Great job explaining this. Ive seen others take 15 minutes to explain and still walk away not understanding. You explained it perfectly so one can easily duplicate the process. And great tip on the audio recording that would have slipped my mind.
life saver !! Literally nobody has explained this! they all just say drop the 120fps clip into a 24fps timeline... I did exactly that and still noticed my footage looked choppy as hell at a normal rate. Thanks! I now know you I need to go to 80%
I'm still a little confused. I get the slomo part, but what if you have a 24p timeline and a 60p clip that you want to play back at normal speed (not slowmo) and if you're using Plural Eyes and editing in multicam in FCPx, show to resolve the issues of variable frame rate clips (like a screencast clip) and audio drift issues (if you didn't know to record the audio at the same frame rate as the camera during pre-production setup)?
Yes this is the question. This tutorial is very basic and ofc most would know higher fps in a 24 fps timeline would make havr to make it slowmo. For ur question for now theres only 1 workaround if u are using ur videos fr social media.basically for sm u tend to shoot almost all situations at a higher fps incase u want to slowdown in post unlike in film production u would know what to shoot and when. So u get ur high fps file to 24 or 25 fps timeline depending on shot in pal or ntsc, u basically interpret the footage to 25 or 24 fps. Then on the timeline if u need the normal speed u double up ur speed. From software when u interpret it will fill in the missing frames and giving u a normal smooth playback at normal speed. Hope this helps
Thanks for this video and the info !!! Just before your video I've watched a similar video from a different guy. Yours is far far far better; you talk slow and show examples and calculations. Thanks again!
In Edius you can simply in properties of the clip set what is your desired frame rate and it will automatically slow down/speed up video to set it right... I work at national television quality control check for outsourced video contributors (documentaries, series, reportages...) and I can tell you that wrong framerate converting is most common error for refusing materials... And people often argue with me that there editing software can work with any framerate and that we are stupid... But you clearly explained problem with different frameratea... Tnq
In FCPX - Can't you can drop it all into a 24fps timeline (24, 60 & 120) and it will all play in real time. To slow down a clip (if the clip is above 24fps), you can just drop it in the same 24fps timeline, highlight the clip and just hit "Automatic Speed" and it does all the calculation for you.
Unfortunately no, that’s not how it works. It will play 30, 60, and 120 FPS and 24 frames, and that will not add up and will result in choppy footage. Final Cur Pro is not that smart... yet ;)
Hi how you shoot an audio clip in 24fps ... if i shoot a video clip in 60fps , I couldn’t find an option for that in my camera (80d)... any help would be highly appreciated
Hi! Can I create one video in Adobe Premiere Pro that will combine 1080 60fps videos and 4K 30fps videos, and that all parts are in real-time? Or in that combination, 1080 60fps must be in slow motion? Thanks! :)
Thank you for your fast, well explained and easy to follow video on mixing different frame rates. I have looked at a bunch of them, but never found anything this simple and straightforward. Thanks so much for your effort
24/60=0.4 (0.4*60=24) so if u want slow down 60fps in 24 timeline use 40% for speed/duration . Its a premier pro calculation. If you want speed up the slowmo use 100% for speed/duration. Timelime/footage fps=%
Thank you....Thank you....Thank you! You have made this much easier, I am slowly learning to edit on bigger software, and your videos are such a tremendous help. 👍💯👏👏👏
Confused.. what do you mean by real-time? If you could explain what you mean by that.. also can or did you do tutorial of taking a 60fps clips and putting it in a 24p timeline and how that work? Is is alternative to slowing 60fps footage?
Thank you for the info Josh, really helpful. I'm planning on shooting enterviews with 2 differents cameras, one shooting 25p and the other 30p. The audio will be recorded externally. Will everything workout well on a 24p timeline when I convert the speeds to match the timeline? Will the audio sync up too? Thank yoi!
What can be done on music videos when musicians are playing parts of the same song but their videos are different frame rates. Altering the duration of their videos is not an option or we would no longer be in sync. What happens when exporting the final project say at 30 fps? Then there is the issue of audio drift.
I have a question: I have a music video shot and edited in 60fps. I want to render it in 24fps, I dont mind choppiness. But when I render the project, the video and audio are out of sync, the audio is always ahead of the lips movement. How to fix this?
