You explained Interlacing very well ! Especially with the example of Pendulum. I have no more words to praise you. I'm interested to see more videos of yours.
This is hands down the best video about video I've ever seen. I have been trying for years to properly explain to people why Film looks so damn good, and why 120hz LCD TV's make stuff look HORRIBLE when 120hz resampling is enabled.
Great video! What is the difference between shooting 24 and 30. I shoot on a t3i and I use 1920x1080p 30. But some people tell me I should be shooting in 24. What would you recommend? thanks :)
Great Video! Should I shoot 60i or 30P? My old camcorders have only FHD 24P, 30P, 60i options and I shoot 60i because of shooting choirs and orchestras but I do a lot of pan/tilt on crane then deinterlaced by editing software to 30P (no slow motion) then mix with other 30P and deinterlaced 30P cuts then final render to 30P to RUclips. Should I 30P->30P->30P ? or 60i->30P->30P ? I want the best resolution and smooth video but no slow motion. Thank you
the way you are processing the 60i, you are better off just staying in 30p the whole way through. However, you should test out your faster pans at 30p and compare them to 60i. See for yourself what you prefer.
@JahnnaRandall that all depends on your distribution method. I believe, but I could be wrong, that displaying footage shot at 24 FPS will not look quite right on most TVs. If your shooting for web distribution neither frame rate should matter.
At 1:34 and 2:30 this video gets it straight up completely wrong (despite most of the rest being correct). 60i is perceived as 60fps, the two half images are created and displayed at different points in time and never form a single whole image, 60i is 60 half images, not 30 full images. Dropping every other vertical line doesn't magically reduce the frame rate. The only time 60i ever becomes 30fps is when two fields are mushed into a single frame in a digital video format and when that video file is than played back incorrectly without unpacking the fields (aka deinterlacing). But that's a bug, not a feature. Properly deinterlaced 60i gives you a 60p video, if you get a 30p video you are doing it wrong.
While bandwidth was an issue, so was flicker and the fact that due to phosphor formulation at the time the images started to fade, so interlacing was used as a compromise.
24fps and 30fps are mostly just shorthands for 23.976fps and 29.97fps, not much affordable cameras can shoot “true” 24fps or 30fps, a lot f phones can do that..
I submitted footage to the news yesterday and i treated the footage like i would with my youtube channel, apparently that wasn't the way to go. apparently they have a hard time playing footage back that has a frame rate other than 30fps i was extremely confused by this because in premiere or any video editing software that I can think of, there is never a problem when using clips with different bitrates, frame rates, aspect ratios, and resolutions. the footage will take whatever form it is rendered in.. no matter what what settings it had. so if someone understands tv can you enlighten me and I'm assuming the majority of people why that is? why is it so hard for them to playback any other footage that isn't in 30fps?
+gaia35 the problem is going to be related to how the specific station is set up. Some have newer set ups that can encode any footage to what they require, other times, they have older more ridged systems that require a deeper understanding of what they need. In this case, the station might have what formats, codecs, frame rates and resolutions they require. If you can obtain that, then you can export to their need and not have a problem. Just because they are a TV station, doesn't mean that they have the knowledge they need to deal with formats that they don't use. Hope this helps. Thanks for watching.
You explained Interlacing very well ! Especially with the example of Pendulum. I have no more words to praise you. I'm interested to see more videos of yours.
This is hands down the best video about video I've ever seen. I have been trying for years to properly explain to people why Film looks so damn good, and why 120hz LCD TV's make stuff look HORRIBLE when 120hz resampling is enabled.
Love this series! So much great information
Great video! What is the difference between shooting 24 and 30. I shoot on a t3i and I use 1920x1080p 30. But some people tell me I should be shooting in 24. What would you recommend? thanks :)
Excellently articulated; nice and clear. I'm subscribing now.
Great information. Very professional. Thanks!
Great Video!
Should I shoot 60i or 30P?
