Thanks everyone for the always positive comments on these supercuts! Really appreciate it. With the one year anniversary of Spielberg's film being here, here are two new WSS supercuts: I Feel Pretty: ruclips.net/video/7J2bJtUvN7E/видео.html Balcony Scene: ruclips.net/video/IjBzPMfQ3n0/видео.html
I just realized something about this song, when Tony says "Tonight there will be no morning star." He's right because he dies that night and never sees the sun again.
What's unique is how "America" in the remake was brightened up, while the original was mostly dark with blacks, purples, and deep reds. Yet, for "Tonight", the remake switched from BRIGHT reds to more dark blues. Instead of police light hues, he goes for smoke and shadows.
Thanks for this REALLY creative, innovative spin on the Quintet Song! It's always been one of my favorites in the entire Movie, Show, Story and this "take" is SO clever and avant garde!
I've seen lots of movies in my life, and I've seen lots of remakes. But I've never before seen a remake that was exactly as magnificent as the original. Both of these films are spectacular!
Chills!!! The Quintet is one of my favorite numbers, not only in the show, but in all theater music. The music is sensational, coupled with Steven Sondheim’s lyrics... I never get tired of this.
All of the West Side Story is wonderful, but there is something particularly special about this song... when everyone is singing their separate parts together. It's beautiful!!
I usually don't like "super cuts" especially when it comes to material that I love and know very well. But your editing is beyond excellent (on both this video and "America"). No performance or lyric or note of music was sacrificed. Well done.
The '21 version has more action, riding the subway, the scene in the church where Anita sings and is hushed, a lot of clever Spielberg interventions! But the music is absolutely the same as the Bernstein children required!
I wanted to applaud Spielberg as soon as I saw Anita’s part. They managed to transform the most awkward and dehumanising part into the most ironic and hilarious one. And Maria not being passive and walking just like Tony gives another powerful dimension
@@thefirstbourne149 not the character but the representation of her character in that scene from the 61 version was insulting. The hypersexualized Latina trope is tiring. I loved how suddenly human Ariana DeBose’s portrayal was after all the violence of the rumble. After mostly showing her fierce, admirable personality and beauty, Spielberg showed her as an human being that goes through so many emotions, which is rare to see when it’s a woman of colour at the centre of the movie.
You don't need to apologize for Rita Moreno--being brilliant, beautiful, sexy, and magnetic is not, repeat not, dehumanizing. The creators of the original film knew what they were doing when they cast her. And that doesn't mean I don't think Ariana DeBose is magnificent; she is. Rita Moreno couldn't be "awkward" if she tried. Phooey on the "competition." They're both winners.
Hang on, folks: Rita HERSELF was not happy with the choices made for her--the make-up, the phony accent (esp. in her over-dubbed Boy Like That), but men were in charge, so...I think having ground-breakers like Kushner involved in the current version must have helped. Maybe I was too young to get it in the '60s, but I wept through the Spielberg one.
Of all the different remixes, this is one of my favorites. I grew up with the original 1961 version and the blended of both this and Spielberg’s version is so incredible and the blending of the voices is like combining colors on a painting. This is *_ART._*
I do love that eerie dark red glow in the original version when the gangs are on their way--I tell you what, Spielberg's version is brilliant and I love it, but the 1961 version didn't win 10 Oscars for nothing! It's a masterpiece for the ages.
To me, this video is just perfect evidence that both versions of this film are brilliant. There were enough differences in the remake that it didn't feel cheap or unoriginal, but not so many that it felt like they were dishonoring the '61 version. I'm really excited to see what DeBose and Faist do moving forward.
This is so great. I’ve been flipping back and forth from one movie to the other on HBO MAX ever since they came on. Can’t believe Spielberg and the movie itself didn’t win Oscars.
Now I want to think that both movies were actually happening at the exact time in different parts of the city and they were both just completely oblivious to one another the entire time.
The finale from about 2:32 on is my favorite part. I love it because it's complicated. You have the lovers and the gangs singing in counterpoint with each other; its brilliant.
These super cuts do the one thing most needed, and that is to compare two absolutely perfect films. I liked the street ballet so much in 1960, but the Jets in 2021 are just ugly street thugs. They truly represent the power of organized hate. The Sharks do little better, but are somehow more human. The orchestral performances are full, loud, and the voices are support. Arianna DeBoise was worthy successor to her goddess, RitaMoreno. Mike Feist was at the top of his character. All the vocalists were amazing.
