You know what I really like about Lynch's dreamy movies... first you watch it, and you end up with a mixed feeling. You like the art and the mystery of it, but you feel frustrated because you can't put everything together. Then you can't stop thinking about it. You watch it again... and then explore the internet for other people's interpretations. You finally start to put the pieces together and at this point the film instantly grows on you. What looked like something without meaning instantly glues as you get the click of what it is about. And even if you got the main idea... like when you discover what the puzzle is about... there is still a lot of symbolic stuff in the periphery for you to grasp. And this periphery is part of an endless discussion, because it is Lynch's very personal ideas and influences showing up, although the core is probably available to everyone, since it's about life. I really like this man's art. Thank you, David.
While listening to just the audio of this interview, I could easily imagine Lynch as Heath Ledger's Joker; "Such a beautiful thing to get an idea. Because you see it, you hear it, you feel it, and *THERE IT IS.* " Gotta love Lynch, he just _does_ things. A cinematic agent of chaos.
David Lynch is the jazz musician of film makers...improv cinema & storytelling...his ideation-to-cinema explanation made me think of cooking --- like when you have an idea for what to make for dinner, say roast chicken, and then smth else comes up like, a side of sauteed mushrooms and...then the salad...dessert and so on...
Definitely some overlap between the way Lynch attempts to illuminate the vast possibilities of his films through non-answer and the way a Zen Koan sparks insight through absurdity.
I've always felt like David Lynch should make a musical. I don't know how that came up, but I'm not gonna question the thought processes triggered by viewing David Lynch interviews.
To understand Lynch you need to watch his early films, and by those I mean works like the Grandmother. Any explanation of work after that is redundant. He's a visual artist and painter who brings it to life like a multi disciplinary Francis Bacon.
David Lynch is a genius, he does an amazing job of taking the piss out of Hollywood and its nonsensical formulaic storytelling. Hollywood is too pretentious to realise he has been trolling them for 40 years.
There are very few men in the world with hair that is comparable to David's. After I learned he never shampoos it, I dropped the habit myself, for the most part, unless it gets super-greasy.
I like how the interviewer keeps trying to pin down the meaning on these movies and Lynch is so comfortable rejecting the notion entirely. Although it got a bit annoying toward the end like, don't you get it dude?
David Lynch's approach to meaning in film, is the same as Derrida's in writing and philosophy. There is no meaning inherent in anything, besides its innumerable interpretations. An artist who accepts this, is able to express themselves through a wider emotional spectrum than language or images alone might allow, and it cannot be reduced back to those mediums.
I understand you have to have ads on your RUclips video, but why for fucks sake do they have to happen in the middle of every movie clip you’re showing.
Dear Mister Lynch: Rock and Roll had existed since the 1920s and was not embraced by the culture at large until the 50s. Because a person is unaware of something does not mean that it doesn't exist. I was there for most of the 50s and the first r'n'r I heard was a downbeat-heavy blues number called Heartbreak Hotel. Fats Domino was recording r'n'r in the late 40s and Blueberry Hill came to L.A. radio the same year that Elvis came to my attention. Elvis was making fine recordings at Sun Records since 1953 and those records were not played on L.A. radio. You are a smart guy, David, please do your homework and proper research before making sweeping statements not based in "real history". In otherwords African-American rock and rollers were not known to the culture until Elvis opened the door. That's how it worked then and now there are computers granting access to excellence should a person seek excellence. One can find traditional Japanese music, for instance, with RUclips and even didgeridoo jams are available to anyone with laptop and internet (make it free, please). I do a wicked good interpretation of a Lynch/Badalamenti song called "Rockin' Back into My Heart" and I changed a few words so that I can sing it honestly. When I sing I am incapable of lying and that is not a disease. I'm in Hollywood if you want to hear it. I would film it on my computer if my retarded neighbors would allow it and they are on six sides of my room. Perhaps I'll find a way to make a vid of your song - is there a copyright ban on wicked good interpretations? Please let me know and keep on rocking.
Good interview, bruh. Would've been great if you didn't pester him with those "What did __ mean?" questions. If Lynch didn't meditate he'd let you really know how much it annoys him to be asked the same thing for 40+ years.
yeah, but let's face facts here, Lynch set himself up for a lifetime of WTF did you mean questions. He knows this full well. He's expert and answering them, pretty much saying it's dream logic it's up to you what it fucking means.
It's just tremendously egotistic to assume you'll be the one journalist amongst thousands to make Lynch give you a textbook answer. Every time you ask Lynch to explain his work you are ignoring the multiple times he's told you his art is a personal experience not a plot driven narrative with literal statements. You only have an hour with a genius and you still waste time with dead questions. Disrespectful asf.
I agree, and more or less, he expressed my sentiment, that they only want him to give answers because he is still alive. My whole freshmen year of college was explicating the works of dead authors. Nobody had the same conclusions.
