Absolutely wonderful, as all your videos are. But as an Iranian musician, I do have a little comment. Hijâz(kâr)/Chahârgâh is central to Arabic/Iranian music much more in stereotype than in actual fact - it has become the symbol of the music of that region to foreign ears. It actually makes up a fairly small percentage of the working repertoire, and maqâm Bayâti/Shûr family (similar to Western minor, with a microtonally adjusted 2nd and sometimes 4th) is far more widely used in the musical culture. I've had the experience of playing Iranian music for mixed audiences - I can do 40 minutes in Shûr for the Iranians but the second I switch to Chahârgâh, all the white folks in the crowd light up, as if I've just remember how to play our own music.
@@the_monsoon_diaries Exactly, there's an element of exoticism here. I think the reason this scale is so often used to represent the Arab and Persian worlds in the West is that it sounds relatively unfamiliar to Western ears while also being playable without microtonality. It's basically as 'Eastern' as the Western system can get, so it ends up becoming the stereotype.
Thanks... I can almost 100% relate with your observations/research.. its rare to find a friendly-teacher with versatile vision.. I have seen many teachers being rigidly imposing hard lessons on poor fellow student.. which subconsciously kills the freedom of thought(ideas doubts blossoming in mind).. Keep discovering & sharing amazing facts !😁🪷🍁💐
I've always felt that Raag Yaman and Maqam Al Bayyati are the most mesmerizing ones of both worlds 🖤🎼 and i think Bayyati is the most common in classical Arabic songs, mainly Egyptian.. which we call "Tarab" songs. Hijaz may be the most common one contemporarily
Wonderful comparison! I play Sitar, Arabic Oud, and Turkish Saz so this topic is of supreme interest to me! One additional piece of info I can offer is that in Persian/Iranian music the Re and Dha notes in Chahargah (which is similar to Bhairav and Hijazkar) has microtonal placement which is sharper than hindustani komal re and dha. You can see Persian Setar has more frets than Indian Sitar to play these intervals. Also Maqam Zanjiran is equivalent to Raga Nat Bhairav not Ahir Bhairav. The intervals are the same but the starting note is sa instead of ma. Thanks for this nice discussion!
प्रिय अनुजा, तुझे विडियो अत्यंत सुंदर व आकर्षक आहेत. जिथे आजकालची पिढी शास्त्रीय संगीताकडे पाठ फिरवत पाश्च्यात्त संगीतात मग्न होत असताना तू तुझ्या विलक्षण शैलीत भारतीय शास्त्रीय संगीताचा अभ्यास करून ते इतक्या सुंदर रीतीने लोकांपुढे सादर करतेस व ते अत्यंत श्रवणीय आणि दर्शनीय करतेस त्याबद्दल तुझं कौतुक करावं तेव्हढं कमी आहे. तू तुझ्या क्षेत्रात उत्तुंग यश कामावशीलच यांची मला खात्री आहे. भारतीय संगीतातील एक अतिशय नामवंत संगीतकार होशील यात काहीच शंका नाही. तुझ्या पुढील वाटचालीसाठी खूप खूप शुभेच्छा. - विवेक जोशी
Hi, Great video. Just one thing that I wanted to add, When we talk about Arabic tunes (perticularly the one you are talking about), I think it has more to do with Raag Basant Mukhari or Raag Hijaz than Bhairav or Ahir Bhairav. Infact, the name of Raag Hijaz is directly borrowed from it's Arabic counterpart Maqam Hijaz. Afaik, the tune was brought to India by none other than Amir Khusroo who initially named it as Hijaz. Later, it merged with two other raags, namely, Vakulabharanam from Carnatic and Komal Bhairav from Hindustani classical music and created a new raaga called Basant Mukhari. Just wanted to share this amazing fact with you all. However, you are doing an excellent work. Please keep it up🎉
Great job Anuja! You have provided conceptual approach to Raag Bhairav. Suddenly, this raag has turned interesting to me which I didn’t try to learn earlier. Thank you.
Anuj ji, it's my first time am watching & listening you and got surprised too. You're so humble and polite plus so knowledgeable person. Your voice is very silky and better than most of Bollywood singers. I became a huge fan of yours! Salute 🙌🙏🙌 to you.