Jeez, I've watched this easily four or five times and still get goosebumps at the final sequence showing everyone from both movies. Really, really well done.
I LOVE these supercuts you're doing! Could you perhaps mention that Natalie Wood did none of her own singing? Rather she was dubbed by Marni Nixon who did the singing voices of a lot of film leads of this era? (such as Audrey Hepburn in 'My Fair Lady' and Deborah Kerr in 'The King and I')
Neither Natalie Wood nor Richard Beymer did their own singing.They were dubbed by Marni Nixon who also dubbed Rita Moreno s high notes and Jim Bryant.All the others sang with their voices.
@@rejoyce318 yeah, just that song because she said she couldn't do a lower register which was needed for that kind of song. But the rest like America and Quintet she sang.
Your West Side mashups make me emotional. As a former chorus/theater kid, this musical brings back so many good memories and to this day I love both versions. Seeing them together like this, I can't help but get emotional and have a huge smile on my face. THANK YOU
I love this supercut!! The transitions between both Tony's, and everyone overlapping at the end gave me chills! Also in the beginning with the Jets, switching from 1961 to 2021! This was very well done, gonna watch it over and over!
Tribute to this "re-imagining" aka as "remake" of the immortal WSS. Steven Spielberg nailed this. The music execution & choreography has never been better, the message never more clear for the ages. The characters and storied setting are so much more three dimensional. I have watched and loved the original film probably at least a 100 times or more given my 60+ years on the planet. It is dark, it is gritty, the singing is adequate, it was also trite at times, it is the best there was. I'll probably never watch that version again. Bravo maestro Spielberg!
Spielberg is one of the best ever and the remake does surpass the original in some respects, but frankly, the overall musical performance is not one of them.
This video was the best I’ve seen in terms of comparisons of old versions of movies to new ones… usually you just get a typical side by side comparison- I loved how you included verses from each individual/group that performed the song and interposed them.. even the clips from the movies, they weren’t confusing or bouncing around coming and going too quick… very nicely done!!!
Some say 1961 did better than 2021, and some say 2021 did better than 1961. But, I will say that the singing and choice of cast is brilliant. I love what you did with side-by-side at 0:41 with Jets and Sharks.
I absolutely LOVE this film and in so many ways. The operatic Deutsche Gramophone recording from 1985 that Bernstein did with Kiri TeKanawa, Jose Carreras, Tatiana Troyanos, et al, is one of the BEST recordings ever, PERIOD. Such talent! The documentary is even better. I had the unique privilege of seeing Marni Nixon perform at my Alma mater in the '70s. OMG, I remember it to this day. Lenny was a bloody genius and I truly hope that Bradley Cooper will do him justice in the new film.
I would never dislike this even if it was an accidental. This is just perfect since I love both the original and the remake. I hope I can see the actual stage play someday in the pantages. The beginning of the song with the gangs singing is just my favorite part of the song. I’m not even joking.
The 1961 version is THE West Side Story! This film can’t be remade just as Gone with the Wind couldn’t. The original is a masterpiece, a classic and reflects the time it was made in portraying the era superbly. The aerial photography of NYC is magnificent
whoever did this, did an amazing job. I played Tony when I was a kid, a Jewish kid from the bronx who couldn't dance well, but the mash up was perfect.... cheers...
The result of the brilliantly done intercutting is to double the excitement of this complex, innovative musical quintet, which is in itself a milestone in the history of musical theater.
The best! For some reason my tears don't stop. It's surprising that the tempo is the same as the movie 60 years ago, Above all, Bernstein's songs and Sondheim's lyrics don't fade. Thank you for making this video.
You are to be congratulated not just for a masterful job of editing, but for conceiving the idea in the first place. An incredible work. Thank you for making this available for those of us who love both versions.
Thank you so much! It took some work to synchronize up the two versions, particularly the climax, but it all paid off. The visuals were edited in Adobe Premiere and the audio was mixed in Final Cut Pro X.
I cannot stop watching this. Over and over again. Its so nice to have all the sounds levels correct and those flawless edits are epic. Thank you and touche!
Perfect editing...goosebumps, was a Shark back in the day, just a background guy, but my name was "...strange street name for a "PR"...one of my favorite shows/times ever
Best "supercut" I have ever seen., Granted, great material to work with, but so skillfully edited, it really is a masterclass in film editing. A pure joy. I edited movie trailers for 30 years and it's wonderful to be reminded how exhilarating a well edited piece can be. Bravo.
