I'm so in debt to this guy. I went to a jazz clinic Jim was running in Newcastle-Under-Lyne about 30 years ago before a Morrisey-Mullen gig (with John Taylor on piano - it was amazing). I was in my early 20s, a blues-rock kid struggling to try to play jazz. The room was full of guitar players, but I was the only one who'd brought a guitar, so Jim sat me down at his side and we jammed for about 90 minutes...with plenty of tactful, zen-like comments and suggestions from him as we ent along. Then he took me to lunch and told me a load of hilarious, sometimes scurrilous, stories about various legends he'd met and played with over the years. He totally inspired me, refused to let me say anything self-denigrating about my playing, and instantly turned me into a better guitarist. He took my address and later posted me some photocopies of his favourite chord shapes - with no labels, so I had to learn a lesson by figuring out how and where to use them. Such class; lovely man and a great player. I adore him.
+slowjammerukdog - nice story , makes a real change from the ' who's the best ' and swearing competition comments - great he made you feel at home and inspired ...
slowjammerukdog I live constantly in the past hence the pic ( '81 lol). l have a photo of Jim and Dick Morrisey at a gig in Amsterdam around '83. Jim on a high stool with his blonde 50s Telecaster. Man he cooked! I love his playing so very much and that gentle spirit.
Really nice bloke. I had quite a chat with him once before he went on. I'm just a dumb bass player but he was glad of someone to talk to. No one at this jazz club would go near him... awestruck. So there he was stuck in the corner all on his ownsome. Travels to London gigs on the tube, guitar in hand, everything else in a back pack. Real down to earth guy.
I had the privilege of playing a handful of gigs with Jim about 10 years ago. He's an incredible musician and a true gentleman. It was an experience I'll always treasure. In both an organ quartet and guitar trio, he was deeply soulful and incredibly melodic. A true master of jazz guitar. The hang after the gig was also a wonderful time. Thanks, Jim! You're always sounding great!
He's such a wonderful natural player. I love the fact that his style transcends 'correct' techniques . He plays from his heart and soul and lets the music speak. Truly, one of my all time favourite guitarists.
Wow! Never heard of Jim, but how great is this?! The 40 people who gave a thumbs down ... why? The guy comes across as humble and unassuming as can be. And he shares his knowledge freely. I would love to hang out with this guy as much as I would want to take lessons from him! Thanks Jim. I'm a fan!
I watch incredible guitar players on You Tube every day. It is so beautiful to find a player like Jim Mullen. He has got his own bag totally. Such a great player and obviously a great guy. Thank you Jim.
Love the fact he is happy to play an affordable Aria. I remember seeing him in the 70's when he played an old telecaster but making it sound like a wide bodied Gibson. Great player and beautiful phrasing.
I'm almost 61 yrs old and I discovered Jim Mullen just yesterday as I was browsing the vinyl in Grammar School Records, Rye, Kent. Jim's amazing music was being played in the shop and I felt compelled to ask who it was! Some of the jazz runs he played on the recording reminded me of the great Jan Akkerman of Focus fame. Wonderful stuff! Thanks Jim Mullen and thank you Grammar School Records!
Jim Mullen is simply one of the best jazz guitarists anywhere. He has a distinctive sound, strong melodic sense and great understanding of harmony and swings unerringly at any tempo. He knows all the jazz standards and classic jazz heads (and is noted for insinuating sly quotes from those into his solos), but has a much wider repertoire than most jazz players. Jim often includes one of the great soul classics or a Scofield or Brecker head on his gigs. He is a great accompanist for vocalists - check out his recordings with Claire Martin and others. As you can tell from this video, he breathes expression into a simple solo piece. I must have heard him live 50 or 60 times and he never fails to deliver.
What can I say ? Jim is a master guitar player , a down to earth gentleman , and gave such a great lesson on Jazz guitar ! I am a Blues player , but I listened to every word and watched every finger movement ! Thank You Sir ! I enjoyed every second of the video !
This interview is inspiring on so many levels I can't even ... what initially comes to mind is that with NO teachers, NO RUclips, he truly has the right to say he is a self-taught player and one of the last at that like he says
I love this guy! What a swinging player and great lines and feel. Killer vibe too, a true saint of music! Never heard of him before but now I'm a big fan!
