THIS IS WHAT PRACTICE LOOKS LIKE (Part 7 ... Locrian scale) Come Practice with Me!

This is a continuation from the last video that allows you to practice with me.
These videos are designed strictly for beginner guitarist.
I will start with simple concepts to overcome the physicalness of the guitar.
This lesson involves a combination of the semi chromatic scale and the Locrian scale
(seventh position of a major scale)
The Locrian scale is a seven-note scale known for its dissonant and unstable sound. It is the seventh mode of the major scale, starting on the seventh degree. The Locrian scale has the following pattern of whole (W) and half (H) steps: H-W-W-H-W-W-W.
For example, the B Locrian scale includes the notes:
B (root)
C (half step)
D (whole step)
E (whole step)
F (half step)
G (whole step)
A (whole step)
B (octave)
The distinctive feature of the Locrian scale is its diminished fifth (or flat fifth) degree (F in the B Locrian scale), which creates a tritone interval with the root note. This tritone is considered dissonant and gives the Locrian scale its tense and unresolved quality. Additionally, the scale has a minor second, minor third, minor sixth, and minor seventh, contributing to its dark and unstable sound.
On the guitar, the Locrian scale can be played by starting on any note (the root) and following the interval pattern. Due to its dissonant nature, the Locrian scale is less commonly used in traditional harmony but can be effective in creating tension, especially in jazz, metal, and experimental music.