This must be the 1959 Keilberth performance with Hermann Prey as Figaro, Fritz Wunderlich as Almaviva, Erika Köth as Rosina, Hans Hotter as Basilio, and Max Proebstl as Bartolo. Such wonderful singing even if it's in the "wrong" language.
Delicious! I am so used to Hotter in Wagner that it seems odd to hear him in Rossini, but he is wonderful. And his portrayal of the priest's smarmy hypocrisy is subtle and hilarious. Imagine living in Munich in those days and just strolling into the opera house for a Barbiere that included Wunderlich, Prey and Hotter. Like a dream come true. ❤
@@LohengrinO Just about everything Wunderlich sang was the best rendition. I never liked the role of Tamino until I heard Wunderlich's version. His early death was one of the greatest tragedies in opera. Had he lived, he would have been the Lohengrin of all time, and also Walther von Stolzing.
@@jasonhurd4379 he is one of the extremely few tenors I truly loved and who touch me as deep as female singing... his musicianship and Melodical Line was unbelievable: ruclips.net/video/-CI7KpTWPjk/видео.html I would also very much love to hear as Monteverdi's Orfeo
@@LohengrinO Oh, for sure! That'd be the dream; to sing low F's, E's, and D's. To sing as low as possible without sounding constrained, and without unwanted wobbles. But most important would be to produce such a dark, rich, cavernous sound, that everything else gets swallowed by the depth and resonance of it.
@@LohengrinOSo have I, but sadly you cannot manufacture a real bass voice. In my case everything sounds fake below F#2, and not even a bit dark, nor rich. But it's good enough for the shower, I guess :D ... I think my neighbours approve because they have never complained 😅
@@j.j.schlachtfeld9325 ... I sing so OFF TUNE it is outrageous for someone with so much good sense of pitch as I am... ofc I have never trained but I think that natural singing talents start from a singing pitch level far above mine... and indeed the Bass sound cannot be manufactured
@@manolis.799 Nice! Do you sing it in C major, or in the original D (with all those high F sharps! 😨)? Edit: Never mind; if you put a low G on statto, you are singing it in C, as Hotter does here. And I don't blame you! Those F sharps are murder!
Jason Hurd yes I am merely a human bass... Sam Ramey can do it in D... I cannot lol. No my range sits lower. The ascent is terrifying enough with the Es. I have a sustained F and can briefly hit F# and once live I touched a G. I’m working on increasing my upper range. My F isn’t as reliable as I’d like it to be. As for the low end, I have a reliable low D and on good days, Db. My low register is my best. I’m lucky to have it
@@manolis.799 Well, I am glad to hear you are human! From your description, it sounds as if you have an impressive voice! The only bass singer I have heard sing La calunnia in the original key is Ruggero Raimondi, on the old Levine recording. Of course, there is some debate as to whether Raimondi is a true basso profundo. I saw Tozzi as Don Basilio in 1976 and he sang it in C, which I thought was odd, since he regularly sang Hans Sachs, which has a rather high tessitura.
Is that from an actual performance? The shots of the audience at the end make me think it may be a scene from a movie. But whatever it is, it's delightful. And I love the way he stays in character even when acknowledging the applause.
I will always prefer Italian, but it's so nice to see this, just as Callas singing Wagner and Cherubini in Italian... some purism is good, but this is also a good way to make people more close to opera, in their own language... my only concern is with the poor librettists that are so understated and get no credit at all with the translations xD
Deep, dark, beautiful... I used to think that Die Walküre and Il barbiere di Siviglia meet only in Fellini's Otto e mezzo; I didn't know my dear Wotan's heart
Un Don Basilio tedesco o un Don Basilio italiano non cambia nulla... bellissimo timbro di questo artista Hans Hotter... ma la grandezza è nella composizione dell' Opera .. Il nostro immortale Gioacchino o Gioachino Rossini è lui che fa la differenza. Eh!! Caro Lohengrin O ... Incomincia ad essere difficile fare un commento sensato è quasi sera inoltrata e la mente è un po' affuscata.. Un affettuoso saluto da Elsa.
Ποιος θα το φανταζονταν....ROSSINI made in Cerman...!! Απιστευτο και ομως αληθινο...!! Το ακουω και το ξανακουω...και θα το ξανακουσω...Απολυτα Γοητευτικο...!!!...absolutely charming
¿Bayerischen Staatsoper München, o the Residenz-Theater (aka Cuvillies-Theater)? 1959, Director de orquesta: Joseph Keilbert, ruclips.net/video/A41pvDpZKLM/видео.html
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This must be the 1959 Keilberth performance with Hermann Prey as Figaro, Fritz Wunderlich as Almaviva, Erika Köth as Rosina, Hans Hotter as Basilio, and Max Proebstl as Bartolo. Such wonderful singing even if it's in the "wrong" language.
clean, so well supported of pure bass sound
Delicious! I am so used to Hotter in Wagner that it seems odd to hear him in Rossini, but he is wonderful. And his portrayal of the priest's smarmy hypocrisy is subtle and hilarious. Imagine living in Munich in those days and just strolling into the opera house for a Barbiere that included Wunderlich, Prey and Hotter. Like a dream come true. ❤
Wunderlich I would truly love to hear in a Handel opera like Alcina... his Ruggiero is the best in discography for me
@@LohengrinO Just about everything Wunderlich sang was the best rendition. I never liked the role of Tamino until I heard Wunderlich's version. His early death was one of the greatest tragedies in opera. Had he lived, he would have been the Lohengrin of all time, and also Walther von Stolzing.