Anita hated Puerto Rico...much said in the original version of America...sorry I can't get my tit's twisted of her getting hot over Bernardo killing someone
Wow! JUST WOW! Wonderful collab! Any chance you could either do the “Dance at the gym” number, “Prologue” number, “taunting scene” number, “somewhere”, “I feel pretty” or “A Boy Like that”?
I grew up watching west side story and both versions are special and spectacular and not only that I can hear both versions of this song and I can sort of hear sound alike in some way within the soundtrack of west side story two thumbs up and keep doing more vids your channel is awesome
Thanks everyone for the always positive comments on these supercuts! Really appreciate it. With the one year anniversary of Spielberg's film being here, here are two new WSS supercuts:
I Feel Pretty: ruclips.net/video/7J2bJtUvN7E/видео.html
Balcony Scene: ruclips.net/video/IjBzPMfQ3n0/видео.html
I just realized something about this song, when Tony says "Tonight there will be no morning star." He's right because he dies that night and never sees the sun again.
The transition from Rita singing while putting on stockings, to Ariana singing in the church... MMM. They both deserved their Oscars man...
What's unique is how "America" in the remake was brightened up, while the original was mostly dark with blacks, purples, and deep reds. Yet, for "Tonight", the remake switched from BRIGHT reds to more dark blues. Instead of police light hues, he goes for smoke and shadows.
Nice observation
I love it! It’s double quintet with all of them.
Thank you so much! So happy you liked it. Should have called it the "Tonight Dectet" (meaning 10 musicians or singers).
@@MaxHechtman oh yeah maybe. Thanks fot this video. And the one with america i watch everytime.
Thanks for this REALLY creative, innovative spin on the Quintet Song!
It's always been one of my favorites in the entire Movie, Show, Story and this "take" is SO clever and avant garde!
@@MaxHechtman Or ten groups of/singers.
@@MaxHechtman A dectet across 6 decades.
I've seen lots of movies in my life, and I've seen lots of remakes. But I've never before seen a remake that was exactly as magnificent as the original. Both of these films are spectacular!
Agree both versions are great to watch I'm still partial of the 1st one ❤ but llove both of them
Chills!!! The Quintet is one of my favorite numbers, not only in the show, but in all theater music. The music is sensational, coupled with Steven Sondheim’s lyrics... I never get tired of this.
It's so true. It's one of his best numbers anywhere. So amazing to see it performed live ... but the movie versions give me chills just the same.
The quintet is magnificent. It is musically complex and intricate and a delight to the ear. I never tire of it. ❤️🎼
All of the West Side Story is wonderful, but there is something particularly special about this song... when everyone is singing their separate parts together. It's beautiful!!
Yes the quintet segment really catches the feeling of excitement building up with the tension!
I usually don't like "super cuts" especially when it comes to material that I love and know very well. But your editing is beyond excellent (on both this video and "America"). No performance or lyric or note of music was sacrificed. Well done.
Even when they don’t use certain ones the transition is so 😊 I just let it slide or it is a good reason to hear something else instead.
Hearing Marni Nixon and Rachel Zegler sing as Maria together made me tear up a little bit, not gonna lie.
I grew up watching the 1961 film (I was born in 2004) but since the 2021 version came out... I prefer the 2021 version🖤🖤
The '21 version has more action, riding the subway, the scene in the church where Anita sings and is hushed, a lot of clever Spielberg interventions! But the music is absolutely the same as the Bernstein children required!
I wanted to applaud Spielberg as soon as I saw Anita’s part. They managed to transform the most awkward and dehumanising part into the most ironic and hilarious one. And Maria not being passive and walking just like Tony gives another powerful dimension
You thought Anita was dehumanizing before??
@@thefirstbourne149 not the character but the representation of her character in that scene from the 61 version was insulting. The hypersexualized Latina trope is tiring. I loved how suddenly human Ariana DeBose’s portrayal was after all the violence of the rumble. After mostly showing her fierce, admirable personality and beauty, Spielberg showed her as an human being that goes through so many emotions, which is rare to see when it’s a woman of colour at the centre of the movie.
@@thefirstbourne149 they never said that
You don't need to apologize for Rita Moreno--being brilliant, beautiful, sexy, and magnetic is not, repeat not, dehumanizing. The creators of the original film knew what they were doing when they cast her. And that doesn't mean I don't think Ariana DeBose is magnificent; she is. Rita Moreno couldn't be "awkward" if she tried. Phooey on the "competition." They're both winners.
