안녕하세요 우라사와 선생님. 선생님의 만화를 읽고 자란 이제는 43살의 한국인 입니다. 몬스터, 마스터키튼, 해피 등등 주옥 같은 만화를 만들어주시고 저의 유년기를 더욱 풍성하게 만들어주셔서 감사합니다. 유튜브가 있어서 이렇게 인사를 드릴수 있어서 좋습니다. 항상 건강하세요.
The "lies" manga artists tell about the position of the face of the conversant reminds me of theater. In theater, the actors also "lie" with their body language, making sure to face the audience even when this wouldn't make sense in terms of their positioning to the other actor they are talking to (or rather, the character which their character is talking to). It is for the same reason as the manga lie, clearly showing the face communicates the feeling of the character.
I love you Urasawa! Thanks for existing. Your stories are part of my life, and now you’re teaching us your craft! What an amazing human being. Your legacy will live on forever!
This is basic stuff I’m aware of, but seeing Urasawa Sensei sketch out these examples is incredibly informative and inspiring. As I watch this, I can think of many instances in the comic I’m currently drawing where I’ve failed to utilize these techniques. I want to redo these pages now, but the deadline looms.
Interesting how manipulation of perspective is a "lie" given how secondary it becomes for reader/watcher. Think of how often we see/play stuff in the 3rd person perspective to better understand/be able to play stuff easily. But you showing how the "flow" of scene is affected by such really shows what a important skill it is.
Thank you for the upload. I am very excited for the anime of Pluto and hope that maybe one day Billy Bat would get an official english translation. I want the set of it haha
I always look forward to the videos you post. Thank you for sharing your insights! This was an extremely helpful video; I had never noticed how the flow worked like this for Manga!
Usarasawa sensei debe estar muy feliz de se estrene la nueva animacion de unos de sus mangas este año. Realmente es unos los mejores mangakas de estas ultimas decadas. 🎉
今日は 浦沢 直樹 先生！ (Hello Master Naoki Urasawa!) I've only just discovered this channel. It's a pleasure to watch an artist's creative process, to see characters and situations come to life and gain expressiveness through his mastery of techniques and his sensitivity. I have a question I'd like to hear Naoki Urasawa-Sensei talk about. I notice that in many works (particularly anime) the faces seen from behind in 3/4 are very deformed. The eyes are drawn more as if they were in profile (2/4) and the perspectives of the nose and mouth are completely disproportionate. 8:36 - Here's a good, well-proportioned example of 3/4 from the back, but many drawings I see end up with "cubist" faces. I don't know if it's just a technical difficulty or if the fact that the eyes can be large makes it difficult to draw faces from this perspective. All I know is that they look very strange and spoil not only the overall quality of the work (whether it's manga or anime) but also distract the viewer from the story. It's as if the viewer/reader has been slapped and, alerted to this physiognomic disproportion, is distanced from the story. I'd like to know what the technical difficulties are in depicting faces in this 3/4 perspective from behind. Could Urasawa-Sensei draw some examples? ありがとうございます。(Thank you very much.)
Thank you for your wisdom, Urasawa-sensei. I fell in love with your art and storytelling styles many years ago with 20th Century Boys and am grateful for your teachings.
I'm trying to become the first foreign mangaka to have a series in either Jump SQ or Ultra Jump, so your videos help me a fair bit. You also wrote three of my favorite manga serializations of all time. Thank you, Urusawa Sensei :)
how old are you my friend, we seem to share the same dream in our lives, i am aiming for monthly afternoon or big comic spirits, do you have any social media id? let's be friends!
thank you urasawa sensei! i'm always curious about how manga and comics can be made to clearly communicate certain ideas and learning from a master is so great. we are truly blessed to have you on here
Congratulations on your career! 🎉So many years of drawing! Good for us! 😊Thanks for the lesson on composition and tempo. It was very interesting. The do's and don'ts were very illustrative. 😃 Have a nice day Urasawa sensei! 🥰
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
サササッとネームレベルで描きながら説明されてますが、さりげなくBさんはストローで飲んでいるあたり、AさんとBさんの区別が一目で出来、見やすくて流石です。
Eu feichei os 100! "👍" kkkkk
先生、あなたの経験や知識を私たちに教えてくれて、本当にありがとうございます。漫画が好きでも、日本で生まれなかったり、日本に住んでいなかったりする私たちの多くにとって、このような技術や知識を得ることはとても難しいことです。 メキシコからご挨拶申し上げます！
手探りで漫画を描いてる自分にすれば、プロの人がこういう読者に見えない気遣いをしているところを教えてくれるのは本当に助かります。
浦沢直樹でもシャーペンの芯を折るんだ〜と安心感
俺も思った。意外と筆圧高いんですね。歳をとって力が入らなくなると鉛筆の芯を折る力もなくなってしまうかもしれないから、逆に元気で良いのかもしれない。
一つの例として
鳥山明先生のドクタースランプでの一コマで、「ボケ」と「ツッコミ」という二つの要素が
一つのコマにおさまっているというのも同じことなんだなあと
テンポが良くなる
分かりやすい説明に加えて、実際に正誤を描いて見せてくれる上に、大好きなMASTERキートン迄描いてくださる浦沢先生は神です！
안녕하세요 우라사와 선생님. 선생님의 만화를 읽고 자란 이제는 43살의 한국인 입니다. 몬스터, 마스터키튼, 해피 등등 주옥 같은 만화를 만들어주시고 저의 유년기를 더욱 풍성하게 만들어주셔서 감사합니다. 유튜브가 있어서 이렇게 인사를 드릴수 있어서 좋습니다. 항상 건강하세요.
