Jack LiVigni: La Scena Tête à tête with Don Adriano
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- Опубликовано: 30 сен 2024
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English:
The native from Brooklyn, is a graduate of the Academy of Vocal Arts, honed many of his stage and repertoire skills at AVA and began bringing them to the international stage while still a student at AVA. Mr. Li Vigni made his Metropolitan Opera of New York debut in 2004 in Boris Godunov, and was seen again at the Met in Lohengrin and Parsifal, and covered roles in Nabucco, Ariadne auf Naxos, Rosenkavalier, and Samson et Dalila.
Gioacchino is also voice instructor for the prestigious Jette Parker Young Artists Program at Royal Opera House Covent Garden in London. He is also on faculty at Curtis Institute of Music in Philadelphia and Brooklyn College CUNY. He trains many leading vocalists singing on every major operatic stage, and recording for major record labels. His students have been recent winners and finalists of major competitions like Operalia, Cardiff Singer of the World, and the Francisco Viñas, as well as being part of young artists programs like that of Covent Garden, Bayerische Staatsoper, Deutsche Oper, Komische Oper, Theater an der Wien, Oper Frankfurt, and Stuttgart.
Francais:
Originaire de Brooklyn, Gioacchino est diplômé de l’Academy of Vocal Arts, où il a perfectionné bon nombre de ses compétences de scène et de répertoire et a commencé à les mettre en application sur la scène internationale alors qu'il y étudiait encore. Monsieur LiVigni a fait ses débuts au Metropolitan Opera de New York en 2004 dans Boris Godunov, puis il y est retourné par la suite pour jouer dans Lohengrin and Parsifal. Il a joué divers rôles dans Nabucco, Ariadne auf Naxos, Rosenkavalier et Samson et Dalila.
Gioacchino est également professeur de chant pour le prestigieux programme Jette Parker Young Artists au Royal Opera House Covent Garden à Londres. Il est également membre du corps professoral du Curtis Institute of Music de Philadelphie et du Brooklyn College CUNY. Il forme de nombreux chanteurs de premier plan à chanter sur les plus grandes scènes d'opéra et à enregistrer pour de grandes maisons de disques. Ses étudiants ont été récemment lauréats et finalistes de grands concours comme Operalia, Cardiff Singer of the World et le Francisco Viñas, en plus de faire partie de programmes pour jeunes artistes comme ceux de Covent Garden, Bayerische Staatsoper, Deutsche Oper, Komische Oper, Theatre an der Wien, Oper Frankfurt et Stuttgart.
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Mr. LiVigni is a breath of fresh air amidst so much nonsense one listens about voice technique. I followed his posts at the now extinct NFCS and he was always insightful and knowledgeable about singing and the Italian tradition. And what a singer! Chapeau bas! We know very well who was the troll behind "This Is Opera" channel, a frustrated wacko from Florida who also destroyed Classical Singer's forum. He has a cult. Poor creatures! Let them in the sewer where they belong.
Craig Sirianni, really good tenor taught by Lomonaco, worked with a guy with a very thin and small voice, and the guy had been studying in a musical University paying 60 000 buck a year. And when the guy's voice transformed into huge ringing one, hi university professor told him "This is great, but we don't need voice like this anymore. Corelli, Lomonaco etc. worked too hard. Today is the new era, we need much lighter voices". Here' the story ruclips.net/video/3OvtP7Ws8kc/видео.html
Michael Trimble says all the problems began when microphones appeared in theatres. Sometimes hidden ones, in the walls or on the floor.
So, I don't think "This is opera" guy is 100% wrong. The truth is somewhere in between, I guess.
@@Delectatio I think the main issue with whoever ran This Is Opera! was their absolutely toxic demeanor. It's one thing to have a different opinion on vocal pedagogy. It's another to be a cunt about it.
Absolutly amazing talk! My dream is to study with this man. Thanks to you both! Best wishes from Buenos Aires.
He is an awesome teacher
the best in the business!
99
Jack has saved me vocally from certain destruction, get in touch with him and start working with him. He KNOWS what he teaches.
1:53:45….basic stuff. Question: is there a middle ground between the two extremes? I could never find it…only up like speaking or down like dopey yawning.
Amazing interview! Thanks a lot. This is pure gold
I see why most established teachers don't want to show their crazy sounding exercises on youtube, but they're wrong and Jack's right. Thank you both for the generosity.
This is absolute gold!
Absolutely wonderful! Thanks!
What a FANTASTIC interview full of golden information ¡thanks both !
Anyone knows how much a class is with Maestro Livigni ?
He charges $150 USD for an hour lesson on Resonance App.
@@bendone Thank you
@Andrei Biro Hahaha as vrea io. Dar multumesc pentru compliment. Fac cu o profesoară bună momentan. Sa vedem unde mă duce aventura asta
Fantastico~~~!!
Thank you very much!
corelli s^pealmks wery high pitch
The best teacher!
Great Maestro! precious!
Lennox Lewis and Jack?
Questo Maestro mi ha fato capire il passaggio e come farlo ❤❤❤ bless him. Love from Paris France 🇫🇷
Thank you. What a wealth of knowledge.
Thanks for this great conversation!
Thank you both for this extremely generous, informative, and inspiring interview!
Thank you for watching!
Very interesting interview
⁰
Unfortunately no mention of breath, movent of diafragm...
doesnt mean he doesnt teach it. He has IMMENSELY helped me with my breath/ support, and utilization/action of the diaphragm.
Because in the grand scheme of the voice it is less important than the the things he talks about here
Lot of talk. No career. Just bring the 150$ US three times a week for the next five years.
you don't know what you're talking about. lots of people with "careers" are actually horrible teachers. teaching requires a very different set of skills. just another person who didn't watch the video and decided to show his ignorance. if you wanna go learn from someone with a career like you say I guess go take lessons from Andrea Bocelli...
@@BigDaddyDracula Any singing teacher charging $150 a lesson needs the money and that’s why he teaches and is not in CAREER. He pretty much says that. He also says that he studied with people in a CAREER. And Fisichella doesn’t talk about vocal folds and tilts! He also says that the best way to learn to sing is to imitate the sound that the singer is making. He’s not ignorant and neither am I. You are though and can keep going to singers with no CAREER, 3 times a week for the next six years. There is ALWAYS something to learn from a singer who had a CAREER.
@@tenorotti still spouting irrelevant bullshit based on ignorance I see
@@BigDaddyDraculasuck my blood!
Please don't again do an interview without knowing what to ask .,and ggogoing questions not clear not understandable
Ok boss.