Hang on, folks: Rita HERSELF was not happy with the choices made for her--the make-up, the phony accent (esp. in her over-dubbed Boy Like That), but men were in charge, so...I think having ground-breakers like Kushner involved in the current version must have helped. Maybe I was too young to get it in the '60s, but I wept through the Spielberg one.
This is such a masterful blend of the two versions that highlights each of their strengths. Both movies are masterpieces in my opinion
Yes, they are. And I think it’s because Robert Wise and Spielberg seem to come from a similar school of visually expansive filmmaking.
Of all the different remixes, this is one of my favorites. I grew up with the original 1961 version and the blended of both this and Spielberg’s version is so incredible and the blending of the voices is like combining colors on a painting. This is *_ART._*
I do love that eerie dark red glow in the original version when the gangs are on their way--I tell you what, Spielberg's version is brilliant and I love it, but the 1961 version didn't win 10 Oscars for nothing! It's a masterpiece for the ages.
I prefer Spielberg’s cut to black tho
I got goosebumps and eargasm listening to this. You're fantastic.
EARGASM! YOU MADE THAT UP AND IT IS EPIC!
Eargasm 💀
To me, this video is just perfect evidence that both versions of this film are brilliant. There were enough differences in the remake that it didn't feel cheap or unoriginal, but not so many that it felt like they were dishonoring the '61 version. I'm really excited to see what DeBose and Faist do moving forward.
IMHO, The best musical ever.
This is so great. I’ve been flipping back and forth from one movie to the other on HBO MAX ever since they came on. Can’t believe Spielberg and the movie itself didn’t win Oscars.
IT DID WAKE UP ARIANA WON BEST SUPPORTING ACTOR
I will never get tired of this quintet
Now imagine if you added the 1957 Original Broadway Version with these two, and then you would get the ultimate mashup!
Sounds like a challenge! Looking forward to hearing that!!!
That is IF footage of the original Broadway show exists.
@@hunterolaughlin I meant just add it audio-wise, but if there truly is footage of the original performance, it would be nice to add that as well!
Oh, bless you for the latest supercut. Once again, we are blessed by all this talent onscreen.
Now I want to think that both movies were actually happening at the exact time in different parts of the city and they were both just completely oblivious to one another the entire time.
The finale from about 2:32 on is my favorite part. I love it because it's complicated. You have the lovers and the gangs singing in counterpoint with each other; its brilliant.
These super cuts do the one thing most needed, and that is to compare two absolutely perfect films. I liked the street ballet so much in 1960, but the Jets in 2021 are just ugly street thugs. They truly represent the power of organized hate. The Sharks do little better, but are somehow more human. The orchestral performances are full, loud, and the voices are support. Arianna DeBoise was worthy successor to her goddess, RitaMoreno. Mike Feist was at the top of his character. All the vocalists were amazing.
Jeez, I've watched this easily four or five times and still get goosebumps at the final sequence showing everyone from both movies. Really, really well done.
I loved this so much especially at the ending where they all sang “Tonight” very strong and powerful!!!! Thanks for making this! ❤️❤️❤️❤️
phenomenal!!!!!! you're incredible at picking what to show and when !!
The sun effect in the remake when it cuts from Tony to María is so cool, I can't believe I never noticed it before
Half a century between these two great works, and they both hold up, even when intertwined. Masterful.
Dying to see one with the Mambo scene!
I LOVE these supercuts you're doing! Could you perhaps mention that Natalie Wood did none of her own singing? Rather she was dubbed by Marni Nixon who did the singing voices of a lot of film leads of this era? (such as Audrey Hepburn in 'My Fair Lady' and Deborah Kerr in 'The King and I')
Neither Natalie Wood nor Richard Beymer did their own singing.They were dubbed by Marni Nixon who also dubbed Rita Moreno s high notes and Jim Bryant.All the others sang with their voices.
@@dianaaljadeff2983 didn't betty wand do rita moreno?
@@dianaaljadeff2983 Interesting - I didn't know that Marni Nixon sang Rita Moreno's top notes. Thanks!
@@idaf3028 I think Moreno's singing was dubbed at least partially on A Boy Like That/I Have a Love..
@@rejoyce318 yeah, just that song because she said she couldn't do a lower register which was needed for that kind of song. But the rest like America and Quintet she sang.
