@@toddscovill6023 Always start with A440. Then tune octaves up and down the piano. Check out my other video showing a real-time quick tuning at the Utah Symphony.
You said ”You want a piano to be really really close before you tune it otherwise […] you’ll find that when you’re done the strings have changed pitch.” Can you expand on this? Define “really really close”. One of things I’ve been struggling with a lot lately is the notes shifting. I can mute strip the temperament, tune it, then go back and check it 10 minutes later and things have shifted. So I’ll fix it, and it will shift again. It’s never consistant. I suspect the fault is with my technique, and I’m trying to figure out exactly what I’m doing wrong. But I’m also wondering if something else could be going on. I’ve got a Dammp-Chaser system and it’s been maintaining a 32-35% humidity instead of a 45% humidity. I’m going to have that looked at soon. But regarding your statement, could I perhaps be moving the string TOO much and making things unstable? Maybe a video on tuning techniques would be helpful. 😁 Thank you for sharing this series!!
If it is really out of tune, you start out tuning sharp - 30 cents or so. You don't want to use OP's method if this is the case because you want to go through the piano and tune evenly to evenly apply tension across the harp. As you do, the harp contracts a bit and falls into tune. You want to use the temperament strip and the conventional equal temperament tuning method. If a piano is really out of tune and you use OP's method, you're going to end up chasing your tail for hours. I suggest you watch this video: ruclips.net/video/xMXwhPKVMM0/видео.html
If you want to be a good piano tuner, going to music school is a great way to get the aural perception training necessary. If you have that under your belt, you will hear everything. I played violin when I was a kid. That helps. I'm going to stick with tried and true (and expedient) methods for tuning equal temperament. Other temperaments are different and you have to do it more like your way if you want the best results. I'm not going to spend this kind of time tuning a piano used for choral accompaniment and these days, most people want a well tempered piano if they are performing a solo or with an orchestra. It is even more valid than ET for things like modern pop, jazz and blues (the Beatles used Werckmeister III). Equal temperament is just boring. It would be considered far too clean by someone like Mozart or Bach. Great for church music though, lol.
Thanks a lot, waiting for the whole tuning!
Just posted a full tuning, check it out...
ruclips.net/video/AlMKLoYSMkw/видео.htmlsi=FBGmOxbfs1-0kd3p
Thanks for sharing your knowledge and experience Hyrum
Thank you
Greath video Sir, Good explanation!
after the temperament tune, do you then work on high range/low range?
I missed it -do you always start with A440?
@@toddscovill6023 Always start with A440. Then tune octaves up and down the piano. Check out my other video showing a real-time quick tuning at the Utah Symphony.
piano string broken and needs to be fixed. Isi which end can you precogmmmm
Muito bom
You said ”You want a piano to be really really close before you tune it otherwise […] you’ll find that when you’re done the strings have changed pitch.” Can you expand on this? Define “really really close”. One of things I’ve been struggling with a lot lately is the notes shifting. I can mute strip the temperament, tune it, then go back and check it 10 minutes later and things have shifted. So I’ll fix it, and it will shift again. It’s never consistant. I suspect the fault is with my technique, and I’m trying to figure out exactly what I’m doing wrong. But I’m also wondering if something else could be going on. I’ve got a Dammp-Chaser system and it’s been maintaining a 32-35% humidity instead of a 45% humidity. I’m going to have that looked at soon. But regarding your statement, could I perhaps be moving the string TOO much and making things unstable? Maybe a video on tuning techniques would be helpful. 😁 Thank you for sharing this series!!
Thanks for your input, this is in my plan to make videos on pitch raises, why strings change tension, tuning techniques, etc. Stay tuned!
If it is really out of tune, you start out tuning sharp - 30 cents or so. You don't want to use OP's method if this is the case because you want to go through the piano and tune evenly to evenly apply tension across the harp. As you do, the harp contracts a bit and falls into tune. You want to use the temperament strip and the conventional equal temperament tuning method. If a piano is really out of tune and you use OP's method, you're going to end up chasing your tail for hours.
I suggest you watch this video: ruclips.net/video/xMXwhPKVMM0/видео.html
If you want to be a good piano tuner, going to music school is a great way to get the aural perception training necessary. If you have that under your belt, you will hear everything. I played violin when I was a kid. That helps.
I'm going to stick with tried and true (and expedient) methods for tuning equal temperament. Other temperaments are different and you have to do it more like your way if you want the best results. I'm not going to spend this kind of time tuning a piano used for choral accompaniment and these days, most people want a well tempered piano if they are performing a solo or with an orchestra. It is even more valid than ET for things like modern pop, jazz and blues (the Beatles used Werckmeister III). Equal temperament is just boring. It would be considered far too clean by someone like Mozart or Bach. Great for church music though, lol.