How to Mix Hip Hop Beats | Leslie Brathwaite (Pharrell Williams)
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- Опубликовано: 7 окт 2019
- Grammy-winning mixer Leslie Brathwaite (Beyoncé) takes you through the production of Lil Uzi Vert & Pharrell Williams’ “Neon Guts,” sharing his glossy but pumping beat mixing techniques. Watch Leslie’s tips on mixing rap vocals: www.waves.com/leslie-vocals
(0:57) Mixing 808s, Kicks & Claps
(6:08) Mixing Instrument Tracks
Plugins used by Leslie Brathwaite in this video:
PuigTec EQs: waves.com/puigtec
LoAir: waves.com/loair
Renaissance Equalizer: waves.com/reneq
SSL E-Channel: waves.com/ssl-e
Q10 Equalizer: waves.com/q10
Music: “Neon Guts” by Lil Uzi Vert feat. Pharrell Williams 
Видеоклипы
Waves listened to the ppl in the comments, that’s why they’re the best.
Damn Waves Leslie is a monster of an explainer get him for more of these
I just want one day in the studio with masters like him.. So much knowledge and experience to guide and motivate new artists and engineers..
Props to the PROS dropping knowledge for the rest of us to eat up!
I could listen to Leslie’s in-depth sessions for 12 hours straight...that says a lot because he really says something important when he points things out.
04:33 That has to be the greatest tip I've heard in a long time. Thanks Leslie.
true.
Facts!!!
I was thinking the same thing. This is priceless info.
Leslie makes it make sense man! 👏🏾
Waves "aggressive marketing strategy" Audio
Waves the goat of plugins
GARRDEN lol foh
@@thejudgejuror2547 I feel like they not giving the entire picture
For sure..... And waves is like rolls Royce of plugins 😁👍
i wouldn’t say that but if you know how to use your tools they are as good as any other
Thanks for sharing your mixing/technical approach in this particular project. Well explained, simple and plain. Ache!
Really dope to see Leslie's techniques here. Tons of stuff we could try out ourselves in our own mixes.
WavesTune
L1 Limiter To get it louder
Vocal Ride - Keep it all level
SSL channel - EQ
CLA-76 - -10db
CLA-76 - No compression but with dials at 30 and 18
Then the l1 again
Aux sends - Plate reverb & Delay20
sauce
Shiiiid...might as well add some tape too for saturation. Imo of course 😎
That’s a lot of processing. I think the most important thing to getting good vocals is to record with compression and eq if needed. Get as close to the sound you want going in.
@seba hara That's your personal opinion. If you have to do all of that your vocal isn't recorded as well as it should of been. I was talking more so in terms of processing power. If you have to do that to every vocal your going to need a nice rig.
4:30 a gem. Push parameter really hard then back down.
Thanks for making these videos, they're really help me out a lot.
Such a great oppotunity to stumble upon this video! Learning about mixing hip-hop beats from Leslie is so cool!
Thank you for this tutorial Leslie !
I like the sound options that wave brings to the table,,,,, good explanation!!!!!
wavs is dope
Thank you Leslie
Listened to that Lil Uzi & Pharrell track and its sounds great, perfect blend and subtle mixing
I really learn alot. Please post more
big up
Thanks for the breakdown. It was really helpful!
i was sent here, im grateful. legendary!
i needed this
Killin it.
Woow!! This is awesome!! Keep it Up!!🔥🔥🔥
Ayyyyyyyye more Gems
Very cool instructional video. Thanks
Was just listening to this song
Excellent instrumental!!!
FIRE!
The last phrase he said is the key point of all of work with music
This is like deep meditation for my soul :-) thanks
thanks waves
this was good info especially 2 someone just starting out that really has a passion for taking in really good info.me i've been at it for a while. alot of this stuff im been familiar with but seeing it on a waves plugin lets me know it can be translated no matter what u use. honestly guys dont think cause hes using top of the line stuff that u cant get the same outcome
Leslie's approach to mixing is awesome. Would love to pick his brain & learn from him one day. Thanks for sharing! =)
Great Video Thank You !
This hass to be on the top of the billboard ssoon. Great beat for most rappers 🎧
Great beat!!
GREAT INSIGHT!
💯 Freaking amazing.
Always those 1 - 2 - 3 - 4 repeat at the start...