When you say you are trying to edit in 24 per second time line and you want to make sure that your audio is shot or set to 24 frame/sec, does that mean you want the video which also records the audio obviously to be set in 24 sec/frame right? The audio doesn't have it's separate time frame right? Just wanted to clarify as I was getting confused ...
being new to video making this has been something that has been confusing me until your video. So easy to understand for an old dog learning new tricks with the bonus that you use FCPX - Thank you now subscribed and hopefully you will do a fe more videos like this?!
Thank you, this is really helpful. You mention shooting audio - unfortunately I've already shot hours of audio footage with two cameras set to different frame rates... (24fps and 30fps). I there anything I can do post production to be able to use both camera angles? Needless to say I wish I watched this before shooting!
I usually shoot 4K 60 fps but my 2nd camera shoots 30 fps and for some reason when I import them both in timeline I don’t have any visible jump in quality or speed . I can’t see an issue at all nor do I have an issue with rendering
Hello. Thank you for your video. It really helped a lot. However, I still have a question and I hope you know the answer to it as well. So here is the situation. I recorded a piano performance in two different cameras. One was set to 24fps and one was set to 59.98fps. The audio was recorded separately with another. device. The problem is that audio would sync perfectly with 24fps but not 59.98fps (of course). But if I adapt your method and retime 59.98, it would be extremely slow! Do you have any solution to this?? I usually have to use footages that are 29.97 and 24fps but I don't have much problem when I try to combine this and use them together in a FCPX project. Sorry for so many questions. I've been trying to find answer to this for a while and I thought you would know! Thank you.
I have no interest in delivering a 24p video to a client for broadcast tv. If I have a mix of 24 and 30p clips, is there a problem just exporting at 30p even with 24p material interspersed with 30p material?
@@MomentumProductions1992 that would be great. I guess I do have to some questions. One is that I am looking to get a new camera as at the minute i have a a Canon 800D, thinking of getting a Sony A7iii with the tamron 28 -75mm 2.8 to start with. Was going to go with the Nikon and changed my mind. Also wasnt sure which editing programme to use. I currently use final cut pro x. Thanks again
Great video, thank you. Can I ask a real beginners question though... If you shot in 60fps, what benefit is there of editing in 24fps? Can you not just do your project in 60 as well? Sorry if this is a dumb question. Im a total newb.
People usually choose the frame rate of their timeline /sequence for the frame rate that their final video will be exported at... If u shot and edit at 60fps and want to keep that crisp go pro/sports look, then export at 60fps too.... Exporting at 24fps will make it look more cinematic
@@biddy105 I believe he's asking about the editing process. If I shot at 60fps, should i not also edit on a 60 frame rate time line. Or rather what are both the pros and cons in doing so?
@@lal6799 It's a good question ✌🏻, I don't see any cons to working with 60fps footage in a 60fps timeline, your exported video however (if also exported at 60fps) will end up looking like that sporty GoPro look or the 'live' image setting that a lot of HD TVs throw on the image in the various stores. For sexy slo-mo, you can slow your 60fps clips down to as little as 40%(but no less) of their original speed, and they will playback with the equivalent frame rate of a 24fps clip 👍🏻
And that rule applies no mater what frame rate your project's timeline is set to. So benefit of 60fps is that you have a higher frame rate to play with when creating slo motion in your sequence 😎
Thanks for the info. Question... what if you're shooting a fight scene at 60fps , does the same editing rule apply? I'm guessing if you slow down the scene, the action won't look right.??
Your explanation at the beginning is very confusing. What do you mean at the 1:00 mark when you say "or you can double it up to 80% in order to play back at 24 fps?" 80% of 60 is 48. If you slow it down 40% you get 24 fps. Where does this 80% come in? I've watched numerous videos on this subject and never heard that. Thanks.
Same here. Im confused. to use 40% to slow down the 60fps clip so it fits the 24fps timeline, does not represent a 50% slower... it represents that, 40% so .. i think to say 80% will be the normal speed in the 24fps timeline, I dont think its correct....
I am also confused by this explanation. I don't get how you can have normal speed of 60fps footage in a 24fps timeline without judder. I think in order to get the smooth effect, you definitely need to slow down the footage to match the 24fps timeline.. maybe I am wrong but would like to know.
So... what if we don't want the video to play at 40% speed, or whatever... what if we want it to play at its real-time speed? Forgive me, if I am missing something. I am new to all of this but, seems to me that, if we slow down the footage, then that footage is essentially playing back in slow-mo, of varying degrees, based upon what the footage was shot in - calculated against the chosen frame rate for the project. So, something shot in 60fps will demonstrate slower movement than something shot in 30fps, which will be slower than something shot at 24fps when all are dropped into a 24fps timeline... with only the 24fps clip playing at its "normal" speed of movement. Yes? Or am I missing something?
