Don Giovanni ; "Don Giovanni, a cenar teco"
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- Опубликовано: 11 ноя 2012
- Il Commendatore: Franz-Josef Selig
Don Giovanni: Carlos Álvarez
Leporello: Ildebrando D'Arcangelo
Conductor: Riccardo Muti
Chorus and Orchestra of the Vienna State Opera
Live from the Theater an der Wien , 1999 
Развлечения
Moral of the story: never talk to statues built in the image of your murder victims.
ESPECIALLY don't invite said statues to dinner.
I love the fact that the Commendatore actually looks like a statue!
HE LOOKS MORE LIKE A ROBOT TO ME
Today I invited my boss to have dinner with me next week. When I got home my wife was listening to this scene. I'm scared.
Bye bye Giorgio.
😀
So, why no get off that boss and live and work as your own boss. Keep on going lad
did your boss say "di rider tu finirai pria dell'aurora" beforehand
Lmao
Man, the costume REALLY works in this version. Chilling.
Yep, I love the costume - it looks 'real'. SCARY!
Monopoly man, with a clay mask, his eyes, mouth, chin, and actual hair showing. Just no. At least it was not as "contemporary" as it could have been.
Vero! Penso al sacrificio dei cantanti che oltre a cantare devono indossare vestiti pesanti, come penso sia questo.Questa è vera classe e professionalità!
This scene must have been so terrifying in 1790
It was the thriller of that time.
Still terrifying!
l'orgueil emporte Don Giovanni dans les ombres de la détresse ... c'est génial et terrible !
Exaggerated comments as always
It still is!
This is one of the most brilliant opera songs I have ever heard.
+Shachar Har-Shuv I love it, but the Losey version blows this one out of the water. I tried to give this one a fair chance, but it's just terrible compared to Losey's version...
DM Abraham hear the S.Ramey & K.Moll version
mozart is a genius,
Its not a song, you idiot
@@whoopsala2589 It is lmao
Leporello falling at the end is always hilarious!
Don Giovanni. Always gives me goosebumps. Wonderful performance
The balance in their voices is perfect. Some one give the casting director a raise for a job well done!
What a performance from both Franz-Josef Selig, Carlos Alvarez and Ildebrando D'Arcangelo. What voices! great opera art!
Loved this production. The gimmick is that costumes evolve from scene to scene, going through different eras, starting in the 16th century like the original story and eventually coming to the late 19th century.
Carlos Alvarez is magnificent!!
This gotta be the most drawn out dinner planning ever done.
it's metaphorical
The DETAILS in this version... the tenderness of the Commendatore's invitation, as if he were the father of the prodigal son, trying to convince his prodigal to come home... the tremor in the Commendatore's voice as HE realizes it is the last chance for his host... the fact that he KEEPS HIS HAND EXTENDED, hoping against hope -- and Don Giovanni reaches for it, but TOO LATE! One captures here a sense of things no longer felt in most churches... a yearning for the souls of the lost, a determination to reach out with love against all odds, and the sorrow and resolution both of knowing: people have both a right to their own decisions and the consequences thereof.
You do realise that Don Giovanni murdered the Commendatore, and he was dining in his own home? It's not a father-son relationship, it's murdered and murderer.
Mozart composed the music, not the script or the story. In the Amadeus movies it's said that Mozart was projecting his own father on the ghost, but that's fiction. There was a religious message of penance, that's why the ghost kept trying to get him to repent.
Don Giovanni is based on the legend of Don Juan, years and years before Mozart and his father
@@rachell452 I have studied it in detail. One in particular stands out. The murdered man has been to heaven, and returns, unlike in all versions going back to around the 12th century, on a mission of mercy. Bear in mind that both Mozart and Lorenzo Da Ponte were Catholic ... so if the Commendatore has indeed been in heaven, He would have returned with Heaven's Master's viewpoint ... and THAT is the viewpoint of a Father Who loves His prodigal sons, including men like Don Giovanni, and wishes them to be saved. Remember also what every Catholic knows: the Lord, while being murdered, said, "Father, FORGIVE THEM, for they know not what they are doing."