Perfect preparation for the beat to come for a listener, tension created from the first bar, released into the track itself, Takes less than 30 secs to do... Effective, simple.
It's also Pharrell's tag.
I remember watching this before I knew how to mix and master. I have no idea what he was talking about but now I understand everything 🤣
Leslie: "Pharrell doesn't put a lot of instruments in his music"
Pharrell: *Adds 30 different instruments to his music
Bikes and Beats it’s mainly layering tbh. Get your melody/chord and CNTRL C&P to boost your sound w switching like a note or 2
Lol no he doesnt tho. He is a pretty minimalist producer and thats what makes him special actually.
@@franmaga28 what makes you say special. I'd say its more common place now
@@MakeBetterMusicNow Whos talking bout now? Pharrel has this production style since the late 90s when he was producing hits for everybody with Chad Hugo. And anybody back then would recognize a Neptune´s tune as soon as they heard it, even if it had like only 4 tracks lol. That actually is something special in production.
@@MakeBetterMusicNow Of course its kinda easy to say its common place now, but you would be ignoring the fact that hes an OG thats been doing it for more than 20 years
🔥🔥🔥🔥 FIRE.
Love it
Pretty cool Video. I wish that you could include a short before/aftr section of the Song, so you can really hear the change on the whole song.
hell yea
Excellent Thanks
Wow!
Damn 💯
Wow 🤯
Litt 🔥
Simplicity is key. Getting the right tonal balance and dynamic balance first than vocal effects after. Just mix with nothing but SSL channels, RE6 or Q10, and 1 tube or tape em and get really good than start exploring other plugins.
Great tips and secrets that are free to learn on RUclips..not too long ago it was years of audio engineering school to learn this stuff
Thanks bro for explaining why you over boost the knobs on plugins first thing. Was curious what the approach was there because I always hear people say this.
nicodemo lalli it’s all about being able to really hear everything in that sound so you get a better understanding of what needs to be done to it. A lot of people boost the bass and treble in car systems so you want to be able to have your individual sounds as well as mix be able to translate well across different systems
getting a track from pharrell is like getting the best piece of candy ever.
His passion and SWAG makes it even sexier. Some engineers are just boring and weird. He's from the generation of people who loved music. It's about groove, vibe and feeling it all! Respect
It seems that by phazing or delaying the snare or claps, just milliseconds after the vocal peak works every time, but delaying kick or bassline is much more tricky
Smooth
When he used the r comp there was no compression going on at all... Did he use it for the grain of that compressor? Cuz there was actually a sonic difference... or was it only in my head...
🔥🔥🔥
Finally a tutorial with a song that isn't trash hahaha
Got me moving my head bro 🌊 👀
Great video.
I love neon guts
Great philosophy !
good stuff
10:08 anybody know where that sound is from?
Very fortunate to have this video! I saw the vocals one first and learned a lot. Does anyone recommend any other place to find videos of this quality and genre? I would even pay for them lol
linked in learning is pretty good. but you might have to pay, i think my school offers it free to students.
Pensados Place
🔥🔥🔥🔥🔥🔥🔥🔥🔥
Niceee
I like it very good
🐐🐐
thank You. #ppt
Does @waves.com have a dedicated controller for their plugins.that would be dope.,💯
RoyalMusicproductions uk good idea bro
Waves, the graal of music plugins ?
Awesome video i was wondering how you did that studder effect on the bass
like in the beginnng song
You couldn't look HEAR how he did that?
It's Pharrells producer tag
Leslie : the way music makes you feel is more important than anything
me : Yes Sensei
Thank you for this content. Very helpful. #saviinmusic
"He doesn't put many instruments in his tracks" Shows more tracks than I've ever seen on my project lool
can someone tell me what is the device next to his keyboard? (I've been wondering what that is for the longest while..)
it's the controller for the dangerous monitor st
Will Baker thank you so much
First EQ is used at 6:33
Thank you for sharing your techniques. The only problem I have though it is that I don’t have any eyesight so I go by my ear and the way you’re saying that my ear tricks you. My not be the best way to put it because I am a blind producer.
Reupload?
Ean Verschelden oh thanks
why do all these Tracks look like they are clipping?^^
You can zoom/resize the waveforms without altering the gain in Pro Tools so you can see stuff better.
8:10 The cut is being made in the 18-31 range so why does he say 70's range?
do i need panorama for mixing?
