Walking Bass Line (ii - V - I)
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- Опубликовано: 26 авг 2024
- Want more awesome content? Check my online piano school: www.pianopig.com
This is the first lesson of the Piano Shorties series. We learn a really cool walking bass line that you can use under a 2-5-1. I go over it in the key of Bb major.
You can do so much with this bass line including accompanying other people by adding in a few comping chords over the top, or even accompany yourself by taking a solo whilst keeping that walking bass line going in your left hand. You could also mix and match by comping a few chords and playing a few nice jazz licks here and there.
This is a great introduction for anyone looking to get into jazz and is really fun to play too!
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Wow, the feeling at 3:04 is just magical
cheers
That intro progression....Pharoahe Monch - Queens.
Brilliant......I just played it and it sounds awesome. You are a genius teacher Mr Pig. Now i have to play it in all 12 keys!
Everytime I hear your intro I feel like I turned on the jazziest version of OoT.
I love your voice and you can make anyone wanting to play jazz feel very comfortable about learning!! You are cute!!
I thought the Bass line sucked, until you added the accompaniment.
Synchopations like these haunts my nightmares....they feel like the last boss of a game where you are stuck at lvl 1
That Bbmaj7 is exhilarating in that chord sequence. Beautiful! Are you adding a 9th to each chord?
Piano Pig is the best teacher of jazz!
Much appreciated bro!
Man i love your channel, Greetings from Mexico
Thanks dude! I appreciate that :)
Thank you so much for this great lesson!
It's my pleasure!
What walking baseline pattern should be used. In your other videos you clearly go through and state the patterns: 1,2,3,1/2 step 4, etc. This make it very clear. Appreciate it.
one of the best vids I've seen in a while
What I missed was learning how to construct a walking bass line, rather than copying one, though I suppose this is a start. Thanks for the video!
Very inspiring!
Thank you for sharing.
- Kris -
I've been working through this but realizing my hand independence is crap. Any tips/advice for being able to do the left hand on autopilot like that while playing chords in your right hand?
Practice it separately until it feels comfortable, slow it right down, and check out my video on basic hand independence exercises: ruclips.net/video/4tZReJjGYLA/видео.html
Great video, very helpful, well done, very clear, right length.
Thank you so much, I will do It every day, and you should know that I play keyboard jazz and blues with a master, my dream Is to become a master of jazz! And I will play with a band in a pub in Milano, in Italy!
3:15
Thanks for the link.. I will be using it hopefully this week. I plan to put my most viewed in a play list called cleverly .. most viewed... I am also working on a most needed for beginners. I've posted some really good videos for beginners. Unfortunately people want fancy video editing.. I am different give me usable,, slow, reproducible methods. I like your videos, especially the ones with sheet music.. slowing it down. that's the way to go... saying the notes.. telling what's going on... that's important. I know it takes time to put an informative useful video together. it's appreciated.
Lindo. Obrigado, amigo. Abracos do Brasil.
Very nice video! Really looking forward to learn more of walking bass! This is so nice thank you!
Glad you enjoyed the video! Walking bass lines are so fun to play :)
PianoPig Yeah Im already having lots of fun!
Thanks you boss
Great lesson! I've always wanted to play like this
Thank you soooooo much.This is trully a blessing
Thank you for your video. I've noticed the great jazz organists rarely move their hand much at all, not even an octave. Also they have this flick (usually the 5th) that no one seem to explain on youtube yet. Good idea for a video???
I love this!
Thank you
Useful. Thank you, Vic
Sensational... Your tutorials, still the best available 🎶🏆
Thanks
3 oinks for this lesson ! Thx
Thank you for the video...i hope you share other video tutorials...
I'm pigging out on Piano Pig.
🐷🐷🐷
Man I love this
1:23 for the base line
magic
Brilliant lesson cheers
Thank you for this excellent exercise ! Great content, congrats !
Great tutorial!
Great video!! Cm9 - F13 - Bbmaj9, Chords in the beginning incase anyone was interested ;p
Thanks bro, your an awesome teacher.
Nicely presented. Thank you. I do not have kbrd chops. If you had MIDI files that cover your playing in this video (and other similar videos), they would be helpful and useful as backing tracks to jam with for fun (no commercial use,) I'd purchase them. Just a thought (and a wish.)
