As I've understood it Radio Tapok had made Russion versions of several Sabaton songs so when sabaton were going to release the single they asked him to make a russion version of the song, which were released the same day that the album, featuring the song, were released.
One funny thing: Radio Tapok's cover was released one day before the anbum of Sabaton. That was in his music video: "Well, tomorrow we are releasind a new album... l have an idea..."
This is a joint concert of Sabaton and RadiotApok in Moscow. For a complete understanding, you need to watch the official cover from the RadiotApok, made at the request of Sabaton. The video sequence is crazy. And it will be possible to hear and consider Oleg Abramov (Radiotapok) himself well. Who sings and plays all the instruments himself in the video. There is also a bit of Sabaton😀 ruclips.net/video/hRow6G5wQIw/видео.htmlsi=XspFoFY_Mx8yD-QU By the way, their joint work did not end there. A couple of years later, Sabaton recorded a cover version of Oleg's (Radiotapok) original song "The Battle for Moscow" themselves😊
My fear while experiencing SAB is receiving the 'fear of God' speech and a speeding ticket! Speed demon 4 life 🤣 only messing lol, I don't take the internet seriously, all fun and entertainment HaHaHa. SAB official released - "The Tour To End All Tours Concert Movie" via cinema! in the United Kingdom and E.U + worldwide. (11 October 2024). The best music movie in 35-years since "This Is Spinal Tap" lol. SAB's debut British live concert experience was in 2006 when SAB toured with and opened for Dragonforce via Manchester Academy 2 :) Two of Sabaton’s best albums. Those would be Carolus Rex (2012), and The Great War (2019). For the possible exception of Heroes (2015). Carolus Rex, which was released in both English, stepped up the production, filling out both the drum and guitar sounds, and showcased a full on choir which helped those aforementioned ho-hum choruses sound less… hobbity, and the already proven success of the formula they implemented on album number one. On a musical level this is not a significant departure for SAB, which is a very big problem when The Last Stand was one of the most formulaic, sterile and tepid metal albums of 2016. In fact, this album sounds hnigh indistinguishable from their last album, not just in style but in the individual ideas used. At it;s core, The Great War is exactly what one can expect from a SAB album. It's keyboard-heavy and "powerful" style power metal. There was a slight lineup change in between albums, with guitarist Thobbe Englund departing and being replaced by Reinxeed singer/multi-insturmentalist Tommy Johansson. I’m not sure if it’s specifically because of his presence, or just a general burst of inspiration. As with many of their previous releases, The Great War is a concept album, and in that regard, the band has really gone above and beyond with how well they’ve covered their main theme. The Great War is one of SAB's darkest albums in quite some time. It doesn’t exactly wallow in the depths of despair, but the atmosphere is decidedly somber throughout as songs. While The Great War is easily SAB’s most epic sounding album since 2012’s Carolus Rex, part of me feels like they could’ve taken it even further. Songs like “The Future of Warfare” and the garbled “The End of the War to End All Wars” certainly show off a heightened scale, but they still keep to fairly conservative three to four-minute runtimes. The Great War was also released as a History Edition featuring Bethan Dixon Bate narrating before each song, which is a cool idea but I personally didn’t think it worked out very well. One of the things that makes SAB work well for me is they play energetic, catchy power metal, but do so without some of the tired themes and higher-register vocals that dominate this style. There is a clap of thunder to Joakim Brodén’s vocals that grounds the otherwise insubstantial sounds that. Thobbe Englund was one of the replacement guitarists hired by Joakim and Pär when the other musicians, including guitarist Rikard Sundén, left during the recording of Carolus Rex and formed Civil War. They've opened almost every concert since The Art of War came out. "Primo Victoria". If it's not the closing number in a concert, it's pretty close, usually second-to-last. The band also encourages people to jump and sing along with the song. Outside of their album-based songs, primarily due to the effects of the Newbie Boom. But it also feels like SAB, almost to a detriment. If you shuffled this album up with Heroes, Coat of Arms, and Primo Victoria, I think you might be hard pressed to distinguish where each individual track came from. It might seem a bit petty to complain about more of something that I already like, but I don’t want to just have the one thing over and over again. I’d like to see them stretch themselves a little more. One other part is that it almost feels incomplete from