Anuja ji.. We love your honest efforts to connect Raagdari in Hindustaani Shastriya Gayan with the best of compositions used in indian cinema in a way that we all crave for more always..Salute to your sprit to connect threads and good luck for many more
Dear I'm impressed.... Your presentation, deep analytical skill and super quality of imagination... la jawab.... Feeda ho gaya yaar... Wishing you all the best dear.
Anuja Kamat..... very innovative, informative and interesting content.... you always give your best...love to watch your style of explanation...you are blessed with Saraswati... keep up the good work 😊
I loved this episode (just as so many other ones). Your approach, narration and singing are so conducive to draw the viewer into understanding of our precious heritage of Classical Indian music. More power to you young lady.
Anuja ji, I do appreciate your presentation on Raag Bhairav and Ahir Bhairav, Hindustani, Carnataki and Arabic equivalents, and especially your singing of some relatively newer songs with Arabic flavor.
Anuja don’t stop creating and posting your content - ever ! I cannot begin to tell you how much I appreciate this! Love your energy and keen observations! ❤ and ✌️
i love it ....the way u explained ...... hats off .... And of course Ahir Bherav is one of my favorite raags ..... but the information u gave about Arabic music is worth listening ...Stay bless ❤
Absolutely mind blowing Madam hats off to your knowledge on our hindustani classical music you know them like the back of your palm - sashtang pranams to you 🙏🏼🙏🏼🙏🏼 I am seeing your video after a very long time I don't know if you were on a hiatus. So nice to see you back, looking forward to more videos from you Madam. I wish and pray your channel hits more than a million subscribers soon 🙌🏼🙌🏼 I request everyone here to share this channel truly worth every second and there is so much to learn here 🙏🏼🙏🏼 Lastly you remind me of actor Mandira Bedi 😊😊 (may be because of your hair style)
A wonderful,ecstatic and joyful musical experience,Anuja!I am totally in love with your style and awestruck by your knowledge!Greetings from a sincere admirer Vaidyanathan
Just Superb ! But I believe, there are few more Rag, which have similarity with some 'Rag' from Arab contries + Greece + Turkey. Any Idea? If yes, can we have a similar episode for such Rag? Thanks in advance.
Absolutely interesting and valuable info. Amazing and your effort in multiple attempts in creating the content truly worth it. Appreciate your knowledge and sharing - video is collection worthy... a MUST share... Keep up the good (read that as great) work ...
Simply mesmerising! I am a (music) layman who love music/songs etc. I did not understand a word of the musical grammar you explained in your video but I enjoyed every word you spoke therein with a "teen in love" fervour and subscribed your channel. Looking forward to watch your next video while trying to delve into the old ones.
Lovely compilation ❤how did you forget AR Rehman's Guru film's Mallika Sherawat dance in Istanbul? Maiya maiya...it's a mind blowing composition based on Bhairav notes.
Wah... So nice.. Though i m not from music industry but i always like to listen music.. and you have wonderfully explained the concept.. really nice.. keep it up.. your presentation is very nice... I will never miss watching your videos.. for sure... Thank you.
namaste Anuja ji… such a #breeze to see your new Video.. missed it for long ! please keep it coming 🙏🙏 needless to say… a big fan of you… the bilaskaniTodi video… i have lost count of no of times i have heard it. you are truly #blessed by #mAsaraswati
Absolutely wonderful, as all your videos are. But as an Iranian musician, I do have a little comment. Hijâz(kâr)/Chahârgâh is central to Arabic/Iranian music much more in stereotype than in actual fact - it has become the symbol of the music of that region to foreign ears. It actually makes up a fairly small percentage of the working repertoire, and maqâm Bayâti/Shûr family (similar to Western minor, with a microtonally adjusted 2nd and sometimes 4th) is far more widely used in the musical culture.
I've had the experience of playing Iranian music for mixed audiences - I can do 40 minutes in Shûr for the Iranians but the second I switch to Chahârgâh, all the white folks in the crowd light up, as if I've just remember how to play our own music.
Thanks for this comment! ✨
Thanks for this insight! 🙏
Great information.❤
Fascinating comment.. thank you for sharing. A concept worth further exploring.. colonising music.
