I've been struggling for years trying to manage how Resolve handles color luminance adjustments for years, nothing ever felt right. This is exactly what I've been needing in my workflow, instant buy! I've already used it on just a few sample shots, and it's just exactly what I've been needing :)
After playing with the free demo version for a week, I'm super impressed with the results that I can achieve & will be getting the full paid version. This is going to improve & speed up my colour grading process. Thankyou Stefan for a great product.
Wow great tool there Stefan! I was thinking it would be great to desaturate the image also.... THEN you showed it in your video. Very well thought out. Thanks!
I've been playing around with the demo version and love the results of this DCTL and will definitely pick it up soon! Although I've noticed when testing the Mono Brightness DCTL on a cube, the colours immediately stray outside the cube when I expected they would get pulled closer to the white point, similarly to how the colours are pulled towards the black point in the density DCTL. Is this an intentional effect of the brightness DCTL? Love the pack overall, great tool for look development!
Yes, it's intentional. The mathematical approach was chosen based on what, in my personal opinion, yields the most pleasing results when individually adjusting the six hue values.
Awesome product. I´ll buy it right now. I have one question: whe you use something like Dehancer plugin, do you recommend to put your DCTL before of after Dehancer? Thanks
It depends on how you're utilizing Dehancer. If you're employing the print feature within Dehancer, I recommend applying my tools before Dehancer. However, if you're solely using the negative film profiles and a separate print process, then it's also feasible to use my tools after the negative film profiling stage.
Hey there very interested in buying, but for the high cost, I just need to know i can use it on all 3 of my computers.. how many computers or downloads can we use if we buy the software? Thanks! Great tool!
Thank you for your interest! All license details, including usage on multiple computers, are on our product page. For any further questions, please feel free to email me.
The DCTLs are versatile and work effectively in a range of color spaces. While they excel in DaVinci Wide Gamut, they also perform well in other large color spaces such as ACES and LogC, leading to slightly different results. You can download a free demo from my website and test it for yourself. I prefer to work with CSTs.
With recent DaVInci Resolve versions, baking this into a LUT is certainly doable, although I must admit, I haven't tested it out myself yet. If you're working with an older version, rest assured there are tools and methods available for that as well, albeit they might be somewhat more complex. Detailing these steps here might be overly complicated for a simple comment. Feel free to drop me an email if you're interested in delving deeper into this subject. I'd be more than happy to provide you with additional information.
There's no specific order for adding DCTLs; feel free to experiment with both serial and parallel nodes. Play around with the configuration until you achieve the desired result, and consider using test footage to familiarize yourself with the tools.
how do the results differ from the density power grade that you use in your film emulation package? is the technique and or outcome any different. is there any side by side comparison? I have tried many film emulations etc and am always intrigued to find the best subtractive models that people use.
In my "Film Emulation" pack, I've created a "Global Density" version using PowerGrades, along with a second PowerGrade to adjust the "weight" between RGB values. The results are similar, but with DCTLs, you have significantly more control over each of the six hue values, a level of control that's impossible to achieve with PowerGrades. Both subtractive models work well, but they yield slightly different results, with the DCTL being more flexible.
Hello. This looks amazing! Im wondering tho, can something like this be made for Lightroom or photoshop for photographers? If possible i would buy that in a heartbeat!
Thank you for your interest and kind words! Unfortunately, DCTL scripts, like the one featured in the video cannot be directly transferred to Adobe Lightroom or Photoshop. These scripts leverage DaVinci Resolve's unique processing engine and scripting capabilities, which are not compatible with Adobe's software architecture.
I prefer using these tools for Look Development. Typically, I place them at the timeline level, or post-group level. In this way, the nodes influence the entire grade, allowing the DCTL to apply the intended look consistently across all preceding adjustments. Therefore, they're positioned more towards the end of the node tree, right before a CST that transitions from DWG/Log to Display Color Space. However, the placement of the DCTLs is entirely up to you. Some DCTLs might also be useful for addressing specific issues within certain scenes.
Just made the switch a couple weeks ago. It’s definitely a bit intense but I love it. I still think I’ll use Final Cut for certain projects simply because it’s so dang fast. (Like for social media). But in depth projects, everything just comes out better in davinci. It also helps for social media content to be able to mark the videos as srgb P3-dci so you don’t get any color shift or contrast change when uploading.