How do we know the slomo rate? Is there any calculation for that? 60fps to realtime 24fps - 2X 120fps to realtime 24fps - ? 240fps to realtime 24 fps - ?
Dude just divide 24 by frame rate and that’s your answer of how much you need to slow down the clip to mathematically play smooth on 24 FPS project output. 24/60= 24/120= 24/240=
If you want to keep it simple, shutter speed rule of doubling your frame rate helps with smoothness at different FPS rates. I play all my mixed fps rate clips @ 100% and people can't tell which is which, even with audio.
Yes, shutter speed can help, but audio will still be affected. I would rather want it to be accurate rather than making it too simple. Especially when it comes to audio. Better safe than sorry!
You mentioned audio has to be at the same "frame rate" as the video. Audio is not measured by frame rate, it is measured by sample rate, 48Khz, 41Khz, etc,
i had 59.97 footage from a pocket 3 as bts material, i recorded at 29.97, i edited ev in a 59.97 fps time line, so my solution was making a 29.97 time line and changing it to optic flow, is this the best way?
so im just finding this now, i have a question which is really bugging me! I use 3 Cameras - 2 Go Pro's & my iphone. go pros are at 59.94 and the iphone is dead 60 (FPS) is there any way i can change frame rate to match it all up? using final cut multicam and i just all goes out of time TIA
Great video. Thanks. I have a doubt though. Lets say I wanted to edit 24fps, and 120fps clip on a 24fps timeline. I wanted to play certain parts of the 120fps video at 100% and certain parts at 20% like speed ramping. will it make the video choppy?
No, it would be smooth. 120fps at 100% would divide by 24 (5) and 120fps at 20% would be 24fps, which again divides by 24 (1). In conclusion, if would be smooth, because it divides by 24 and no frames would be skipped, nor duplicated.
I don't get it. If i double the slow mo speed from 40% to 80% (shot 60fps, edit on 24fps timeline), it is STILL slowed. It will play back smoothly, but its still slowed, isn't it?
hello there! thanks for this so informative video..:) i'd like to ask though, supposing i'm recording in 23.98 fps during daytime and my VND wont be able to compensate at 48-50 shutter speed; is by doubling the shutter speed won't ruin shot, let's say 96-100 SS, 192-200.. and so on..
So basically if I shoot 60fps and want to slow down for a few seconds then speed up the footage for a few more seconds on a 24fps timeline, would I have to automate the footage to be 80% for regular speed then 40% for the slow mo look?
Was the 59.98 footage shot in Constant Frame Rate or Variable Frame Rate? Does this same lesson apply to both types? I normally shoot CFR, but I’m looking at using VFR more often. It’s a new concept to me lol any tips of when to use which? I know you don’t get audio in VFR. Thoughts?
This is so nice explained! You did spoke about editing audio and video, but wanted to ask you this : So, we have a 24fps timeline, the audio is for 24fps, but there is footage that is recorded at 24fps and let's say 60fps ( maybe later you can use the same footage for b-roll and other thing where you need audio ) ...is that possible? Thanks
Hello thanks for the info but am lot with the audio. Secondly Instagram rule said 30fps can I still post 25fps since my camera in pal region is not allowing 30fps
@@MomentumProductions1992 Ok, so I'm wanting to move to the whole 24p, better look, etc. But, I currently have a project and all of the footage was shot at higher frame rates than 24p. 60p, 120p & even some 240p. NOT all of it will be slomo,. But certainly, some will be. Is there any advantage (more "cinematic") to using a 24p timeline?
Hi Josh. I usually drop my different frame rate clips into the timeline, then Select All, and choose Automatic timing so I don't have to do calculations. Works pretty well. Any reason not to do this?
Does automatic timing slow down their speed of "original action"? Do they appear to be moving slower than real-time? Does it also work with using a higher frame rate timeline with clips shot in frame rates lower than the timeline? Or will those clips turn out to appear to be moving faster than real-time?
