1- 23:33 Pour les “cinq doigts”: d’après Monsieur Czerny 2- 26:18 Pour les Tierces 3- 29:43 Pour les Quartes 4- 35:03 Pour les Sixtes 5- 38:58 Pour les Octaves 6- 42:07 Pour les huit doigts 7- 43:46 Pour les degrés chromatiques 8- 45:53 Pour les agréments 9- 50:40 Pour les notes répétées 10- 54:03 Pour les Sonorités opposées 11- 59:21 Pour les Arpèges composés 12- 1:04:05 Pour les accords
I've been kinda obsessed with these for a few months. So grateful this video exists and is on the internet. For the first time ever instead of just listening to them, I sat down and watched the whole performance after having had a month break or so from high level obsession with listening to these. They look absolutely brutal to play, and I wonder if I am insane to think I can attempt them.
If the music won’t leave you alone it can only mean one thing. It wants you to play it and if going for it makes you insane it’s the kind of insanity the world needs.
When one listens enough, one begins to perceive these 12 as one thing. At that point it becomes impossible to chose a favourite: each part is what it is because of the context the others give it. I think of it as Debussy's "Summa", his last will and testament bequeathed to those who follow, those who "get it".
Wow_that's fantastic. She must be such a strong character mentally. I am sure she had to cope with quite a lot of prejudice during her career. She must have been, and is at present perhaps even more, a real role model for thousands of young pianists.
Regardless of the quality of transfer (from VHS?), I'm so glad this was made available. Enlightening commentary on the pianist's approach to these sublime pieces! Thank you.
Mitsuko war, und ist, eine der begabtesten Pianisten die man überhaupt auf dieser Erde finden kann! Und Sie war es immer. Dazu kommt ein feines Intellekt und eine grenzlose musikalische neugier.....also: eine geniale Musiker und Interpret. Und Sie war es immer. Menschlich ist Sie, noch dazu, eine warme und bescheidene Person. Es ist ein Privileg Sie zu kennen und zu lieben, denn sehr liebenswürdig ist Sie auch!
I can't believe this was over 35 years ago! No.11 ,just the very opening sometimes comes floating in my head;the melting changes of one harmony into another esp. on today's Steinways is a thing of supreme beauty . Here Uchida really creates a silent world of color.Debussy tries on so many diff hats in the same piece that is a new very 20th century thing it ruins easy listening fer sure but classical serious music is not supposed to be about easy listening . I remember twhen his first came out on digital disk .and blueray-I wassmart or lucky not to invest in it. We are so fortunate to hear and see hertalk about thismusic ! She is so alive ! I can't believe she can just throw out a Chopin thirds etude for eternal film just like that .
toothless toe erm. Jesus christ was a man who claimed to be ‘one with God’. An atheist said God could never be man. Yet atheists always imagine humans as gods. I was being sarcastic. I sight read. So visit my profile. 8000 videos.
It's very revealing the way she talks, I don't understand German, coupled with the music, which I know intimately. The music is felt very deeply. Her interpretation is quite staccata like compared to Peter Frankl's rendition from the 70s. The Etudes have been a great inspiration to me. Made me realise what you can do technically.
Dass die Konzertflügel heute größer sind, als zu Zeiten von Debussy, ist nicht richtig. In der Schule, die ich in den fünfziger Jahren besuchte, hatten wir einen Konzertflügel, der eta 6 m lang und im Diskant viersaitig bespannt war. Er stammte noch aus Liszt´s Zeiten. Dies nur als Anmerkung zu den sonst sehr kenntnisreichen Bemerkungen von Frau Uchida.
1- 23:33 Pour les “cinq doigts”: d’après Monsieur Czerny
2- 26:18 Pour les Tierces
3- 29:43 Pour les Quartes
4- 35:03 Pour les Sixtes
5- 38:58 Pour les Octaves
6- 42:07 Pour les huit doigts
7- 43:46 Pour les degrés chromatiques
8- 45:53 Pour les agréments
9- 50:40 Pour les notes répétées
10- 54:03 Pour les Sonorités opposées
11- 59:21 Pour les Arpèges composés
12- 1:04:05 Pour les accords
I've been kinda obsessed with these for a few months. So grateful this video exists and is on the internet. For the first time ever instead of just listening to them, I sat down and watched the whole performance after having had a month break or so from high level obsession with listening to these. They look absolutely brutal to play, and I wonder if I am insane to think I can attempt them.
If the music won’t leave you alone it can only mean one thing. It wants you to play it and if going for it makes you insane it’s the kind of insanity the world needs.
@@kyungsik Thank you for encouraging my madness.
@jacksongrant15 good luck! 😊
L'une des prestations musicales les plus éblouissante. Merci infiniment. ❤
Her performance is unfathomable,immeasurable and beyond description
Your comment is meaningless, redundant, and unnecessary
When one listens enough, one begins to perceive these 12 as one thing. At that point it becomes impossible to chose a favourite: each part is what it is because of the context the others give it. I think of it as Debussy's "Summa", his last will and testament bequeathed to those who follow, those who "get it".
Wow_that's fantastic. She must be such a strong character mentally. I am sure she had to cope with quite a lot of prejudice during her career. She must have been, and is at present perhaps even more, a real role model for thousands of young pianists.
Regardless of the quality of transfer (from VHS?), I'm so glad this was made available. Enlightening commentary on the pianist's approach to these sublime pieces! Thank you.