It only works with DaVinci Resolve Studio. Detailed information about the DCTLs, including pricing, can be found on my website. Link in the description.
When changing color density, the colors within a color space are transformed in such a way that their luminance is decreased, moving them towards darker shades, while their position relative to each other (their hue and saturation) is preserved as much as possible. This transformation results in a richer, more dense color representation. The exact specifics of the algorithms in my DCTLs used for this transformation are confidential.
Fantastic! Is the hue shift in this package very different from the hue twist dctl you also sell on your site? And how do these effects relate to the RGB crosstalk dctl?
The "color shift" and "hue twist" functions in our package do indeed operate very differently. The "RGB crosstalk" DCTL also works on a unique principle. Our website contains detailed information on each of these features. Furthermore, I've created comprehensive videos that further explain how each DCTL operates. For a hands-on experience, you can download a free demo version of all DCTLs from my website and test it with your own footage before deciding on the full version purchase.
for a pay version, how many licenses do I have {how many computers I can install } I have a laptop and a Desktop. It's $199.00 US dollar right?. thanks
The software costs 199 euros, not US dollars. The license is a "single-user license," allowing you to install the software on multiple PCs, such as your laptop and desktop.
We are looking for a tool to help clean off the edges when doing green screen work. Mostly we use a color suppressor to get rid of the green color cast around the edges. Would you recommand a tool of yours?
NE = no emoji version. When using DCTLs with mini panels, DCTLs with emojis in it may lead to disconnections. To avoid such issues, NE DCTL versions are included.
No, the main inspiration comes from Baselight, and it would not be that easy to implement more colors. It is focused on the six main vectors only: red, green, blue, cyan, magenta, and yellow. There are no plans to add more.
I've been searching for the red footage with the beautiful model everywhere but can't find it. Could you please tell me where I can download the footage from?
Yes, the DCTLs are compatible with DWG and other large color spaces like Rec2020 or DCI-P3. You can download a free demo first to test it and ensure it meets your requirements.
@@StefanRingelschwandtneractually I tried to download the demo I install it but after I see only in DCTL in Resolve 18 : balance, clipping, isolator (with black rectangle) but not the color shift demo. Can you help me please? Thanks
@@apentice001 It appears that you may have downloaded the wrong package. You've installed the Demo version of 'Utility DCTLs' which includes features like balance, clipping, and isolator. This package is not related to the Color Shift functionality. However, there is indeed a Demo version of the 'Color Shift DCTL' available. You can find this on my Ko-Fi page, where it should be easily accessible. If you encounter any difficulties or cannot find what you're looking for, I suggest sending me an email for more direct and detailed assistance, rather than commenting here. This way, I can help you more efficiently. Thank you!
Nice work 😍 Is there a difference between the Pixeltools DCTL and yours ( Mononodes) ? I dont know which one came first, but they look like a perfect copy of each other. They are even using both emojis to label the sliders.
In the realm of color grading, some sliders might exhibit similar behaviors or even share names, given that they often serve similar primary functions. However, the nuances lie in the specific algorithms and underlying math that drive them. While both Pixeltools and MONONODES may have some overlapping functionalities, each has its unique characteristics and benefits. To truly appreciate and understand these differences, I'd recommend trying out the free DEMO versions of both DCTL packs. Furthermore, if you visit the MONONODES website, you’ll find test images under the "tools" section. In my blog, there's a link to colorful Lego footage that you can download for free, providing an excellent basis for comparison. The best approach is to experiment with both versions on various materials to discern which one aligns more with your requirements and preferences.
@@matrixate I took the Mononodes one because I heard about it a long time ago, and because I don't like the branding and marketing of PixelTools. I like the result. But I don't know if I would be able to tell the difference between the 2 😅
Hi Estefan, I love it and I'm hoping to buy these DCTLs, I have a question, would there be the possibility of creating a DCTL in the same way you did with the colors but to recover the highlights without "breaking the image".
I'm really pleased to hear you're enjoying the DCTLs! To answer your question about creating a DCTL that could recover the highlights without breaking the image: while DCTLs do play a significant role in color grading and enhancing an image, they unfortunately don't have the capability to recover lost data. If the highlights in an image are overexposed to the point of data loss, no DCTL or any other tool would be able to retrieve this missing data.