@@jasonhurd4379 he is one of the extremely few tenors I truly loved and who touch me as deep as female singing... his musicianship and Melodical Line was unbelievable: ruclips.net/video/-CI7KpTWPjk/видео.html I would also very much love to hear as Monteverdi's Orfeo
@@LohengrinO That Verdi Prati was very nice. I don't believe I have ever heard Wunderlich singing in such a low tessitura.
Jason Hurd A dream come true indeed! ❤️
It's amazing how beautiful a real bass sounds. Definitely my favourite vocal fach...
...makes me wanna sing down there like him...
@@LohengrinO Oh, for sure! That'd be the dream; to sing low F's, E's, and D's. To sing as low as possible without sounding constrained, and without unwanted wobbles. But most important would be to produce such a dark, rich, cavernous sound, that everything else gets swallowed by the depth and resonance of it.
@@j.j.schlachtfeld9325 exactly... in all my attempts to sing I always chose dark deep bass arias :D
@@LohengrinOSo have I, but sadly you cannot manufacture a real bass voice. In my case everything sounds fake below F#2, and not even a bit dark, nor rich. But it's good enough for the shower, I guess :D ... I think my neighbours approve because they have never complained 😅
@@j.j.schlachtfeld9325 ... I sing so OFF TUNE it is outrageous for someone with so much good sense of pitch as I am... ofc I have never trained but I think that natural singing talents start from a singing pitch level far above mine... and indeed the Bass sound cannot be manufactured
His hands are absurdly humongous
tout simplement formidable !!!! hans hotter , un immense artiste ! merci pour cett video extraordinaire !
I love singing this aria... so much fun.
I love singing it too, and I'm not even a singer! It's such a challenge to try to give the vowels full value at 'un tremuoto, un temporale'.
Jason Hurd yes it is.... I also like adding a low G on the second “statto”
@@manolis.799 Nice! Do you sing it in C major, or in the original D (with all those high F sharps! 😨)?
Edit: Never mind; if you put a low G on statto, you are singing it in C, as Hotter does here. And I don't blame you! Those F sharps are murder!
Jason Hurd yes I am merely a human bass... Sam Ramey can do it in D... I cannot lol.
No my range sits lower. The ascent is terrifying enough with the Es. I have a sustained F and can briefly hit F# and once live I touched a G. I’m working on increasing my upper range. My F isn’t as reliable as I’d like it to be.
As for the low end, I have a reliable low D and on good days, Db. My low register is my best. I’m lucky to have it
@@manolis.799 Well, I am glad to hear you are human! From your description, it sounds as if you have an impressive voice!
The only bass singer I have heard sing La calunnia in the original key is Ruggero Raimondi, on the old Levine recording. Of course, there is some debate as to whether Raimondi is a true basso profundo. I saw Tozzi as Don Basilio in 1976 and he sang it in C, which I thought was odd, since he regularly sang Hans Sachs, which has a rather high tessitura.
Is that from an actual performance? The shots of the audience at the end make me think it may be a scene from a movie. But whatever it is, it's delightful. And I love the way he stays in character even when acknowledging the applause.
I will always prefer Italian, but it's so nice to see this, just as Callas singing Wagner and Cherubini in Italian... some purism is good, but this is also a good way to make people more close to opera, in their own language... my only concern is with the poor librettists that are so understated and get no credit at all with the translations xD
Deep, dark, beautiful...
I used to think that Die Walküre and Il barbiere di Siviglia meet only in Fellini's Otto e mezzo; I didn't know my dear Wotan's heart
Por Dios, pongan la fecha y el lugar de la función. Es necesarisimo. Grande HOTTER
Un Don Basilio tedesco o un Don Basilio italiano non cambia nulla... bellissimo timbro di questo artista Hans Hotter... ma la grandezza è nella composizione dell' Opera .. Il nostro immortale Gioacchino o Gioachino Rossini è lui che fa la differenza. Eh!! Caro Lohengrin O ... Incomincia ad essere difficile fare un commento sensato è quasi sera inoltrata e la mente è un po' affuscata.. Un affettuoso saluto da Elsa.
Ποιος θα το φανταζονταν....ROSSINI made in Cerman...!! Απιστευτο και ομως αληθινο...!! Το ακουω και το ξανακουω...και θα το ξανακουσω...Απολυτα Γοητευτικο...!!!...absolutely charming
και από τον Hans Hotter, το μεγαλύτερο Wotan
Εξαιρετικό ταλέντο! Μπάσκετ έπαιζε;
¿Bayerischen Staatsoper München, o the Residenz-Theater (aka Cuvillies-Theater)? 1959, Director de orquesta: Joseph Keilbert, ruclips.net/video/A41pvDpZKLM/видео.html
Muy buena voz de barítono. 🌹
No era baritono, era bajo-baritono.
Hillarious, sparkling. But it's a pity; we can see Hotter singing Rossini but I'rather see him singing Wagner.