Domenico Scarlatti (1685-1757) The Keyboard Sonatas by Clara Haskil. 🎧 Qobuz bit.ly/3rx56rT Deezer bit.ly/31wQaPO 🎧 Amazon Music amzn.to/3WUhPRV Tidal bit.ly/3xS0A8p 🎧 Spotify spoti.fi/31tjJBK Apple Music apple.co/3q7ytPp 🎧 RUclips Music bit.ly/3VBZB6N SoundCloud bit.ly/3qu1zIG 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … *Click to activate the English subtitles for the presentation* (00:00-03:00) 00:00 Keyboard Sonata in A Major K. 322 / 1950 02:51 Keyboard Sonata in E flat Major K. 193 / 1950 06:58 Keyboard Sonata in C sharp minor K. 247 / 1950 12:19 Keyboard Sonata in C Major K. 132 / 1950 18:13 Keyboard Sonata in F minor K. 519 / 1950 21:00 Keyboard Sonata in G minor K. 35 / 1950 23:25 Keyboard Sonata in G Mmajor K. 2 / 1950 25:10 Keyboard Sonata in F minor K. 386 / 1950 27:37 Keyboard Sonata in C Major K. 515 / 1950 30:19 Keyboard Sonata in F Major K. 437 / 1950 32:51 Keyboard Sonata in B minor K. 87 / 1950 37:26 Keyboard Sonata in B minor K. 87 / 1951 42:02 Keyboard Sonata in E flat Major K. 193 / 1951 46:01 Keyboard Sonata in F minor K. 386 / 1951 Piano: Clara Haskil Recorded in 1950-51, at Switzerland New mastering in 2021 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Any member of the guild of great pianists with an ambition to perform Scarlatti must be a master of fine distinctions, for Scarlatti's sonatas are no more limited to "elegance and delicacy of expression". Clara Haskil (1895-1960), called a "saint of the piano" (by Joachim Kaiser) in the 1950s, was wonderfully successful at this balancing act. Although she began playing in public as early as 1902, she Mas long denied lasting fame. This may partly be attributed to a serious back ailment that required her to stop performing for repeated periods and partly to her markedly individual style. Her artistic breakthrough finally came with a series of concerts in the Netherlands in 1949, which brought the 54-year-old pianist long delayed international recognition. Her recording of Scarlatti sonatas, ravishing masterpieces, is still a prized collector's item among Scarlatti connoisseurs and amateurs. Chopin - Piano Concerto No.2 in F minor Op.21 (reference recording: Clara Haskil, Igor Markevitch): ruclips.net/video/A2ReK8XL6X8/видео.html Domenico Scarlatti PLAYLIST (reference recordings): ruclips.net/video/IksKydCVXVs/видео.html
Clara Haskil plays always gloriously. It is beautiful and elaborate performance. It is so good to appreciate Scarlatti after a long time. It touches in heart deeply. Rest in Peace Clara Haskil.
Domenico Scarlatti ( ma non dimentichiamo la grandezza del padre Alessandro) è uno dei grandi della nostro patrimonio musicale ; le sue esecuzioni al clavicembalo sono memorabili, fino, si dice, a battere il grande Handel. Al clavicembalo , strumento a corde pizzicate, ha saputo dare il colore della chitarra spagnola e portoghese , strumento a sua volta a corde pizzicate. Al pianoforte la Sonata risulta più potente, ma perde un poco della sonorità del clavicembalo. In ogni caso la Sonata n 322 è veramente un capolavoro e magnificamente suonato da Clara Haskil : si tratta della Sonata che preferisco, ma grandi sono anche le Sonate n 247 e 132. Grazie a Classical Music e a Clara Haskil per la bellezza di questo concerto. Buon Natale.
a friend gifted me this recording years ago and i was mesmerized by it. clara has such a knack for playing these with a fragile, almost ghost-like delicacy while being extremely heartfelt in the phrasing and expressiveness. i don't always like scarlatti on the piano, but this one i absolutely do.
Wunderschöne und detaillierte Interpretation dieser 14 fein komponierten Tastensonaten in verschiedenen Tempi mit klarem doch elegantem klang des technisch perfekten Klaviers und mit sorgfältig kontrollierter Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als Originalaufnahmen von siebzig oder mehr Jahren vor. Zweifellos eine der zehn besten Pianistinnen im 20. Jahrhundert!