Rest in Peace to one of the most creative minds to ever exist
You know what I really like about Lynch's dreamy movies... first you watch it, and you end up with a mixed feeling. You like the art and the mystery of it, but you feel frustrated because you can't put everything together. Then you can't stop thinking about it. You watch it again... and then explore the internet for other people's interpretations. You finally start to put the pieces together and at this point the film instantly grows on you. What looked like something without meaning instantly glues as you get the click of what it is about. And even if you got the main idea... like when you discover what the puzzle is about... there is still a lot of symbolic stuff in the periphery for you to grasp. And this periphery is part of an endless discussion, because it is Lynch's very personal ideas and influences showing up, although the core is probably available to everyone, since it's about life.
I really like this man's art. Thank you, David.
For that he reached his peak with Fire Walk With Me and Mulholland Drive. In many ways, Peter Greenaway is even more challenging.
While listening to just the audio of this interview, I could easily imagine Lynch as Heath Ledger's Joker; "Such a beautiful thing to get an idea. Because you see it, you hear it, you feel it, and *THERE IT IS.* " Gotta love Lynch, he just _does_ things. A cinematic agent of chaos.
right on well said
8:40 is what you came looking for
No
👏
15:35 David casting a spell
Theres a crazy one at 21:24
here she comes again 24:40
edit: and staying for a while
It looks sorta like Ben Horne is interviewing him to me. xD
David Lynch is the jazz musician of film makers...improv cinema & storytelling...his ideation-to-cinema explanation made me think of cooking --- like when you have an idea for what to make for dinner, say roast chicken, and then smth else comes up like, a side of sauteed mushrooms and...then the salad...dessert and so on...
david lean💜💜💜💜💜💜💜💜💜💜💜💜💜💜
he frustrates every single attempt the interviewer makes to give his films meaning and I love that for us
the compilation starting at 0:55 is hillarous
lets hit the froad
DL is incredibly tough to interview. The guy translates the intangible. It's like trying to get a Zen master to 'sum up' Zen.
Definitely some overlap between the way Lynch attempts to illuminate the vast possibilities of his films through non-answer and the way a Zen Koan sparks insight through absurdity.
24:28 "the film is the thing"
But the owls are not what they seem.
I've always felt like David Lynch should make a musical. I don't know how that came up, but I'm not gonna question the thought processes triggered by viewing David Lynch interviews.
That would be creepy as hell! You should watch the La La Land trailer edited to be like a David Lynch film here on youtube, it´s hilarious.
He made one in the 90's already.. It's called Industrial Symphony No. 1 (The Dream of the Brokenhearted).
The opening of mullholland drive is a musical.
thank you
What is it with British television? Everything looks like it was filmed in 1972.
I think the source material is probably much higher quality, and that a lower bitrate version was uploaded
@@glennzone12 It's not just the resolution, it's the direction, lighting, sets, intonation, etc.. everything screams OUTDATED
They aren't made for Television, they are filmed lectures for online use
I've always felt that. I remember watching Keeping Up Appearances in the states, and being shocked that it was a relatively new show (at the time).
Or in 1984
To understand Lynch you need to watch his early films, and by those I mean works like the Grandmother. Any explanation of work after that is redundant. He's a visual artist and painter who brings it to life like a multi disciplinary Francis Bacon.
Literally awesome!
TJ Games it really is literally awesome!
David Lynch is a genius, he does an amazing job of taking the piss out of Hollywood and its nonsensical formulaic storytelling. Hollywood is too pretentious to realise he has been trolling them for 40 years.
How do you know
you've missed the point there g - that's not what he does at all
There are very few men in the world with hair that is comparable to David's. After I learned he never shampoos it, I dropped the habit myself, for the most part, unless it gets super-greasy.
Interview disclaimer for David Lynch: Don’t mention Dune.
That would be one of the first things I would ask about since its so damn bizarre that he even got that job and then accepted it.
Lynch is just telling it how it is. I wish the audience would quite their laughter.
The '50s was shiny and chrome.
2:14 what is that edit i love it
lol, almost everything about this interview is a wreck, but at least we got to listen to David Lynch talk for a while.
I like how the interviewer keeps trying to pin down the meaning on these movies and Lynch is so comfortable rejecting the notion entirely. Although it got a bit annoying toward the end like, don't you get it dude?
when David Lynched, John Hurt.
hey lets pair david lynch with our most boring, stupid, generic guy we can find in our bafta basement... what can possibly go wrong...
Lynch answered to Elaborate on that, i know it, some hardcore fans will know it, but the presenter and regular crowd wont : D
chair ideas!
Does anyone know what music is used during the compilation at 1:00 ?
One good part.
David Lynn.
what would Lynch think of those chairs?
why are the crowd all wearing tuxedos?
TheBirdieView why not?
