JLCO Master Class: Carlos Henriquez (April 1, 2020)
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- Опубликовано: 16 окт 2024
- Join Carlos Henriquez, bassist for the Jazz at Lincoln Center Orchestra with Wynton Marsalis, for a session on how to play clave rhythms.
Tune in live to the next Jazz Academy Master Class: jazzatlincolnc...
To learn more about Jazz at Lincoln Center, visit us at www.jazz.org
Orgullo Boricua..!
This is the best tutorial JALC has ever done. Do more with Carlos.
This Is Gold thanks a lot!
One of the best explanations of clave I have seen - more carlos please!
This is a MASTER CLASS!!!!!
22:53 people can make a connection here with rhythms like Partido alto, a very important Brazilian Clavé. So much African-based music works on the principle of avoiding the downbeat on the "three side" and landing on down beats in the "two side". It is very freeing to understand those concepts and not automatically play it "the easy way" which is to play on the downbeat side even if you're supposed to be on the upside.
Great masterclass! Thanks a lot Carlos
This is a master teacher. Bless!
Outstanding.
Hi there, fantastic master class, thanks a bunch for that! Could you list the 7 bass players, which Carlos named, please? Greatly appreciated!
This master class is amazing!!
Thanks a lot. I never understood how the interplay between instruments actually work, now I can start and learn a bit of Cuban music.
Thank you! Amazing lesson, clarified so much for me!
24:09 ha ha! I sometimes use "Mary had a little lamb" sometimes to teach how to move the chord changes/melodies/moñas/etc. around the Cláve
this is great!
An amazing musician
Well done, learned a great deal-solid!
This is awesome!
RIP Sal !
Maestro
Master bassist
Claro !
A lot of bass player names where mentioned- especially in the start - I got lost! Could anybody give me a hint in what to listening to_
Gracias
Thank you!
Maestro Carlos,
I listened to Cachao's beautiful song Goza mi Trompeta. I'm pretty sure it's 2/3 clave. Is it so?
I feel that whole album is 2/3.
A beginner here! Thank you
Yes, 2/3 all the way. One clue to check on "old school" styles is where the congosero puts the tumba, usually that indicates the three side. In modern playing it's not always that simple. With cha-cha on the Timbales it's not always as simple to hear either in old school playing, mambo patterns will definitely tell you where the clave is phrased in relation to the chord changes/melodies/moñas/mambos. you should really learn all the Percussion patterns old and new. The same goes for recognizing bongó patterns.
@@TiqueO6 Gracias!!!
@@anaalvarez494 hey no problem! Also I really respect Carlos of course, and where he mentions Cacao as his first choice influence I can totally agree because when I really studied Cachao it was because I was suddenly hired to play a "tribute to Cachao" on New Year's Eve by John Santos, and they even called Cacao live on the phone during the gig! I think it was his birthday at the same time. But the reason I'm talking about Cachao is because when I studied I would sometimes wonder if I was hearing one of the conga drums or the Timbales heads and realizing it was him playing notes that were particularly sounding as part of the percussion. It was a fascinating study which I had to do quick to get ready for that demanding gig! If you're interested in some of my bass influences my primary is probably Humberto Perera's, Bassist, arranger, composer etc. for Orquesta and Ritmo Oriéntal (up until 1990 or so). You can hear or read one of my basslines it's in the Latin real book I think the tune is called "Virgin de la Caridad". It's really more of a Songo bassline. If you want to learn the newest style, Timba, I recommend Eileen Perez as a bass player to listen to initially. But always go back to the roots of it all in Songo music and earlier from Cuba, even bands like RumbaVana an orchestra Reve, originals de manzanillos, estrellas cabanas, ... but Humberto might have been the one who really opened the door for bassists.
@@TiqueO6 Wow Tique! Cool gig!
I play guitar and love the bass. I'll check out your bass line. Very interesting to chat with you.
@anaalvarez494 You too! I have some rhythm section recordings of Issac Delgado's orch, (I was recording eng at S.0.B's Nyc a while back) and the guit playing is great, for Timba, rare to hear, let me know if you're interested.
6:30, 10:15
Clave
👍