What a beautiful guy! I must confess I'd never heard of him before listening to him at the Splash Point Jazz club here in Seaford, E Sussex last night. So blessed to have had that experience while he's still playing.
I just tripped over this video and I am wowed. That snippet of Can't Get Started was perfection and his folk song tribute to his wife actually choked me up. Beautiful.
So humble, and yet, such a master musician. His technique is just a bridge to where he wanted and wants to get musically--the key is that his ears and heart are totally hearing and feeling such great stuff. His phrasing and ghost notes are especially hip.
A world class guitarist, and one of the most exciting players to hear live....I met him on two gigs, one in Deal in Kent with the late great Dick Morrissey and then in Reading.....lovely guy he is too... Wonderful Jim....keep inspiring the .....people in your wake.....
I am coming regularly to listen to this video. Not only Jim Mullen is a gentleman but he is amongst the very best players nowadays, and many guitarists do not know it. He is just incredible. This video is very informative. Have you noticed though that the camera does not show Jim's fingers while he plays superb chords ? Is it a desire by Jim not to show too much ?
He explains the difference between jazz and blues in such an understandable way in regards to the extended harmonic content that we think of when it comes to the jazz sound. Back when I didn’t understand the difference years ago. This guy nailed it and from understanding the difference I could understand how to play jazz style guitar. Something I didn’t know how to do and always wanted to. Thanks Jim!
What a great guy..down to earth honest and what a very nice tone ..he sounds just great as it should ..truly masterfull..one of the greats..thx mr. Mullen
Jim...the legend who, during a bob dylan session which dylan was failing to sing all day while the session musicians could play the song backwards in their sleep, replied in answer to dylan's manager that his voice was all shot and they'd have to continue tomorrow, "what voice?", and was politely informed that he wouldn't need to come back tomorrow (management mustn't ever let any criticism leak through the bubble to the star)
Used to love going to watch Jim ( with Dick Morrisey) back in the day at the Cricketers in London at the Oval. aaah happy days ..anyone else remember their gigs?
Its great that Jim is self taught as he does not sound like a clone of someone else. All the mistakes or wrong technique he has who cares as long as it sounds good! More power to him.
I was listening to KPLU this morning and they played a live Gene Harris version of "Sweet Georgia Brown" that just had a fantastic guitar solo...great lines, incredible tone. Poked around, found the album online, and discovered Jim. In nearly 40 years of guitar playing I can't believe I'd never heard this guy. Pure beauty. Pure sound. Pure music.
I got to know him for the first time here: his music is very enjoyable and he's very humble person; the Aria FA-71 is the same one I play...I knew about the annoying feedback, but its sound is good
Love his comment about harmony existing to make the melody sound great. I remember going to a course at Wavendon in the late 80s. Jim mullen and John etheridge were teaching.i remember playing the melody to they'll never find another you- with these 2 amazing players backing me. My playing has never sounded so good before or since!
Great to see you on RUclips Jim. Not enough of you on here! Lovely to hear you play as always! Thank you for the beautiful folk melody to go out on. :-)
Wonderful little conversation -- modest, yet so spot on. Jim will probably not remember the time he came back to Scotland (c. 1979) for a short tour terminating in an Edinburgh Festival concert at Calton Studios. I was in the band on piano with Bill Kyle (drums), George Lyle (bass), John Davies (trumpet) and Gordon Cruickshank (saxes). BBC Scotland recorded it and it was broadcast over two programs. It was a great gig. After the concert we all went to the bar and Jim bought a bottle of champagne to share with us. He raised a glass and said, "Thanks guys for making me sound great!" A lovely gesture from a truly nice guy.
very very nice player ... I like jazz guitar played with this slighly more "vocal" expression ... well played with feeling ... thank you jim ... I just discovered you
He seems pure hearted .... Like-able as a person along with seemingly a true to self type guy .... His playing has a certain integrity to it , to me ....
a lovely modest man but a great player and I don't say that lightly.ive seen him numerous times and he really can play great jazz guitar.the morrisey mullen band was a real swinging outfit.i just love the way he plays.many thanks.