Thank you for your feedback on our pricing. Our tool is tailored for professional use, offering unique features. It's a culmination of months of development, dedication, and effort. It's essential to consider this as a one-time investment that, in the scope of professional projects, delivers immense value. I genuinely believe that the price reflects the quality, features, and ongoing support you'll receive.
Our tools are primarily designed for professional users who own the Davinci Studio version. At present, we have no plans to release a DCTL as an OFX version.
Thank you for your thoughts. In the software industry, it's common for specialized plugins to be priced similarly or even higher than the parent software. This is the case with the Dehancer plugin at 450 euros and the Video Village FilmBox at 4999 euros. Our plugin is designed for professional use, offering unique features, updates, and improvements beyond the base DaVinci Resolve Studio capabilities. It's important to note that this is a one-time investment. While the upfront cost may seem high, in the long run, the value it brings to professional projects justifies the investment.
Thank you for your feedback. We understand that the price might seem high. However, this tool is a one-time investment aimed at professionals. It includes lifetime support and updates, with no recurring subscription fees. We're confident that the value it offers justifies its cost. We appreciate your understanding and your interest in our product.
@@zarias2009 Thank you for your feedback. We have priced our package considering its comprehensive features, quality, and the long-term value it brings to your workflow. This is a one-time investment, and includes free updates, making it quite economical if you use it over multiple years. It's also important to remember that this pack is aimed at professionals who will be using these tools extensively, which further brings down the cost per use. At the moment, we do not have any plans to sell individual DCTLs from this pack. We believe the combined utility of the complete pack offers a more holistic and beneficial experience.
@@jamycine It's noteworthy that DaVinci Resolve itself once cost above $100,000 in 2009. Its parent company could reduce the price by offsetting costs with hardware sales. As a smaller team, our primary revenue is our software. Hence, the cost reflects the value we offer through our specialized, constantly updated tools. We'll definitely consider your thoughts in our future pricing discussions.
I've been struggling for years trying to manage how Resolve handles color luminance adjustments for years, nothing ever felt right. This is exactly what I've been needing in my workflow, instant buy! I've already used it on just a few sample shots, and it's just exactly what I've been needing :)
The Hue shift vs Resolve's is Day and Night! Love this tool!
After playing with the free demo version for a week, I'm super impressed with the results that I can achieve & will be getting the full paid version. This is going to improve & speed up my colour grading process. Thankyou Stefan for a great product.
Just purchased! Very happy 😃 👍🥰so easy to install & use, thanks!
Where can I test the demo version?
@@cOcOmOo92 mononodes has it (the free version) on their website.
What a great DaVinci Resolve add on and I use it in all my grading projects.
Purchased my copy. Amazing plugin. Works wonders
Very helpful! finally somebody that knows more deeply tools
Your tools like amazing! Really hoping for a Black Friday/Cyber Monday sale! 😬🤞
This is incredibly useful and is reasonably priced. Thank you.
I could listen to you for hours. The Eckhart Tolle for color grading ;-)
haha. Thank you!
omg thatssss who he sounds like .... i was thinking this voice sounds familiar
Wow great tool there Stefan! I was thinking it would be great to desaturate the image also.... THEN you showed it in your video. Very well thought out. Thanks!
Thank you!
Brilliant sir! I plan to buy this when I have a few extra dollars!
This looks awesome, Stefan! Can't wait to experiment with these updated DCTLs! :)
total color control... amazing plugin.
Purchased, and used on multiple projects already.
GREAT TOOL! can you adjust DCTL with Davinci Mini Panel?
Thank you. Indeed, the Mini Panel allows for the adjustment of DCTLs.
Incredible work, Stefan!
Thank you Stefan, this is gold!!
I've been playing around with the demo version and love the results of this DCTL and will definitely pick it up soon! Although I've noticed when testing the Mono Brightness DCTL on a cube, the colours immediately stray outside the cube when I expected they would get pulled closer to the white point, similarly to how the colours are pulled towards the black point in the density DCTL. Is this an intentional effect of the brightness DCTL? Love the pack overall, great tool for look development!
Yes, it's intentional. The mathematical approach was chosen based on what, in my personal opinion, yields the most pleasing results when individually adjusting the six hue values.
@@StefanRingelschwandtner Always interesting to hear how many different approaches there are to achieve certain effects! Thanks for the response.
Very impressive!
