Beethoven Piano Concerto no. 3 -- Haskil/Markevitch/Orchestre Lamoureux
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- Опубликовано: 15 окт 2024
- Ludwig van Beethoven (1770-1827)
Concerto for Piano no 3 in C minor, opus 37
I. Allegro con brio
II. Largo 17:14
III. Rondo. Allegro 26:29
Clara Haskil (1895-1960), piano
Conductor: Igor Markevitch (1912-1983)
Orchestre des Concerts Lamoureux
Rec. 1959
This is the recording which Charlie Chaplin mentioned in his 1964 book, "My Autobiography."
He wrote: "Often I play her records, the last she made before her death. Before I started the task of rewriting this manuscript for the sixth time, I put on Beethoven's Piano Concerto No. 3 with Clara at the piano and Markevitch conducting - which to me is as near an approximation of truth as any great work of art could be and which has been a source of encouragement for me to finish this book."
나는 클라라 하스킬의 이 연주를 들을때마다 항상 심장이 조여드는듯한 아픔과 함께 천상의 계단을 오르락내리락하는 느낌을 받는다ᆢ
죽고싶을 정도의 극심한 고통속에서 이 곡을 작곡하고 연주했던 베토벤과 클라라 하스킬 뿐만 아니라,
이 세상 모든 고통받는 이들의 좌절, 절망,
그리고 희망이, 이 곡 속에, 이 연주 속에,
너무나도 고스란히 들어있기 때문일 것이다 ᆢ
그리고, 이젠 ,
우리의 귀한 보배, 어리고 순수한 천재 예술가
임윤찬군의 순수하고도 아름다운 이 곡 연주를 통해,
이세상 모든 고통받는 이들에게,
이 곡이 절망과 희망을 전달해주는것을 넘어,
그 얼마나 큰 위안과 위로, 그리고 희망의 기쁨을 안겨줄 수 있는지를 알게되어 정말 감사하고,
또 감사한 일이다ᆢ
(내 나이 67세ᆢ
앞으로도 나의 최애 베토벤 피협 No.3 연주는
클라라하스킬님 , 그리고 임윤찬군의 순수하고 아름다운 연주일 것 같다ᆢ)
The best legendary performance!
Wie kann diese Pianistin singen auf dem Klavier^^, man höre nur das zweite Thema des ersten Satzes. Alles ist Wohllaut, organisch atmend, welch eine Phrasierung und der Klang, wunderbar!
Das 3. Konzert muss doch nicht immer so dramatisch fordernd klingen, es gibt so herrlich intime Stellen darin und Clara spielt diese so apollinisch, mit Musikalität und unglaublichem Timing, rhythmisch so konstant wie Richter, aber so seelenvoll, dass das Technische nicht Technik ist, sondern Seelenausdruck! :-)
La piu'grande pianista del novecento
Beautiful. The perfect performance speaks for itself and I think it is just right the way it is. Evidently Charlie Chaplin had the same feelings about this performance.
Awesome. I think don't analyze or comment but let yourself flow.
What a trip
Reinheit von seltenster Güte. Danke fürs Teilen!
Sublime, merci.💗
Masterpiece
As one would expect, this is a finely wrought, unfussy account which really makes the music speak. I suppose it is possible to 'milk' the slow movement for more expression but I loved the eloquent simplicity heard here. Likewise, the finale could be more extrovert but Haskil's understated 'classical' approach also sounds very persuasive. Soloist and conductor seem nicely in accord, and both piano and orchestral sound are excellent.
Min 29:22. Great smiles : Clara dance the rondo better than an 18 years old.
4:23 - 5:28
Awesome!
If I had reacted to your comments in 2013, you would possibly have read mine. Who knows if this one will reach you. Perhaps it's not too late. - You mention 4:23 - 5:28 ? To my feelings, any time span would do. So I propose 0:01 - 36:38. This concerto mesmerizes me since I listened to it for the first time, almost 72 years ago. I remember this precisely because a present for my 17th birthday was a small but powerful radio, that transported me from my home in the Netherlands to the Henry Wood Promenade Concerts from London and other great festivals in Belgium and Germany, introducing me to Beethoven (and other composers, of course!). I'm proud to say that Clara Haskil was one of the performers whose piano talked to me personally. :-).
si, de las versiones de este concierto no sólo me parece la mejor sino que es muy emotiva
La version más perfecta y a la vez más emocionante del 3er concierto, casi como si Dios existiera.
je suis d'accord Guillermo, seule la musique peut nous faire croire à l'existence de Dieu :-)
Existe ,sin duda
haven't found one who can match Clara in this piece, just so musical with a perfect sense of balance and taste. Gilels is also good, but in certain passages becomes a bit unuanced compared to Clara. Hard to grasp the extent of her genius.
Clara Haskil...Tout le contraire des "pianistes-métronomes" d'aujourd'hui qui en rajoutent dans l'effet (n'est-ce-pas Mr Lang-Lang....). Et la direction de Markevitch est parfaite avec ses attaques au scalpel. Un Beethoven dégraissé de tout pathos superflu. L'orchestre est bon mais typiquement français avec cette sécheresse que l'on retrouve à la même époque dans tous les orchestres français . La prise de son accentuant certainement l'effet.
Bravo!!!!!!
Yes, for all her wonderful strengths, i suppose that Haskil was not a 'big' player.
8:06
I agree with you! However, even if the music is "classical" itself, I think sometimes a bit more passion and drama are needed, especially in the big cadenza and in the last movement.