Any member of the guild of great pianists with an ambition to perform Scarlatti must be a master of fine distinctions, for Scarlatti's sonatas are no more limited to "elegance and delicacy of expression". Clara Haskil (1895-1960), called a "saint of the piano" (by Joachim Kaiser) in the 1950s, was wonderfully successful at this balancing act. Although she began playing in public as early as 1902, she Mas long denied lasting fame. This may partly be attributed to a serious back ailment that required her to stop performing for repeated periods and partly to her markedly individual style. Her artistic breakthrough finally came with a series of concerts in the Netherlands in 1949, which brought the 54-year-old pianist long delayed international recognition. Her recording of Scarlatti sonatas, ravishing masterpieces, is still a prized collector's item among Scarlatti connoisseurs and amateurs. *Click to activate the English subtitles for the complete presentation* (00:00-03:00) Chopin - Piano Concerto No.2 in F minor Op.21 (reference recording: Clara Haskil, Igor Markevitch): ruclips.net/video/A2ReK8XL6X8/видео.html 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr
Thank you so much for this brilliant upload uniting Haskil's 11 Scarlatti Sonatas for Westminster set down in 1950 along with her accounts of 3 of these for Philips the following year. Marvellous playing in every note and phrase. What a master!
Takes me back to the 1950's when we listened to record review on the BBC after which Clara Haskil's beautiful playing became part of our lives. This is a most welcome addition to CMRR.
You make a really good point; the only thing I might add is that what you say is true for all the greatest composers, and it’s certainly true of Scarlatti and his keyboard works.
Ein Wunder an musikalischer Schönheit, das Clara Haskil mit den Scarlatti-Sonaten entstehen läßt. Allein die cis-moll-Sonate K. 247 - wie phantastisch erblüht sie unter Clara Haskils Händen! Früher zog ich bei Urlaubsreisen gern auch durch Schallplattenläden. Und es war in Italien, als ich die Scarlatti-Platte Haskils entdeckte. Und diese Platte hat mich glücklich gemacht und auch zu einem Scarlatti-Fan, der seitdem viel Zeit mit dem Üben seiner Sonaten verbracht hat. Und sehr gern waren es genau die Sonaten, die Clara Haskil aufgenommen hat.
Clara Haskil is a wonder. To find moving emotion and sonic richness, delicasy and sophisticated lyricism in Scarlatti - these findings and qualities that brought them out belong to outsanding talent. The current percussive style of playing Scarlatti is nowhere to be found thankfully. Just coherent reading of inner architecture of each peiece through wise unhurred attitude and respect of tremulose yet energetic nature of this music. I never thought that Scarlatti can be so moving and profound beyond obvious compositional brilliance. Then again it depends on who is playing. Clara Haskil has luminouse sound to her playing even in the most hushed places, which she makes audible through everchanging calibration of her touch. She never stressing anything unnecessarily since her ear is so fine tuned to the the overall structure. Her amazing sensitivity and musicality organized around the composer's thought. This is art and this is a true master at work that shuns suprficialiy of popular views and attitudes. Bravissima!
Scarlatti was always a mistery to me. Why his music is so different of Bach's considering they were born in the same year ? His 555 mini sonatas and all the rest are full of surprises, humour and some of them are so "new" that seem to have been composed centuries later. I was never very fond of the so called baroque music but Scarlatti's fill me with admiration, joy and surprise. And Clara was a very special person!
Because he lived and worked in Spain for 28 years and had a great influence of the Spanish culture, that by that time had a vast folk tradition and also was very much into the Classical period!
Yes there is something that links them : never ending inventiveness! And you can add Jean-Philippe Rameau, although his output for the keyboard only is rather scarce. Jean-Sebastien was concerned with pedagogy. Domenico seems to be concerned with and relish in his own imagination that never stops. Jean-Philippe is keen on being playful and cheeky! While Georg Friedrich Haendel is always lyrical.....