Wonderful player and a great Guy. Played in Abergavenny sometime back just sat in with Trevor Davis guitar. I was blown away it makes you want to throw the guitar on the fire. Fantastic thank you
the piece he plays at the end is "women of ireland" by sean o'riada. i knew the melody from somewhere, until i found out where it was: stanley kubrick used it in "barry lyndon".
Mr. Mullin, if you are reading these comments, here's what I have learned about Wes Montgomery's amazing thumb style technique. If you study photos and film of Wes playing, you can see clearly that he plays upstrokes as well as down-strokes. It is also readily-apparent that Wes' hands were quite large, as were his thumbs and fingers. According to George Benson, Wes had a corn on the end of his thumb which effectively lengthened the fleshy part of the thumb so that it protruded well clear of the nail - allowing him to do upstrokes without catching his thumbnail on the string as an ordinary person might do. The somewhat elongated tip of Wes' right-hand thumb helped him negotiate upstrokes better than he might have otherwise. The incredible control over dynamics provided by the thumb - the sensitivity it allows - enabled Wes to keep his volume on the guitar and amp up fairly high. When playing softer passages or when playing quickly, he could lighten up his attack and still retain volume and punch; when he needed to do a climax or shout chorus or really dig in for another reason, he could play louder simply by bearing down more. Wes used a lot of down-strokes, sweeps, slurs, glisses, ghost notes and other methods to get that horn-like attack so prized by jazz musicians. Wes' articulation was peerless - almost Clifford Brown-like - no easy feat on an instrument not capable of true legato playing. Mr. Mullin, one last thing, sir - you've no need to apologize for having a unique style of your own. That's something to be prized, not scorned. There are too many sound-alikes in the music world today - so a person with a unique approach is a wonderful thing to come across.
@@philmagallanes3850 - My comment was to offer an alternate explanation - which came from George Benson who knew Wes Montgomery personally. Being "double-jointed" or having abnormal flexibility in one's thumb does not predispose one to play better. I am a human physiologist and know whereof I speak, and I also play the guitar and jazz as well. Mr. Mullen is obviously a very talented player, but that bit about Wes Montgomery is simply not true. If you examine closely how Wes played, being "double-jointed" had nothing whatsoever to do with his technique. In short, Phil, your reading comprehension needs work.
I find it IMPOSSIBLE to understand how anyone would give this a 'dislike" ..Presumably 26 people are just well..complete fucking idiots. Jim is an absolute master of the instrument, and is a wonderful communicator too....I was lucky enough to play some gigs with him when I had graduated from Music College, and it was the deepest education I could hope to have.. Thanks for this GREAT video and to Jim for the timeless music.
+Rufus P IMPOSSIBLE is putting lightly...But look at the world today. The are way more complete fucking idiots than oherwise. You have to wonder why more people gave "dislikes". Jim is simply put, a giant. A fucking giant.. Cheers,
Man, I couldn't agree more. He was brilliant. When he played us out with that song his wife loved, I got a tear in my eye. Just beautiful playing in every respect.
Just don't even take any notice of them-they are probably '12' and just enjoy disliking all videos they can-or just ignoramus types. It makes no difference as long as people who can benefit know this is here..pass it along.
"I find it IMPOSSIBLE to understand how anyone would give this a 'dislike" - I feel you there. I guess lots of people have issues. That's all I can think of.
Great example of how to play from a selftaught and selfdiscovered ..mentality..Teaching ..being taught is one thing..but from that comes the search ..into using that information and walk that musical path of selfdiscovery... Technique is not a goal in itself. Great contribution Jim ..great tone and melody...show the young the road they can walk to discover themselves.. many thx..inspiring!!!
Hi there Mr.Mullen all I can say is wow. What a great warm tone Wes Montgomery would be proud of you and your craft. Will definitely subscribe to your channel. 🎸🎵🎼
You should be on the tele Jim. hope you've still got it. Glad you're better and gigging again. Any chance of playing Cork Jazz Festival sometime for us expats.All the best.