Wow! Thank you.
Well explained! Patiently 👍
Great lesson.. Could you reveal what those first five chords of the intro are? Those are delicious. Thanks
I made a video explaining how to play them actually! Here's the link: ruclips.net/video/x8J9CzSXrUE/видео.html
Fantastic, thank you!
Top ! 😎
Ahh ITS jazz time
Really great video! Thank you so much!
No worries!
Wonderful😊
Ok i got some questions
What is that A D Eb E G chord that leads to F and why it works so well?
What is that Bb Eb E Ab chord that leads to Cm so well?
Thanks a lot for great video lessons
No worries!
Can anybody please tell me why he added a D note in the Cm7 and F7? The D note isnt in the Cm7 or F7.. can somebody please explain the theory behind adding the D in those first two chords.. thanks im a total noob in chord theory
D is the 9th of Cm and it's the 13th of F7. So we're effectively turning these chords into a Cm9 and an F13.
Cm7 0:54
F7 0:58
Bb MAJ7 1:03
You broke my mind with that D in F7 chord
I saw you playing 9th chords when you wrote 7. Is there any time where I should or shouldn't do that?
Most chords in jazz are just written with a 7, but what this really means is any chord extension the player chooses to play.
I would choose the extension depending on the melody notes.
Wow that was jamming me up too! I'm not used to playing jazz or in Bb, so I was like...what?
The 9 is fair game in comping... usually and doesn’t clash with what a soloist expects but a Cmaj7 could be thought of as a C Ionian chord or a C Lydian chord like in My Favorite Things in it’s usual Gmajor (determine the mode based on the melody) if it’s a Cmaj7 evincing C Ionian then you shouldn’t extend the Cmaj7 past Cmaj9 to Cmaj9( #11) because that would imply C Lydian. Cmaj11 does describe C Ionian but the F and the E in Cmaj11 creates a difficult tension and the soloist will probably be avoiding the F which is generally a good safe option. However Cmaj9 is okay in both situations unless it contradicts the style you want to invoke at that moment in time- possibly Cmaj9 is too colorful and heavy and not simple enough for a raw blue but really all of music is subjective so unless you’re trying to play conventionally and expectedly you can do whatever you want
@@clevelandplonsey566 Wow, I remember writing that comment two years ago... It's been so long and I've learned so much now haha
thanks man!
My pleasure :)
very helpful thank u！
thankyou mate!
Why does the F7 chord include a d instead of C?
wow..this Is so challenging
wonderful as usual
i like
J'adore ! MERCI ♥
Cool. I'll master it.
most helpful channel on youtube
Thanks man! Happy to hear it 😀
Great lesson! Any tips for the hand independence? I can only get so far before they stop working
Practice. Baseline comes first.
I love replacing that second Bb major 7 with the vi (G minor 7), creating a ii - V - I - vi progression.
That said, my hand independence is basically non-existent. I realise thats the equivalent of skipping "leg day" for years 😭😭
measure two goes to B. which is a tritone..( is it for that reason) then a Bb triad up and down, then climbs chromatically in measure 4.. measure five looks like a C min triad.. I haven't watched yet.
Hi can i request something? Can you make that walking bass in dm7 g7 and c7? Please!
Thanks!
At 0:54, why is it called Cm7 ? I understand that you play C with your left hand, but you also play the 9th on the right hand, so isn't it a Cm9 ?
And at 0:58, same thing, and why do you play a D instead of the fifth, which should be a C ?
Niiiiiiice 😊😊😊
I don't get the chords, since i'm still a beginner. At the beginning the rootnote is played by the left hand, the "voicing" with the right hand. But with the CM7 he added a ninth, on the F7 he just replaced the fifth (C) with a D and also added a ninth. Would those chords then be a ninth chord? Is it just his kind of freedom to not write the 9 or did I miss something when it comes to chord nomenclature? If anyone knows, please help me :) I'm confused
Is there a reason that you use the most convoluted keys? Why not stick to C major for us beginners?
This great love those eighth accents..
Lovely solo and comp
What scale is this it?
TY PP THIS IS WHAT I NEEDZ RIGHTZ NOWZ TY
Well that's good to know! :)
How do you know which chords to play to accompany the bass line
What scale did you use to solo?