Probé escuchar secuencialmente las composiciones instrumentales de Bach. Me pareció encontrar algo abstracto y complejo. En cambio me puse a escuchar a Scarlatti y ya voy por la sonata 237. Scarlatti es más Pop 😃
The impressive quality of Haskil's playing is how she varies repeated notes. That places her among the best Scarlatti pianists. Great control and subtlety. Recording sound could be better, but it is the 1950s.
¡Maravilla total! Increíble. Una joya que viene del pasado con todo el esplendor de la precisión y la belleza de un genial compositor volcadas por las manos de una eximia intérprete.
Durante mucho tiempo intenté tocar la sonata K. 322 en guitarra, a partir de una tablatura que me llegó por algún lado. Nunca pude. Siento que hay unos Campos Eliseos hacia los que muchos de nosotros miramos con admiración silente, desde abajo, mientras seguimos con nuestras vidas pequeñas; y estos artistas, habitantes de esos Campos Eliseos, nos dan un recreo de vez en cuando, nos permiten vislumbrar esos jardines, de lejos, o por el ojo de una cerradura, para luego retirarse, dejándonos de vuelta en las ciudades, en las calles, con una alegría que duele.
Maravillosa, inolvidable pianista, Clara Haskil. Y elegantísimas sonatas las de Scarlatti. Haskil, gran amiga que fue de otro grandísimo pianista, muerto prematuramente, Dino Lipatti. Silvia Escobar. Madrid.
These sure are completely different, I first thought what is this? Am I listening those same Sonatas I have earlier listened... But somehow this is beautiful and flowing, have to like it! And must be amazed...
Listening this piece,l am reminded of Clara Haskils playing Schumans 'Scenes de la First"about 50 yrs back .That was really a sort of 'finger touch 'keyboard performance,very sweetly played
Interesting how she recorded K87 in 1950. i have a lot of reserves about her interpretation having played this myself and feeling quite strongly about it, it being one my favorite piece, and then she recorded it a second time in 1951 and both versions are here. She corrected everything i didn't like in the first version, vow, and her newer interpretation is a lot closer to mine. I know i shouldn't praise myself but my musical intuition was validated. I knew this piece will haunt those who learn it and if you don't quite get it the first time you sure will when you revisit it. I think she did.
More The Great women pianists like=Lubov Timofeeva ( The beutiful piano sound) Ekaterina Novitskaya ( The second most relax player Ever! Radu Lupu The most relax). Natalia Trull ( THE TIGER POWER NATALIA TRULL!! Prokoviev piano concerto no 3!).Laura Mikkola ( Mozart piano concerto no 22 a class of her own).Gina.Bachauer Marguerite Fjodorova ( Fedorova Scriabin piano.concerto) Viktoria Postnikova ( The Best Tchaikovsky piano concerto no 1 playing in Tchaikovsky piano competition in 1970 Better than John Lill's ( Lill The Boring Anti-Romantic fashion playing Tchaikovsky piano concerto no 1! Viktoria better Tchaikovsky piano concerto no 1 than Vladimir Krainev's John Lill's Horacio Gutierrez's and Moreira-Lima') Susan Starr Marina Mdivsni -Goglidze! Elisso Virsaladze
Extraordinary recording discovery, even if, at the very beginning, I messed up with Clara Schumann. For these reason I was very curious about record testimonials. Wine holidays to all of you :)
🙏🏽🧡 .I am praying for everyone who needs a Miracle. Only God can do the impossible, He can make a way when there seems to be no way. Today I pray God touches your health, your home, your family, your faith, and your finances. God bless you Amen!
A pianista é excelente. Tocar no piano peças concebidas para cravo, tudo bem, é aceitável. Mas jogar crescendos e dimunuendos em peças barrocas, como se fossem do período romântico foi, pra mim, a gota d’água. Onde ficou o chiaroscuro?
Clara Haskil was a superb technician but IMO the tempi at which she plays the sonatas of Domenico Scarlatti is way too fast across the board. It tends to blur and (sometimes even bury) the beautiful and often very touching melodies of Scarlatti - like a speeding train that passes you by instead of picking you up to enjoy the ride. Compare this recording with Ivo Pogorelich's outstanding early Scarlatti album on DG and you might agree.
Lovely of course. But is Scarlatti best served by subtlety and elegance? Where's the passion, harshness, despair grounded in Spanish, Portuguese and Napolitan music? Haskil is great, but Hantai or Carbonara bring out what makes Scarlatti great.