I'm lefty and have always been playing right handed guitar as well! I remember when first starting out maybe a few months or so in somebody noticing and asking me about it. My response: "they make left handed guitars?!"" Lol. I actually have tried both and right handed feels more comfortable to me, and always has as far back as can remember. I'm no musician, however, just a player...I have massive respect for self taught masters and the people who can read music, or at least memorize a ton of scales and stuff. It takes huge self discipline and dedication for sure! Great video, thanks for sharing.
hi mr. mullen, why are you so damn modest about yourself.... you are such an awesome guitarist with a very personal and moody tone. i love it and i think you are just underrated.
I discovered using the thumb for soloing also, plus i like the flatwound strings, they develop a lovely neutral tone, but I also like twin pickups, sometimes you want some cut, and treble. This guy is amazing, not my style of music but a terrific player.
Amazing how he taught him self, I think that's part of learning. If everyone learned the same exact way there wouldn't be any textures, it would all sound the same
i was lucky to meet and chat with jim at the ullapool guitar festival some years ago, what a gent i believe he started out playing tea chest bass in a skiffle group in glasgow, he even let me buy him a cheeky wee malt.
Thank you Guitarist for this wonderful presentation. Jim Mullen is such a great player and a beautiful soul. You just feel it from watching. Usually jazz player has not so small ego. From his accent, he's Irish?
I'm so in debt to this guy. I went to a jazz clinic Jim was running in Newcastle-Under-Lyne about 30 years ago before a Morrisey-Mullen gig (with John Taylor on piano - it was amazing). I was in my early 20s, a blues-rock kid struggling to try to play jazz. The room was full of guitar players, but I was the only one who'd brought a guitar, so Jim sat me down at his side and we jammed for about 90 minutes...with plenty of tactful, zen-like comments and suggestions from him as we ent along. Then he took me to lunch and told me a load of hilarious, sometimes scurrilous, stories about various legends he'd met and played with over the years. He totally inspired me, refused to let me say anything self-denigrating about my playing, and instantly turned me into a better guitarist. He took my address and later posted me some photocopies of his favourite chord shapes - with no labels, so I had to learn a lesson by figuring out how and where to use them. Such class; lovely man and a great player. I adore him.
+slowjammerukdog - nice story , makes a real change from the ' who's the best ' and swearing competition comments - great he made you feel at home and inspired ...
Could you possibly spell out the first four chords of Jim's intro to I Can't Get Started .It's so lovely and I just can't hear it .THANKS !
B13sus4(b9) [or AminM7/B] B7(#5b9) | Bb13sus4 Bb13 | A7sus4(b9) A7(#5b9) | Ab13sus4 Ab13 | G13sus4(b9) G7(#5b9) ....
wow, great story. Wish I had a similar experience with jazz guitar. I practice a lot but struggle to get better with jazz.
slowjammerukdog
I live constantly in the past hence the pic ( '81 lol).
l have a photo of Jim and Dick Morrisey at a gig in Amsterdam around '83. Jim on a high stool with his blonde 50s Telecaster. Man he cooked! I love his playing so very much and that gentle spirit.
"The technique must always be the servant, and not the master"
What a decent giving genius if ever I have seen. He shares his brilliant old school self taught secrets so unselfishly. Bless you Jim Mullen.
Really nice bloke. I had quite a chat with him once before he went on. I'm just a dumb bass player but he was glad of someone to talk to. No one at this jazz club would go near him... awestruck. So there he was stuck in the corner all on his ownsome.
Travels to London gigs on the tube, guitar in hand, everything else in a back pack. Real down to earth guy.
I had the privilege of playing a handful of gigs with Jim about 10 years ago. He's an incredible musician and a true gentleman. It was an experience I'll always treasure. In both an organ quartet and guitar trio, he was deeply soulful and incredibly melodic. A true master of jazz guitar. The hang after the gig was also a wonderful time. Thanks, Jim! You're always sounding great!
LOVE JIm Mullen - this is brilliant, there's not enough of Jim's genius on the internet. Thanks GW!
He's such a wonderful natural player. I love the fact that his style transcends 'correct' techniques . He plays from his heart and soul and lets the music speak. Truly, one of my all time favourite guitarists.