@@mgelinfilms7344 Automatic timing conforms the clip frame rate to the timeline frame rate. So if you are working on a 24fps timeline and have a 30fps clip, it will retime it and slow it down 20% to work without frame drops on the 24p timeline. If you have a 60p clip, it will slow it down 40%.
nice informative video bro, if im into a lot of precise editing to the music and using each and every frame in some areas, would it mess up the editing if i were to be changing framerates and should it be at 60p+ both in premiere and the export in order to actually view the edited footage without anything being mistimed? sorry if the question doesn't make sense im just confused on how changing the framerate will effect if it still looks exactly on the beat or causes it to get mixed up and lose accuracy on the different beats
@@rickjacobs2059 Because both would fit into the 24fps timeline without any choppiness. So basically if you do 40% that will make your 60fps look like 24fps. If you would do 80% that would still be able to fit into the 24fps equation but would look more like 60fps without the choppiness. So if you did 160% it would be much faster but would have no choppiness if I am correct. There is a video that explains that equation really well and in the end the equation to me are like if you try to divide odds and evens and they just don't come up right in basic math but here if you do it wrong it will look choppy... I'll try and find that video for you about the equations and post back if that's allowed here.
so it's always multiplied by 2? 24x2=48/60fps= realtime 24x2x2=96/120fps= realtime what if i need to slow down a clip with a specific percentage like 60% (wc is lying between 40-80%), will it still yield a smooth clip? (60fps clip in a 24fps timeline)
Hi, I have a question : I make videos with DJI products who record videos in 29,97 FPS (even if it's written 30 FPS on the camera). The file after is in 29,97 FPS. If I want to post those videos on RUclips, do I must create a project on FinalCut in 30 FPS or 29,97 FPS and put all the 29,97 FPS in that project, please ? I really don't know if it's not good to open a 30 FPS project for putting 29,97 FPS videos inside for editing. And what about RUclips ? Thanks
Hello. I am editing an interview which unfortunately is shot at 60 fps on one camera and 30 fps on the other. What is the best way to approach the edit considering there is a lot of speaking involved? Thank You
So basically, always edit in a 24fps timeline and then adjust your footage based on what fps it was recorded in to either match 24fps or have it in slow mo?
Great job explaining this. Ive seen others take 15 minutes to explain and still walk away not understanding. You explained it perfectly so one can easily duplicate the process. And great tip on the audio recording that would have slipped my mind.
I always come back to this video
life saver !! Literally nobody has explained this! they all just say drop the 120fps clip into a 24fps timeline... I did exactly that and still noticed my footage looked choppy as hell at a normal rate. Thanks! I now know you I need to go to 80%
Why did you have to go to 80%
Dude....this was really good and so well explained too. Never thought about doing the actual calculator thing but makes sense. Appreciate it.
I'm still a little confused. I get the slomo part, but what if you have a 24p timeline and a 60p clip that you want to play back at normal speed (not slowmo) and if you're using Plural Eyes and editing in multicam in FCPx, show to resolve the issues of variable frame rate clips (like a screencast clip) and audio drift issues (if you didn't know to record the audio at the same frame rate as the camera during pre-production setup)?
Yes this is the question. This tutorial is very basic and ofc most would know higher fps in a 24 fps timeline would make havr to make it slowmo.
For ur question for now theres only 1 workaround if u are using ur videos fr social media.basically for sm u tend to shoot almost all situations at a higher fps incase u want to slowdown in post unlike in film production u would know what to shoot and when. So u get ur high fps file to 24 or 25 fps timeline depending on shot in pal or ntsc, u basically interpret the footage to 25 or 24 fps. Then on the timeline if u need the normal speed u double up ur speed. From software when u interpret it will fill in the missing frames and giving u a normal smooth playback at normal speed. Hope this helps
no one seems to have the answer for this...every video or response is sayin what we already know
Thanks for this video and the info !!!
Just before your video I've watched a similar video from a different guy. Yours is far far far better; you talk slow and show examples and calculations.
Thanks again!
I been through a couple of videos and this was the one!🙏🏽
Great video. If there isn't already one out there, I think you just gave some developers an idea for a frame rate calculating app.
That's a great idea!
In Edius you can simply in properties of the clip set what is your desired frame rate and it will automatically slow down/speed up video to set it right... I work at national television quality control check for outsourced video contributors (documentaries, series, reportages...) and I can tell you that wrong framerate converting is most common error for refusing materials... And people often argue with me that there editing software can work with any framerate and that we are stupid... But you clearly explained problem with different frameratea... Tnq
This is so well done. You saved my butt today. Thank you man!!
This will help me in getting slow motion without stuttering. Makes sense now. Thank you !
Great to hear!
In FCPX - Can't you can drop it all into a 24fps timeline (24, 60 & 120) and it will all play in real time. To slow down a clip (if the clip is above 24fps), you can just drop it in the same 24fps timeline, highlight the clip and just hit "Automatic Speed" and it does all the calculation for you.