You ask a big question. Others will have to answer; for myself, all I know is that Hantaï impresses, but - realising that this may say more about me and about our time than it does about the authenticity of the performances - that Haskil goes to my heart.
Brings a feminine airhead droopiness, Scarlatti’s intense passion reduced to introspection and wistfulness, totally wrongheaded; her half fainting affected and silly disappearing style is securely worked out and it’s unusual but this is wilfully avoiding the music; it compares with Roselyn Tureck’s dreamscape and daft ultra slow Goldberg. There’s a group of 14 from this period but vigour and intensity are beyond her.
Domenico Scarlatti (1685-1757) The Keyboard Sonatas by Clara Haskil.
🎧 Qobuz bit.ly/3rx56rT Deezer bit.ly/31wQaPO
🎧 Amazon Music amzn.to/3WUhPRV Tidal bit.ly/3xS0A8p
🎧 Spotify spoti.fi/31tjJBK Apple Music apple.co/3q7ytPp
🎧 RUclips Music bit.ly/3VBZB6N SoundCloud bit.ly/3qu1zIG
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
*Click to activate the English subtitles for the presentation* (00:00-03:00)
00:00 Keyboard Sonata in A Major K. 322 / 1950
02:51 Keyboard Sonata in E flat Major K. 193 / 1950
06:58 Keyboard Sonata in C sharp minor K. 247 / 1950
12:19 Keyboard Sonata in C Major K. 132 / 1950
18:13 Keyboard Sonata in F minor K. 519 / 1950
21:00 Keyboard Sonata in G minor K. 35 / 1950
23:25 Keyboard Sonata in G Mmajor K. 2 / 1950
25:10 Keyboard Sonata in F minor K. 386 / 1950
27:37 Keyboard Sonata in C Major K. 515 / 1950
30:19 Keyboard Sonata in F Major K. 437 / 1950
32:51 Keyboard Sonata in B minor K. 87 / 1950
37:26 Keyboard Sonata in B minor K. 87 / 1951
42:02 Keyboard Sonata in E flat Major K. 193 / 1951
46:01 Keyboard Sonata in F minor K. 386 / 1951
Piano: Clara Haskil
Recorded in 1950-51, at Switzerland
New mastering in 2021 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Any member of the guild of great pianists with an ambition to perform Scarlatti must be a master of fine distinctions, for Scarlatti's sonatas are no more limited to "elegance and delicacy of expression". Clara Haskil (1895-1960), called a "saint of the piano" (by Joachim Kaiser) in the 1950s, was wonderfully successful at this balancing act. Although she began playing in public as early as 1902, she Mas long denied lasting fame. This may partly be attributed to a serious back ailment that required her to stop performing for repeated periods and partly to her markedly individual style. Her artistic breakthrough finally came with a series of concerts in the Netherlands in 1949, which brought the 54-year-old pianist long delayed international recognition. Her recording of Scarlatti sonatas, ravishing masterpieces, is still a prized collector's item among Scarlatti connoisseurs and amateurs.
Chopin - Piano Concerto No.2 in F minor Op.21 (reference recording: Clara Haskil, Igor Markevitch): ruclips.net/video/A2ReK8XL6X8/видео.html
Domenico Scarlatti PLAYLIST (reference recordings): ruclips.net/video/IksKydCVXVs/видео.html
Unglaublich schön und tief, berührend, zauberhaft, ich höre und schwimme in einer anderen Welt
Clara Haskil plays always
gloriously. It is beautiful and elaborate performance.
It is so good to appreciate Scarlatti after a long time. It touches in heart deeply.
Rest in Peace Clara Haskil.
Clara Haskil, spielt so wunderschön, ein Wort nur ,Göttlich.
Domenico Scarlatti ( ma non dimentichiamo la grandezza del padre Alessandro) è uno dei grandi della nostro patrimonio musicale ; le sue esecuzioni al clavicembalo sono memorabili, fino, si dice, a battere il grande Handel. Al clavicembalo , strumento a corde pizzicate, ha saputo dare il colore della chitarra spagnola e portoghese , strumento a sua volta a corde pizzicate. Al pianoforte la Sonata risulta più potente, ma perde un poco della sonorità del clavicembalo. In ogni caso la Sonata n 322 è veramente un capolavoro e magnificamente suonato da Clara Haskil : si tratta della Sonata che preferisco, ma grandi sono anche le Sonate n 247 e 132. Grazie a Classical Music e a Clara Haskil per la bellezza di questo concerto. Buon Natale.