Wow! Never heard of Jim, but how great is this?! The 40 people who gave a thumbs down ... why? The guy comes across as humble and unassuming as can be. And he shares his knowledge freely. I would love to hang out with this guy as much as I would want to take lessons from him! Thanks Jim. I'm a fan!
i got all teary when he started playing the song at the end after he said: "this was my wife's favorite folk song" :')
A lovely, modest man who recognises his flaws, but celebrates the creative quirks those flaws allow. Great interview and demonstration. Thank you.
I watch incredible guitar players on You Tube every day. It is so beautiful to find a player like Jim Mullen. He has got his own bag totally. Such a great player and obviously a great guy. Thank you Jim.
Love the fact he is happy to play an affordable
Aria. I remember seeing him in the 70's when he played an old telecaster but making it sound like a wide bodied Gibson. Great player and beautiful phrasing.
I'm almost 61 yrs old and I discovered Jim Mullen just yesterday as I was browsing the vinyl in Grammar School Records, Rye, Kent. Jim's amazing music was being played in the shop and I felt compelled to ask who it was! Some of the jazz runs he played on the recording reminded me of the great Jan Akkerman of Focus fame. Wonderful stuff! Thanks Jim Mullen and thank you Grammar School Records!
I JUST TURNED 62 ON THE 26TH OF NOVEMBER, I JUST DISCOVERED JIM NOW; RIGHT NOW. BRILLIANT!
Jim Mullen is simply one of the best jazz guitarists anywhere. He has a distinctive sound, strong melodic sense and great understanding of harmony and swings unerringly at any tempo. He knows all the jazz standards and classic jazz heads (and is noted for insinuating sly quotes from those into his solos), but has a much wider repertoire than most jazz players. Jim often includes one of the great soul classics or a Scofield or Brecker head on his gigs. He is a great accompanist for vocalists - check out his recordings with Claire Martin and others. As you can tell from this video, he breathes expression into a simple solo piece. I must have heard him live 50 or 60 times and he never fails to deliver.
What can I say ? Jim is a master guitar player , a down to earth gentleman , and gave such a great lesson on Jazz guitar ! I am a Blues player , but I listened to every word and watched every finger movement ! Thank You Sir ! I enjoyed every second of the video !
This interview is inspiring on so many levels I can't even ... what initially comes to mind is that with NO teachers, NO RUclips, he truly has the right to say he is a self-taught player and one of the last at that like he says
I love this guy! What a swinging player and great lines and feel. Killer vibe too, a true saint of music! Never heard of him before but now I'm a big fan!
How can you not love him.
Thanks for sharing.
What a beautiful guy! I must confess I'd never heard of him before listening to him at the Splash Point Jazz club here in Seaford, E Sussex last night. So blessed to have had that experience while he's still playing.
I love his ‘mistakes’ they sound so good. He has a great sense of harmonic progression and he’s a real humble gentleman. What’s not to like ?
I just tripped over this video and I am wowed. That snippet of Can't Get Started was perfection and his folk song tribute to his wife actually choked me up.
Beautiful.
So humble, and yet, such a master musician. His technique is just a bridge to where he wanted and wants to get musically--the key is that his ears and heart are totally hearing and feeling such great stuff. His phrasing and ghost notes are especially hip.
Beautiful piece playing out at the end....
The epitome of a true jazz player. I am glad I came across this video. Great talent and artist!
On any given day you can hear and discover another great guitarist- today I discovered Jim!
Such tasty playing and what a gentleman! Thank you for your art, Mr Mullen!
+juutuubisti tasty. Yes.
A world class guitarist, and one of the most exciting players to hear live....I met him on two gigs, one in Deal in Kent with the late great Dick Morrissey and then in Reading.....lovely guy he is too...
Wonderful Jim....keep inspiring the .....people in your wake.....
That piece at the end. Wow.
Mike Oldfield adapted it as "Women of Ireland" (it's the song title)
That hit me hard in the feels
I am coming regularly to listen to this video. Not only Jim Mullen is a gentleman but he is amongst the very best players nowadays, and many guitarists do not know it. He is just incredible. This video is very informative. Have you noticed though that the camera does not show Jim's fingers while he plays superb chords ? Is it a desire by Jim not to show too much ?
