Schubert - Deutsche Messe D. 872 (Ct.rc.: Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin)
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- Опубликовано: 6 авг 2024
- Schubert: Deutsche Messe D. 872 by Karl Forster
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Franz Schubert (1797-1828) Deutsche Messe D. 872
00:00 I. Zum Eingang. Mässig
04:47 II. Zum Gloria. Mit Majestät, doch nicht zu langsam
07:58 III. Zum Evangelium und Credo. Nicht zu langsam
10:49 IV. Zum Offertorium. Sehr langsam
14:01 V. Zum Sanctus. Sehr langsam
17:47 VI. Nach der Wandlung. Sehr langsam
20:57 VII. Zum Agnus Dei. Mässig
25:14 VIII. Schlussgesang. Nicht zu langsam
27:22 IX. Anhang: Das Gebet des Herrn. Mässig
Berliner Symphoniker
Chor der St. Hedwigs-Kathedrale Berlin
Conductor: Karl Forster
Recorded in 1960
New mastering in 2022 by AB for CMRR
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The catalogue of Schubert's compositions mentions a " Deutche Messe," written in 1827 ; this, however, is no more a mass, strictly speaking, than the " German Requiem" of Brahms is a Requiem. The Deutsche Messe ("German Mass", from its real title: Gesänge zur Feier des heiligen Opfers der Messe, "Songs for the Celebration of the Holy Offering of the Mass", D. 872) is a work of sacred music.
The work was commissioned by Johann Philipp Neumann, who wrote the texts. Schubert wrote two versions, the first for a four-voice mixed choir and organ, the second for a wind ensemble comprising two clarinets, two oboes, two bassoons, two horns, two trumpets, three trombones, two timpani and a double bass. Franz's brother Ferdinand Schubert made several arrangements, including one with a three-voice boys' choir and organ, and another, a cappella, for four adult male voices. Other arrangements were made to suit the capacities and tastes of individual parishes.
The work was given the name Deutsche Messe (German Mass) because it is in German, not Latin like other works of Catholic liturgical music. The use of a language other than Latin, and the very free and romantic interpretation of the liturgical text, initially led to the work's rejection by the Archdiocese of Vienna. However, in the first half of the twentieth century, it became very popular, particularly with the spread of the German-language mass. The choirs of the Deutsche Messe are still very popular in Austria and southern Germany..
Haydn: Die Schöpfung Hob.XXI:2 (The Creation) by Karl Forster
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Franz Schubert PLAYLIST (reference recordings): • Franz Schubert (1797-1... 
Видеоклипы
Schubert: Deutsche Messe D. 872 by Karl Forster
🎧 Qobuz bit.ly/3NhP7qW Apple Music apple.co/3JfDSOr
🎧 Amazon Music amzn.to/3qRC5Jm Tidal bit.ly/46dfQhd
🎧 Deezer bit.ly/3NAlP8t Spotify spoti.fi/3qONEB0
🎧 SoundCloud -- RUclips Music bit.ly/3JHwVpZ
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Franz Schubert (1797-1828) Deutsche Messe D. 872
00:00 I. Zum Eingang. Mässig
04:47 II. Zum Gloria. Mit Majestät, doch nicht zu langsam
07:58 III. Zum Evangelium und Credo. Nicht zu langsam
10:49 IV. Zum Offertorium. Sehr langsam
14:01 V. Zum Sanctus. Sehr langsam
17:47 VI. Nach der Wandlung. Sehr langsam
20:57 VII. Zum Agnus Dei. Mässig
25:14 VIII. Schlussgesang. Nicht zu langsam
27:22 IX. Anhang: Das Gebet des Herrn. Mässig
Berliner Symphoniker
Chor der St. Hedwigs-Kathedrale Berlin
Conductor: Karl Forster
Recorded in 1960
New mastering in 2022 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
The catalogue of Schubert's compositions mentions a " Deutche Messe," written in 1827 ; this, however, is no more a mass, strictly speaking, than the " German Requiem" of Brahms is a Requiem. The Deutsche Messe ("German Mass", from its real title: Gesänge zur Feier des heiligen Opfers der Messe, "Songs for the Celebration of the Holy Offering of the Mass", D. 872) is a work of sacred music.
The work was commissioned by Johann Philipp Neumann, who wrote the texts. Schubert wrote two versions, the first for a four-voice mixed choir and organ, the second for a wind ensemble comprising two clarinets, two oboes, two bassoons, two horns, two trumpets, three trombones, two timpani and a double bass. Franz's brother Ferdinand Schubert made several arrangements, including one with a three-voice boys' choir and organ, and another, a cappella, for four adult male voices. Other arrangements were made to suit the capacities and tastes of individual parishes.