They did their own singing in the 2021 version. Enough said.
Unbelievable, that was perfect, 👏🏾👏🏾👏🏾👏🏾 from the best musical of all time
RIP Natalie Wood & Tucker Smith
Your West Side mashups make me emotional. As a former chorus/theater kid, this musical brings back so many good memories and to this day I love both versions. Seeing them together like this, I can't help but get emotional and have a huge smile on my face. THANK YOU
I love this supercut!! The transitions between both Tony's, and everyone overlapping at the end gave me chills! Also in the beginning with the Jets, switching from 1961 to 2021! This was very well done, gonna watch it over and over!
You took my breath away with this. Beyond fantastic!
Tribute to this "re-imagining" aka as "remake" of the immortal WSS. Steven Spielberg nailed this. The music execution & choreography has never been better, the message never more clear for the ages. The characters and storied setting are so much more three dimensional. I have watched and loved the original film probably at least a 100 times or more given my 60+ years on the planet. It is dark, it is gritty, the singing is adequate, it was also trite at times, it is the best there was. I'll probably never watch that version again. Bravo maestro Spielberg!
Spielberg is one of the best ever and the remake does surpass the original in some respects, but frankly, the overall musical performance is not one of them.
Absolutely masterful editing on your part! Completely intoxicating and chill-inducing! Bravo!
If he did one for The Balcony or A Boy Like That I would die.
This video was the best I’ve seen in terms of comparisons of old versions of movies to new ones… usually you just get a typical side by side comparison- I loved how you included verses from each individual/group that performed the song and interposed them.. even the clips from the movies, they weren’t confusing or bouncing around coming and going too quick… very nicely done!!!
Some say 1961 did better than 2021, and some say 2021 did better than 1961. But, I will say that the singing and choice of cast is brilliant. I love what you did with side-by-side at 0:41 with Jets and Sharks.
You know that you're going to fill up with requests, right?
Cool.
I'd like Maria and the Tonight duet, please.
Beautiful picture, beautiful songs!
That last part of all ten of them was amazing
Good job Max! Seamless editing. I love the raw power of Quintet, the collision of all that longing and desire.
Wow what a great job of putting two fantastic movies together. Thanks for this!
Glad you enjoyed it!
I absolutely LOVE this film and in so many ways. The operatic Deutsche Gramophone recording from 1985 that Bernstein did with Kiri TeKanawa, Jose Carreras, Tatiana Troyanos, et al, is one of the BEST recordings ever, PERIOD. Such talent! The documentary is even better. I had the unique privilege of seeing Marni Nixon perform at my Alma mater in the '70s. OMG, I remember it to this day. Lenny was a bloody genius and I truly hope that Bradley Cooper will do him justice in the new film.
Chills. I was born in 1961. This is brilliant! Thank you!
I would never dislike this even if it was an accidental. This is just perfect since I love both the original and the remake. I hope I can see the actual stage play someday in the pantages.
The beginning of the song with the gangs singing is just my favorite part of the song. I’m not even joking.
Again, another brilliant reminder of what these two movies did for American film history.
Thank you for posting I saw West Side story in 1961 I can remember coming out of the cinema like I was floating on air still love this film today ❤
The 1961 version is THE West Side Story!
This film can’t be remade just as Gone with the Wind couldn’t.
The original is a masterpiece, a classic and reflects the time it was made in portraying the era superbly. The aerial photography of NYC is magnificent
Well good thing the 1961 film was not remade, and this was another film adaptation of the Broadway stage musical that also have plenty revivals.
This was a masterful supercut. Bravo, bravo, bravo!
whoever did this, did an amazing job. I played Tony when I was a kid, a Jewish kid from the bronx who couldn't dance well, but the mash up was perfect.... cheers...
Just love Mike Faist.
your sarcasm is delicious!!
I LOVE THE WAY "THEY" MIX THESE FROM ORIGINAL 1961 MOVIE WITH THE 2021 MOVIE! IT IS FLAWLESS. I LOVE IT! IT IS GREAT, EXCELLENT!
Awesome! Loved both films. Loved the juxtaposition of so many scenes.
The result of the brilliantly done intercutting is to double the excitement of this complex, innovative musical quintet, which is in itself a milestone in the history of musical theater.
This gave me chills! Amazing cut showing the absolute talent of both casts! Well done!
Thank you for compiling all this brilliance, beauty, and drama! :)
The timpani had a field day with the instrumental
The best!