These are amazing
Awesome product. I´ll buy it right now. I have one question: whe you use something like Dehancer plugin, do you recommend to put your DCTL before of after Dehancer? Thanks
It depends on how you're utilizing Dehancer. If you're employing the print feature within Dehancer, I recommend applying my tools before Dehancer. However, if you're solely using the negative film profiles and a separate print process, then it's also feasible to use my tools after the negative film profiling stage.
Thanks so much. i´m learning now how to use your product. Thanks@@StefanRingelschwandtner
I need to switch countries man. 200 dollars is 1/3 of my wage :D Nice stuff btw dude. Will try to grab this tool in the future.
All ok, but the price was a bit high for me.
This is Magic
Incredible🔥🔥🔥
Hey there very interested in buying, but for the high cost, I just need to know i can use it on all 3 of my computers.. how many computers or downloads can we use if we buy the software? Thanks! Great tool!
Thank you for your interest! All license details, including usage on multiple computers, are on our product page. For any further questions, please feel free to email me.
I am poor so won't be buying.
50 pounds i could
200 no way. Congratulations on making such a great tool and good luck to you brother 😌
This thing is way too expensive 😅
Hey, Stephan, what a ultimately powerful tool, what colour management is required? Or does it depend on a certain working colour space?
The DCTLs are versatile and work effectively in a range of color spaces. While they excel in DaVinci Wide Gamut, they also perform well in other large color spaces such as ACES and LogC, leading to slightly different results. You can download a free demo from my website and test it for yourself. I prefer to work with CSTs.
thanks. for your instant reply. I'm buying it@@StefanRingelschwandtner
This is amazing. Would this be able to be baked into a lut? Im unsure if DCTLs work this way.
With recent DaVInci Resolve versions, baking this into a LUT is certainly doable, although I must admit, I haven't tested it out myself yet. If you're working with an older version, rest assured there are tools and methods available for that as well, albeit they might be somewhat more complex. Detailing these steps here might be overly complicated for a simple comment. Feel free to drop me an email if you're interested in delving deeper into this subject. I'd be more than happy to provide you with additional information.
Great video Stefan ! I was wondering if you suggest a specific order tu use these DCTLs or if I can put them all in parallel nodes ?
There's no specific order for adding DCTLs; feel free to experiment with both serial and parallel nodes. Play around with the configuration until you achieve the desired result, and consider using test footage to familiarize yourself with the tools.
how do the results differ from the density power grade that you use in your film emulation package? is the technique and or outcome any different. is there any side by side comparison? I have tried many film emulations etc and am always intrigued to find the best subtractive models that people use.
In my "Film Emulation" pack, I've created a "Global Density" version using PowerGrades, along with a second PowerGrade to adjust the "weight" between RGB values. The results are similar, but with DCTLs, you have significantly more control over each of the six hue values, a level of control that's impossible to achieve with PowerGrades. Both subtractive models work well, but they yield slightly different results, with the DCTL being more flexible.
impressive !
You are the man🔥
Hello. This looks amazing! Im wondering tho, can something like this be made for Lightroom or photoshop for photographers? If possible i would buy that in a heartbeat!
Thank you for your interest and kind words! Unfortunately, DCTL scripts, like the one featured in the video cannot be directly transferred to Adobe Lightroom or Photoshop. These scripts leverage DaVinci Resolve's unique processing engine and scripting capabilities, which are not compatible with Adobe's software architecture.
Where in the node tree should the DCTL sit? In the first node, the last node, or in the middle?
I prefer using these tools for Look Development. Typically, I place them at the timeline level, or post-group level. In this way, the nodes influence the entire grade, allowing the DCTL to apply the intended look consistently across all preceding adjustments. Therefore, they're positioned more towards the end of the node tree, right before a CST that transitions from DWG/Log to Display Color Space. However, the placement of the DCTLs is entirely up to you. Some DCTLs might also be useful for addressing specific issues within certain scenes.
@@StefanRingelschwandtner thank for that information. Super helpful
Don’t laugh, but this app in Final Cut would be everything! Think I’m going to have to finally (pun intended) make the switch.
Just made the switch a couple weeks ago. It’s definitely a bit intense but I love it. I still think I’ll use Final Cut for certain projects simply because it’s so dang fast. (Like for social media). But in depth projects, everything just comes out better in davinci. It also helps for social media content to be able to mark the videos as srgb P3-dci so you don’t get any color shift or contrast change when uploading.
How much is it and does it work free version od davinci?
It only works with DaVinci Resolve Studio. Detailed information about the DCTLs, including pricing, can be found on my website. Link in the description.
