Another awesome vid Keith cracking shot too. Long time since I walked that bridge 😂 like the idea of this printer but it gave me that old sinking feeling when it said to replace cartridge that’s the exact reason I stopped home printing.
Ah, this one is just one for the testing pile... (it is quite a big pile!) For framing, I'd make sure I had a bigger border, so I could cut a mat for it. Panoramic prints are tricky to display though. For some I've had the prints laminated on to foam board and then fitted directly into a custom frame - the main issue with very large prints is that finding glass is expensive (and can be dangerous), so my bigger commercial prints tend to be on alternative mount, or supplied rolled up, to pass the mounting problem on to the customer ;-)
@@KeithCooper Levon Biss is a British photographer who specialises in making enormous prints from tiny bugs. The idea is that viewers can stand really close to see the finest detail.
@@KeithCooper I remember the name because it's so not English. Google "Levon Biss Photography," that should find him. When I fond him, he was using a Nikon D800 (or D800E) plus Raynox stuff. Raynox stuff is a mystery to me, I don't do enough high magnification macro stoff to be bothered with it. Maybe if I master the MP-E 65 and want something "better."
Thank you so much for your outstanding videos. With that I'm trying to select a art photo printer for my studio. I'm stuck between the Epson xp1500 and sc 700 and the canon p 200 or p 300. This would be for mostly black and white. Any suggestions I'd be greatful to hear. Thank you so much Charlie
If B&W is important, then it's pigment ink - So PRO-300 or P700 The 15000 is very much a consumer printer, whilst the 200 is nice, but still dye based I have detailed written reviews/articles for all of them. Several also have specific articles about B&W www.northlight-images.co.uk/black-and-white-printing-with-the-p700/ www.northlight-images.co.uk/black-and-white-printing-with-the-pro-300/ Articles have links to other related articles and videos
I love your Epson P900 videos!
Thanks - unfortunately it's now gone back to Epson, but if you've any questions, let me know
@@KeithCooper Epson should let you keep the P900. They should really appreciate your insight to promote their P900.
Thanks - I'm waiting for a much bigger printer :-)
Thanks for your movies. You are giving a lot of practical information about the epson p900 printer
Thanks - Glad you like them
Very good, thank you.
Thanks
Another awesome vid Keith cracking shot too. Long time since I walked that bridge 😂 like the idea of this printer but it gave me that old sinking feeling when it said to replace cartridge that’s the exact reason I stopped home printing.
Thanks - the P700 has distinctly larger ink carts than of old - the P900 is a better bet in some respects (see both of my detailed reviews)
Thank you again for another great B&W P700/P900 video. Noticed the tree in the bottom left, how are you going to frame this picture.
Ah, this one is just one for the testing pile... (it is quite a big pile!)
For framing, I'd make sure I had a bigger border, so I could cut a mat for it.
Panoramic prints are tricky to display though. For some I've had the prints laminated on to foam board and then fitted directly into a custom frame - the main issue with very large prints is that finding glass is expensive (and can be dangerous), so my bigger commercial prints tend to be on alternative mount, or supplied rolled up, to pass the mounting problem on to the customer ;-)
5:50 Levon Biss.
Sorry - what that?
@@KeithCooper Levon Biss is a British photographer who specialises in making enormous prints from tiny bugs. The idea is that viewers can stand really close to see the finest detail.
A new one to me - I have difficulty in remembering names, especially photographers for some reason..
@@KeithCooper I remember the name because it's so not English. Google "Levon Biss Photography," that should find him. When I fond him, he was using a Nikon D800 (or D800E) plus Raynox stuff. Raynox stuff is a mystery to me, I don't do enough high magnification macro stoff to be bothered with it. Maybe if I master the MP-E 65 and want something "better."
Thank you so much for your outstanding videos. With that I'm trying to select a art photo printer for my studio. I'm stuck between the Epson xp1500 and sc 700 and the canon p 200 or p 300. This would be for mostly black and white. Any suggestions I'd be greatful to hear. Thank you so much Charlie
If B&W is important, then it's pigment ink - So PRO-300 or P700
The 15000 is very much a consumer printer, whilst the 200 is nice, but still dye based
I have detailed written reviews/articles for all of them. Several also have specific articles about B&W
www.northlight-images.co.uk/black-and-white-printing-with-the-p700/
www.northlight-images.co.uk/black-and-white-printing-with-the-pro-300/
Articles have links to other related articles and videos
@@KeithCooper Thank you kindly for the information.