NOW, reconsider the invitation ... "Come dine with me in Heaven ... leave your sins behind and repent" ... a devout Catholic (or Protestant such as myself) would even know the reference from the Gospels ... a rich man told his servants to go out into the highways and byways and compel men to come to dine with him. A devout Christian would also know Revelation 3:20: "Behold, I stand at the door and KNOCK, and if any man will hear my voice and open the door, I will come in and sup with him, and he with me." How does the Commendatore gain entrance, again?
If you know, you know, Rachel. If you don't ... well, now you do.
@@hymnodyhandsnow that's a good analysis
@@hymnodyhandsDamn. That context makes the dynamic a lot more obvious than before.
Carlos Álvarez really nailed that! My favorite don giovanni..
This is my all-time favourite moment in the opera, so much that I felt satisfied with every version that I've seen. The music and the bass voice always give me chills!
Recently I have seen a more modern version where they recreated the graveyard with dancers all painted in white, holding crosses and in disturbing poses that reminded me of some images from Dante's Inferno. The moment they all animated and dragged Don Giovanni in hell was pricelessly terrifying.
Totally agree, until I saw this horrible version ruclips.net/video/oF7ocNl6nXo/видео.html
@@abshproelec4537 I knew what it was even before I clicked, lol! To be honest, I think the singing was good and concept was cool (kind of?), but executed wrong and unfaithful to the libretto.
It's more baritone.
Questo è il fin di chi fa mal;
E de' perfidi la morte
Alla vita è sempre ugual.
Wow! Carlos Alvarez is just phenomenon!
Some people shun those who have come here from Sherlock...
But I genuinely appreciate modern movies sharing knowledge and awareness of good classical plays.
And I do indeed plan on getting tickets to an official play of the whole story when I can.
It is not impotant where you hear something, that is just coincidental. The important thing is to recognize a good thing when you come across it.
Xeria Veeros I’m here because of Amadeus
@@theawkwardskeleton6608 Amadeus is a very entretaining movie but it's not historically accurate
I have been a fan of classical music and Opera for quite a while now and on the one day I decided to watch a movie I chose Sherlock Holmes, I found this act on there, and kept searching for it ever since, and now I'm blessed to find this I love it 🖤🖤🖤🖤
Congratulations Mozart. I am certain you are listening. Do you know the power of what you gave me? Yes? Yours Julian. God bless you and your dear ones.
Все крутые, особенно музыка господина Моцарта, руководство господина Риккардо Мути и исполнительское мастерство оперных певцов и хора. Belissimo, Molto bene!
Great performance. This scene is unquestionably the genius of Mozart at its best....
Another contributor to this timeless masterpiece is Lorenzo da-Ponte, the librettist of "Don Giovanni", "The Marriage of Figaro" and "Cosi fan Tutte".
An incomparable triple musical hat trick....
Mozart and Alvarez my favourites! Congrats to both!
Not only are the singers and acting great, what ties the fear and drama together is the orchestration. The particular use of the individual instruments. The strings push the fear and blood pressure of the audience. This performanperfecte is the first time the woodwinds screaming impending doom can be heard in this production. Bravo, Maestro Muti. Generally, it doesn't come out.
The music is so cinematic and sinister it feels utterly timeless.
Truly some of the finest music ever written
dang, wonderful costumes, not overdone and not underdone but just right, same with the acting. really easy to overdo the drama of the situation but they do it just right, very serious and dramatic but still professional and believable. excellent show
La Statua del Commendatore :
Don Giovanni, a cenar teco m’invitasti,
e son venuto.
Don Giovanni:
Non l’avrei giammai creduto.
Ma farò quel che potrò! Leporello,
un’altra cena fa’ che subito si porti!
Leporello :
Ah, padron, siam tutti morti!
Don Giovanni:
Vanne, dico…
La Statua del Commendatore:
Ferma un po’.
