Although I also love your 22 other master-classes, this could well be your best yet. Thanks so much!!!! After 23 online classes (and 6 years of private Skype lessons), I sincerely believe that you are the best jazz piano teacher on the planet!
Monsterously helpful, superbly organized teaching, GREAT laughing, and your expanded freedom in playing "Don't Blame Me" is so fun. Great free lesson. Thanks for your body of work with these master classes, really!
Solidly science-based notions of prepared and up-prepared strokes, Velocity as opposed to "force" and keyspeed as the generator of dynamic contrast. Arm weight as opposed to the finger as the generator of much pianistic action. Totally in sync with Gyorgy Sandor's approach,which I use. Also, that performance in the opening sequence was one of the most interesting, varied, and artistically satisfying renditions of yours I have yet heard. Nice! MBB
This type of court help you to achieve desirable touch. However try to do the same with the simple C major chord Or cegc ?!It was very good beginning however it’s needs continuation.
Mechanically it was correct explanation cannot be better. However how to use that with combination with emotional performance soul performance. What comes first the chicken or egg. All music teachers were talking about it and no one has the answer. WhereverIt’s nice to remind students that it’s happening congratulation Mr. Frank
hi, thanks for writing) IMO, the artistic soul feeling comes first and the technical aspects move the music into the physical realm using techniques like these) what do you think?
My name is Benjamin Perlman and I’d like to know more about specificity of Jazz piano touch. It has many different variations applications interesting what do you know about it. Your sincerely Benjamin Perlman
Although I also love your 22 other master-classes, this could well be your best yet. Thanks so much!!!! After 23 online classes (and 6 years of private Skype lessons), I sincerely believe that you are the best jazz piano teacher on the planet!
Thanks for the lesson, clear and confident. All the best from southern Scotland
Monsterously helpful, superbly organized teaching, GREAT laughing, and your expanded freedom in playing "Don't Blame Me" is so fun. Great free lesson. Thanks for your body of work with these master classes, really!
The audio effect was not done on purpose.
phenomenal series of playing, i am grateful to Dave Frank and the interwebs for having such a resource
that's very sweet thank you, where are you located?
near Vancouver! Hi from the west coast, I'm actually an aspiring accordion player but I've been watching a bunch of your videos lately =)
great city! check out a guy named Leon Sash and let me know what you think of him)
MAN just when as a musician you think nothing can surprise you... now you should check out petar ralchev if you haven't heard of him already
Solidly science-based notions of prepared and up-prepared strokes, Velocity as opposed to "force" and keyspeed as the generator of dynamic contrast. Arm weight as opposed to the finger as the generator of much pianistic action.
Totally in sync with Gyorgy Sandor's approach,which I use. Also, that performance in the opening sequence was one of the most interesting, varied, and artistically satisfying renditions of yours I have yet heard. Nice! MBB
Brilliant and clear as always... just the way only true masters can do.
That solo is right up there with Lester Young's 'Lady Be Good' if you spent a lifetime tinkering with it, you couldn't make is any better.
Great lesson,and also great playing! Keep on playing!
Thank you so much as always for this Dave! Immensely helpful.
funny, was looking for these voicing techniques since 1 week.. here it is! Thanks for this profound video!!
Awesome professional diagrams! Thank you for another fantastic master class!
$2 Kevin
Great lesson, and great playing!
Max is this you?
Amazing!
hi, thanks for writing. Please enjoy a visit to the master class archive at davefrankjazz.com for 44 in-depth master classes, all free)
11:13 "This professional diagram" XD XD
Wow. Nice to see you here, I'm a big fan of yours.
Hi Thomas, please enjoy a visit to the master class archive at www.davefrankjazz.com, there are now 34 classes like this, all phree)
Thank you so much, Dave! :-)
You're welcome Toro!
On what album is Dave McKenna's recording of "Dream a Little Dream"?
Shadows N' Dreams
This type of court help you to achieve desirable touch. However try to do the same with the simple C major chord Or cegc ?!It was very good beginning however it’s needs continuation.
ruclips.net/video/00PIrdYskpM/видео.html
Mechanically it was correct explanation cannot be better. However how to use that with combination with emotional performance soul performance. What comes first the chicken or egg. All music teachers were talking about it and no one has the answer. WhereverIt’s nice to remind students that it’s happening congratulation Mr. Frank
hi, thanks for writing) IMO, the artistic soul feeling comes first and the technical aspects move the music into the physical realm using techniques like these) what do you think?
My name is Benjamin Perlman and I’d like to know more about specificity of Jazz piano touch. It has many different variations applications interesting what do you know about it. Your sincerely Benjamin Perlman
this video is a good deal of it Mr. Perlman)
here's another, enjoy) ruclips.net/video/00PIrdYskpM/видео.html
6
Nice intro lesson!
For deeper dive, guys, go play some Bach and Tchaikovsky with a good classical piano teacher ;)
This is really discouraging for people like me that play on a digital. Great lesson nevertheless.
I think this should be applicable to some degree on electric keyboards..thanks for writing)