Never heard of this chap until now. He's awesome. Thanks guitarist mag!
He explains the difference between jazz and blues in such an understandable way in regards to the extended harmonic content that we think of when it comes to the jazz sound. Back when I didn’t understand the difference years ago. This guy nailed it and from understanding the difference I could understand how to play jazz style guitar. Something I didn’t know how to do and always wanted to. Thanks Jim!
I enjoyed every second of this - what a treasure jim is - that final piece was very moving too...brilliant
What a great guy..down to earth honest and what a very nice tone ..he sounds just great as it should ..truly masterfull..one of the greats..thx mr. Mullen
Loved those Mullen/Morresey gigs back in the 70's!
They were rocking those pubs back then! RIP Dick.
And Jim is just beautiful! Great music.
Paul McGovern
me too. Jim's luxurious black beard....!
Love his playing, his time and his feeling for blues and groove is awesome as well as his conception of harmony
Jim was the first guy I spoke with before I went to London.. He was a true gentleman. A true player..
I love his playing! Such a nice and humble guy too!
Great to see such a great artist and humble gentleman at work! i will have to learn more about this man,sad to say i do not know his work!
Jim...the legend who, during a bob dylan session which dylan was failing to sing all day while the session musicians could play the song backwards in their sleep, replied in answer to dylan's manager that his voice was all shot and they'd have to continue tomorrow, "what voice?", and was politely informed that he wouldn't need to come back tomorrow (management mustn't ever let any criticism leak through the bubble to the star)
I love it....
Only 10 minutes to short could listen to Jim talk and play for a lot longer, thanks for posting this anyway
Used to love going to watch Jim ( with Dick Morrisey) back in the day at the Cricketers in London at the Oval. aaah happy days ..anyone else remember their gigs?
What a monster talent! His phrasing, his chords, and the timing, oh the timing. I am in awe.
Great interview with the amazing guitarist, Jim Mullen….Thankyou Guitaristmag.
Its great that Jim is self taught as he does not sound like a clone of someone else. All the mistakes or wrong technique he has who cares as long as it sounds good! More power to him.
I was listening to KPLU this morning and they played a live Gene Harris version of "Sweet Georgia Brown" that just had a fantastic guitar solo...great lines, incredible tone. Poked around, found the album online, and discovered Jim. In nearly 40 years of guitar playing I can't believe I'd never heard this guy. Pure beauty. Pure sound. Pure music.
Yes, He's played with spme world class jazzers!
I got to know him for the first time here: his music is very enjoyable and he's very humble person; the Aria FA-71 is the same one I play...I knew about the annoying feedback, but its sound is good
Beautiful music , True artist....!
What a wonderfully talented, modest and thoroughly NICE person. Love everything about him!
Love his comment about harmony existing to make the melody sound great. I remember going to a course at Wavendon in the late 80s. Jim mullen and John etheridge were teaching.i remember playing the melody to they'll never find another you- with these 2 amazing players backing me. My playing has never sounded so good before or since!
So lovely just to hear him speak, am delighted to have had the pleasure of meeting him. Absolute gentleman xx
Great to see you on RUclips Jim. Not enough of you on here!
Lovely to hear you play as always! Thank you for the beautiful folk melody to go out on.
:-)
This guy is great by the way, I've never heard of him but just this 10 minute video has amazed me
Love this guy! His approach to the instrument, the technique and the genre are so refreshing. Thanks for this video!
so humble and excellent
Wonderful little conversation -- modest, yet so spot on. Jim will probably not remember the time he came back to Scotland (c. 1979) for a short tour terminating in an Edinburgh Festival concert at Calton Studios. I was in the band on piano with Bill Kyle (drums), George Lyle (bass), John Davies (trumpet) and Gordon Cruickshank (saxes). BBC Scotland recorded it and it was broadcast over two programs. It was a great gig. After the concert we all went to the bar and Jim bought a bottle of champagne to share with us. He raised a glass and said, "Thanks guys for making me sound great!" A lovely gesture from a truly nice guy.
Did you play with the Average White Band back in the day?
very very nice player ... I like jazz guitar played with this slighly more "vocal" expression ... well played with feeling ... thank you jim ... I just discovered you
Shared a stage with this dude last night. Impeccable.
