What people fail to realize is that part of what makes Megadeth great is that they are just a bit funky and have a bit of a jazz groove along with the typical metal thrash. Jazz calls it "Swing". THAT is what sets 'em apart.
Guy Fawkes Completely agree. I just wish Dave hadn't stopped using the groove and jazzy sounds in his works. It is definitely most prominent on Rust In Peace and Peace Sells, which also happens to be their best albums, imo... I don't think that's just coincidence. They had a really unique and technically impressive sound as well as awesome headbanger tunes with simply fantastic instrumentals (still do this day think Dave is one the best riffs and solo writer in the metal business - and Ellefson on the bass never fails, and Megadeth had awesome drummers in their early years). I can't quite say the same for present Megadeth.
Dave was totally influenced by Gar Samuelson and Chris Poland back then. They were Jazz Fusion musicians and both albuns released with them has this way os playing metal, specially Killing is my Business. Compared the other 3 debut albuns released by the big four, KIMB is the best by far. It is so awesome to listen how "Jazzy" That album sounds. It was not a couple of 4/4 tempo songs, they were unique. Looking Down the Cross, The Title-Track, Loved to Death and These Boots are exemples. They Changed on Peace Sells but they still recorded "I Ain't Supersticious", which brings the same Feeling of that style. In So Far, So Good, So WHAT! they totally lost that style, and in Rust in Peace they mixed Mustaine's speed with Friedman's neoclassical influences, and that brought up the duo Bass Guitar/ Drums, creating a fucking Masterpiece!
KIMB has my favorite writing and performance but the original release was so badly produced I can't listen to it and the remix seems to have removed all the fun from it for me. RIP is my personal favorite album. With that one they not only got all the influences and sound lined up, Dave found a perfect foil for his playing style in Friedman. I heard it described once as "Bad Cop/Good Cop" playing. Dave's playing was/is "dirty", not very precise but heavy. Marty Friedman is a technical wizard. Together it was magical.
In the remastered version they add a ride hit with each bass drum hit when the guitars appear and do that harmonization thing... it wasn-t there in the original! That makes me feel better, now I know it's almost impossible xD
Some changes on the remastered wasnt exactly an added stuff , its alternate take from the same recording session back in 90's. Like those new vocals on the title track, Take no prisoners, Lucretia and Five magics.
What people fail to realize is that part of what makes Megadeth great is that they are just a bit funky and have a bit of a jazz groove along with the typical metal thrash. Jazz calls it "Swing". THAT is what sets 'em apart.
Guy Fawkes Completely agree. I just wish Dave hadn't stopped using the groove and jazzy sounds in his works.
It is definitely most prominent on Rust In Peace and Peace Sells, which also happens to be their best albums, imo... I don't think that's just coincidence.
They had a really unique and technically impressive sound as well as awesome headbanger tunes with simply fantastic instrumentals (still do this day think Dave is one the best riffs and solo writer in the metal business - and Ellefson on the bass never fails, and Megadeth had awesome drummers in their early years).
I can't quite say the same for present Megadeth.
Dave was totally influenced by Gar Samuelson and Chris Poland back then.
They were Jazz Fusion musicians and both albuns released with them has this way os playing metal, specially Killing is my Business.
Compared the other 3 debut albuns released by the big four, KIMB is the best by far.
It is so awesome to listen how "Jazzy" That album sounds. It was not a couple of 4/4 tempo songs, they were unique. Looking Down the Cross, The Title-Track, Loved to Death and These Boots are exemples.
They Changed on Peace Sells but they still recorded "I Ain't Supersticious", which brings the same Feeling of that style.
In So Far, So Good, So WHAT! they totally lost that style, and in Rust in Peace they mixed Mustaine's speed with Friedman's neoclassical influences, and that brought up the duo Bass Guitar/ Drums, creating a fucking Masterpiece!
KIMB has my favorite writing and performance but the original release was so badly produced I can't listen to it and the remix seems to have removed all the fun from it for me. RIP is my personal favorite album. With that one they not only got all the influences and sound lined up, Dave found a perfect foil for his playing style in Friedman. I heard it described once as "Bad Cop/Good Cop" playing. Dave's playing was/is "dirty", not very precise but heavy. Marty Friedman is a technical wizard. Together it was magical.
+Guy Fawkes Dude, you are so right. Thank you so much for enlightening people about this.
Hear, hear Guy!
This shows how drums can navigate you through the song
That's what a bass do to a song, amazing
check the sound in 2:57....amazing groove
Перфекто!!!всегда знал,что этихтпарней можно слушать поотдельности и всегда будудкт интересно и мощно!
Use this to learn the guitar track is to useful :3
Yes :D
In the remastered version they add a ride hit with each bass drum hit when the guitars appear and do that harmonization thing... it wasn-t there in the original! That makes me feel better, now I know it's almost impossible xD
KTVX94 Huh? What part are you talking about?
Some changes on the remastered wasnt exactly an added stuff , its alternate take from the same recording session back in 90's. Like those new vocals on the title track, Take no prisoners, Lucretia and Five magics.
Yes, i thought the same, it's not impossible, but it's extremely difficult to do
@@maxdurk4624 Listen to the isolated drums remastered ruclips.net/video/LED6OGJmWmI/видео.html at 0:36
@@vicrattlehead6386 Those vocals are actually re-recorded in 2004.
Sick dude thanks!!!
Savage!
the back bone. yeah!
Buenisimo tiene ritmo
master ellefeson
Está buenísimo mae!!
Claudio Monge papi solo calidad megadeth me extraña
Doesn't Nick hit his hi-hat with bass drum in the intro?
Erick Thor No
yes
no, that's a bit later on
Yes, what the hell people? You can hear him opening and closing his hi-hat cymbals constantly!
@@calebryan4467 He means the very beginning I think
Trop bon
awesome
sorry, it starts at about 0:35 my mistake
No
+Patty Bundy Yes.
Possibly
+Kisha Shindo It depends.
could be, but yes: no
Perhaps