Sir Women - Millennium Stage (July 24, 2024)

Live Tonight on Millennium Stage: Sir Woman, Austin Music Award’s Best New Act of 2020, was primed to hit the road promoting its much-anticipated debut album Party City, when the world changed. With fewer reasons to celebrate, soul singer Kelsey Wilson (the bands Wild Child, Glorietta) ditched the party vibe she planned for her maiden, solo debut in favor of a more aptly titled record for troubled times. Bitch, a genre-bending, Motown-influenced five-song EP, was released in 2020 under Wilson’s acid-trip inspired stage name (Sir Woman) on Austin’s Nine Mile Records. Wilson’s backing band-drummer Amber Baker (Jon Batiste) and back-up singers Spice and Roy Jr.-were joined on the album by guitarist Nik Lee, multi-instrumentalist Dan Creamer (Shakey Graves, The Texas Gentlemen), and critically acclaimed country-pop artist Robert Ellis. But make no mistake, the Wild Child co-founder has stepped into the spotlight alone with this collection of love songs she wrote for herself as the perpetual party of touring life started to spin out of control. “This EP is me finding what makes me feel good and falling in love with myself,” Wilson said. “A mix of everything that makes my body move-pop, soul, gospel, funk, folk, and R&B. It feels so right to make a record that has my actual heart in it. These songs are the part of me that wants to help people fall in love with themselves through music. I can’t wait for everyone to hear it.” World Café declared “warmth, empathy and humor are the shining stars” of the EP’s first track, “Highroad,” which earned a slot on NPR’s “Heavy Rotation: 9 Songs Public Radio Can’t Stop Playing.” NPR critic Moscorro proclaimed that Wilson is “moving effortlessly into a brave new R&B infused, gospel-flecked world where her golden pipes ease you back into a fluffy pillow of serenity and bliss.” In some ways, the EP’s title track, “Bitch,” took on new meaning after the world shut down in 2020. When Wilson belts, “You’ve been a bitch, baby,” it’s as if 2020-a year at the crossroads of the COVID-19 crisis and national civil unrest-is the unintended target of the soul singer’s angsty honesty.
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