He seems pure hearted .... Like-able as a person along with seemingly a true to self type guy .... His playing has a certain integrity to it , to me ....
Saw Jim a couple times in '4bars' in the 90s in Cardiff. Master jazz guitarist, but also so flipping funky! Legend
this man is something else, and I know.
I was a long time mate of Dick Morrissey and once recorded with him. ( Me on harmonica) i'm seeing Jim next week. Magical guys, just magic.
God bless this dude. Inspirational talent.
Thank you Jim. Awesome chord playing.
Fabulous. Some of my contemporaries in the Scottish blues scene knew him way back in Perthshire.
Great player and he bought me a pint in Southend.
Really?!
a lovely modest man but a great player and I don't say that lightly.ive seen him numerous times and he really can play great jazz guitar.the morrisey mullen band was a real swinging outfit.i just love the way he plays.many thanks.
Wonderful player and a great Guy. Played in Abergavenny sometime back just sat in with Trevor Davis guitar. I was blown away it makes you want to throw the guitar on the fire. Fantastic thank you
Thanks for a truly excellent guitar lesson! Your musicianship is superb!
love this guy! technique must be the servant, not the master! how true! great playing!
His guitar solo on Freedom Jazz Dance with Brian Auger is one of my favs.
Beautiful song, your wife’s favorite... Always enjoy learning a bit about accomplished players journey, thanks for sharing ... 🎸👍🎸👍
the piece he plays at the end is "women of ireland" by sean o'riada. i knew the melody from somewhere, until i found out where it was: stanley kubrick used it in "barry lyndon".
Yup, I know it, I love it, but just couldn't place it. Thanks for naming it, you've saved me a maddening day of mumbling and humming.
Haunting. I much prefer Jim’s version to that in the film
Seen Jim live a few times.He is the Business awesome and a brilliant guy 2.
thanks Guitarist Magazine and Jim Mullen for this!!
amazing!!!
So interesting how he breathes between phrases like a horn player. What a lovely guy with a lovely sound.
you can even tell by the way he breathes when he plays, that his musicianship is completely on another level.
Mr. Mullin, if you are reading these comments, here's what I have learned about Wes Montgomery's amazing thumb style technique. If you study photos and film of Wes playing, you can see clearly that he plays upstrokes as well as down-strokes. It is also readily-apparent that Wes' hands were quite large, as were his thumbs and fingers. According to George Benson, Wes had a corn on the end of his thumb which effectively lengthened the fleshy part of the thumb so that it protruded well clear of the nail - allowing him to do upstrokes without catching his thumbnail on the string as an ordinary person might do. The somewhat elongated tip of Wes' right-hand thumb helped him negotiate upstrokes better than he might have otherwise. The incredible control over dynamics provided by the thumb - the sensitivity it allows - enabled Wes to keep his volume on the guitar and amp up fairly high. When playing softer passages or when playing quickly, he could lighten up his attack and still retain volume and punch; when he needed to do a climax or shout chorus or really dig in for another reason, he could play louder simply by bearing down more. Wes used a lot of down-strokes, sweeps, slurs, glisses, ghost notes and other methods to get that horn-like attack so prized by jazz musicians. Wes' articulation was peerless - almost Clifford Brown-like - no easy feat on an instrument not capable of true legato playing. Mr. Mullin, one last thing, sir - you've no need to apologize for having a unique style of your own. That's something to be prized, not scorned. There are too many sound-alikes in the music world today - so a person with a unique approach is a wonderful thing to come across.
your right ...mr.Mullen sounds is his own..thats an original...
No need to preach to the choir...Jim actually does mention Wes' double-jointed thumb and his ability to do upstrokes and alternate picking.
@@philmagallanes3850 - My comment was to offer an alternate explanation - which came from George Benson who knew Wes Montgomery personally. Being "double-jointed" or having abnormal flexibility in one's thumb does not predispose one to play better. I am a human physiologist and know whereof I speak, and I also play the guitar and jazz as well. Mr. Mullen is obviously a very talented player, but that bit about Wes Montgomery is simply not true. If you examine closely how Wes played, being "double-jointed" had nothing whatsoever to do with his technique. In short, Phil, your reading comprehension needs work.
