Masterclass on Schubert: Enigmatic Restraint, Beauty and Tenderness of the Impromptu in G-flat major
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- Опубликовано: 15 апр 2021
- Masterclass on Schubert: In this video I briefly address many things: how to manage tension, a non-intuitive approach to phrasing, what might help to make a delicate but powerful crescendo, how to balance between an enigmatic restrain and a rich expressiveness
Check out the recording of this piece: • Schubert: Impromptu No...
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#schubert #masterclass #impromptu
No one plays this better than Horowitz - especially the live Vienna performance.
When first published, it was transposed up a semitone into G. The publisher thought all those accidentals would frighten off amateurs.
But Schubert knew what he was doing: it is easier to play in G flat.
Best of the best! So many wonderful insights and such good advice. Thank you, Denis!
Thank you. I have found many tutorials from RUclips, but your brilliant insights is the exact one I am looking for.
To hear the music before playing is something -- as you said it -- is to be attendet to. Too often the student, me, is absorbed in one's own movements instead of listening, anticipating,, estimating what shall come to the ears next.
This really is a great lesson to all students you are presenting here. And Schubert's melodies touch the soul, especially when played with so much care.
Listening is of course a good first step but that should never lead to imitating someone else's interpretation. Always find your own one. There is absolutely no authority in that.
Why hold the 5th finger(melody) if most times the pedal is being used.?
For a better control in phrasing, however sometimes if you are truly masterful and confident you can rely on the pedal indeed. But generally speaking, a habit of holding long notes physically is great, because when you are physically attached to a key you are more likely to listen to this sound consciously. It also increases your freedom of using various pedal gradations within a bar.
Thank you for sch an insightful video. I’ve been struggling painfully on keeping the inner parts quiet and even while holding the top notes melodic and singing. Would you share any practice tactics on improving this ？ thanks a lot .
Thanks! I have an older video on this channel, which is called how to whisper on piano
Даже не зная языка , интересно и увлекательно!👍👏
К сожалению, на субтитры уходит столько времени сверх всего прочего, что пока пришлось отказаться. Может, найду какой-то быстрый способ...
@@DenZhdanovPianist Думаю, можно просто сделать русскую озвучку и ссылку внизу видео.
Мои коллеги подписались и им будет это интересно.
Желаю Удачи и миллион подписчиков!
@@DenZhdanovPianist
Пожалуйста, хотелось бы и русскоязычным услышать Ваш анализ этого прекрасного произведения Шуберта.
С меня подписка и наилучшие пожелания Вашему каналу.
RestrainT
I am learning this piece it is literally magical, but playing it as a 3 grade student who is not majoring in piano but classical singing,it is pretty difficult mainly the third page where the "real" drama begins, because doing those thrills when you must play a whole symphony(it gives me the feeling of a symphony) next to these it is just pain in the ass like it is both physically and mentally demanding part🤦
Yes it is definitely above grade 3 way too much😨
Learn step by step
Ur not a Schubert
Honestly: you can ignore pretty much everything that he explained, just play it how it comes naturally and it will be exactly that way. Exactly.
Lol so you believe every piano student feels music “naturally” and is able to play beautifully by “follow your instincts” suggestion. Funny!
@@DenZhdanovPianist Honestly: everything that is "explained" here: yes. Absolutely
To much talk
Just was lazy to play
( too much ) you need 2 x ( O ) 😊