a thematic point. Again, the Flanders Field arrangement is a phenomenal ending to the album as a whole, and “The War to End All Wars” is a solid track to wrap things up, Even though the guitar work may not be the most ‘shreddy’ in the band’s discography or even the genre as a whole it is eclipsed by the bands skill at lay down the melodies. The main lick and riff of Seven Pillars Of Wisdom is almost as catchy as the chanting, choir backed chorus. These types of choruses are one of the biggest aspects of any Sabaton song. They always sound huge. They are always engaging and the likes of 82nd All The Way will stick with you long after the final song is played thanks to how well the group vocals work against the instruments. Combining the vocals and keyboard has always been a not so secret weapon of Sabaton but The Great War may have perfected it. The use of synths and keyboards is nothing new in the world of power metal but the way Sabaton utilise them always hit the mark. It can be some of the most chill giving moments when the guitars drop out to allow Brodén to let his theatrical vocal style merge with the melodic keys. The bridge of Devil Dogs, the jaunty tension building backbone of The Red Baron it really brings the goosebumps out when this duo emerges. The titular song really builds on the first half of the album. It shows that Sabaton can do that shredding guitarmanship just as well as the melodic stuff but choose to drop it into their albums at the right moment as this solo is off the charts. The Great War landed with the earth-shattering force of an artillery shell. There's a cottage industry on RUclips of setting SAB songs to homemade music videos taken from anime, movies, and TV shows. "Ultimate Metal Parents" for drummer Hannes van Dahl and his partner Floor Jansen of Nightwish, after they announced she was pregnant with their first child in 2016. There's a lot of overlap between the fandoms of SAB and its label-mate Nightwish (whose singer Floor Jansen was a choir member on The Last Stand and is married to Sabaton drummer Hannes Van Dahl) - The War To End All Wars Album Listening Party Streaming (Video). The album booklets often contain amusing images of the band. Nanowar of Steel put out a Song called "Pasadena 1994" which featured Joakim on vocals. It was all about parodying some of Sabaton's songs lol.The deluxe version of The Last Stand includes a DVD of a show from the previous year's tour. After "Midway", Joakim tries to borrow Thobbe's guitar to play "Resist and Bite" and Thobbe chases him off the stage, then they proceed to sing the entirety of "Gott Mit Uns" themselves. Sabaton has always listened a lot to their fans and have given them an even amount back. A popular quiz show in Scotland asked the question "Which country does the group Sabaton hail from?" The female contestant readily answered 'Sweden' and didn't hide that she is a huge fan. The band heard of this, tracked the girl down and gave her tickets for their upcoming concert in Glasgow. Playing Back In Control in Glasgow, Joakim introduces the song "For the Scottish in the SAS... Back In Control!" On that very concert, they stated that their usual drummer had to fly back home because "he is having a little Sabaton baby". Played 330 concerts since 2006 (earlier years had very few concerts, 3 in 2006, but 42 in 2024). 🇬🇧
General Deyana ! ❤so beautiful regardless Ok now to listen lol
As I've understood it Radio Tapok had made Russion versions of several Sabaton songs so when sabaton were going to release the single they asked him to make a russion version of the song, which were released the same day that the album, featuring the song, were released.
One funny thing: Radio Tapok's cover was released one day before the anbum of Sabaton. That was in his music video: "Well, tomorrow we are releasind a new album... l have an idea..."
On December 29, 2024, RADIO TAPOK performed in Moscow. We went to a concert with my husband. We had a great time.
This is a joint concert of Sabaton and RadiotApok in Moscow. For a complete understanding, you need to watch the official cover from the RadiotApok, made at the request of Sabaton. The video sequence is crazy. And it will be possible to hear and consider Oleg Abramov (Radiotapok) himself well. Who sings and plays all the instruments himself in the video. There is also a bit of Sabaton😀
ruclips.net/video/hRow6G5wQIw/видео.htmlsi=XspFoFY_Mx8yD-QU
By the way, their joint work did not end there. A couple of years later, Sabaton recorded a cover version of Oleg's (Radiotapok) original song "The Battle for Moscow" themselves😊
Great reaction Deyana, more Sabaton, back to the roots :D
Я там был🎉
Great solos by Chris
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
My fear while experiencing SAB is receiving the 'fear of God' speech and a speeding ticket!
Speed demon 4 life 🤣
only messing lol, I don't take the internet seriously, all fun and entertainment HaHaHa.