Non si pasce di cibo mortale
chi si pasce di cibo celeste.
Altre cure più gravi di queste,
altra brama quaggiù mi guidò!
Leporello:
La terzana d’avere mi sembra,
e le membra fermar più non so.
Don Giovanni:
Parla dunque: che chiedi, che vuoi?
La Statua del Commendatore:
Parlo, ascolta, più tempo non ho.
Don Giovanni:
Parla, parla, ascoltando ti sto.
La Statua del Commendatore:
Tu m’invitasti a cena,
il tuo dover or sai.
Rispondimi: verrai tu a cenar meco?
Leporello:
Oibò, oibò, tempo non ha, scusate.
Don Giovanni:
A torto di viltade tacciato mai sarò!
La Statua del Commendatore:
Risolvi!
Don Giovanni:
Ho già risolto.
La Statua del Commendatore:
Verrai?
Leporello:
Dite di no, dite di no!
Don Giovanni:
Ho fermo il core in petto:
non ho timor, verrò!
La Statua del Commendatore:
Dammi la mano in pegno!
Don Giovanni:
Eccola! ohimè!
La Statua del Commendatore:
Cos’hai?
Don Giovanni:
Che gelo è questo mai!
La Statua del Commendatore:
Pentiti, cangia vita!
È l’ultimo momento!
Don Giovanni:
No, no, ch’io non mi pento! Vanne lontan da me!
La Statua del Commendatore:
Pentiti, scellerato!
Don Giovanni:
No, vecchio infatuato!
La Statua del Commendatore:
Pentiti… Pentiti!
Don Giovanni:
No!… No!…
La Statua del Commendatore:
Sì!
Don Giovanni:
No!
Leporello:
Sì, sì!
Don Giovanni:
No, no!
La Statua del Commendatore:
Ah, tempo più non v’è!
Don Giovanni:
Da qual tremore insolito
sento assalir gli spiriti!
Donde escono quei vortici
di fuoco pien d’orror?
Demoni:
Tutto a tue colpe è poco!
Vieni! c’è un mal peggior!
Don Giovanni:
Chi l’anima mi lacera!
Chi m’agita le viscere!
Che strazio, ohimè! che smania!
che inferno! che terror!
Leporello:
Che ceffo disperato!
Che gesti da dannato!
Che gridi! che lamenti!
Come mi fa terror!
@Person Peteraon never mind bro be happy de chill
@@giorgiolempicka8039 in qualsiasi altra lingua non renderebbe! Viva l'italiano
Grazie!!! Спасибо !
El genio en su máxima expresión.
Today March 26, 2020, confined at home in Huldenberg (Belgium) because of the corona miseria, I have been listening over and over again to this overwhelming aria and to me bringing together Franz-Josef Selig, Carlos Alvarez and Ildebrando D'Arcangelo is a real masterpiece, never heard better!
The true extent of artistic achievement; not only coming up with the idea of a true-to-life sinner being literally dragged to hell during dinner, but also building an amazing libretto and music around it; this is art.
A timeless masterpiece.
The masterpiece!
Nem tudom megunni. Mozart fantasztikus! BRAVÓ!
In HUNGARY, in Budapest will be a Don Giovanni! 2021.09.04.MÜPA...
Rest in Peace Mozart!! If I invited you for a supper would you than come?? Mozart you are a gift of GOD to the humanity until the end of TIME..
One of the best perfomances of this famous scene I've ever scene! Bravo maestro Muti! Perfect balance and interaction between the orchestra and the singers and good acting and directing work! (y)
I just can't take any Commendatore seriously after obsessing over the Kurt Moll performance for months..... just on another level.
Same
Both are great
The actor playing Don Giovanni looks like Al Pacino.
Henrietta Atkin Vanity is definitely my favorite sin!
He's gorgeous!
He is the brilliant Carlos Alvarez
Боже правый! Какое исполнение, какая игра! А какая атмосфера, словами не передать. Однако, Вольфганг Амадей Моцарт постарался на славу.
