Yea! Great talk only I want it to last for hours. I want to know what you think of The Book, for instance. Have you heard Anne Carson's lecture on "Stillness?" Quite a bit about silence in that talk. Professor Schulte, this talk of yours is so helpful to my thinking. Thank you, Christy
Dear Professor Schulte, please make longer videos or start an online course on Mallarme & Rimbaud… unfortunately I can’t travel to America, this is the only access students like myself have to you, to learn online. Also please point me to a book that I can read. I have tried several books on Mallarme, Rimbaud, Bonnefoy, Roubaud and other symbolists but to no satisfaction. Please make a few lectures on each and get into a deeper analysis with contextual support, hermeneutics actual reading of the poems to demonstrate and elucidate the point being made. Everything you have said thus far is basically equates to opening one door and then another and another, without taking the visitor inside. 😢
Actually, that is more of a new kind of music than a celebration of silence. The saint, immobilized on (in?) the glass, is able to contac the angel, to be the instrumentalist of angelness, of a new type of beauty, more than simply synesthesia, inaudible music because is the angelic, ideal, perfect music, more than earthly music.
the word jadis IS used twice once in para 1 and para 2 in the poem - it is semi anachronistic now but means or can mean 'in times before' in 'ancient times' etc - when i read the poem in French I felt it was essentially about lost faith but see others do not agree
Yea! Great talk only I want it to last for hours. I want to know what you think of The Book, for instance. Have you heard Anne Carson's lecture on "Stillness?" Quite a bit about silence in that talk. Professor Schulte, this talk of yours is so helpful to my thinking. Thank you, Christy
Dear Professor Schulte, please make longer videos or start an online course on Mallarme & Rimbaud… unfortunately I can’t travel to America, this is the only access students like myself have to you, to learn online. Also please point me to a book that I can read. I have tried several books on Mallarme, Rimbaud, Bonnefoy, Roubaud and other symbolists but to no satisfaction. Please make a few lectures on each and get into a deeper analysis with contextual support, hermeneutics actual reading of the poems to demonstrate and elucidate the point being made. Everything you have said thus far is basically equates to opening one door and then another and another, without taking the visitor inside. 😢
Tragic death in the last few lines of one who want to understand in a proper manner.
Thank you so much, I've enjoyed the talk.
Actually, that is more of a new kind of music than a celebration of silence. The saint, immobilized on (in?) the glass, is able to contac the angel, to be the instrumentalist of angelness, of a new type of beauty, more than simply synesthesia, inaudible music because is the angelic, ideal, perfect music, more than earthly music.
Thank you so much!
the word jadis IS used twice once in para 1 and para 2 in the poem - it is semi anachronistic now but means or can mean 'in times before' in 'ancient times' etc - when i read the poem in French I felt it was essentially about lost faith but see others do not agree
Great
I hear "show don't tell" in this segment.
Not really.
👍👍❤❤
AMIMATEUR. LITERAIRE. ET. CULTURELE. KOMO. A. THE. GIFTS. SLOAME. SLAYER PARIS. HILTOM.
Mem. A. Mem. Ame. Vle. Di. Akematom. Awek. Hymotopo. Moume. Fol.
Mazowa. Di. Malame. Vle. Du. Mem. A. Mem. Ame. Lol.