Her name is given if you press the little down arrow to the right-- and I agree she is exquisite in her rendering -- she was probably thoroughly enjoying herself and the fun she must have had working with this dear cellist! She is Vasso Devetzi. This was in 1970! my question is who was in privileged audience and how does such an intimate setting of audience to artists get arranged? It looks like a college masterclass to me.
Como un bordado en oro y plata,verdaderamente hermoso,gracias..
피아노와 첼로의 조화가 환상적이네요
My gosh, he's so young here.
Wonderful.
Marvellous.
Beautiful, but there are 2 protagonists here. So the lady playing the piano deserves credit! Who is she? does anybody know?
Vasso Devetzi. She recorded this with him.
Her name is given if you press the little down arrow to the right-- and I agree she is exquisite in her rendering -- she was probably thoroughly enjoying herself and the fun she must have had working with this dear cellist! She is Vasso Devetzi. This was in 1970! my question is who was in privileged audience and how does such an intimate setting of audience to artists get arranged? It looks like a college masterclass to me.
meisterhaft
Спасибо!Несказанное удовольствие для души!
I love this, but this is Papageno’s intro song from The Magic Flute. Why is it attributed to Beethoven?
Because this is a theme and variations composed by Beethoven based upon said theme
@@jarrahtree5130 I get it now.
Ya lo dijo alguien por aquí: como un bordado de oro y plata. Genial
Goood