There are a couple renditions in youtube, and while this is not my favorite Commendatore (Kurt Moll), I like this one a lot.
Kurt Moll is also my favorite, and this is my second favorite ... Moll's Commendatore gets across the awesome gravity of the matter, and his voice touches the dimensions of the choice at hand with equal might, and Selig's Commendatore gets across the deep compassion necessary forforgiveness between humans, and the grief of loss when that compassion is refused ... that last reach of the hand when Don Giovanni reaches back too late always gets to me!
Mozart, simply spell bounding all these centuries later.
Awesome thanks waw so clear so perect !
Újra és újra meg kell néznem a Don Giovannit...Nem tudom megúnni, olyan zseniális ! Ettől a jelenettől kiráz a hideg BRAVISSIMO !!!!
😯 What language is this? It looks gorgeous.
@@leaaugusta9924 hungarian
Don Giovanni, A cenar teco.
Realmente maravilloso
Bravissimo!!!!!
i love this version most
everything in sync and elegant
These harmonies at 1:10 will always spook me...
I particularly like the Commendatory's top hat...always in fashion, that old man...
the best version ever heard
Finally something in italian!
alberto amaduzzi Is it actually in Italian? Perhaps it is in Venetian.
@@clivegoodman16 no it's italian
Incredible. Brilliant.
Dear mozart, congratulations on your persistence. This is more powerful, well, I'll leave it there - it's beyond my description. Julian
Julian Bolton .. well said.
Grandissimo Muti!!!
well after 1000 versions played, 1 conducted and even singing commendatore.... This one, like the more. Profi opinion, but I like Bariton/tenor in the role of Giovanni... and Commendatore is just great. even if not deep enough
Who would have guessed that Robert Downey, Jr. could sing so beautifully?
What a performance!
I saw Ildebrando as Don Giovanni in Los Angeles. Hard to imagine him as Leporello. Il Commendatore looks like a creepy version of the Monopoly man.
Can someone please share the link for the full opera piece. I am searching for it but was unable to find it. Or please upload the full opera, it is such a beautiful production and perfect music. Please 😢 request from a genuine fan.
Magnifico!
I would never invite that guy with the big hat to dinner, and never gone to a party where I knew he was coming.
Is it me or does the guy who played Don Giovanni looks like Robert Downey Jr.?
+Monster Master Gojira Oh, the irony.
He just kinda reminds of Robert Downey Jr. and that you said irony since he's Iron Man.
Monster Master Gojira No, I said irony because this scene is performed in Sherlock Holmes A Game of Shadows, which Robert Downey Jr. stars in.
But good point.
Oh that makes sense too.
Al pacino
L Orchestre est tout bonnement magnifique Un très grand commendatore même si c'est un baryton basse magnifique conduite du chant Bravo Don Giovanni et Leporello sont un cran en dessous mais bel facture générale en particulier pour l'orchestre bravo
Franz-Josef Selig is not a bass-baritone, rather a true bass.
@1donpizarro Ok it s true I a was distracted in my listening 🖐
Bravo!!!!!👏👏
a pensare che questa meraviglia ispirò solo Kierkegaard...nessuno può rimanere inerme a ciò
wouldnt mind if I could see it live someday soon.
6:55 -- [as Commander Shepard] "End of the line, Don Giovanni."
@young Link
No, a _Mass Effect 2_ reference. And looking back, I see that the reference didn't work fully. Perhaps a reference to this song in a clip from the _Twilight Zone_ episode "Death's Head Revisited" would have worked better, since the sadistic Nazi ex-commandant's trial by the ghosts of his victims is very clearly a last chance for him to repent.
@young Link
I never played Half Life anything.
Que buen madrazo se metió Leporello 😐
Mozart's decision to drown out the vocals with the sound of the violins is genius; it's a reference to the Old Testament, in which God's wrath is described as a potent wind that drowns out the spoken word.
Right on -- I hadn't considered that!
The top hat was not Mozarts idea. A brilliant performance
Bravo!
