Barenboim: Beethoven - Sonata No. 12 in A-flat major, Op. 26
HTML-код
- Опубликовано: 11 сен 2017
- At Palais Rasumofsky, Vienna, 1983-1984
Daniel Barenboim - piano
Ludwig van Beethoven - Sonata No. 12 in A-flat major, Op. 26
0:19 Andante con variazioni
9:20 Scherzo: Allegro molto
12:06 Marcia funebre
18:54 Allegro
Watch other Beethoven Sonatas performed by Barenboim: goo.gl/Z589Zz
Watch other performances of Daniel Barenboim: goo.gl/ABAVKt
Subscribe to EuroArts: goo.gl/jrui3M
Composed between 1800 and 1801, the Sonatas Nos. 11-13 bridge two very different periods in Beethoven's piano sonatas. Scholar Charles Rosen has described the Sonata No. 11 in B-flat major, Op. 22 (composed in 1800) as the composer's 'farewell to the eighteenth century'. lt was for Beethoven the culmination of the older classical style. With the Sonata No. 12 in A-flat major, Op. 26 on the other hand, Beethoven departs from tradition. Published in Vienna in 1802, only the last movement, a Rondo allegro, is in a conventional form. The third movement, a funeral march 'for an unknown hero', is especially admired, an was played at the composer's own funeral. The stylistic departure began in Op. 26 continued in the two sonatas of Op. 27, which Beethoven completed in 1801 and published together with the description 'quasi una fantasia'. As with the preceding sonata, in Sonata No. 13 in E flat major, Op. 27 No. 1, Beethoven again chose unconventional forms, beginning with the opening movement: an Andante-Allegro-Andante structure that suggests a suite, particularly in the middle 6/8 section.
The Grammy award-winning pianist Daniel Barenboim has been active on the concert stage since the age of seven when he made his stage debut in his hometown of Buenos Aires. Well known for his work with the East-Western Divan Orchestra, a group of young Arab and Israeli musicians, he is currently the director of the Berlin State Opera, La Scala (Milan) and the Staatskapelle Berlin. Barenboim is described as "one of the few musicians in the world today who could accurately be describe as legendary".
#EuroartsBarenboim
This is so beautiful thank you Daniel Barenboim.
Sublime ... such an underrated piece, the first movement in particular. The cimax starting at 7:27 is clearly what Beethoven meant to be, and what Bareboim achieves to make, sublime, transcending, otherworldly.
Wow, when Barenboim was young!
Please Norwegian Nobel Committee - hurry up and give Daniel Barenboim the Peace Prize for his work with the East-Western Divan Orchestra.
Excellent!!!!!!
Mistake: in 6:48 he has frontal lighting and in 9:48 he is suddenly side lit. That means that this video was recorded in parts (and no one supervised continuity errors).
Did you expect a literal RECORDING be without cuts, just a whole mfing sonata in one piece? 😅😂
@@AnnaTodorova_piano yes, it's what we're expected to do if we play it in a competition or jury exam. Why should professionals not have to follow the same basic rules, don't they make a living from showing how much better they know this music compared to students of amateurs?
Great!!!
Although I'm not a Barenboim fan this rendition is much better than most other famous ones. But it's all so bloody serious while Beethoven can be so witty here and there (maybe it's the time when it was recorded?). Great camera work!
Why are wrong dedications almost always mentioned in these wonderful recordings. No. 12 Opus 26 is not dedicated to Haydn but to Prince von Lichnowsky
Maybe barenboims execution of the piece is dedicated to Haydn?
Dem Fürsten Carl von Lichnowsky gewidmet, Komponiert 1800/01.
18:53 allegro
I can't understand why so many (if not all) of videos featuring concert pianists spend so much time not showing what the artist is doing with their hands. You would never see this with a violinist, cellist, flautist etc. For some reason the people who make videos of pianists don't think the audience finds showing what the artist is doing interesting or important. If this is so, why not make a video of a violinist where when they get to the most interesting part, cut to an image of their feet so no one can see what their fingers are doing?
you can't understand what the pianists feel in that moment , in the concerts , if you don't feel the music in your heart you are not listening music , you are only hearing it , hear music and listen it , is not the same , if you can't understand this video you will never understand any classic , romantic , barroc ... song or composition
One reason is it's sometimes difficult to sync the hands with the audio.
Another is that seeing the hands at all times takes away a little of the "concert feeling" silly I know.
Also some pianists cheat with their technique and don't want it on camera 😉
i agree with you Paul ..i want to see the pianists hands not the back of his or her head
When you are going to a restaurant do you also want to sit in the kitchen watching the details of the preparation ? Same problem...😉
I agree completely - the whole first movement of the Pathétique sonata from this series was shot with a head-on view of Barenboim from quite a distance. Really, if the visual aspect doesn’t add to the performance we’re better off without it.
6:30 left hand thank me later
Didnt see anything interesting
@@korre6923 he played splendidly with his left hand. thats what you were meant to see
@@giannissakellarios9161 In my opinion, his left hand jumped too much in that part (unnecessary waste of energy).
26
I. 00:20
III. 18:55
Nice house. In New York?
At Palais Rasumofsky, Vienna
It’s a good performance because the finale isn’t too fast. When it’s played faster than this it just sounds silly like a meaningless blur of notes. Nowhere does it say it’s a perpetuum mobile.
18:55
3rd Part at 18:55
In fact, thats the fourth movement, the allegro.
Natalia Nicole Pino Robledo, esta belleza hoy la estoy dedicando a ti, a tu belleza, a lo fascinante de tu naturaleza.
Pftt.... and people say that Beethoven wasn't a great melodist. This piece alone will destroy their moronic perspectives.
Bei fraseggi, si sente una buona cura nei dettagli eppure l'esecuzione non convince completamente... Facendo i pignoli, nelle parti veloci c'è una sorta di instabilità ritmica e la marcia funebre a mio gusto fin troppo lenta....
he's not playing the staccato on the end of bar 1! what a hack!
not one of my favouriye,I guess I,m not a fan of variations rither. Barnboim still brings it ff well.
Not his best.
La interpretación no me gusta mucho. Me parece muy plana. No tiene el carácter para Beethoven. Las variaciones poco se distinguen una de la otra. Poca vida. Casi no hay contrastes. Barenboim es un gran pianista pero aquí me decepciona. Greetings from México.