@@the_monsoon_diaries Exactly, there's an element of exoticism here. I think the reason this scale is so often used to represent the Arab and Persian worlds in the West is that it sounds relatively unfamiliar to Western ears while also being playable without microtonality. It's basically as 'Eastern' as the Western system can get, so it ends up becoming the stereotype.
Thanks... I can almost 100% relate with your observations/research.. its rare to find a friendly-teacher with versatile vision..
I have seen many teachers being rigidly imposing hard lessons on poor fellow student.. which subconsciously kills the freedom of thought(ideas doubts blossoming in mind)..
Keep discovering & sharing amazing facts !😁🪷🍁💐
Thank you!
Agree! Best teacher ever. No offence meant to my gurus
Didi, I'm your very big fan. My concept of Raag and Thaat became lucid after watching your videos, around 4-5 years ago. Take love!
What is her age n what fantastic knowledge this ung,, chulbuli ,cute child masters!! My salutes to her
,
Raam teri ganga meli notes were not correct
Your passion and interest in subject is very reflecting in your young n shining eyes. And a conqueror's confidence. Good young lady. My Love for you.
I couldn't understand raaga bhairav in such a great manner before..
How amazing guru you are ❤
Stay blessed
We love you
What a beautiful personality combined with supreme talent! Jeeti raho Baita. With all the blessings.
Absolutely outstanding and a wonderful presentation.
Anuja Kamath - my first Internet/RUclips guru - still going strong. Another fantastic video.
I've always felt that Raag Yaman and Maqam Al Bayyati are the most mesmerizing ones of both worlds 🖤🎼 and i think Bayyati is the most common in classical Arabic songs, mainly Egyptian.. which we call "Tarab" songs. Hijaz may be the most common one contemporarily
Remarkable explanation of bhairavi.. i am listening mostly, Mongolian, Gregorian. , Chinese,, Buddhist music.
Wonderful comparison! I play Sitar, Arabic Oud, and Turkish Saz so this topic is of supreme interest to me! One additional piece of info I can offer is that in Persian/Iranian music the Re and Dha notes in Chahargah (which is similar to Bhairav and Hijazkar) has microtonal placement which is sharper than hindustani komal re and dha. You can see Persian Setar has more frets than Indian Sitar to play these intervals. Also Maqam Zanjiran is equivalent to Raga Nat Bhairav not Ahir Bhairav. The intervals are the same but the starting note is sa instead of ma. Thanks for this nice discussion!
You are real gem of our musical culture
God bless you
Admirable
God bless you
प्रिय अनुजा, तुझे विडियो अत्यंत सुंदर व आकर्षक आहेत. जिथे आजकालची पिढी शास्त्रीय संगीताकडे पाठ फिरवत पाश्च्यात्त संगीतात मग्न होत असताना तू तुझ्या विलक्षण शैलीत भारतीय शास्त्रीय संगीताचा अभ्यास करून ते इतक्या सुंदर रीतीने लोकांपुढे सादर करतेस व ते अत्यंत श्रवणीय आणि दर्शनीय करतेस त्याबद्दल तुझं कौतुक करावं तेव्हढं कमी आहे. तू तुझ्या क्षेत्रात उत्तुंग यश कामावशीलच यांची मला खात्री आहे. भारतीय संगीतातील एक अतिशय नामवंत संगीतकार होशील यात काहीच शंका नाही. तुझ्या पुढील वाटचालीसाठी खूप खूप शुभेच्छा. - विवेक जोशी
खरच
If you release an album I will buy it. I have stress and listening to your singing is so soothing and calming like therapy.
One of my proud friend and also an intelligent personality as well ❤. Lots of love & respect
Hi,
Great video.
Just one thing that I wanted to add,
When we talk about Arabic tunes (perticularly the one you are talking about), I think it has more to do with Raag Basant Mukhari or Raag Hijaz than Bhairav or Ahir Bhairav.
Infact, the name of Raag Hijaz is directly borrowed from it's Arabic counterpart Maqam Hijaz. Afaik, the tune was brought to India by none other than Amir Khusroo who initially named it as Hijaz. Later, it merged with two other raags, namely, Vakulabharanam from Carnatic and Komal Bhairav from Hindustani classical music and created a new raaga called Basant Mukhari. Just wanted to share this amazing fact with you all.