The work was given the name Deutsche Messe (German Mass) because it is in German, not Latin like other works of Catholic liturgical music. The use of a language other than Latin, and the very free and romantic interpretation of the liturgical text, initially led to the work's rejection by the Archdiocese of Vienna. However, in the first half of the twentieth century, it became very popular, particularly with the spread of the German-language mass. The choirs of the Deutsche Messe are still very popular in Austria and southern Germany..
Haydn: Die Schöpfung Hob.XXI:2 (The Creation) by Karl Forster
🎧 Qobuz bit.ly/3J3Y6Ls Apple Music apple.co/3ZKACjB
🎧 Amazon Music amzn.to/3ICU37w Tidal bit.ly/41FHVeM
🎧 Spotify spoti.fi/41Pm8RY Deezer bit.ly/3KLFq4w
🎧 RUclips Music bit.ly/3SKqQMM SoundCloud bit.ly/3I1fdvE
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Franz Schubert PLAYLIST (reference recordings): ruclips.net/video/0GEyWlp0xSs/видео.html
Eine so große Freude für mich. Als wir Kinden waren, vor über 75 Jahren, sang meine Mutter - nach dem Tod zweier Kinder und der Vertreibung aus der Heimat - so unendlich traurig: "Wohin soll ich mich wenden..." und dann bekam sie wieder neuen Mut und die Hoffnung, Gott der Herr würde sie niemals verlassen und dann sang sie unter Tränen: "Ehre, Ehre sei Gott in der Höhe..." Niemals werde ich das vergessen und so halte ich die Deutsche Messe von Schubert in hohen Ehren. Vielen Dank für das Einstellen. Ich bin sehr dankbar.
♥️♥️♥️♥️
Thank you for the translation.
Wunderschöne Interpretation dieser romantischen und melodischen Messe mit gut harmonisierten Stimmen des ausgezeichneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und erfahrene Dirigent leitet das ebenso ausgezeichnete Orchester im gut betrachteten Tempo und mit effektiver Dynamik. Wahrlich hörenswert!
Wundervoll, hilfreich und gut! Balsam für meine Seele.❤ Dankeschön 😊
Zum Eingang und Sanctus sind super
Beautiful - TY
So Beautiful and Emotional 🙏 Like the Post,it's easier to read and Presented Beautifully 🙏⭐⭐✨🎶✨🎶😍@ Classical Music Reference:8:30am
Grazie della Messa di Schubert
The catalogue of Schubert's compositions mentions a " Deutche Messe," written in 1827 ; this, however, is no more a mass, strictly speaking, than the " German Requiem" of Brahms is a Requiem. The Deutsche Messe ("German Mass", from its real title: Gesänge zur Feier des heiligen Opfers der Messe, "Songs for the Celebration of the Holy Offering of the Mass", D. 872) is a work of sacred music.
The work was commissioned by Johann Philipp Neumann, who wrote the texts. Schubert wrote two versions, the first for a four-voice mixed choir and organ, the second for a wind ensemble comprising two clarinets, two oboes, two bassoons, two horns, two trumpets, three trombones, two timpani and a double bass. Franz's brother Ferdinand Schubert made several arrangements, including one with a three-voice boys' choir and organ, and another, a cappella, for four adult male voices. Other arrangements were made to suit the capacities and tastes of individual parishes.
The work was given the name Deutsche Messe (German Mass) because it is in German, not Latin like other works of Catholic liturgical music. The use of a language other than Latin, and the very free and romantic interpretation of the liturgical text, initially led to the work's rejection by the Archdiocese of Vienna. However, in the first half of the twentieth century, it became very popular, particularly with the spread of the German-language mass. The choirs of the Deutsche Messe are still very popular in Austria and southern Germany..
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Que maravilha expressa em sons de solidao alegreao encontro do senhor da Vida e da morte.!
Quem nao podera sentir esta melancolia de esperanca e amor?
Grazie. Bel ricordo di Karl Forster.
Magnífico. Gracias!
Lovely, thank you
What's the painting?
Ir is Caspar David Friedrich
Wunderbare Stimmen, gute Dynamik, aber für mein Empfinden ist das "Wohin soll ich mich wenden..." deutlich zu langsam: Das Leben mit seinen Tiefen und Höhen und die Zuversicht kämen ohne das so sehr Getragene viel deutlicher zum Ausdruck.
Schade dass nur immer die erste Strophe gesungen wird. Die deutsche Messe von Schubert hat theologisch viel mehr zu sagen als nur romantizistisch verklärte Deutschtümelei zu sein. Auch ist sie viel zu marzialisch interpretiert. Es ist kein Beethoven-like zu interpretierendes symphonisches Werk, sondern tiefe Frömmigkeit. Wenigstens wird hier der Anhang auch gesungen.
Божественно
bolschewist?
I agree.