Waves are the ghost
Im curious to know why every drum track is in stereo? In my experience drum tracks are typically in mono. I notice every single track seems to be in stereo. Any professional engineers got any knowledge? Thnx
I have a huge problem with harshness in vocals on certain words, and i use a dynamic eq to try to get them out, but that often creates new ones and dulls the vocal. These frequencies are mostly because i work with rappers with cheap mics and untreated rooms. Any tips?
@YonaHoly RTM if you're referring to getting those harsh 's' sounds on your recorded vocals, we would highly recommend checking out Sibilance for this purpose exactly: www.waves.com/plugins/sibilance
@@waves amazed at the reply
Well, I create Downtempo / Chil beat tracks including guitar. I 've been using many plugins like WLM loudness meter and have been trying to reach the goal of -14 / -13 dB LUFS standard of RUclips and always found my song lacking power and loudness when comparing to celebrities tracks. Then I decided to measure those reference tracks... To my surprice, I found that almost all known songs, even Despacito or Ed Sheeran's tracks are at around -6 LUFS !!! So what is wrong in this case? Should I follow the Loudness War and export my tracks that loud and let platforms as RUclips reduce/normalise them even 52% (Despacito: Volume / Normalized100% / 52% (content loudness 5.7dB) or follow the limit standard rules of -14 LUFS?
This is a great question, it'd be nice if someone could explain this.
Really, just do what sounds good. Mix to your tastes. Things to note, Spotify compresses the fuck out of records, it’s the reason why I use google play.
it raises the question whether labels pay to have their big hit tracks played louder on youtube than anyone else's. I cannot think of any other reasonable explanation at this point.
I think I found the answer some time ago. Limit around -0.3db, squash as much as you can without ruining the master, then lower the master Channel volume by 5ish db. This should give you around -14 lufs in perceived loudness while still retaining volume. Let me know if this helped
@@anthonypenna476 thanks for reply! I will give it a try and give you some feedback
I noticed he doesn’t have the 808, snare and kick in mono. Just the vox. I always thought this was super important. Maybe not?
good
So all his tracks are in stereo,including the kicks and all.Does that affect the sound?#pardonmyquestion#
I completely missed that the first time watching this video. It could be the way Pharrell sent the trackout? He said from the beginning he tries to stick to the artist's intent. I imagine if Pharrell sent him everything in stereo, he fell in love with those instruments and loops in stereo. I know many vocoders/autotune that only work in studio, but I am unsure about all. Some people like the phase you get from recording in stereo and when taking a minimalist approach (and the right acoustics and equipment) a quality recording in stereo can probably be quite nice to the right ear.
Many sessions are sent with each instrument tracked in "stereo."
However, the kicks and 808 kick is probably just a "mono" signal that was "bounced" out of a sequence program such as "Maschine" whereby it's basically the exact same information in the Left and Right sides of the waveform, meaning that if you collapsed the mix from stereo to mono, you'd hear the exact same "sound." You wouldn't hear the stereo spectrum collapse.
Because leslie has the ultimate processing power at his disposal, there's no need to split those sounds into a mono signal, but if he didn't have all of that CPU power, he'd more than likely "split" those signals down into a mono signal, using only 1 side of the original signal ( remember that would be no sound difference, except for a volume drop that can be compensated for with a volume boost), which would save on CPU processing power because you'd only need the plugins to handle a single mono signal, instead of 2 signals (left and right stereo.)
I've worked with leslie and he's always been a WAVES fan. Even when he was mixing on an SSL desk at Patchwerk Studios in Atlanta, years ago.
@@mykkc.5496 thank you so much
Мега мощь !!!
I wonder who was the first person to mix n master a song, who was the first audio engineer and what was the first song or album released. I wanna know.
The Fat Boys
Maybe Quincy Jones 🤷🏿♂️
"In the 1920s, the process was improved when outputs of the microphones could be mixed before being fed to the disc cutter, allowing greater flexibility in the balance.
Modern mixing emerged with the introduction of commercial multi-track tape machines, most notably when 8-track recorders were introduced during the 1960s. The ability to record sounds into separate channels made it possible for recording studios to combine and treat these sounds not only during recording, but afterward during a separate mixing process."
Feels like paid content. So much thanks
6:28 is an eargasm
Its no rules once you learn basics and understand music