SAB official released - "The Tour To End All Tours Concert Movie" via cinema! in the United Kingdom and E.U + worldwide. (11 October 2024). The best music movie in 35-years since "This Is Spinal Tap" lol. SAB's debut British live concert experience was in 2006 when SAB toured with and opened for Dragonforce via Manchester Academy 2 :) Two of Sabaton’s best albums. Those would be Carolus Rex (2012), and The Great War (2019). For the possible exception of Heroes (2015). Carolus Rex, which was released in both English, stepped up the production, filling out both the drum and guitar sounds, and showcased a full on choir which helped those aforementioned ho-hum choruses sound less… hobbity, and the already proven success of the formula they implemented on album number one. On a musical level this is not a significant departure for SAB, which is a very big problem when The Last Stand was one of the most formulaic, sterile and tepid metal albums of 2016. In fact, this album sounds hnigh indistinguishable from their last album, not just in style but in the individual ideas used. At it;s core, The Great War is exactly what one can expect from a SAB album. It's keyboard-heavy and "powerful" style power metal. There was a slight lineup change in between albums, with guitarist Thobbe Englund departing and being replaced by Reinxeed singer/multi-insturmentalist Tommy Johansson. I’m not sure if it’s specifically because of his presence, or just a general burst of inspiration. As with many of their previous releases, The Great War is a concept album, and in that regard, the band has really gone above and beyond with how well they’ve covered their main theme. The Great War is one of SAB's darkest albums in quite some time. It doesn’t exactly wallow in the depths of despair, but the atmosphere is decidedly somber throughout as songs. While The Great War is easily SAB’s most epic sounding album since 2012’s Carolus Rex, part of me feels like they could’ve taken it even further. Songs like “The Future of Warfare” and the garbled “The End of the War to End All Wars” certainly show off a heightened scale, but they still keep to fairly conservative three to four-minute runtimes. The Great War was also released as a History Edition featuring Bethan Dixon Bate narrating before each song, which is a cool idea but I personally didn’t think it worked out very well. One of the things that makes SAB work well for me is they play energetic, catchy power metal, but do so without some of the tired themes and higher-register vocals that dominate this style. There is a clap of thunder to Joakim Brodén’s vocals that grounds the otherwise insubstantial sounds that. Thobbe Englund was one of the replacement guitarists hired by Joakim and Pär when the other musicians, including guitarist Rikard Sundén, left during the recording of Carolus Rex and formed Civil War. They've opened almost every concert since The Art of War came out. "Primo Victoria". If it's not the closing number in a concert, it's pretty close, usually second-to-last. The band also encourages people to jump and sing along with the song. Outside of their album-based songs, primarily due to the effects of the Newbie Boom. But it also feels like SAB, almost to a detriment. If you shuffled this album up with Heroes, Coat of Arms, and Primo Victoria, I think you might be hard pressed to distinguish where each individual track came from. It might seem a bit petty to complain about more of something that I already like, but I don’t want to just have the one thing over and over again. I’d like to see them stretch themselves a little more. One other part is that it almost feels incomplete from a thematic point. Again, the Flanders Field arrangement is a phenomenal ending to the album as a whole, and “The War to End All Wars” is a solid track to wrap things up, Even though the guitar work may not be the most ‘shreddy’ in the band’s discography or even the genre as a whole it is eclipsed by the bands skill at lay down the melodies. The main lick and riff of Seven Pillars Of Wisdom is almost as catchy as the chanting, choir backed chorus. These types of choruses are one of the biggest aspects of any Sabaton song. They always sound huge. They are always engaging and the likes of 82nd All The Way will stick with you long after the final song is played thanks to how well the group vocals work against the instruments. Combining the vocals and keyboard has always been a not so secret weapon of Sabaton but The Great War may have perfected it. The use of synths and keyboards is nothing new in the world of power metal but the way Sabaton utilise them always hit the mark. It can be some of the most chill giving moments when the guitars drop out to allow Brodén to let his theatrical vocal style merge with the melodic keys. The bridge of Devil Dogs, the jaunty tension building backbone of The Red Baron it really brings the goosebumps out when this duo emerges. The titular song really builds on the first half of the album. It shows that Sabaton can do that shredding guitarmanship just as well as the melodic stuff but choose to drop it into their albums at the right moment as this solo is off the charts. The Great War landed with the earth-shattering force of an artillery shell. There's a cottage industry on RUclips of setting SAB songs to homemade music videos taken from anime, movies, and TV shows. "Ultimate Metal Parents" for drummer Hannes van Dahl and his partner Floor Jansen of Nightwish, after they announced she was pregnant with their first child in 2016. There's a lot of overlap between the fandoms of SAB and its label-mate Nightwish (whose singer Floor Jansen was a choir member on The Last Stand and is married to Sabaton drummer Hannes Van Dahl) - The War To End All Wars Album Listening Party Streaming (Video). The album booklets often contain amusing images of the band. Nanowar of Steel put out a Song called "Pasadena 1994" which featured Joakim on vocals. It was all about parodying some of Sabaton's songs lol.The deluxe version of The Last Stand includes a DVD of a show from the previous year's tour. After "Midway", Joakim tries to borrow Thobbe's guitar to play "Resist and Bite" and Thobbe chases him off the stage, then they proceed to sing the entirety of "Gott Mit Uns" themselves. Sabaton has always listened a lot to their fans and have given them an even amount back. A popular quiz show in Scotland asked the question "Which country does the group Sabaton hail from?" The female contestant readily answered 'Sweden' and didn't hide that she is a huge fan. The band heard of this, tracked the girl down and gave her tickets for their upcoming concert in Glasgow. Playing Back In Control in Glasgow, Joakim introduces the song "For the Scottish in the SAS... Back In Control!" On that very concert, they stated that their usual drummer had to fly back home because "he is having a little Sabaton baby". Played 330 concerts since 2006 (earlier years had very few concerts, 3 in 2006, but 42 in 2024). 🇬🇧
nothing fun or entertainment about war
General deyana is back guys with more sabaton cheers ! Wintersun Alex USA ❄️ ♥️🍻
Where's the radio tapok version?
где мая Укропо-Маскальская братия, которая нахваливает Тапка? Они, обычно под всеми видео такого плана.
Тут
Зато лайк себе поставил🤪