The "lies" manga artists tell about the position of the face of the conversant reminds me of theater. In theater, the actors also "lie" with their body language, making sure to face the audience even when this wouldn't make sense in terms of their positioning to the other actor they are talking to (or rather, the character which their character is talking to). It is for the same reason as the manga lie, clearly showing the face communicates the feeling of the character.
「喋ってる時そんなに横向かないんだって」と自分もネーム描いているときによく悩んでいます！なるほど、そこは嘘でも演技入れさせた方がスムーズですね。ビデオありがとうございました、勉強になりました。
漫画描きには、めちゃくちゃ需要しかない…
浦沢先生の話もとても魅力で、技術を惜しみなく公開してくれるのは、とても貴重でありがたすぎる…凄く勉強になります…🎉😢
ストーリーをまとめる技術はあるのかな？
シンプルな線でどんどんおじさん出てくるのうらやましい！！！
めっちゃ分かりやすいです。僕も漫画を描いてましたが、やっぱり、アシスタントしながら、勉強しないといけないですね。いやあ、自分の浅はかさが分かりましたね。いや～まんが最高ですね。こんなことに気づかないのは我流だからですね。
巨匠浦沢先生がこうして動画で漫画を解説して頂けるなんて…！ありがとうございます！しかもわかりやすい…！
まさかの部位から主人公を描き出していてビックリしました。さすがプロ。
I love you Urasawa! Thanks for existing. Your stories are part of my life, and now you’re teaching us your craft! What an amazing human being. Your legacy will live on forever!
W
This is basic stuff I’m aware of, but seeing Urasawa Sensei sketch out these examples is incredibly informative and inspiring. As I watch this, I can think of many instances in the comic I’m currently drawing where I’ve failed to utilize these techniques. I want to redo these pages now, but the deadline looms.
I fully agree! good luck on the story!
漫画の文法というか、漫画の呼吸というか・・・見事です！勉強になります！ありがとうございました！！！
Knowing about the lie and not treating your framing as reality makes it a lot easier and I always focused on the reality.
8歳から漫画描いてたのかぁ凄いなぁ😮今回の動画めっちゃくちゃ参考になるし私ももっと頑張ろ🔥
山田玲司さんのチャンネルで「映画をまるごとマンガにすると良い練習になるよ」と拝見して
大好きなファーゴをマンガ(コマ割り)にしてみたのですが、どうも違和感があるなぁ…と悩んでいた事がまるごと動画になっていて勉強になりました！
ありがとうございます
山田玲司は嘘ばっか言うからなあいつwwwヒット作のない漫画家の言う事信じちゃだめよ
감사합니다 선생님. 주변에서 이런 조언들을 듣기 어렵고 배우기도 힘든데, 유튜브로 볼 수 있다는 것에 너무나도 기쁘네요!
めちゃくちゃ分からやすかったです。
私の漫画は趣味ですが、なんで間延びしてしまうのか理解できました。
私は嘘ついてなかったです。
そこ、気にしなくて良かったんですね！！
やってみます！！
漫画の嘘、、すごいわかりやすかったです。
テンポよく読める漫画。こういう細かいところから生まれるのですね。
マスターキートンが出てきて嬉しかったです😊
この宝物が何処かの誰かに刺さって名作が生まれてくれることを祈っています
先生本当にありがとうございます😭
Interesting how manipulation of perspective is a "lie" given how secondary it becomes for reader/watcher. Think of how often we see/play stuff in the 3rd person perspective to better understand/be able to play stuff easily. But you showing how the "flow" of scene is affected by such really shows what a important skill it is.
I've read a ton of manga making advice and never came across to such lesson, you're a true legend, Urasawa Sensei! Huge thanks from Mexico!