The comfort of Scarlatti‘s melody is unfathomable , immeasurable and beyond compare
a friend gifted me this recording years ago and i was mesmerized by it. clara has such a knack for playing these with a fragile, almost ghost-like delicacy while being extremely heartfelt in the phrasing and expressiveness. i don't always like scarlatti on the piano, but this one i absolutely do.
What a great artist Haskil was.
Extase pianistique, si rare de nos jours car celle-ci nous emporte vers l'au delà.
Wunderschöne und detaillierte Interpretation dieser 14 fein komponierten Tastensonaten in verschiedenen Tempi mit klarem doch elegantem klang des technisch perfekten Klaviers und mit sorgfältig kontrollierter Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als Originalaufnahmen von siebzig oder mehr Jahren vor. Zweifellos eine der zehn besten Pianistinnen im 20. Jahrhundert!
Any member of the guild of great pianists with an ambition to perform Scarlatti must be a master of fine distinctions, for Scarlatti's sonatas are no more limited to "elegance and delicacy of expression". Clara Haskil (1895-1960), called a "saint of the piano" (by Joachim Kaiser) in the 1950s, was wonderfully successful at this balancing act. Although she began playing in public as early as 1902, she Mas long denied lasting fame. This may partly be attributed to a serious back ailment that required her to stop performing for repeated periods and partly to her markedly individual style. Her artistic breakthrough finally came with a series of concerts in the Netherlands in 1949, which brought the 54-year-old pianist long delayed international recognition. Her recording of Scarlatti sonatas, ravishing masterpieces, is still a prized collector's item among Scarlatti connoisseurs and amateurs. *Click to activate the English subtitles for the complete presentation* (00:00-03:00)
Chopin - Piano Concerto No.2 in F minor Op.21 (reference recording: Clara Haskil, Igor Markevitch): ruclips.net/video/A2ReK8XL6X8/видео.html
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Splendid and sensitive renditions of these Scarlatti sonatas by this unforgettable wonderful pianist. Thank you !
Thank you so much for this brilliant upload uniting Haskil's 11 Scarlatti Sonatas for Westminster set down in 1950 along with her accounts of 3 of these for Philips the following year. Marvellous playing in every note and phrase. What a master!
Agreed! Gorgeous sound. Sublime Clara. 👌🏻
You do a great job on your channel too :)
Takes me back to the 1950's when we listened to record review on the BBC after which Clara Haskil's beautiful playing became part of our lives. This is a most welcome addition to CMRR.
Thanks so much for sharing these magisterial recordings. What a wonderful pianist Clara Haskil was.
You should listen to her Mozart piano concerti on LPs. Amazing she knows how to make classical music breathe.
I find Scarlatti to have one of the most distinctive voices in classical music. For me, this is a great introduction to a fine pianist.
You make a really good point; the only thing I might add is that what you say is true for all the greatest composers, and it’s certainly true of Scarlatti and his keyboard works.
Ein Wunder an musikalischer Schönheit, das Clara Haskil mit den Scarlatti-Sonaten entstehen läßt. Allein die cis-moll-Sonate K. 247 - wie phantastisch erblüht sie unter Clara Haskils Händen! Früher zog ich bei Urlaubsreisen gern auch durch Schallplattenläden. Und es war in Italien, als ich die Scarlatti-Platte Haskils entdeckte. Und diese Platte hat mich glücklich gemacht und auch zu einem Scarlatti-Fan, der seitdem viel Zeit mit dem Üben seiner Sonaten verbracht hat. Und sehr gern waren es genau die Sonaten, die Clara Haskil aufgenommen hat.