For some reason my tears don't stop.
It's surprising that the tempo is the same as the movie 60 years ago,
Above all, Bernstein's songs and Sondheim's lyrics don't fade.
Thank you for making this video.
You are to be congratulated not just for a masterful job of editing, but for conceiving the idea in the first place. An incredible work. Thank you for making this available for those of us who love both versions.
Masterful edit of the hallmark moment in musical theater and perhaps all screen musical history. Bravo, well done, Sir. 🌠
Can talk about all the layering and sound mixing here? Seriously it flows so seamlessly between the old and the new with out ever feeling jarring.
WE NEED A BALCONY SCENE SUPERCUT! THIS IS AMAZING!!
I have literally been looking for something like this since I saw the movie before Christmas!
An incredibly complex and compelling ensemble number unlike anything ever attempted on the Broadway stage before or since.
...by the great Leonard Bernstein, of course
the best scene in both movies. total genius to match this all together. thank you. beautiful job.
That was fantastic! Well done!!
This is a MASTERPIECE! Simply phenomenal!
I cried! That was INCREDIBLE! Great mixing as well!
Thank you so much! It took some work to synchronize up the two versions, particularly the climax, but it all paid off. The visuals were edited in Adobe Premiere and the audio was mixed in Final Cut Pro X.
WOW, AWESOME Job!
WELL worth the work you did and SO very much appreciated!!
the low harmony at 0:51.. absolutely gorgeous
This is fantastic.... Great job
Glad you like it!
I cannot stop watching this. Over and over again. Its so nice to have all the sounds levels correct and those flawless edits are epic. Thank you and touche!
Perfect editing...goosebumps, was a Shark back in the day, just a background guy, but my name was "...strange street name for a "PR"...one of my favorite shows/times ever
OMG, this was amazing. It's also my favorite song on the soundtrack. Thank you, great job!!!
Excellet is a mere Word. I cannot describe how much I like this masterpiece of edition. Thanks for gracing RUclips with your art.
This is the best performance I've ever witnessed. That's why it's my favorite.
Wow! This is the best number from the best musical ever, and what a tribute you've made! I still haven't seen the Speilberg version, and I can't wait!
This is amazing! Thank you. I think I will watch it again.
Best "supercut" I have ever seen., Granted, great material to work with, but so skillfully edited, it really is a masterclass in film editing. A pure joy. I edited movie trailers for 30 years and it's wonderful to be reminded how exhilarating a well edited piece can be. Bravo.
a standing ovation, sir!
My whole body is tingling like crazy. Epic combo! 😍
3:24 oh plz appreciate Ariana DeBose getting the final shot
Thank you so much! I definitely made sure to end it with her, since she won the Best Supporting Actress Oscar this year. So happy for her. :)
@@MaxHechtman gosh you’re a fox
@@MaxHechtmanAnd now… she is Asha. Ended with Asha.
Anita hated Puerto Rico...much said in the original version of America...sorry I can't get my tit's twisted of her getting hot over Bernardo killing someone
Wow! JUST WOW! Wonderful collab! Any chance you could either do the “Dance at the gym” number, “Prologue” number, “taunting scene” number, “somewhere”, “I feel pretty” or “A Boy Like that”?
What about the jet song and gee officer krupke
Both "One hand, One Heart" songs, "Something's Coming", "Maria", "Tonight", etc., too, would be AWESOME!
The best of both versions!
This was PHENOMENAL!!!!
Combined like that it's all so tense but all so beautiful, watch it just to be caught up in the drama even though we know what's going to happen
Un trabajo cuidado a la décima de segundo, en un número muy complejo, no puedo decir más que ¡¡¡EXCELENTE!!!! Congratulations
a remarkable editing .
This is mixed so well and sounds exciting. I am dazzled by the combined visual and audio experience. So good.
I grew up watching west side story and both versions are special and spectacular and not only that I can hear both versions of this song and I can sort of hear sound alike in some way within the soundtrack of west side story two thumbs up and keep doing more vids your channel is awesome
I meant that it sounds sort of the same but it's with a dash of contemporary feeling of a classic movie musical in it's time era
To hell with the comparisons, it's one rousing piece of music.
I love good brass.
1:16 I like how this kinda implies that 2021 Anita just started singing only the second part of the song out of nowhere.
Now I got mega goosebumps on that last part. Twice as much
Good job on the supercut. Thanks. toronto canada.
Wow, you done well bro. Lots of love from Holland