Debussy, Douze Études (complete) - Sergey Kuznetsov
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- Опубликовано: 18 сен 2024
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Claude Debussy, Douze Études (Twelve etudes), L. 136
Sergey Kuznetsov, piano, live at the Small hall of the Moscow conservatory.
Livre I
• Étude 1 pour les « cinq doigts » • d'après Monsieur Czerny/for five digits, "after Monsieur Czerny"/《五本の指のための練習曲、チェルニー氏に倣って》 - 00:01
• Étude 2 pour les tierces/thirds/《三度のための練習曲》 - 03:18
• Étude 3 pour les quartes/fourths/四度のための練習曲》 - 07:31
• Étude 4 pour les sixtes/sixths/《六度のための練習曲》 - 12:58
• Étude 5 pour les octaves/octaves/《オクターヴのための練習曲》 - 17:17
• Étude 6 pour les huit doigts/for the eight digits/《八本の指のための練習曲》 - 20:31
Livre II
• Étude 7 pour les degrés chromatiques/chromatic degrees/《半音階のための練習曲》 - 22:10
• Étude 8 pour les agréments/ornaments/《装飾音のための練習曲》 - 24:27
• Étude 9 pour les notes répétées/repeated notes/《反復音のための練習曲》 - 29:50
• Étude 10 pour les sonorités opposées/opposing sonorities/《対比的な響きのための練習曲》 - 33:26
• Étude 11 pour les arpèges composés/composite arpeggios/《組み合わされたアルペッジョのための練習曲》 - 39:18
• Étude 12 pour les accords/chords/《和音のための練習曲》 - 44:35
Клод Дебюсси, Двенадцать этюдов, L. 136
Сергей Кузнецов (фортепиано). Запись с концерта в Малом зале Московской консерватории
C. Debussy, Zwölf Etüden, L. 136
Sergey Kuznetsov (Klavier), Liveaufnahme eines Solorezitals im Kleinsaal des Moskauer Konservatoriums.
C. Debussy, Douze Études, L. 136
Sergey Kuznetsov, piano. Enregistrement en direct d'un récital solo à la petite salle du Conservatoire de Moscou.
クロード・ドビュッシーのピアノのための12の練習曲L.136。
演奏： セルゲイ・クズネツォフ（ピアノ）。
モスクワ音楽院の小ホールでソロリサイタルからのライヴ録音。
![Mitsuko Uchida - Debussy, Douze Études (complete) [1989]](http://i.ytimg.com/vi/Qi5A2te4mnI/mqdefault.jpg)
![Mitsuko Uchida - Debussy, Douze Études (complete) [1989]](/img/tr.png)
When the best from Russia meets the best from France... good to hear in these troubling times. Your voicing of Pour les tierces is truly exceptional!
Thank you very much!
These miraculous pieces of music, both studies and masterpieces of creation
Yes, pure masterpieces.
to play these incredibly subtle and nuanced etudes LIVE on this level is something I never heard before. I am speechless....what a master pianist and artist. Thank you thank you!
Thank you very much!
This is a superlative set. This music so often eludes the finest Debussyans but Mr. Kuznetsov has captured all the magic of this great music. Sheer aural bliss! It should find its way onto commercial disk if there is any justice in the world. All the best! Bravo!
Thank you very much!
This is incredible. Some of the toughest pieces in the repetoire.
Thank you very much!
1_ 00:01
2_ 03:18
3_ 07:31
4_ 12:58
5_ 17:17
6_ 20:31
7_ 22:10
8_ 24:27
9_ 29:50
10_ 33:26
11_ 39:18
12_ 44:35
😮😮😮 someone has time here
Thx anyway
Great performance! Congratulations Mr Kuznetsov!
Thank you!
I'm playing Etude 1 right now, and I must say, I love your interpretation of it all! Bravo!
Thank you!
Thrilling performance. Your interpretation of the 8th etude made me tear up a little, particularly starting from the arpeggiated dominant sonority initiating the modulation to E major. Congrats on your successful performance; I could learn a thing or two from your composure on stage, considering the fact that I have my first solo recital coming up in three months.
Also, I might just have to learn these etudes next for a future recital.
Thank you very much!
And good luck with the recital!
@bill Bloggs Okay... ?
Interpretación sumamente original. Logra unos planos sonoros no percibidos en otras versiones. Se enriquece la obra de Debussy buscándole nuevas posibilidades.