Clara Haskil is a wonder. To find moving emotion and sonic richness, delicasy and sophisticated lyricism in Scarlatti - these findings and qualities that brought them out belong to outsanding talent. The current percussive style of playing Scarlatti is nowhere to be found thankfully. Just coherent reading of inner architecture of each peiece through wise unhurred attitude and respect of tremulose yet energetic nature of this music. I never thought that Scarlatti can be so moving and profound beyond obvious compositional brilliance. Then again it depends on who is playing. Clara Haskil has luminouse sound to her playing even in the most hushed places, which she makes audible through everchanging calibration of her touch. She never stressing anything unnecessarily since her ear is so fine tuned to the the overall structure. Her amazing sensitivity and musicality organized around the composer's thought. This is art and this is a true master at work that shuns suprficialiy of popular views and attitudes. Bravissima!
Well said! Iagree completely! This is pure beauty!
Scarlatti was always a mistery to me. Why his music is so different of Bach's considering they were born in the same year ? His 555 mini sonatas and all the rest are full of surprises, humour and some of them are so "new" that seem to have been composed centuries later. I was never very fond of the so called baroque music but Scarlatti's fill me with admiration, joy and surprise. And Clara was a very special person!
Because he lived and worked in Spain for 28 years and had a great influence of the Spanish culture, that by that time had a vast folk tradition and also was very much into the Classical period!
Yes there is something that links them : never ending inventiveness! And you can add Jean-Philippe Rameau, although his output for the keyboard only is rather scarce.
Jean-Sebastien was concerned with pedagogy. Domenico seems to be concerned with and relish in his own imagination that never stops. Jean-Philippe is keen on being playful and cheeky! While Georg Friedrich Haendel is always lyrical.....
Scarlatti is the true consolation
Scarlatti Domenico ó Alessandro?
Probé escuchar secuencialmente las composiciones instrumentales de Bach. Me pareció encontrar algo abstracto y complejo. En cambio me puse a escuchar a Scarlatti y ya voy por la sonata 237.
Scarlatti es más Pop 😃
Now i am listening to a giant artist with excellent technic and nuance. Thanks for uploading.
The impressive quality of Haskil's playing is how she varies repeated notes. That places her among the best Scarlatti pianists. Great control and subtlety. Recording sound could be better, but it is the 1950s.
Simplemente maravillosa es Clara Haskil !
Clara Haskil una extraordinaria artista. Más allá de ortografías musicales.
Clara haskil is a legacy to the world
아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Genau so unglaublich schön phrasiert und interpretiert habe ich das Spiel von Clara Haskil in Erinnerung.--Ursula
白い花びらがひらひらと揺れながら語りかけてくるかのようなハスキルの音！ずっと聴いていてもあきない❤
¡Maravilla total! Increíble. Una joya que viene del pasado con todo el esplendor de la precisión y la belleza de un genial compositor volcadas por las manos de una eximia intérprete.
Los Judios suelen tocar música desde niños en la familia y no hace falta se vuelvan grandes intérpretes.
Absolute marvel! Uncredible. A joy coming from the past with all the precision and splendour of a geniale composer played with fantastic hands
Supposed to be the best performance of these works.
One of the best....if not THE best Scarlatti-player,
I have heard 😍
클라라하스칼...오랫만에 듣습니다~^^ 스카를라티 소나타는 특징이 뚜렷해요...^^어디서든 문득 들어도..아..이거 혹시 스카를라티? 이럴정도로 아련하고..유머있고..사랑스러운곡들
I enjoy her playing so much
Love her interpretations of such beautiful music 🎶 by a avant-garde composer for his time. I think he sadly never got the recognition he deserved.
스칼라티 소나타에 한 번 놀라고 클라라 하스킬의 아름다운 연주에 또 한번~~ 감격입니다.
Wonderfully musical. Such a delight after modern mania for everything as fast as possible.
just what i would expect from Ms. Haskill
Durante mucho tiempo intenté tocar la sonata K. 322 en guitarra, a partir de una tablatura que me llegó por algún lado. Nunca pude. Siento que hay unos Campos Eliseos hacia los que muchos de nosotros miramos con admiración silente, desde abajo, mientras seguimos con nuestras vidas pequeñas; y estos artistas, habitantes de esos Campos Eliseos, nos dan un recreo de vez en cuando, nos permiten vislumbrar esos jardines, de lejos, o por el ojo de una cerradura, para luego retirarse, dejándonos de vuelta en las ciudades, en las calles, con una alegría que duele.