Is there a way to use the stream deck to adjust the knob of dctl?
Can someone explain saturation vs. density to me? like whats the difference they both seem to add more color to me?
So this is a lot similar to how the color calibration tool from Lightroom works?
I am not familiar with the tools in Lightroom, so I cannot accurately compare them. Sorry.
what is color density mathematically? or what does changing color density look like as a color space transformation?
When changing color density, the colors within a color space are transformed in such a way that their luminance is decreased, moving them towards darker shades, while their position relative to each other (their hue and saturation) is preserved as much as possible. This transformation results in a richer, more dense color representation. The exact specifics of the algorithms in my DCTLs used for this transformation are confidential.
Fantastic! Is the hue shift in this package very different from the hue twist dctl you also sell on your site? And how do these effects relate to the RGB crosstalk dctl?
The "color shift" and "hue twist" functions in our package do indeed operate very differently. The "RGB crosstalk" DCTL also works on a unique principle.
Our website contains detailed information on each of these features. Furthermore, I've created comprehensive videos that further explain how each DCTL operates.
For a hands-on experience, you can download a free demo version of all DCTLs from my website and test it with your own footage before deciding on the full version purchase.
for a pay version, how many licenses do I have {how many computers I can install } I have a laptop and a Desktop. It's $199.00 US dollar right?. thanks
The software costs 199 euros, not US dollars. The license is a "single-user license," allowing you to install the software on multiple PCs, such as your laptop and desktop.
@@StefanRingelschwandtner Okay, thanks and I will buy it. thanks
Please make tutorials more in normal videos ❤
can it be installed in Premiere Pro.. thank you
No. DCTL is DaVinci only.
We are looking for a tool to help clean off the edges when doing green screen work. Mostly we use a color suppressor to get rid of the green color cast around the edges. Would you recommand a tool of yours?
For green screen work, I suggest using the native tools inside DaVinci.
@@StefanRingelschwandtner Thanks for getting back.
Hello, I downloaded the demo. What is the NE version? Thanks
NE = no emoji version. When using DCTLs with mini panels, DCTLs with emojis in it may lead to
disconnections. To avoid such issues, NE DCTL versions are included.
Any chance we'll get orange and purple sliders too? Like in Adobe camera raw.
No, the main inspiration comes from Baselight, and it would not be that easy to implement more colors. It is focused on the six main vectors only: red, green, blue, cyan, magenta, and yellow. There are no plans to add more.
I've been searching for the red footage with the beautiful model everywhere but can't find it. Could you please tell me where I can download the footage from?
It is on "artgrid" - Search for Woman, Model, Greenhouse, Botanical, Fashion by Hans Peter Schepp.
does this work on dji mavic 3 d-log?
Yes, you can download a free demo and test it with any footage you like.
How many licence is available. ?
One license is available per user, but you are allowed to install it to multiple computers.
Amazing, is it working with the Davinci Wide Gamut? I would like to use it for my raw footage for Rec2020 or DCI-P3 and not rec709. Thank you :)
Yes, the DCTLs are compatible with DWG and other large color spaces like Rec2020 or DCI-P3. You can download a free demo first to test it and ensure it meets your requirements.
I will thank you @@StefanRingelschwandtner But I already want to buy the pro version. Thank you for this amazing work you did. Incredible
@@StefanRingelschwandtneractually I tried to download the demo I install it but after I see only in DCTL in Resolve 18 : balance, clipping, isolator (with black rectangle) but not the color shift demo. Can you help me please? Thanks
actually I was not on the good link, I found it on your website.
Let me try
@@apentice001 It appears that you may have downloaded the wrong package. You've installed the Demo version of 'Utility DCTLs' which includes features like balance, clipping, and isolator. This package is not related to the Color Shift functionality. However, there is indeed a Demo version of the 'Color Shift DCTL' available. You can find this on my Ko-Fi page, where it should be easily accessible. If you encounter any difficulties or cannot find what you're looking for, I suggest sending me an email for more direct and detailed assistance, rather than commenting here. This way, I can help you more efficiently. Thank you!
Nice work 😍
Is there a difference between the Pixeltools DCTL and yours ( Mononodes) ? I dont know which one came first, but they look like a perfect copy of each other.
They are even using both emojis to label the sliders.