Felicidades!!!
¡Muchas gracias!
You must paint on the side, with that beautifully large palette of colors. Quelle brillante interpretation. All the best from MI/USA
Thank you! :-)
Love from India
The certainly is incredible, thank you very much for playing these pieces.
Thank you very much!
Genius at work. Clearly.
😄
magnifique, merci !
Merci!
I am playing 1-6 (first book) for my masters recital right now and your interpretation is beside Horowitz among my references ;) underrated pianist? anyway thank you for this interpretation!!
Thank you, and good luck!
@@sergeypiano ruclips.net/video/7hb9DGsnPaw/видео.html here beginning of my version :)
Those etudes are very underrated - total masterpieces. In my opinion way more interesting to practice than chopin etudes
More elaborate, of course. But maybe they are not underrated but rather underplayed, precisely because people realise their intricacy. 😄
@@sergeypiano also underrated quite often after comments I've heard... or just not understood. It takes time to understand them and can be a lifetime or working on them. are you teaching somewhere?
Yes, at Moscow conservatory.
But you are right actually. Little-understood works which is not a big wonder as these late works by Debussy don't lie on a straight line between his early music and later 20th-century piano literature. The etudes are somewhere off the way hence they present a problem akin to learning a foreign language if one wants to play them.
Exemplary performance!
You are good... Lol I have not found anything else to say...
:-)
Thank you!
selling Strepsils to classical music audience is my dream job
Hahaha!
A warning to pianists not to take up the musical profession unless they have remarkable hands
Haha!
Stupendous job! For how long have you been studying these pieces?
Paul Thomas Thank you! Hm. I guess about half a year, but not exclusively of course.
:) Thank you!
Why is there, what appears to be, a napkin on the upper register? I feel like there's a very interesting story (or song) behind it.
Yumi Kurama :-))) This is indeed a napkin. I am afraid though that there is no story behing it that would be connected with the music here. The simple story is that it was rather hot on that day and I needed a way to wipe away sweat without spending too much time on it.
:) You are welcome!
Etudes is a tough horse to ride
could he be the new Richter?
Why should he live under the shadow of someone else?
Well if he's a Richter then he's got to know his scales, as in the Richter scale. Which is the scale pianists use when the dynamic marking "Quakingly" is indicated.
ausgezeichnete Darbietung
Vielen Dank!
Recuerdo cuando toqué 2 estudios de Debussy en público. El peor concierto de mi vida. Jajajajajaj
Ohh. Espero que ha tenido mejores conciertos con esos estudios despues. :-)
@@sergeypiano jajaja Gracias. Sí. Sólo podía mejorar después de aquello.
Por cierto. Grandísima interpretación, maestro.
@@blablablu3081 ¡Muchas gracias!
Combien? 12!
ò
Вы очень хороший пианист, но есть какая-то суетливость в вашей манере (что музыкально то и на вид) которая не то что претит но делает конечный результат менее интересным чем он бы мог иначе получится. По-моему надо строже, проще... У вас иногда бывает что не то что замедляете а погружайтесь в какое-то вне-времянье, разглядывайте музыку как из далека - лучше без этого, по моему.
Я сужу предвзято, мое любимое исполнение этого цикла это Ведерников, быть может из всех пианистов наимение склоненый к аффектации. Извиняюсь если задел, желаю всяческих успехов.
Спасибо за мнение, никаких проблем!
Должен сказать, что по-моему Ваши слова о суетливости и одновременно о погружении во вневремение с рассматриванием музыки со стороны изрядно противоречат друг другу. :-)
Не исключаю, что тут играют роль личные пристрастия (мне в этих этюдах больше всех нравится Мицуко Утида, противоположность Ведерникова), но в любом случае спасибо, мне полезно ваше мнение.
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
혹시라도 감사합니다! :-)
but you're extremely virtuoso salute. but you're playing too fast and seem to little bit indulge in your skills. sometimes you ran over the tastiest chords so fast I couldn't even savor them. they're there to be heard. give the music some time sometimes (lol shit sentence) but then again you're really great and a lot better than those amateurs who sit on the sustain pedal and play everything slow and cash in on it while not even being able to learn the piece properly. cheers.
Thank you! I wonder what places you mean here as being played too fast.
too fast