Unfortunately no, that’s not how it works. It will play 30, 60, and 120 FPS and 24 frames, and that will not add up and will result in choppy footage. Final Cur Pro is not that smart... yet ;)
👍🏻 - can’t wait to try, could be a huge game changer for me since I’ve been doing it wrong this whole time!!!! Thanks!!!!
Thanks man, finally someone who explains this so even I will get it. This helped a lot.
Subscribed.. your video is a new knowledge for me. Thanks sir. From India Kukiland
So nice of you :)
This was so well explained! And you didn't take long! And you had a good tip about audio! I loved it, and you earned a subscriber
Thanks so much! I'm glad this vid helped you out :)
Hi how you shoot an audio clip in 24fps ... if i shoot a video clip in 60fps , I couldn’t find an option for that in my camera (80d)... any help would be highly appreciated
Hi!
Can I create one video in Adobe Premiere Pro that will combine 1080 60fps videos and 4K 30fps videos, and that all parts are in real-time?
Or in that combination, 1080 60fps must be in slow motion?
Thanks! :)
Thank you for your fast, well explained and easy to follow video on mixing different frame rates. I have looked at a bunch of them, but never found anything this simple and straightforward. Thanks so much for your effort
You're very welcome!
Such a great explanation... well done!
Well explained thanks a lot. Now I’m comfortable doing the next video shoot 🙌🏼
24/60=0.4 (0.4*60=24) so if u want slow down 60fps in 24 timeline use 40% for speed/duration . Its a premier pro calculation. If you want speed up the slowmo use 100% for speed/duration.
Timelime/footage fps=%
Deserves more views this. Thanks a bunch man, really really simple explanation and just comes down to percentage. I love it. 👏👏👏
Thank you....Thank you....Thank you! You have made this much easier, I am slowly learning to edit on bigger software, and your videos are such a tremendous help. 👍💯👏👏👏
Glad I could help!
Super helpful. Great explanation. Thank you very much.
Great explanation. Thank you so much for this
You're very welcome!
Thanks a lot , your video explained and solved all my problems
Glad to hear that!
I finally understood it! Thank you so much!
Glad it helped!
Confused.. what do you mean by real-time? If you could explain what you mean by that.. also can or did you do tutorial of taking a 60fps clips and putting it in a 24p timeline and how that work? Is is alternative to slowing 60fps footage?
Thank you for the info Josh, really helpful.
I'm planning on shooting enterviews with 2 differents cameras, one shooting 25p and the other 30p. The audio will be recorded externally. Will everything workout well on a 24p timeline when I convert the speeds to match the timeline? Will the audio sync up too?
Thank yoi!
Great question! Would love to know how it worked out
That was so easy to understand that it seem too good to be true. Thanks Man
What can be done on music videos when musicians are playing parts of the same song but their videos are different frame rates. Altering the duration of their videos is not an option or we would no longer be in sync. What happens when exporting the final project say at 30 fps? Then there is the issue of audio drift.
I have the same problem aswell
I have a question: I have a music video shot and edited in 60fps. I want to render it in 24fps, I dont mind choppiness. But when I render the project, the video and audio are out of sync, the audio is always ahead of the lips movement. How to fix this?
I struggle with this aswell
When you say you are trying to edit in 24 per second time line and you want to make sure that your audio is shot or set to 24 frame/sec,
does that mean you want the video which also records the audio obviously to be set in 24 sec/frame right? The audio doesn't have it's separate time frame right?
Just wanted to clarify as I was getting confused ...
Same, I am also confused on this part also
@@peterfromla7505 If your audio is separate then you do this, if not you’re fine. 👌
being new to video making this has been something that has been confusing me until your video. So easy to understand for an old dog learning new tricks with the bonus that you use FCPX - Thank you now subscribed and hopefully you will do a fe more videos like this?!
Yes of course! I will work on some more video for you. Thank you so much for the support :)
Thank you, this is really helpful. You mention shooting audio - unfortunately I've already shot hours of audio footage with two cameras set to different frame rates... (24fps and 30fps). I there anything I can do post production to be able to use both camera angles? Needless to say I wish I watched this before shooting!
Just curious your solution for this?
Click detach audio from the faster clips so they won’t be slowed down along with the video.
Thanks for the video! what about adding 23.98 clips to a 24fps timeline ????
This is the video. Good work and thank you
Glad you liked it!