In the realm of color grading, some sliders might exhibit similar behaviors or even share names, given that they often serve similar primary functions. However, the nuances lie in the specific algorithms and underlying math that drive them.
While both Pixeltools and MONONODES may have some overlapping functionalities, each has its unique characteristics and benefits. To truly appreciate and understand these differences, I'd recommend trying out the free DEMO versions of both DCTL packs.
Furthermore, if you visit the MONONODES website, you’ll find test images under the "tools" section. In my blog, there's a link to colorful Lego footage that you can download for free, providing an excellent basis for comparison.
The best approach is to experiment with both versions on various materials to discern which one aligns more with your requirements and preferences.
I see that PixelTools is endorsed by Cullen Kelley and is half the price. It also has direct skin tone vector targeting. What did you end up getting?
@@matrixate I took the Mononodes one because I heard about it a long time ago, and because I don't like the branding and marketing of PixelTools. I like the result. But I don't know if I would be able to tell the difference between the 2 😅
Hi Estefan, I love it and I'm hoping to buy these DCTLs, I have a question, would there be the possibility of creating a DCTL in the same way you did with the colors but to recover the highlights without "breaking the image".
I'm really pleased to hear you're enjoying the DCTLs! To answer your question about creating a DCTL that could recover the highlights without breaking the image: while DCTLs do play a significant role in color grading and enhancing an image, they unfortunately don't have the capability to recover lost data. If the highlights in an image are overexposed to the point of data loss, no DCTL or any other tool would be able to retrieve this missing data.
Geiles Tool. Aber das Pricing macht es für privat leider praktisch unbrauchbar. Hast du mal über ein anderes Bezahlmodell nachgedacht ?
Thank you for your feedback on our pricing. Our tool is tailored for professional use, offering unique features. It's a culmination of months of development, dedication, and effort. It's essential to consider this as a one-time investment that, in the scope of professional projects, delivers immense value. I genuinely believe that the price reflects the quality, features, and ongoing support you'll receive.
DCTL requires Davinci Studio; will you be releasing OFX versions of this for us free users?
It would allow more people to purchase MonoNodes
Our tools are primarily designed for professional users who own the Davinci Studio version. At present, we have no plans to release a DCTL as an OFX version.
200 dollars.....damn!!
Any coupons?
00:48 what the hell did you do to bring up the dctl window???? you skippd the execution part
Navigate to OpenFX, select DCTL, apply it to a node, and then choose the DCTL from a dropdown menu. Sorry that I skipped that part.
So davinci is 300 euro and your slidrers are 200 euros. Just from an economic point it is very wrong to do something like this.
Thank you for your thoughts. In the software industry, it's common for specialized plugins to be priced similarly or even higher than the parent software. This is the case with the Dehancer plugin at 450 euros and the Video Village FilmBox at 4999 euros.
Our plugin is designed for professional use, offering unique features, updates, and improvements beyond the base DaVinci Resolve Studio capabilities. It's important to note that this is a one-time investment. While the upfront cost may seem high, in the long run, the value it brings to professional projects justifies the investment.
@@StefanRingelschwandtner `i see what you mean, thank you for your reply
It's very much expensive..
Thank you for your feedback. We understand that the price might seem high. However, this tool is a one-time investment aimed at professionals. It includes lifetime support and updates, with no recurring subscription fees. We're confident that the value it offers justifies its cost. We appreciate your understanding and your interest in our product.
@@StefanRingelschwandtner Could be posible, just a DCTL version of Density aimed to prosumers? The price is just too high for me too :(
@@zarias2009 Thank you for your feedback. We have priced our package considering its comprehensive features, quality, and the long-term value it brings to your workflow. This is a one-time investment, and includes free updates, making it quite economical if you use it over multiple years. It's also important to remember that this pack is aimed at professionals who will be using these tools extensively, which further brings down the cost per use.
At the moment, we do not have any plans to sell individual DCTLs from this pack. We believe the combined utility of the complete pack offers a more holistic and beneficial experience.
@@StefanRingelschwandtnerhow about student discounts?
@@jamycine It's noteworthy that DaVinci Resolve itself once cost above $100,000 in 2009. Its parent company could reduce the price by offsetting costs with hardware sales. As a smaller team, our primary revenue is our software. Hence, the cost reflects the value we offer through our specialized, constantly updated tools. We'll definitely consider your thoughts in our future pricing discussions.
Any coupons?
I am following .. expensive for now.