I guess I learned more about Sound the last 30 minutes than within a couple of years before. The laid back and relaxed style in presenting and guiding is just absolutely amazing. Who is this teacher? Please let me know about in-depth workshops with you - I want to learn from you how to make sound. That's it!
Hey, Bitwig, make a tuner, please. I switched from ableton live and use a lot of analog synths, ableton's tuner was an essential little tool. Now i forced to use third party ugly tuners..Please make that simple tool.
On “Nesting FX within the Chain device” part. Would be fun to see flagship EQ+ in this example. The fact it’s latency can’t be automatically compensated drives me crazy, and makes this eq unusable. Funniest part of it that “this eq is CLICK free” i tested it with automations which switches its bands on/off and its CLICKS. I love bitwig, it’s my favorite daw, but this philosophy around EQ+ so dumb
@@paulmichelon2176 I wrote in support and received answer. They say it’s not unexpected behavior, lack of delay compensation is a part of plan of “click free eq”. But eq+ clicks, and even if it wouldn’t, who cares about clicks more then phasing issues. So knowing Bitwig policy (just remind you when they changed license agreement about subscription), better to just forget existence of eq+, than expect them to hear their users and change annoying problem. (!)They can just add option “enable delay compensation” in inspector panel for this device. And all will happy(!)
Hey @Bitwig, your newsletter brought me here. Love this & the presenter/teacher made me smile + learn about some of your superpowers and hidden treats that I'll get to play with. Thanks! Keep it up 🌶
Thanks for this amazing tutorial. The new menu for exclusive solo is great and your fresh view of the mix is going to have an important influence on my next sessions 🎉
Hi at 04:10, why there is no more options on the "Cue/Preview" Menu? I mean I might want to hear the "Cue Solo" on the Headphones and the rest on the Speakers. I thought that was the idea. I have the Headphones plugged to the Interface but they are not shown on the Menu. Thanks.
is this page explaining how to set it up? i read a bit of it but are not near the system so don't know if I'm right but it looks like it might explain how things should be setup, I've never seen the output monitoring panel before . Tell me what u think .
I never knew the green = poly and blue = mono before, but also, didn't really notice the difference in colours on screen either as they are very close. Might I suggest something more contrasting which could also help with those who are blue/green colour blind?
Love these creative mixing tools but can we get some attention on actual fundamental mixing workflows? We need better shortcuts, macros, tools, UX interaction, and settings for mixing, recording and granular production tasks.
@@RasShango I guess there is no other way if you are to be playing live. But there’s many ways to skin a cat. Bitwig’s modulators can be assigned polyphonically, meaning that each note you play will be modulated individually. Otherwise if you are wanting to edit expressions for individual notes, there’s various ways to do this. Probably the most immediate way is via the Note Operators or editing expression (and many other) parameters in the automation lanes on each Channel. One can also assign a MIDI channel for any recorded individual note, you can then assign that note to change say any Device or Plugin parameters. Akin to Parameter Locking on Elektron machines, albeit not as immediate in workflow. Seek out a few tutorials. Lots of fun to be had!
I appreciate these conceptual sketches that you guys do on possible ways to make and shape sounds in Btiwig. But maybe though we could have for a change an example of BitWig making sounds that actually sound GOOD, like a really great hardware synthesizer, lol, instead of something that sounds so unpleasantly 'fake' and without 'soul' that you wouldn't even torture elevator users with it. I'm frankly beginning to doubt whether Bitwig is capable of making complex pleasant emotive synthesized sounds good enough to front a hit record, ANY kind of hit record. It's a great DAW recording and audio compiling environment, but I'm yet to hear actually anything really great made in its sound sculpting tools, despite their intellectually interesting functionality and complexity, nothing I've heard in hours of RUclips demos sounds really good. The closest I've seen to good sounds in Bitwig is some acid dance music I've heard created in it, but even then to make it sound good, the artists needed to use other sound sources.
I guess it is up to us to make "good" synth sounds, in this videos they only show us some the capabilities of the software. There are plenty of tutorials to design any kind of sound you would like to.
Not true: you can't make "any sound you want to", that was my point. They all sound a little like a cheap vintage Casio, without the aliasing. (I haven't used the beta of 5.1, but the new sound creation and modulation options look exciting, and are a really great development. Still needs more "randomization" modulations tools, and resonance/harmony tools, along with sound sources based on modeling to name a few, but things seem to be heading in the right direction at least...) When it comes down to it, in any professional sound creation tool, all the fancy functionality in the world is junk if it doesn't sound really GREAT, that is the whole point. And frankly, while I find these demos interesting, I've never come away from one of them hearing something that sounded REALLY GREAT.