I usually shoot 4K 60 fps but my 2nd camera shoots 30 fps and for some reason when I import them both in timeline I don’t have any visible jump in quality or speed . I can’t see an issue at all nor do I have an issue with rendering
Me too, i Mark the option disable resample in Sony Vegas, and render at 30fps a footage i shot in 60fps
Hello. Thank you for your video. It really helped a lot.
However, I still have a question and I hope you know the answer to it as well.
So here is the situation.
I recorded a piano performance in two different cameras.
One was set to 24fps and one was set to 59.98fps.
The audio was recorded separately with another. device.
The problem is that audio would sync perfectly with 24fps but not 59.98fps (of course).
But if I adapt your method and retime 59.98, it would be extremely slow!
Do you have any solution to this??
I usually have to use footages that are 29.97 and 24fps but I don't have much problem when I try to combine this and use them together in a FCPX project.
Sorry for so many questions. I've been trying to find answer to this for a while and I thought you would know!
Thank you.
Thanks a lot
I tried To Match 24Fps clip to 30fps n Did the calculation got 1.25 n sped up clip 24fps to 1.25 n playback/Rendering was smooth
Wow. Thank you so much for this video. It's really helpful!
thank youu, searching so long for this
I have no interest in delivering a 24p video to a client for broadcast tv. If I have a mix of 24 and 30p clips, is there a problem just exporting at 30p even with 24p material interspersed with 30p material?
Thank you for this video!
Hi
Wonder if you can show in Premiere Pro in future please
awesome- thanks so much! excellently explained.
Glad it was helpful!
Excellent explanation, thank you!
Glad it was helpful!
Very useful, thank you.
*Thank you, Brandon Vera. Very well done.*
LOL, you're welcome! ;)
Great video mate. Been look for this info for ages. Just getting to videography myself
Thanks so much man! Let me know if you have any questions for future tutorial/review videos :)
@@MomentumProductions1992 that would be great. I guess I do have to some questions. One is that I am looking to get a new camera as at the minute i have a a Canon 800D, thinking of getting a Sony A7iii with the tamron 28 -75mm 2.8 to start with. Was going to go with the Nikon and changed my mind. Also wasnt sure which editing programme to use. I currently use final cut pro x.
Thanks again
Great video, thank you. Can I ask a real beginners question though... If you shot in 60fps, what benefit is there of editing in 24fps? Can you not just do your project in 60 as well? Sorry if this is a dumb question. Im a total newb.
People usually choose the frame rate of their timeline /sequence for the frame rate that their final video will be exported at... If u shot and edit at 60fps and want to keep that crisp go pro/sports look, then export at 60fps too.... Exporting at 24fps will make it look more cinematic
@@biddy105 I believe he's asking about the editing process. If I shot at 60fps, should i not also edit on a 60 frame rate time line. Or rather what are both the pros and cons in doing so?
Not a dumb question at all, i was actually wondering the same thing
@@lal6799 It's a good question ✌🏻, I don't see any cons to working with 60fps footage in a 60fps timeline, your exported video however (if also exported at 60fps) will end up looking like that sporty GoPro look or the 'live' image setting that a lot of HD TVs throw on the image in the various stores.
For sexy slo-mo, you can slow your 60fps clips down to as little as 40%(but no less) of their original speed, and they will playback with the equivalent frame rate of a 24fps clip 👍🏻
And that rule applies no mater what frame rate your project's timeline is set to. So benefit of 60fps is that you have a higher frame rate to play with when creating slo motion in your sequence 😎
Thanks for the info. Question... what if you're shooting a fight scene at 60fps , does the same editing rule apply? I'm guessing if you slow down the scene, the action won't look right.??
Thanks for this lesson!
Glad it was helpful!
Thank u soo much. Ur a legend!
If your deliverable is to RUclips, is there an advantage to making the deliverable 24 FPS?
very good...very clear and concise
Glad you liked it
Your explanation at the beginning is very confusing. What do you mean at the 1:00 mark when you say "or you can double it up to 80% in order to play back at 24 fps?" 80% of 60 is 48. If you slow it down 40% you get 24 fps. Where does this 80% come in? I've watched numerous videos on this subject and never heard that. Thanks.
Same here. Im confused. to use 40% to slow down the 60fps clip so it fits the 24fps timeline, does not represent a 50% slower... it represents that, 40% so .. i think to say 80% will be the normal speed in the 24fps timeline, I dont think its correct....