However, you are doing an excellent work. Please keep it up🎉
You have such a sweet voice and your singing knowledge is outstanding. I am highly impressed. God bless you bacchi.
Great job Anuja! You have provided conceptual approach to Raag Bhairav. Suddenly, this raag has turned interesting to me which I didn’t try to learn earlier. Thank you.
Amazing presentation by you in a very simplified mannar 👌👌👏👏🙌
Anuj ji, it's my first time am watching & listening you and got surprised too.
You're so humble and polite plus so knowledgeable person.
Your voice is very silky and better than most of Bollywood singers.
I became a huge fan of yours!
Salute 🙌🙏🙌 to you.
Brilliant Anuja. Always so fantastic exploring these details. Honestly, a treasure of knowledge. Thanks for sharing 🙏
Anuja ji.. We love your honest efforts to connect Raagdari in Hindustaani Shastriya Gayan with the best of compositions used in indian cinema in a way that we all crave for more always..Salute to your sprit to connect threads and good luck for many more
You are incredible in detailing raags information. Keep it up. You were absent for a while but your fans including me were always looking for you. ❤
Beautiful voice. Enjoyed
I'm so glad you are back.
Kia bath hay etni Si Umar aur etni malumat God bless you
यह मेरा पहला वीडियो था आपका और मुझे बहुत ही अच्छा लगा आपका प्रेजेंटेशन और मुझे सब कुछ समझ में आई बात आपकी वेरी नाइस थैंक
Dear I'm impressed....
Your presentation, deep analytical skill and super quality of imagination... la jawab....
Feeda ho gaya yaar...
Wishing you all the best dear.
We feel like it should go on and on and on....
Awww 🥹🌱
Anuja Kamat..... very innovative, informative and interesting content.... you always give your best...love to watch your style of explanation...you are blessed with Saraswati... keep up the good work 😊
I loved this episode (just as so many other ones). Your approach, narration and singing are so conducive to draw the viewer into understanding of our precious heritage of Classical Indian music. More power to you young lady.
I just fell in love with how this brilliant person compared Raags to food
Incredible efforts !! Amazing episode it is !!! Thankyou Anuja di ❤🎉
Anuja 🎉congratulations you are doing good job by sharing knowledge of indian classical music 👌🙏
you are a sweetheart... with a very sharp sense of music.... love you!!
your voice is soooo soothing ❤
Informative as well as entertaing video. Thank you so much.
Anuja ji, I do appreciate your presentation on Raag Bhairav and Ahir Bhairav, Hindustani, Carnataki and Arabic equivalents, and especially your singing of some relatively newer songs with Arabic flavor.
You have a great future. Keep it up. Keep going. Keep speaking about music.
खूपच छान. मनमोकळेपणे कसा एखादा विषय मांडता येतो हे आज समजले. परमेश्वर उत्तरोत्तर प्रगती देवो.
Thanks for great content, Dakiya daak laaya,Sunta hai mera khuda songs are out of box and unexpected
Excellent 👍
Great video and so well done.
God bless you for this endeavour
What a beautiful voice this lady has!
Bohot kuch sikhne ko milta hae aap ke videos se. Love from Kolkata 💖💖
Very very interesting. Super.
Excellent presentation! Nice singing,appropriate content, easy and natural flow. keep it up!
You are awesome! I look forward to your lovely videos. You are so articulate! Please increase your video release frequency 🙏🙏
Amazing presentation.
Blessings and Respect from Canada 🙏🏽🍁✊🏽
Boht khubsurat awaz hy
Anuja don’t stop creating and posting your content - ever ! I cannot begin to tell you how much I appreciate this! Love your energy and keen observations! ❤ and ✌️
i love it ....the way u explained ...... hats off .... And of course Ahir Bherav is one of my favorite raags ..... but the information u gave about Arabic music is worth listening ...Stay bless ❤
Absolutely mind blowing Madam hats off to your knowledge on our hindustani classical music you know them like the back of your palm - sashtang pranams to you 🙏🏼🙏🏼🙏🏼 I am seeing your video after a very long time I don't know if you were on a hiatus. So nice to see you back, looking forward to more videos from you Madam.