I find it IMPOSSIBLE to understand how anyone would give this a 'dislike" ..Presumably 26 people are just well..complete fucking idiots. Jim is an absolute master of the instrument, and is a wonderful communicator too....I was lucky enough to play some gigs with him when I had graduated from Music College, and it was the deepest education I could hope to have.. Thanks for this GREAT video and to Jim for the timeless music.
+Rufus P
IMPOSSIBLE is putting lightly...But look at the world today. The are way more complete fucking idiots than oherwise. You have to wonder why more people gave "dislikes".
Jim is simply put, a giant. A fucking giant..
Cheers,
Man, I couldn't agree more. He was brilliant. When he played us out with that song his wife loved, I got a tear in my eye. Just beautiful playing in every respect.
Just don't even take any notice of them-they are probably '12' and just enjoy disliking all videos they can-or just ignoramus types. It makes no difference as long as people who can benefit know this is here..pass it along.
"I find it IMPOSSIBLE to understand how anyone would give this a 'dislike" - I feel you there. I guess lots of people have issues. That's all I can think of.
Rufus Philpot this guy is good
Great example of how to play from a selftaught and selfdiscovered ..mentality..Teaching ..being taught is one thing..but from that comes the search ..into using that information and walk that musical path of selfdiscovery...
Technique is not a goal in itself. Great contribution Jim ..great tone and melody...show the young the road they can walk to discover themselves..
many thx..inspiring!!!
Great....nice to see guitarist magazine spotlighting a real guitar player,for a change.
Such a beautiful tone with the thumb!
Hi there Mr.Mullen all I can say is wow. What a great warm tone Wes Montgomery would be proud of you and your craft. Will definitely subscribe to your channel. 🎸🎵🎼
brilliant sense of swing and sound,
You should be on the tele Jim. hope you've still got it. Glad you're better and gigging again. Any chance of playing Cork Jazz Festival sometime for us expats.All the best.
I'm lefty and have always been playing right handed guitar as well! I remember when first starting out maybe a few months or so in somebody noticing and asking me about it. My response: "they make left handed guitars?!"" Lol. I actually have tried both and right handed feels more comfortable to me, and always has as far back as can remember. I'm no musician, however, just a player...I have massive respect for self taught masters and the people who can read music, or at least memorize a ton of scales and stuff. It takes huge self discipline and dedication for sure! Great video, thanks for sharing.
Just superb ..what a great guy 😎
Just seeing this for the first time! I absolutely love this guy, great stuff 👍
hi mr. mullen, why are you so damn modest about yourself.... you are such an awesome guitarist with a very personal and moody tone. i love it and i think you are just underrated.
Never seen him before! What a nice bloke and a wonderful tone. Throw away the rule book....just use your thumb!
What a lovely player, I've always enjoyed his music.
Thanks for the shearing!! Great technique and playing!.
Finally someone who shares my odd left handed guitar style!
Ah a fellow scottish guy ! He sounds really cool when he plays thats a awesome sound and note choice XD
I discovered using the thumb for soloing also, plus i like the flatwound strings, they develop a lovely neutral tone, but I also like twin pickups, sometimes you want some cut, and treble. This guy is amazing, not my style of music but a terrific player.
Fantástic video.... Love It...which song was that demonstration?
Mná na h'Éireann Beautiful tune....beautifully played.👍🏽👍🏽
Amazing how he taught him self, I think that's part of learning. If everyone learned the same exact way there wouldn't be any textures, it would all sound the same
GREAT PLAYER AND A REALLY NICE HUMAN BEING!!!!!!
i was lucky to meet and chat with jim at the ullapool guitar festival some years ago, what a gent i believe he started out playing tea chest bass in a skiffle group in glasgow,
he even let me buy him a cheeky wee malt.
Thank you Guitarist for this wonderful presentation. Jim Mullen is such a great player and a beautiful soul. You just feel it from watching. Usually jazz player has not so small ego. From his accent, he's Irish?
Russ Jalichandra SCOTTISH!
Ah yes, like Sean Connery's! Thanks.