They're 00 agents.
the interviewer wasn't the greatest, but nonetheless a great lecture!
I think he did well. David is not the easiest person to interview.
Danny I think he did well, unlike most interviewers these days who cut off what the interviewee was saying mid-sentence!!
David Lynch's approach to meaning in film, is the same as Derrida's in writing and philosophy. There is no meaning inherent in anything, besides its innumerable interpretations. An artist who accepts this, is able to express themselves through a wider emotional spectrum than language or images alone might allow, and it cannot be reduced back to those mediums.
Idek what you said but I’ll sit on it
What's that weird music at the end credits???
Love Lynch! INLAND EMPIRE, Mulholland Drive, Lost Highway and Eraserhead are my fav's. I never like Elephant Man at all.
Why not?
Believe it or not, God Is Gay
btw if you came looking for this, it's at 8:38 or so
Can’t find it
blessed thank you
Well, this was disappointing. I really thought he said the God is gay originally but he didn't :((
thank u for pointing out the timestamp though
He is Laura
Set designer's a big fan of Eileen Gray.
The interviewer is an absolute, arrogant prat. Lynch deserved so much better.
I understand you have to have ads on your RUclips video, but why for fucks sake do they have to happen in the middle of every movie clip you’re showing.
They picked some odd scenes. Of all the things in Blue Velvet and Wild at Heart, why did they pick that one?
Why is everyone giggling at everything he says??
Lynch deserved a better interwier
seriously.
This interviewer flubbed the opportunity to have a conversation with Lynch.
God this interviewer isnt great
who the fuck is David Lin?
Malcolm X's etiude biography is a worsely attitude for him.
Please pay 5000$ now.
Lost his girlfriend but found a purpose. Not everyone's that lucky 😅
The people giggling in the audience are disrespectful af
That’s what I was thinking
David Lynch gives zero fucks.
It sure isn't God's world he is talking about.
this cant have credibility if it skips the low points
Not the best interview if I’m being honest
Interviewer not good.
The interview is humorless.
Jodorowsky y'all, is the real artist.
Both of them.
Terrible questions and interview
Woody Allen and David Lynch should collaborate.
They have. It's not in the public domain though!
Truth Hurts What do you mean?
@@truthhurts283 Truth hurts, what dimension are you broadcasting from?
no
Dear Mister Lynch: Rock and Roll had existed since the 1920s and was not embraced by the culture at large until the 50s. Because a person is unaware of something does not mean that it doesn't exist. I was there for most of the 50s and the first r'n'r I heard was a downbeat-heavy blues number called Heartbreak Hotel. Fats Domino was recording r'n'r in the late 40s and Blueberry Hill came to L.A. radio the same year that Elvis came to my attention. Elvis was making fine recordings at Sun Records since 1953 and those records were not played on L.A. radio. You are a smart guy, David, please do your homework and proper research before making sweeping statements not based in "real history". In otherwords African-American rock and rollers were not known to the culture until Elvis opened the door. That's how it worked then and now there are computers granting access to excellence should a person seek excellence. One can find traditional Japanese music, for instance, with RUclips and even didgeridoo jams are available to anyone with laptop and internet (make it free, please). I do a wicked good interpretation of a Lynch/Badalamenti song called "Rockin' Back into My Heart" and I changed a few words so that I can sing it honestly. When I sing I am incapable of lying and that is not a disease. I'm in Hollywood if you want to hear it. I would film it on my computer if my retarded neighbors would allow it and they are on six sides of my room. Perhaps I'll find a way to make a vid of your song - is there a copyright ban on wicked good interpretations? Please let me know and keep on rocking.
I know loads of people with just as much imagination as David Lynch who could do far better than him. He's ok, but he's not brilliant is he?
Imagination's great. Actually making something's harder.
What a stupid comment. There's a huge difference between saying 'I could do that better than him' and actually doing it!
@@scattjax3908 best possible answer.
Good interview, bruh.
Would've been great if you didn't pester him with those "What did __ mean?" questions.
If Lynch didn't meditate he'd let you really know how much it annoys him to be asked the same thing for 40+ years.
yeah, but let's face facts here, Lynch set himself up for a lifetime of WTF did you mean questions. He knows this full well.
He's expert and answering them, pretty much saying it's dream logic it's up to you what it fucking means.
It's just tremendously egotistic to assume you'll be the one journalist amongst thousands to make Lynch give you a textbook answer.
Every time you ask Lynch to explain his work you are ignoring the multiple times he's told you his art is a personal experience not a plot driven narrative with literal statements.
You only have an hour with a genius and you still waste time with dead questions.
Disrespectful asf.
Exactly.
Juan Maltos @ '' #1@ ^4's2za
I agree, and more or less, he expressed my sentiment, that they only want him to give answers because he is still alive. My whole freshmen year of college was explicating the works of dead authors. Nobody had the same conclusions.