事件
7.トロイメライ（夢）
8.暖炉のそばで
9.木馬の騎士
10.まじめくさって
11.怖がらせる
12.眠りに入る子供
13.詩人は語る
I would listen to this if I had insomnia ….