My old camcorders have only FHD 24P, 30P, 60i options and I shoot 60i because of shooting choirs and orchestras but I do a lot of pan/tilt on crane then deinterlaced by editing software to 30P (no slow motion) then mix with other 30P and deinterlaced 30P cuts then final render to 30P to RUclips.
Should I 30P->30P->30P ? or 60i->30P->30P ? I want the best resolution and smooth video but no slow motion. Thank you
the way you are processing the 60i, you are better off just staying in 30p the whole way through. However, you should test out your faster pans at 30p and compare them to 60i. See for yourself what you prefer.
@JahnnaRandall that all depends on your distribution method. I believe, but I could be wrong, that displaying footage shot at 24 FPS will not look quite right on most TVs. If your shooting for web distribution neither frame rate should matter.
Excellent, good info and well done.
Very good, straightforward and informative..
Thanks
At 1:34 and 2:30 this video gets it straight up completely wrong (despite most of the rest being correct). 60i is perceived as 60fps, the two half images are created and displayed at different points in time and never form a single whole image, 60i is 60 half images, not 30 full images. Dropping every other vertical line doesn't magically reduce the frame rate. The only time 60i ever becomes 30fps is when two fields are mushed into a single frame in a digital video format and when that video file is than played back incorrectly without unpacking the fields (aka deinterlacing). But that's a bug, not a feature. Properly deinterlaced 60i gives you a 60p video, if you get a 30p video you are doing it wrong.
While bandwidth was an issue, so was flicker and the fact that due to phosphor formulation at the time the images started to fade, so interlacing was used as a compromise.
hmmm, why is it 29,97 when it's 30fpc? and 23,976 when it is called 24fpc?
24fps and 30fps are mostly just shorthands for 23.976fps and 29.97fps, not much affordable cameras can shoot “true” 24fps or 30fps, a lot f phones can do that..
Rovi pro for Adobe Premier gives glassy smooth outputs no matter what size, frame rate or output format you use.
These days US television are stuck with 23.976 versions airing on their 29.976 setup which is good for us UK guys having 25.000 smoothness.
yes useful stuff but we need 1080p man!
Help! half of my film was shot in the wrong frame. It should have been shot in 1920X1280 it was shot 1280X720. Help me please!
so whats the advantage of interlaced?
+floopy312 Less bandwidth
this guy is a legend
Thanks. Well done offering.
Thank you for this lesson. Very helpful.
I submitted footage to the news yesterday and i treated the footage like i would with my youtube channel, apparently that wasn't the way to go.
apparently they have a hard time playing footage back that has a frame rate other than 30fps
i was extremely confused by this because in premiere or any video editing software that I can think of, there is never a problem when using clips with different bitrates, frame rates, aspect ratios, and resolutions.
the footage will take whatever form it is rendered in.. no matter what what settings it had.
so if someone understands tv can you enlighten me and I'm assuming the majority of people why that is?
why is it so hard for them to playback any other footage that isn't in 30fps?
+gaia35 the problem is going to be related to how the specific station is set up. Some have newer set ups that can encode any footage to what they require, other times, they have older more ridged systems that require a deeper understanding of what they need. In this case, the station might have what formats, codecs, frame rates and resolutions they require. If you can obtain that, then you can export to their need and not have a problem. Just because they are a TV station, doesn't mean that they have the knowledge they need to deal with formats that they don't use. Hope this helps. Thanks for watching.
+Videomaker thank you very much for replying, this was insightful.
you guys are awesome
HA! the conspiracy of 24p! Too funny....
(explanation of interlaced / non-interlaced video should help a LOT of people however...)
Thank you for your Help
nice, thanks for the tips
very nice vídeo !!
Thank you! Very helpful.
thanks
Thanks.
This is the film version of any episode of Horsepower TV
Thanks! so you're in to cars are you?
thank you veryyyyy much for a great education
1080p!!
perfect
ooooowww me head just blew up....its very good ....but me head hurts,,,
thanks. I was lost
Never The Same Colour Twice
lol its the movie version of YOLO.
Hey,
I made a film for school. If you want check it out. I would appriciate it.