@@pixelwash9707 I see your point, but if you go through any tutorial on any topic really (Photoshop, DJing, photography, 3D rendering, DAWs) out there, people making them are not the great artists. They are content creators, not your favorite sound designer/artist who probably has no time to create these videos. Bitwig being a DAW, it's really about the tools that allow you, the potential artist, to create your sounds and music. If you wanna add your favorite VST, hardware synth or recorded material to add that extra breath of life, you're free to do so.
@@Artek604 Of course it's subjective Wouldn't it be better if it sounds nice? It's just that the technology is advanced but it is difficult to make a good sound. What's the point?
@@freedom19813 What you mean you can't make good sound with Bitwig? Lots of people make awesome music with it. Dave apparently is a fan of blippy, plonky stuff that's not to everyone's liking, but it illustrates the topic good enough.
I guess I learned more about Sound the last 30 minutes than within a couple of years before. The laid back and relaxed style in presenting and guiding is just absolutely amazing. Who is this teacher? Please let me know about in-depth workshops with you - I want to learn from you how to make sound. That's it!
His name is Dave ;) Most of tutorials on this channel are made (and narrated) by him.
Hey, Bitwig, make a tuner, please. I switched from ableton live and use a lot of analog synths, ableton's tuner was an essential little tool. Now i forced to use third party ugly tuners..Please make that simple tool.
I really enjoy this series! Great to see Dave back in action!!!
Think outside the box!
Bitwig - "What box..?"
Always enjoy your tutorials! Keep them coming! Have to start a song idea I got from this now ... 🙂
Solo as cue just blew my mind.
That was amazing. Huge thanks.
If the narrator doesn't have his own Bandcamp he should.
Im a bit amazed by how nonchalantly you make such inspiring patches in a tutorial
Great lessons!
On “Nesting FX within the Chain device” part. Would be fun to see flagship EQ+ in this example. The fact it’s latency can’t be automatically compensated drives me crazy, and makes this eq unusable. Funniest part of it that “this eq is CLICK free” i tested it with automations which switches its bands on/off and its CLICKS. I love bitwig, it’s my favorite daw, but this philosophy around EQ+ so dumb
They should fix it, it makes no sense. Please Bitwig put at least a switch to a latency compensated version
It clicks because the amount of latency it introduces depends on how many active bands there are. Latency varies from 4 to 7 samples.
@@paulmichelon2176 I wrote in support and received answer. They say it’s not unexpected behavior, lack of delay compensation is a part of plan of “click free eq”. But eq+ clicks, and even if it wouldn’t, who cares about clicks more then phasing issues.
So knowing Bitwig policy (just remind you when they changed license agreement about subscription), better to just forget existence of eq+, than expect them to hear their users and change annoying problem.
(!)They can just add option “enable delay compensation” in inspector panel for this device. And all will happy(!)
@@CuriousPassenger yes it clicks, so what the point of lacking of delay compensation? Who knows
Use EQ5, then.
Hey @Bitwig, your newsletter brought me here. Love this & the presenter/teacher made me smile + learn about some of your superpowers and hidden treats that I'll get to play with. Thanks! Keep it up 🌶
Amazing software, really cool, sharp and crispy, wavy, so many choices, well done
Thanks for this amazing tutorial. The new menu for exclusive solo is great and your fresh view of the mix is going to have an important influence on my next sessions 🎉
clear and informativ tutorial for an awesome DAW...
This is really cool integration into core daw…thanks for the insight
Damn, this is amazing! But nothing will compare to when you will FINALLY add video features!
100 % - then a fantastic DAW for film 👍🏻
Yes please add video support
@@leefoster4171 or for tiktok 🤣
Hi at 04:10, why there is no more options on the "Cue/Preview" Menu? I mean I might want to hear the "Cue Solo" on the Headphones and the rest on the Speakers. I thought that was the idea. I have the Headphones plugged to the Interface but they are not shown on the Menu. Thanks.
yeah same i must have something setup somewhere wrong
is this page explaining how to set it up? i read a bit of it but are not near the system so don't know if I'm right but it looks like it might explain how things should be setup, I've never seen the output monitoring panel before . Tell me what u think .
Love these videos
I never knew the green = poly and blue = mono before, but also, didn't really notice the difference in colours on screen either as they are very close. Might I suggest something more contrasting which could also help with those who are blue/green colour blind?
lol the Mono beeping arp reminds me of Spielberg's Close encounters of the 3rd kind
Love these creative mixing tools but can we get some attention on actual fundamental mixing workflows? We need better shortcuts, macros, tools, UX interaction, and settings for mixing, recording and granular production tasks.