Precioso texto, Marcos Leiva. Me identifico. Silvia Escobar (pianista aficionada). Madrid
Una verdad dicha de manera muy poética
quelle merveille !!!! merci
Haskil & Scarlatti = !!!
Great performance. Thank you for this truly beautiful upload, it's one of the best I have listen to.
BRAVO!!! Thank you for the great music !!! All All the best !!!
I prefer Haskil’s 1951 take on K. 87 to the one she had made a year earlier. 👌🏻 BRAVA, Clara. 👏🏻 💐 👏🏻
One of the best, if not the best, Scarlatti interpreters in recorded piano history. Up there with Lipatti, Horowitz, Michelangeli and very few others.
Una pianista exquisita de extraordinaria musicalidad tan maravillosa en Schumann y Ravel como en Mozart y Scarlatti.
Maravillosa, inolvidable pianista, Clara Haskil. Y elegantísimas sonatas las de Scarlatti. Haskil, gran amiga que fue de otro grandísimo pianista, muerto prematuramente, Dino Lipatti. Silvia Escobar. Madrid.
No sabía que Haskil y Lipatti eran amigos. Habiendo escuchado a ambos, tiene sentido. Gracias por la información!
Im such a big Scarlatti fan and always needing nu material so these r surprising how well they sound.
Потрясающе!
Exquisite! Brava, brava, brava!!
Thank you very much, another musical treasure!!!
Wow. this music so beautiful.....
Maravillosa. Posiblemente una de las mejores intérpretes,en mi opinión , de Scarlatti al piano.
I just love it! 😀
Wonderful sensitive Artistry
@21:00 i can feel the palazio and the air of the italian renaissance. Such a positivism in the music.
One of my favorite. Thank you!
Beautiful
These sure are completely different, I first thought what is this? Am I listening those same Sonatas I have earlier listened... But somehow this is beautiful and flowing, have to like it! And must be amazed...
Qué bonito... Muchas gracias. 😍
Bellísima música de Scarlatti ,,
Clara has skill.
La 554 ème sonate piano de Scarlatti est excellente et courte . Jamais fatigué ! Listen !
Esto es sencillamente sensacional y grandioso
Belíssimo!
Indimenticabile interprete, dall'impareggiabile profilo giudaico.
E molto vero. Io lo capisco anque cosí. Tante graccie.
Listening this piece,l am reminded of Clara Haskils playing Schumans 'Scenes de la First"about 50 yrs back .That was really a sort of 'finger touch 'keyboard performance,very sweetly played
sublime!
La sonate en si mineur j adore enfin tout est beau...
Interesting how she recorded K87 in 1950. i have a lot of reserves about her interpretation having played this myself and feeling quite strongly about it, it being one my favorite piece, and then she recorded it a second time in 1951 and both versions are here. She corrected everything i didn't like in the first version, vow, and her newer interpretation is a lot closer to mine. I know i shouldn't praise myself but my musical intuition was validated. I knew this piece will haunt those who learn it and if you don't quite get it the first time you sure will when you revisit it. I think she did.
what arrogance
@@MrTonybond67 what jealousy
get lost
@@alexanderreikreik you are already. Jealous hater !
Une des plus grandes parmi parmi les plus grandes à ne pas oublier: (Nikolayeva, Lympany, Meyer,Kraus,Hess,Renard,Tamarkina, Yudina…)
More The Great women pianists like=Lubov Timofeeva ( The beutiful piano sound) Ekaterina Novitskaya ( The second most relax player Ever! Radu Lupu The most relax). Natalia Trull ( THE TIGER POWER NATALIA TRULL!! Prokoviev piano concerto no 3!).Laura Mikkola ( Mozart piano concerto no 22 a class of her own).Gina.Bachauer Marguerite Fjodorova ( Fedorova Scriabin piano.concerto) Viktoria Postnikova ( The Best Tchaikovsky piano concerto no 1 playing in Tchaikovsky piano competition in 1970 Better than John Lill's ( Lill The Boring Anti-Romantic fashion playing Tchaikovsky piano concerto no 1! Viktoria better Tchaikovsky piano concerto no 1 than Vladimir Krainev's John Lill's Horacio Gutierrez's and Moreira-Lima') Susan Starr Marina Mdivsni -Goglidze! Elisso Virsaladze
@@RaineriHakkarainen Mister “better than”...”the best”...”the most...”. Mister “I know better”. Aïe, Aïe, Aïe !