Hi! I took a copy of your walking bass sample in this vid though I didn't follow the notated one. I followed the one you played :D
The notation is only there for people who like to have it, I personally think copying other people is the way to go! :)
_Ya like jazz?_
Great!
2:17
can you also show a tutorial lesson on how to make R&B Chords and melody's? in fact, if you can, can you please demonstrate.
Good suggestion, I'll add it to my 'to-do' list :)
I really would love it if you could find the time to give more lessons on the soloing as u did today.Thnk you Sir
Very cool! It's hard for a beginner :(
What is the tempo for this
Thank you for this. Do you have 2 5 1 in all 12 keys exersise?
Autumn Leaves?
The notes in C minor 7 are C, E flat, G, and B flat. But i noted you had played the notes D and E in the first measure which are outside of that chord.
Yes you are correct, but if walking bass lines were limited to chord tones only they would be very boring indeed! The D is actually the 9th of Cm so it could still be seen as a chord tone, and the E was just a chromatic passing note leading to F (the 1st of the next chord). Walking bass lines can play do anything and are certainly not restricted to chord tones, although the accented beats are are quite often chord tones. Hope this helps :)
Yeah I play bass guitar sometimes. I do some walking base. I've noticed that real jazz players lay a lot of outside notes.. it's really hard to follow, but I would imagine the piano player falls right in step.. As they are country playing altered chords and scales. Which btw I just put up a very unique perfect piano whole tone scale that I made for myself and others. I am using it to try to obtain perfect pitch. I have all the white notes down. I used a free app called functional ear training. it's on play store.. I have had relative pitch from a child but had tried and tried to recognize notes.. failed.. untill I tried it.. I now can hit any white note with eyes blindfolded and know it.. I have never been able to do this. Also if any body wants to know I used an Android version of kinemaster to do that. Really enjoyed your playing here. I get your videos but I don't always comment. I am not to your level yet, but I enjoy what I do.
yeah, also on the F7 he play D (4th) and on B flat play C (9th) 😉
great stuff!
4 years later. That's what I just noticed as well. Cm7 should indeed be just C-Eb-G-Bb. I can see PP's extra notes below, which is nice. And also - F7 should be F-A-C-Eb, while the video shows F-A-Eb-D-G, where the 'C' is missing.
👍🏽👍🏽👍🏽
4:05
I wonder how i progress from here? Should I transpose this to other keys and re learn it?
That would be a good idea! Or try to create your own walking bass line over a 251
@@Piano_Pig I have been working on this for some days now. I can do it against the drum machine jazz beat at 200. The problem I keep having is that I will play the first half of the first part, but for some reason, forget which one I'm on, and then play the 2nd half of the second pattern. Or vice versa. At 200, there's not much time to make a decision.
Very nice bass line. Thanks. I'm trying to determine how to construct a bass line. Can you mention how to come up with one? I'd like to be able to make my own, rather than just copy.
You need to spend lots of time transcribing bass lines, then you'll start to get an idea of how they are constructed.
@@Piano_Pig so at least for beginners like it gives me info that is important to take time to learn properly walking bass line concept from there it will be more easy since ... to walk ..,thank you great stuff !!!
Great tutorial! What scale are you using to solo at the end?
Bb Major. Or maybe it’s 3 modes enharmonically equivalent to Bb Ionian. all of the 251 Cmin7 F7 Bbmaj7 chords are diatonic to Bb major; the 251 is in Bb major. Although over the 25 he might’ve been playing in some kind of F and over the 2 he could have been playing in C Dorian and F mixolydian over F7, the 5- it could be interpreted that way, but these modes have different characters even though they are all the same set of notes which happen to complete Bb major. You’re not really playing the changes rigorously if you think about executing the Bb Ionian character over all three chords
@@clevelandplonsey566 Dude the fuck have you talked about, wish i could understand. cheers
Áspero
How do you know what notes to hit for the right hand?
He's playing the chord tones notes of each passing chord in the solo. In this video he was playing a 251 in Bb major, so he was playing the notes in BbMaj, FMaj and Cmin (in addition to other nuances). Hope helps
F7 shouldn't be F A C Eb G?
Very helpful but maybe do it in key of C for simplicity😂