I am also confused by this explanation. I don't get how you can have normal speed of 60fps footage in a 24fps timeline without judder. I think in order to get the smooth effect, you definitely need to slow down the footage to match the 24fps timeline.. maybe I am wrong but would like to know.
awesome video man. thank you for this!
So... what if we don't want the video to play at 40% speed, or whatever... what if we want it to play at its real-time speed? Forgive me, if I am missing something. I am new to all of this but, seems to me that, if we slow down the footage, then that footage is essentially playing back in slow-mo, of varying degrees, based upon what the footage was shot in - calculated against the chosen frame rate for the project. So, something shot in 60fps will demonstrate slower movement than something shot in 30fps, which will be slower than something shot at 24fps when all are dropped into a 24fps timeline... with only the 24fps clip playing at its "normal" speed of movement. Yes? Or am I missing something?
I had always wondered how to mix frame rates. Thanks for the awesome vid!
Thank you for watching. I hope I did a good job explaining it :)
How do we know the slomo rate? Is there any calculation for that?
60fps to realtime 24fps - 2X
120fps to realtime 24fps - ?
240fps to realtime 24 fps - ?
Dude just divide 24 by frame rate and that’s your answer of how much you need to slow down the clip to mathematically play smooth on 24 FPS project output.
24/60=
24/120=
24/240=
Thanks bro I was seRching this kind of video
that was a nice explanation
If you want to keep it simple, shutter speed rule of doubling your frame rate helps with smoothness at different FPS rates. I play all my mixed fps rate clips @ 100% and people can't tell which is which, even with audio.
Yes, shutter speed can help, but audio will still be affected. I would rather want it to be accurate rather than making it too simple. Especially when it comes to audio. Better safe than sorry!
You mentioned audio has to be at the same "frame rate" as the video. Audio is not measured by frame rate, it is measured by sample rate, 48Khz, 41Khz, etc,
only 6 minutes and explained everything perfectly
i had 59.97 footage from a pocket 3 as bts material, i recorded at 29.97, i edited ev in a 59.97 fps time line, so my solution was making a 29.97 time line and changing it to optic flow, is this the best way?
so im just finding this now, i have a question which is really bugging me! I use 3 Cameras - 2 Go Pro's & my iphone. go pros are at 59.94 and the iphone is dead 60 (FPS) is there any way i can change frame rate to match it all up? using final cut multicam and i just all goes out of time TIA
Great video. Thanks. I have a doubt though. Lets say I wanted to edit 24fps, and 120fps clip on a 24fps timeline. I wanted to play certain parts of the 120fps video at 100% and certain parts at 20% like speed ramping. will it make the video choppy?
No, it would be smooth. 120fps at 100% would divide by 24 (5) and 120fps at 20% would be 24fps, which again divides by 24 (1). In conclusion, if would be smooth, because it divides by 24 and no frames would be skipped, nor duplicated.
I don't get it. If i double the slow mo speed from 40% to 80% (shot 60fps, edit on 24fps timeline), it is STILL slowed. It will play back smoothly, but its still slowed, isn't it?
hello there! thanks for this so informative video..:) i'd like to ask though, supposing i'm recording in 23.98 fps during daytime and my VND wont be able to compensate at 48-50 shutter speed; is by doubling the shutter speed won't ruin shot, let's say 96-100 SS, 192-200.. and so on..
So basically if I shoot 60fps and want to slow down for a few seconds then speed up the footage for a few more seconds on a 24fps timeline, would I have to automate the footage to be 80% for regular speed then 40% for the slow mo look?
80% is not regular speed, ita 80% of the regular speed. So its just slowed down less
Was the 59.98 footage shot in Constant Frame Rate or Variable Frame Rate? Does this same lesson apply to both types? I normally shoot CFR, but I’m looking at using VFR more often. It’s a new concept to me lol any tips of when to use which? I know you don’t get audio in VFR. Thoughts?
So you can only make it work if you slow down the higher fps footage? What if you don’t want the footage in slow mo?
very good video. nice one mate.
Glad you enjoyed it
This is so nice explained!
You did spoke about editing audio and video, but wanted to ask you this : So, we have a 24fps timeline, the audio is for 24fps, but there is footage that is recorded at 24fps and let's say 60fps ( maybe later you can use the same footage for b-roll and other thing where you need audio ) ...is that possible?
Thanks
Hello thanks for the info but am lot with the audio. Secondly Instagram rule said 30fps can I still post 25fps since my camera in pal region is not allowing 30fps
If I want to shoot fast moving objeccts such as cars at lets say 250fps, how do I bring it into 30fps timeline?