"A day without music is a wasted day". Albert Einstein.
" A day without Scarlatti is a wasted day". Me
NO WORDS...
Domenico Scarlatti nasque il 26/10/1685, li Palermo Sicilia e morto il 23/7/1757, il Madrid (era 71 aeta).
Palermo? Good to know, I'll be there in September. Surely there must be a museum.
独特の音色があるよね
コローの絵画のような雰囲気
ANNA.MARTÍ🐾🐾❤. FURMOSAS.
BELLÍSIMAS SONATAS DEL CUP🐾👏👏USITÓ
****¡¡¡¡!!!¡¡¡¡ DOMÉNICO SCARLATTÍ¡¡¡!!!¡¡¡¡
클라라하스킬의 스칼라티가 있었군요.
아 넘 좋아
Oh my🥳
Rien n'est plus beau que celà
Extraordinary recording discovery, even if, at the very beginning, I messed up with Clara Schumann. For these reason I was very curious about record testimonials. Wine holidays to all of you :)
haskil shows us scarlatti thru the lens of schumann. no trace of cembalo sonority remains.
потрясающая пианистка. Думаю Скарлатти лучший у Гилельса и Хаскил
👏🏻
A great Romanian pianist.
🙏🏽🧡 .I am praying for everyone who needs a Miracle. Only God can do the impossible, He can make a way when there seems to be no way. Today I pray God touches your health, your home, your family, your faith, and your finances. God bless you Amen!
misguided fool
💖💖💖💖💖💖
Scarlatti also different from Handel, who was also born in 1685.
Heaven
A pianista é excelente. Tocar no piano peças concebidas para cravo, tudo bem, é aceitável. Mas jogar crescendos e dimunuendos em peças barrocas, como se fossem do período romântico foi, pra mim, a gota d’água. Onde ficou o chiaroscuro?
vc está defasado em suas ideias
21:00
John Denver’s Annie song
Clara Haskil was a superb technician but IMO the tempi at which she plays the sonatas of Domenico Scarlatti is way too fast across the board. It tends to blur and (sometimes even bury) the beautiful and often very touching melodies of Scarlatti - like a speeding train that passes you by instead of picking you up to enjoy the ride.
Compare this recording with Ivo Pogorelich's outstanding early Scarlatti album on DG and you might agree.
In my comment l said '50 yrs back. 'by mistake lt should read late 1950s.
Ah...
1685. The year of GOD. Eisenach.
Also Händel
Ads n the middle of a note? Disgusting, it shows exactly how much regard the poster actually has for the music and the player. Give it a miss guys!
i would like to like this but liking is meaningless as long as dislikes are not counted ...
Lovely of course. But is Scarlatti best served by subtlety and elegance? Where's the passion, harshness, despair grounded in Spanish, Portuguese and Napolitan music? Haskil is great, but Hantai or Carbonara bring out what makes Scarlatti great.
You ask a big question. Others will have to answer; for myself, all I know is that Hantaï impresses, but - realising that this may say more about me and about our time than it does about the authenticity of the performances - that Haskil goes to my heart.
Светлана здравствуйте
This woman just rushed thought, not letting Scarlatti shine.
Beautiful, but I think baroque belongs to harpsichord :(
Let modern piano for romanticism and modernism
I agree. The harpsichord has such a unique sound, one would think some modern composer would have found some use for it. It's a shame.
Please recommend a harpsichord interpretation that is special to you
@@MichaelLavocah Karl Richter, if I remember correctly
Brings a feminine airhead droopiness, Scarlatti’s intense passion reduced to introspection and wistfulness, totally wrongheaded; her half fainting affected and silly disappearing style is securely worked out and it’s unusual but this is wilfully avoiding the music; it compares with Roselyn Tureck’s dreamscape and daft ultra slow Goldberg. There’s a group of 14 from this period but vigour and intensity are beyond her.
Testicular Toddler Tantrum Alert Here!
Hopefully you were in middle school when you wrote this
Hello, blacks