A 5:20 il convitato canta: , «Noo!», «Pentiti», «Noo!», «Pentiti», «Noo!» «PENTITI!», «AO T'HO DETTO DE NONEE!»
I like the Commendatore's singing, but he looks comical, like a combination of the Hat and the Dog in Monopoly.
I agree. The original version with a suit of armor looks better.
@@BST-ri6gfI think the one with Ramey is probably the best version of the scene.
This is a Halloween piece
This rules.
0:15 when I find out that my friend has pizza at his home
5:25 Your friend when you ask him to share his pizza.
Only Mozart can make such a scene work, and feel like it is real., Make it actually feel like you must repent your sins yourself (even as atheist), fearing the terrible supernatural powers of such an otherworldly creature and of God, and simultaneously cheering for the ghost to take Don Giovanni to hell for his crimes
EPIC
Che bello che è in italiano
Ladies and gentlemen, we got im
Awesome!!
I hadn’t seen Sherlock 2 in about two years but I watched the Alienist finale and went “Ive heard this twice actually” and had to find this
That was awesome!
Fenomenal incrível .
Il commendatore....tenore corto, "ingolato", "traballante". Serata sfortunata spero :-)
Best at speed 1.25
Now this is terrifying...
It certainly is. Imagine seeing something like this back in 1789...
This version of Don Giovanni bears a striking resemblance to Robert Downey Jr.'s Sherlock Holmes. Incidentally (or not) in the second Holmes movie starring him, "Don Giovanni" plays during one of Moriarty's bombing schemes.
Who will we fail to drag into heaven?
Can’t comment on the music because I worship Mozart, but I like the story, bad guy received bad ending ;)
Watch at 0.25 times speed
0:16
Usually I feel bad when someone goes to hell, but in Don Giovanni's case, after seducing and assaulting women and girls, I don't think Hell is enough pain for what he did. Well, maybe, I don't know what hell is like
Leopold Bloom brought me here.
Turn off the volume and have fun
I imagine it must have been petrifying to be visited by the ghost of the Monopoly guy!
For anyone who has sinned, this scene continues to hold immense power. You can feel Mozart engaging in a particularly frightening form of self-condemnation which for many of us feels familiar.
@hawkturkey It's funny because I recently saw an odd performance which showed Giovanni on a cross in the epilogue. The sinner himself as a Christ figure?
@@bathtubbarracuda2581 wtf????
@@annacwiekala6280 During the 19th century a lot of romanticists "reimagined" Don Giovanni as a free-spirited hero. This isn't what Mozart intended at all, and frankly it reflects poorly on the romanticist movement and its attitude towards gender.
@@jamestown8398 yes, everyone knows that. I meant that the cross was extreme even within that ridiculous framework. it does reflect poorly on the movement indeed.
@@jamestown8398 Give me a break. Are you telling me that traditional puritan Christianity is in the position to lecture anyone on attitudes towards gender? Its objections to Don Giovanni's lifestyle had nothing to do with present-day concerns of consent by women, the main problem was that that these were sexual relations outside of marriage. Rejecting these objections *was* very much free-spirited. I dare say that the interpretation as a free-spirited hero was very much there as an undercurrent in Da Ponte's libretto and in the climate of the 18th century, Da Ponte being a libertine himself and even a friend of Casanova. As for Mozart, he just wrote the music - I doubt that he cared too much about the intellectual and ideological content. But, for what is worth, even he actually left a well-known, albeit coded, message in The Magic Flute that he was opposed to the traditionalist clericalism of his time as represented allegorically by the Queen of the Night.
Chœurs et Orchestre de l'Opéra de Vienne sous la direction de Riccardo Muti. Enregistrement effectué en 1999 (DVD Arthaus-Musik).
Complément : enregistrement effectué les 26 et 27 juin 1999.
Where can i see more stuff like this one? I came here because of Sherlock but i want to see more
Well, I liked the very beautiful presentation, but the man from Zinza doubted that he was singing very loudly.
how hot are the spotlights??
😮❤😮❤