Great clear explanation.
Thank you!!!
@@MomentumProductions1992 Ok, so I'm wanting to move to the whole 24p, better look, etc. But, I currently have a project and all of the footage was shot at higher frame rates than 24p. 60p, 120p & even some 240p. NOT all of it will be slomo,. But certainly, some will be. Is there any advantage (more "cinematic") to using a 24p timeline?
thank you for this!
Thank you dude😍😍❤️❤️❤️❤️
thanks best wishes from Melbourne
Hi Josh. I usually drop my different frame rate clips into the timeline, then Select All, and choose Automatic timing so I don't have to do calculations. Works pretty well. Any reason not to do this?
Does automatic timing slow down their speed of "original action"? Do they appear to be moving slower than real-time?
Does it also work with using a higher frame rate timeline with clips shot in frame rates lower than the timeline? Or will those clips turn out to appear to be moving faster than real-time?
@@mgelinfilms7344 Automatic timing conforms the clip frame rate to the timeline frame rate. So if you are working on a 24fps timeline and have a 30fps clip, it will retime it and slow it down 20% to work without frame drops on the 24p timeline. If you have a 60p clip, it will slow it down 40%.
THX BRO!!!
nice informative video bro, if im into a lot of precise editing to the music and using each and every frame in some areas, would it mess up the editing if i were to be changing framerates and should it be at 60p+ both in premiere and the export in order to actually view the edited footage without anything being mistimed? sorry if the question doesn't make sense im just confused on how changing the framerate will effect if it still looks exactly on the beat or causes it to get mixed up and lose accuracy on the different beats
i don't understand about the half speed. How is 40% half speed and 80% real time? 40% of 60 is 24.
I am confused by the same exact thing. 40% of 60 = 24, done! What's with the half of 40%?
@@rickjacobs2059 Because both would fit into the 24fps timeline without any choppiness. So basically if you do 40% that will make your 60fps look like 24fps. If you would do 80% that would still be able to fit into the 24fps equation but would look more like 60fps without the choppiness. So if you did 160% it would be much faster but would have no choppiness if I am correct. There is a video that explains that equation really well and in the end the equation to me are like if you try to divide odds and evens and they just don't come up right in basic math but here if you do it wrong it will look choppy... I'll try and find that video for you about the equations and post back if that's allowed here.
I'm assuming audio recorded at let's say 60 or 120 would not be usable if you're using that clip in a 24 frame timeline, right?
@@rsstnnr76correct
thx for the help 👍👍👍👍
Thank you!!
Great work Josh ;) Keep it up mate
What would the process be if you are using 50fps footage in a 25fps timeline?
Thanks that helped alot 👏🏻
so it's always multiplied by 2?
24x2=48/60fps= realtime
24x2x2=96/120fps= realtime
what if i need to slow down a clip with a specific percentage like 60% (wc is lying between 40-80%), will it still yield a smooth clip? (60fps clip in a 24fps timeline)
Hi, I have a question : I make videos with DJI products who record videos in 29,97 FPS (even if it's written 30 FPS on the camera). The file after is in 29,97 FPS.
If I want to post those videos on RUclips, do I must create a project on FinalCut in 30 FPS or 29,97 FPS and put all the 29,97 FPS in that project, please ? I really don't know if it's not good to open a 30 FPS project for putting 29,97 FPS videos inside for editing. And what about RUclips ? Thanks
This will not work if you do not want your footage to look slow-motion right?
Yes then you would be filming at same fps and editing at same fps if you don't want slow mo
Thank you buddy
Great... Thanks for sharing
Hello. I am editing an interview which unfortunately is shot at 60 fps on one camera and 30 fps on the other. What is the best way to approach the edit considering there is a lot of speaking involved? Thank You
Hi there, as long as you export it in 30fps, you will be fine!
@MomentumProductions1992 Thank You
thanks for this mate
Very helpful :D
So basically, always edit in a 24fps timeline and then adjust your footage based on what fps it was recorded in to either match 24fps or have it in slow mo?
That's what I'm gathering.. can someone confirm this is the correct interpretation?
Yes always in the lowest grate you filmed at.. then do the calculations for the higher frame rates so it’s not useless choppy cottage :)
please , what happens if i slow down (50% example) of a 60fps clip in a 60fps timeline??? do you loss any quality?
Do you always playback in real time is 80%?