Some really nice little tips here :)
The chain device is how you parallel mix, and make the compressor Parallel compressor
@@gossipboynyc9625-VN yes
Can i modulate the expressions for individual midi notes? How? 😊
Yes. With an MPE controller. Individual note expressions can also be edited and automated
How do I do that without an MPE controller @@BarryTheElephant
@@RasShango I guess there is no other way if you are to be playing live.
But there’s many ways to skin a cat.
Bitwig’s modulators can be assigned polyphonically, meaning that each note you play will be modulated individually.
Otherwise if you are wanting to edit expressions for individual notes, there’s various ways to do this. Probably the most immediate way is via the Note Operators or editing expression (and many other) parameters in the automation lanes on each Channel. One can also assign a MIDI channel for any recorded individual note, you can then assign that note to change say any Device or Plugin parameters. Akin to Parameter Locking on Elektron machines, albeit not as immediate in workflow. Seek out a few tutorials. Lots of fun to be had!
Bitwig, The True DAW King 👑
#P4PDAW
I heard, that bitwig - is synthesizer with daw functions...
my "notes per pitch" colors are not so colorfull
I'm always waiting on this guy to say, "It's cool daddio" or "Yeah jack, it's my groove"
Haha most underrated comment
I appreciate these conceptual sketches that you guys do on possible ways to make and shape sounds in Btiwig. But maybe though we could have for a change an example of BitWig making sounds that actually sound GOOD, like a really great hardware synthesizer, lol, instead of something that sounds so unpleasantly 'fake' and without 'soul' that you wouldn't even torture elevator users with it. I'm frankly beginning to doubt whether Bitwig is capable of making complex pleasant emotive synthesized sounds good enough to front a hit record, ANY kind of hit record.
It's a great DAW recording and audio compiling environment, but I'm yet to hear actually anything really great made in its sound sculpting tools, despite their intellectually interesting functionality and complexity, nothing I've heard in hours of RUclips demos sounds really good.
The closest I've seen to good sounds in Bitwig is some acid dance music I've heard created in it, but even then to make it sound good, the artists needed to use other sound sources.
I guess it is up to us to make "good" synth sounds, in this videos they only show us some the capabilities of the software. There are plenty of tutorials to design any kind of sound you would like to.
Not true: you can't make "any sound you want to", that was my point. They all sound a little like a cheap vintage Casio, without the aliasing. (I haven't used the beta of 5.1, but the new sound creation and modulation options look exciting, and are a really great development. Still needs more "randomization" modulations tools, and resonance/harmony tools, along with sound sources based on modeling to name a few, but things seem to be heading in the right direction at least...)
When it comes down to it, in any professional sound creation tool, all the fancy functionality in the world is junk if it doesn't sound really GREAT, that is the whole point. And frankly, while I find these demos interesting, I've never come away from one of them hearing something that sounded REALLY GREAT.
hello pixel! check the presets! many of them does not sound at all as you said.@@pixelwash9707
@@pixelwash9707 I see your point, but if you go through any tutorial on any topic really (Photoshop, DJing, photography, 3D rendering, DAWs) out there, people making them are not the great artists. They are content creators, not your favorite sound designer/artist who probably has no time to create these videos. Bitwig being a DAW, it's really about the tools that allow you, the potential artist, to create your sounds and music. If you wanna add your favorite VST, hardware synth or recorded material to add that extra breath of life, you're free to do so.
I tried the solo as cue and it wont stop combing :(
how do u fix this
I found out the effects dont stay the same so it'll always comb with effects
Why cant we get MIDI capture???
Why indeed
Fr 😭 I'd love it so much
Why can't you be more patient???
What I want even more is midi bounce.
and midi comping.
I was to late for the summer sale. Waiting on the next sale😊
It lasted 1.5 months. How could you be late? :D
@@Artek604 alot of stuff happend wich requires not to be in the studio😃
The note gain is porn 😍
Thunderous mouth noises in the voice-over.
Congratulations?
It's very technical but doesn't sound good
How is the - hugely subjective! - quality of music example relevant for any of this??
@@Artek604 Of course it's subjective Wouldn't it be better if it sounds nice? It's just that the technology is advanced but it is difficult to make a good sound. What's the point?
@@freedom19813 What you mean you can't make good sound with Bitwig? Lots of people make awesome music with it. Dave apparently is a fan of blippy, plonky stuff that's not to everyone's liking, but it illustrates the topic good enough.
@@freedom19813 don’t blame the tools, jack
@Bitwig please, please add a normalization feature.