This was awesome, especially it doesn't matter if client likes the art, because we're being paid for our time! However, what if client doesn't agree, or has their OWN contract they want us to sign?
Determining the bounds of your work agreement is a collaborative effort between the client and the artist. It's about meeting the needs of both parties, so that they both feel comfortable. Clients have needs, but often you can incorporate your needs into their existing contract. However, if a client is unwilling to agree to basic, deal-breaking needs, then it may be best to work with someone else. The idea is that the deal-breaking needs are those that contribute to the artist's well-being as a person. In the event that money is tight, sometimes we may choose to make sacrifices. Just be aware of what sacrifices you're making and what the risks are. However, it's best to stick to your guns and work with clients that have a respect for your needs too.
thanks! ive been neglecting them, and now you are giving me an understanding. how are the revision held? what if the clients are clueless? revisions how many changes do they have usually, inside them? thanks again
So when a freelance artist charges $500/day - they expect $12K/mo or do freelance artists typically charge a little less if it's a project that lasts a few months? It makes sense to charge slightly more for projects that only take a couple of days because there might be some missed opportunity cost involved or whatever...
It's really up to the artist and what they believe their services are worth. I would advise against charging too little because artists and their work have real value. Clients should expect to pay reasonable compensation. Even less skilled artists are worth a fair standard of living. As for shorter projects, I usually charge the same hourly rate as I would for a longer project. Do what makes sense to you and your needs. Either way, have confidence in your value and stick up for yourself and what you need.
@@bkalesti well I'm the client in this case. I cant be mad that some artists make $12k/mo+... I just cant afford them. Hopefully I will find someone affordable enough without sacrificing too much quality... kinda sucks tho... only the well established production companies/studios can afford these rates... and they stick to the same formula over and over... so we end up with cookie cutter crap year after year *pukes
@@perigosu8449 I totally understand. Skilled artists can be pricier! Some artists may be willing to adjust their rates along a range, especially if you (the client) are a pleasure to work with or if the work is gratifying for the artist. There are other collaborative options for you as well. For instance, I once did work at a reduced cost, but I was awarded investment shares in the company. I was willing to take a risk in that case (I loved their company). Also, good freelance artists can find ways to deliver good product in a short amount of time if they are smart about it (not overworking). That said, I wish there were more ways for smaller clients to compete with the established companies. It's tough! :/
Is this contract video in regards to commissioned art where works start from scratch based on how the client wants it to look? If i have art that's already been made say over a year or two that I would like companies to put on t-shirts mugs mats and greeting cards, etc, do I need to create a contract or just create a licence?
You need a contract, stating who owns the copyright. territory, Duration and use of license, and basically other terms in most contact that don't include the actually creation
sooo what if a client goes against the contract. he or she doesnt like your art and refuses to pay. how do you handle this with big companies with lots of lawyers? how to you handle this with just one guy in his or her basement?
100% helpful!! I'm literally using this video to help me draw up my contract right now!!
I am meeting my client tomorrow and putting together the contract. I have found your video immensely helpful! Cheers!
BY FAR!... SAME SITUATION AS YOURS!! I' M FULLY GRATEFULL!.
Thank you Bailey! I am writing my contract and I found your video the most helpful!!!!
The helps a ton as I am writing my contracts :)
That's great to hear! Contracts are so so important whenever we do work for other people. Best of luck! :)
Great voice, delivery and organization. Thanks
this is very useful, may you make more videos on contracts please?
THANK YOU SO MUCH 🙏🙏🙏🙏
Thanks for the video. I found it very helpful.
Eye-opening Thank You
Thanx for the info!!.. 🔥🔥
This was awesome, especially it doesn't matter if client likes the art, because we're being paid for our time! However, what if client doesn't agree, or has their OWN contract they want us to sign?
Determining the bounds of your work agreement is a collaborative effort between the client and the artist. It's about meeting the needs of both parties, so that they both feel comfortable. Clients have needs, but often you can incorporate your needs into their existing contract. However, if a client is unwilling to agree to basic, deal-breaking needs, then it may be best to work with someone else. The idea is that the deal-breaking needs are those that contribute to the artist's well-being as a person. In the event that money is tight, sometimes we may choose to make sacrifices. Just be aware of what sacrifices you're making and what the risks are. However, it's best to stick to your guns and work with clients that have a respect for your needs too.
You don't have to agree to that contract. They don't determine your charge, you do. Ask for revisions on the contracts to suit you.
Clear & Concise! Thank you
VERY HELPFUL!!
I cannot thank you enough for putting this video together for us! It was very helpful!
What happens when the client doesn’t provide feedback by the specific date?
Thank you!
Do you have a template for these contracts you use?
Thanks bruh
thanks! ive been neglecting them, and now you are giving me an understanding. how are the revision held? what if the clients are clueless? revisions how many changes do they have usually, inside them? thanks again
Thanks! Appreciate the tips :)
This is very useful. What verbiage would you use in the Rejection of Project portion of a contract?
Thaaaaanks!! Big Help!
So when a freelance artist charges $500/day - they expect $12K/mo or do freelance artists typically charge a little less if it's a project that lasts a few months? It makes sense to charge slightly more for projects that only take a couple of days because there might be some missed opportunity cost involved or whatever...
It's really up to the artist and what they believe their services are worth. I would advise against charging too little because artists and their work have real value. Clients should expect to pay reasonable compensation. Even less skilled artists are worth a fair standard of living.
As for shorter projects, I usually charge the same hourly rate as I would for a longer project. Do what makes sense to you and your needs. Either way, have confidence in your value and stick up for yourself and what you need.
@@bkalesti well I'm the client in this case. I cant be mad that some artists make $12k/mo+... I just cant afford them. Hopefully I will find someone affordable enough without sacrificing too much quality... kinda sucks tho... only the well established production companies/studios can afford these rates... and they stick to the same formula over and over... so we end up with cookie cutter crap year after year *pukes
@@perigosu8449 I totally understand. Skilled artists can be pricier! Some artists may be willing to adjust their rates along a range, especially if you (the client) are a pleasure to work with or if the work is gratifying for the artist. There are other collaborative options for you as well. For instance, I once did work at a reduced cost, but I was awarded investment shares in the company. I was willing to take a risk in that case (I loved their company). Also, good freelance artists can find ways to deliver good product in a short amount of time if they are smart about it (not overworking). That said, I wish there were more ways for smaller clients to compete with the established companies. It's tough! :/
Is this contract video in regards to commissioned art where works start from scratch based on how the client wants it to look? If i have art that's already been made say over a year or two that I would like companies to put on t-shirts mugs mats and greeting cards, etc, do I need to create a contract or just create a licence?
You need a contract, stating who owns the copyright. territory, Duration and use of license, and basically other terms in most contact that don't include the actually creation
6:00 can get even worse if the client claims they had copyright of the work because they paid for it and own it.
sooo what if a client goes against the contract. he or she doesnt like your art and refuses to pay. how do you handle this with big companies with lots of lawyers? how to you handle this with just one guy in his or her basement?
Take a downpayment first for small clients. Then state a kill fee for cancellation or rejection, which is better enforced when you have a deposit