最高です。感謝しかないです。
It leaves me speechless the speed in which he draws!!!
Your videos are great Sensei! Easy and thorough explanation makes them the best!!
「漫画の嘘」確かにそうだよなぁーと笑っちゃいました。
I love your All Rosewood Telecaster! George Harris! Lovely!
Thank you for this Urasawa. You are a very big inspiration!
ありがとうございます浦沢先生！
浦沢先生RUclipsチャンネル開設してたの？！？！
助かる〜！！！！
先生次世代の為に漫画術を教えてくださりありがとうございます
とても参考になりました
こうもスラスラと読みやすいコマの中の構図を描けるなんて凄いと思います。漫画はリズムが大事と聞きますが、こうやって読む時のスピードやリズム感を調整するんですね。
浦沢先生の作品、絵、漫画、そのなかの間合い、全部好きです。ずっと出会えて良かった漫画家さんです。長くお元気で、創作活動を続けていただきたいです。動画から伺える先生のキャラクターもすきです！ これからも応援しています！
Hello, Urasawa Sensei! Thank you for your time and gave us valuable lesson on tips and tricks in making a manga panel composition. So inspiring!
Thank you for the upload. I am very excited for the anime of Pluto and hope that maybe one day Billy Bat would get an official english translation. I want the set of it haha
今年二十歳で今年から描こうと思ったからもう勉強します
誰よりも漫画が好きだ！！！！！
I always look forward to the videos you post. Thank you for sharing your insights! This was an extremely helpful video; I had never noticed how the flow worked like this for Manga!
Thank you for your generosity Urusawa Sensei! どうもありがとう!
You are the best! You show what others dont. I want to draw more after watching you
浦沢先生ー！
待ってましたー！
We love you! See you in Lucca 2023..i hope!!
Usarasawa sensei debe estar muy feliz de se estrene la nueva animacion de unos de sus mangas este año. Realmente es unos los mejores mangakas de estas ultimas decadas. 🎉
メチャメチャ、面白いですねえ。
子供の頃、コマ割りの感覚が全く掴めず
早々にマンガ家を諦めた自分としては
数十年越しで「そうだったのか～！！」でした。
凄い。日本の漫画が世界に評価される所以が知れて勉強になります。
GODraswa subiendo un nuevo video nunca me lo pierdo
漫画的な嘘がつけずにまったく同じことやっていました。すこくわかりやすかった…。勉強になりました。筆がお早くて尊敬します。
部屋めっちゃ好き
最初はこういうのも意識するのが難しい
一度漫画を描いたら少し放置して忘れた頃に自分で読んでみるとテンポや台詞の不自然な所に気付きやすい
It's been 2.7 years since I first watched monster and still it's one of my favourite show and for me best show ever created.
映画や見たものをそのまま漫画にしようと試みましたが、何故か画面が味気なかったのは、
ここで言う「漫画なりの嘘」がつけないが故だったんですね。
今日は 浦沢 直樹 先生！ (Hello Master Naoki Urasawa!)
I've only just discovered this channel. It's a pleasure to watch an artist's creative process, to see characters and situations come to life and gain expressiveness through his mastery of techniques and his sensitivity.
I have a question I'd like to hear Naoki Urasawa-Sensei talk about. I notice that in many works (particularly anime) the faces seen from behind in 3/4 are very deformed. The eyes are drawn more as if they were in profile (2/4) and the perspectives of the nose and mouth are completely disproportionate.
8:36 - Here's a good, well-proportioned example of 3/4 from the back, but many drawings I see end up with "cubist" faces. I don't know if it's just a technical difficulty or if the fact that the eyes can be large makes it difficult to draw faces from this perspective. All I know is that they look very strange and spoil not only the overall quality of the work (whether it's manga or anime) but also distract the viewer from the story. It's as if the viewer/reader has been slapped and, alerted to this physiognomic disproportion, is distanced from the story.
I'd like to know what the technical difficulties are in depicting faces in this 3/4 perspective from behind. Could Urasawa-Sensei draw some examples?
ありがとうございます。(Thank you very much.)
Me alegra tanto ver un video de urasawa sensei! 💙
高校に浦沢直樹語れる人全くいなくて悲しいです。大好きです。
同じく、Monsterと、20世紀少年とビリーバット、あとマスターキートンも見てます。浦沢先生大好きです。
布教すれば良いのだ。そんでもって流行った時に古参アピールできるぞ！
高校なんて一回クラスで漫画貸せば結構仲間内で流行るものなので、教室や部室に持っていくと良いと思いますよ。
Segredos do mangá com um sensei de peso! Grato, mestre Urasawa!!
浦沢先生お元気そうでなによりでございます
Great video ! I am hopefully expecting next video is about drawing scenery and background.