この最悪とも言える難易度の中で、めちゃくちゃ完璧な、理想的なフォームを崩さず、音楽もすごい、脱帽してさらに頭髪むしる
Amazing playing and very very interesting interview! Such a delight to discover this.
When I saw her play at Tanglewood it was a game-changer for me. A treasure. And a brilliant and articulate musicologist.
Mitsuko Uchida playing is so interesting . Now I can see her explanations are equally fascinating!
An ethereal, enigmatic performance of Debussy's transcendental classic etudes! Bravissima Mitsuko Uchida!
Magical Goddess of the piano. As near to perfection I have experienced. I love you Mitsuko Uchida.
Mitsuko war, und ist, eine der begabtesten Pianisten die man überhaupt auf dieser Erde finden kann! Und Sie war es immer. Dazu kommt ein feines Intellekt und eine grenzlose musikalische neugier.....also: eine geniale Musiker und Interpret. Und Sie war es immer. Menschlich ist Sie, noch dazu, eine warme und bescheidene Person. Es ist ein Privileg Sie zu kennen und zu lieben, denn sehr liebenswürdig ist Sie auch!
組み合わされたアルペジオでお気に入りのピアニストさん探してたんだけどなかなかいなくて、今やっと見つけた😊
この音ドビュッシーだ！
I can't believe this was over 35 years ago! No.11 ,just the very opening sometimes comes floating in my head;the melting changes of one harmony into another esp. on today's Steinways is a thing of supreme beauty . Here Uchida really creates a silent world of color.Debussy tries on so many diff hats in the same piece that is a new very 20th century thing it ruins easy listening fer sure but classical serious music is not supposed to be about easy listening . I remember twhen his first came out on digital disk .and blueray-I wassmart or lucky not to invest in it. We are so fortunate to hear and see hertalk about thismusic ! She is so alive ! I can't believe she can just throw out a Chopin thirds etude for eternal film just like that .
fantastic performances
Really interesting music! ❤
That scarbo snippet in the warmup ❤️
Excellent information
I never knew she spoke german lol
It sounds so much more natural than english aha
She came to Austria to study at 12 hahaha
How could you tell? Do you speak German? - And why anyway does it matter?
@@yuewenyu8212 You can tell by the Austrian accent :)
German is her first foreign language: she was educated in Vienna.
Mitsuko’s a god
Jack Curley and you reject Jesus as God because he was a man.
@@gjeacocke And because the OP mentioned the word "god," that means you have to chime in with irrelevant fairy-tale garble?
toothless toe erm. Jesus christ was a man who claimed to be ‘one with God’.
An atheist said God could never be man.
Yet atheists always imagine humans as gods.
I was being sarcastic.
I sight read. So visit my profile. 8000 videos.
@@toothlesstoe 5 ways
@@gjeacocke No
It's very revealing the way she talks, I don't understand German, coupled with the music, which I know intimately. The music is felt very deeply. Her interpretation is quite staccata like compared to Peter Frankl's rendition from the 70s. The Etudes have been a great inspiration to me. Made me realise what you can do technically.
She lived in Vienna from the time she was 12 through adulthood, so it's not surprising that her German is very good.
うますぎかよwwwwww
This is so epic. My favorite is Etude 11.
mine is no 12
My too :)
異次元すぎる…
Wonderful
ドビュッシーの「練習曲集」に関しては内田さんの演奏がいちばん好きだな。大御所も含めて他の人のはちょっと聴いてられない。
暗譜で弾いちまうんだもんな・・・むしろ楽譜なんて見てたら弾けないか。
I'm glad i really found this. Im currently learning pour les octaves.
At 23:32, the talk ends, and music begins.
*FBI warning*
That warning used to appear on all recordings sold to the American public on prerecorded media (DVDs, or as in this case, VHS cassette).
@@kurtkaufman And was ignored at peril......
😂
my favorite version of these etudes
Amazing
3:13 what is that warmup/piece she was playing?!
Hanon’s virtuoso pianist no.31 (I think)
Wonderful interview!!! Though, any idea what Schubert piece she plays at 18:43??
it's the symphony no. 8 in b minor
43:45
6. 42:07
11. 59:21
12. 1:04:05
She holds an unchallend position as an interpreter of Debussy ,
I agree, but aren’t these the only Debussy works she’s recorded?
@@rjmalcolm8066
Thankyou
I hope you are well
From
A corner of Tokyo
🇯🇵🏯🗻🌊🎍⛩️❗🌸💮㊗️🎌
🐴👍🎼
え、よく見たら裸足…？！
手を見てたはずなのに
思わず足に目が行ってしまった
Is she playing barefoot?
Music circulates better that way 😂😂♥️
@@purplehazerunnerx I should try it sometime then lol
1:24
The heir to Sokolov...
Dass die Konzertflügel heute größer sind, als zu Zeiten von Debussy, ist nicht richtig. In der Schule, die ich in den fünfziger Jahren besuchte, hatten wir einen Konzertflügel, der eta 6 m lang und im Diskant viersaitig bespannt war. Er stammte noch aus Liszt´s Zeiten. Dies nur als Anmerkung zu den sonst sehr kenntnisreichen Bemerkungen von Frau Uchida.
6 meter lange Konzerflügel? Das ist nicht richtig.
finde mir bitte mal einen 6 Meter langen Konzertflügel.
Aggressive......sounds more like Prokoffiev