I wish and pray your channel hits more than a million subscribers soon 🙌🏼🙌🏼
I request everyone here to share this channel truly worth every second and there is so much to learn here 🙏🏼🙏🏼
Lastly you remind me of actor Mandira Bedi 😊😊 (may be because of your hair style)
A wonderful,ecstatic and joyful musical experience,Anuja!I am totally in love with your style and awestruck by your knowledge!Greetings from a sincere admirer
Vaidyanathan
Excellent 👌 Amir from karachi Pakistan
🌹❤️
Very nicely presented.. God bless you....
So happy to find this video and this channel. Impressive work Anuja... good wishes from Texas US
Very interesting and soo chulbuli
You are only one on you tube to give a truth knowledge.thx
Thanks for making it this lucid for us❤
You are brilliant. God bless you
Extremely good ❤❤
Your new subscriber You are a maestro , well done.
One of the best teacher ❤
Waw.. you make this so easy to understand.. and your singing also very nice ❤
❤ understanding 0 % 😮 Enjoying 100 % 😊 .......Love u dear🎉❤
Happy to see you back ❤
I am so lucky that youtube suggested me this video & channel. Thank you For doing this amazing work 🙌
Excellent. डाकिया डाक लाया, खुशीका पयाम कहीं, कहीं दर्द नाम लाया।
Hi Anuja madam, you are one of the best teacher.
Shandar video 🎉
very good ! perfect... blessings to you.
Amazing..I never heard about connection with bhairav and Arabian music..so very interesting episode.. thank you
If you have learnt Raag Bhairav you can draw parallels with Arabic music. Swar are very similiar.
Knowledge of music and analysis very miniscule audience can understand stand. I love u madam
Raag in easy way can explained none other than you 😊
Just Superb ! But I believe, there are few more Rag, which have similarity with some 'Rag' from Arab contries + Greece + Turkey.
Any Idea? If yes, can we have a similar episode for such Rag? Thanks in advance.
excelent video maam great....please keep it up........
U explain so beautifully 🥀dear
Love you. Recent popular song in Marathi Cinema Natrang अप्सरा आली is also in Ahir Bhairav
Yes! Also ata valajale ki bara from same movie and majhiya mana (from ritu hirva album)
WOW awesome knowledge.
Absolutely interesting and valuable info. Amazing and your effort in multiple attempts in creating the content truly worth it. Appreciate your knowledge and sharing - video is collection worthy... a MUST share... Keep up the good (read that as great) work ...
Didi You Explained this one is in Very Simple Way , love to watch your Videos ❤
Simply mesmerising! I am a (music) layman who love music/songs etc. I did not understand a word of the musical grammar you explained in your video but I enjoyed every word you spoke therein with a "teen in love" fervour and subscribed your channel. Looking forward to watch your next video while trying to delve into the old ones.
Great mam!!!!
Thanks a lot for coming back please be consistent 🙏❤ love your videos
Watching first video and this is very informative. Subscribed.
Oh, you are still active
Nice to see you back...
Wonderfull !!
Lovely compilation ❤how did you forget AR Rehman's Guru film's Mallika Sherawat dance in Istanbul? Maiya maiya...it's a mind blowing composition based on Bhairav notes.
Wow, Very nice, this is Ash Imran a Music Producer COmposer from KHI, since last 36 years, I like the u r telling & give information, Amazing
What an episode. Prince of Persia was a favourite of mine. And because of this video Makam Hijaz kar
Wah... So nice.. Though i m not from music industry but i always like to listen music.. and you have wonderfully explained the concept.. really nice.. keep it up.. your presentation is very nice... I will never miss watching your videos.. for sure... Thank you.
namaste Anuja ji… such a #breeze to see your new Video.. missed it for long ! please keep it coming 🙏🙏 needless to say… a big fan of you… the bilaskaniTodi video… i have lost count of no of times i have heard it. you are truly #blessed by #mAsaraswati
Great informative video....👏👏
Loved this and just subscribed.
Superb video Anuja ji🙏🙏
Goosebumps!
Love you Anuja ❤❤ from Nepal.your sense of music is amazing ❤
U have great knowledge and ur voice is also good and tuned.
Good to see you in regular touch ma'am
Thank you so much for these valuable information
No doubt there was a lot to learn❤❤❤