ありがてぇ動画やで🎉
Urasawa The GOAT
ひさびさの更新っっ！
嬉しいです！
Thank you for your wisdom, Urasawa-sensei. I fell in love with your art and storytelling styles many years ago with 20th Century Boys and am grateful for your teachings.
浦沢さん。初めて見たけど雰囲気ミュージシャンっぽい方だったんだね
ありがとうございました！マンガ家志望として、今回のエピソードはとても興味深かったです！
投稿ありがとうございます。
漫画を描くうえですごく参考になります。
話の筋の進行（一枚毎の）具合を管理しつつ、それと同時に読む人間が感じるスピード感・リズムも同時に調整してるんすね。キートンの例だと、“たタン、たん“と2コマで1往復半させるか、“たん、タン“と2コマで1往復させるか。コマを横に追っていく自分の目の動きと、セリフの1往復半or1往復…コレは確かに実感できる。1往復半の方が座りも良いし没入スタートできるスピード感だわコレは。
自分でマンガを描くときにどこにキャラや吹き出しなどを配置したら分かりやすいのか悩んでいたので助かります。
マンガは普段から結構読むのに、いざ自分で描いたら微妙に読みづらくなるのは動画で紹介された工夫をすっ飛ばして無意識に「なんとなく」でやってしまっているからですね…(--;)
先生動画ありがとうございます嬉しみ🎉
thank you for the videos Urusawa, keep doing what your doing
冨樫義博先生のHUNTER×HUNTERを研究したときに気づきました。
ほとんどの会話シーンで片方のキャラが真横を向いている！
冨樫義博先生は、やや奥向きにした横顔を描くというごまかしをやらず、
完全に真横から見た横顔を多用しているのでわかりやすかったです。
ジャンプ漫画だとジョジョとかも片方のキャラが横顔のコマ多いですね。立体的な画風のキャラが横を向いてるとハッキリとパースのいびつさに見てる側が気付くから、不自然で面白くなる。
love from india , want to meet and learn all the great techniques from u sir
直樹先生、更新が遅すぎます。😂またの貴重な教えに感謝したします。🙏
He is 60 and is still working on asadora
Obv it will be late
Dibuja muy bien mis respetos!!
Thank you for the video, Urasawa sensei.
Absolutely going to be looking for these from now on when I read comic books.
Just finished Billy Bat, you are amazing Urasawa-sensei!
読みやすさはテンポですもんね、勉強になります
I'm trying to become the first foreign mangaka to have a series in either Jump SQ or Ultra Jump, so your videos help me a fair bit. You also wrote three of my favorite manga serializations of all time. Thank you, Urusawa Sensei :)
Good luck on your journey, my friend!
how old are you my friend, we seem to share the same dream in our lives, i am aiming for monthly afternoon or big comic spirits, do you have any social media id? let's be friends!
Is it possible?
Do you have insta or anything?
@@shameerabdullah5709 I don't know. But I'll regret it forever if I don't at least try
thank you urasawa sensei! i'm always curious about how manga and comics can be made to clearly communicate certain ideas and learning from a master is so great. we are truly blessed to have you on here
Congratulations on your career! 🎉So many years of drawing! Good for us! 😊Thanks for the lesson on composition and tempo. It was very interesting. The do's and don'ts were very illustrative. 😃 Have a nice day Urasawa sensei! 🥰
Thank you very much for those videos, they’re always extremely interesting!
非常に分かりやすい………秘伝ですね
会話シーンを描いてると、手前に居る利き手の後頭部とか背中を描いて、その奥に話し手がいる「自然な構図」を高頻度で書いてしまって、なんか紙面が詰まらない感じになってしまうことを悩んでいました。絵としての問題だけでなく、リズム等でも損をしていた事が納得できました！
Thank you for all Urasawa-sensei absolutely genious 🙌🙌
Thank you Urasawa Sensei, what an useful lesson!
漫勉めっちゃ好きで見てました。
I love naoki urasawa❤❤❤❤
勉強になりました。ありがとうございます、先生。(_ _)
Thank you very much for your advice, hope you have a great time at the award event.
A very good video! Thank you very much!❤
めっちゃわかりやすい ありがたい
You made my morning, Urasawa sensei. Thank you for the video!!
These videos are always a treat to watch!
すげー！
ありがたいです！
Thank you for the knowledge, Urasawa san.
I look forward to the next MANBEN
逆にやればコマ稼ぎにも使えるわけですね。面白いテクニックですね。
動画内で、それだとリズムが悪くなる、って言ってるけど？
Sin duda alguna éste es mi canal favorito
一時停止してデビュー作冒頭拝見しましたが続きが気になります…！