Hey Ola, can you do a demo with the quad cortex through a power cab? With a power cab, you dont need a power amp to power it right? I know if you hook the quad cortex up through a guitar cab a power amp is needed But what about a power cab?
I love how much money you save in the long run. No more paying Shipping costs for heads, cabs or pedal boards. Literally just run this to the mixer and you're good to go. Everything is now in the carry-on.
@@ridfitd This is not great news. Did a rep from Sweetwater tell you this? I know a few people who ordered via SW and they are expecting what is up currently, being "late March". Thanks for any info.
Its freakin amazing how much technology evolved over the last couple of years. Imagine putting this in a rack, with a sampler (+ click for the drummer + midi switching the channels/presets) + wireless for the guitars and basses and have your power + XLRs for the FOH in one multicore. (maybe even an inear-mixing-console + the transmitters etc.) You basically show up at a gig and be ready to rock in less than a minute.
Basically like Line 6 Helix Snapshots. We've been able to do this for years. It works the same way. You stick a bunch of amps on the signal paths. They don't even need to be on separate paths. But if you want, you also have four paths on the Helix. Then you just set up snapshots to turn amps, cabs, pedals on and off per prefix. So you can set up stomps to switch amps, cabs, etc just like on the QC. What's cool w/ the Helix is that I can also control the Variax guitars. So I can also control tuning (per-string, not just dropping the entire signal by x intervals, so I can go between a drop tuning and a "standard " tuning, to an open tuning with a stomp of a switch), guitar model, any variax setting, with snapshots. I can say, go from a Les Paul to a Strat, to a Banjo, to a 12-string electric or acoustic with a stomp. They can also send midi commands to other devices when a snap is selected through command-center, change inputs/outputs, etc. So you can also control outside devices. Pretty insane.
I recently acquired a QC for home recording and last week my live amp, a Bogner Ecstacy 101B, blew a tube so I needed a quick replacement to get through the next couple of shows. I decided to try the QC direct to the PA using some of the factory amp captures it came loaded with and it worked out really well. I had a lot of friends at the gig who said they wouldn't have even noticed I was running direct if I hadn't told them. I did however have this glitching issue during patch changes which this video addresses. Thanks for this video as it will save me some time troubleshooting and resolving that problem in the future. Besides the glitchiness between patch changes, there were some challenges with achieving a good tone through both the FOH speakers and my monitor. I'm not terribly worried about that as I'm confident I'll be able to dial in the tones a bit more to my liking over time. At the moment, I can say I definitely prefer my tube head to the QC for my live tone. That being said, the QC sounded pretty damn good especially considering how little time I had to throw the patches together. Going forward I plan to fine tune my QC live performance patches and I'll always keep it with me as a backup rig for live shows.
Wow. Ola. This is the video I wanted and needed to see. I was honestly so close canceling my preorder. But you definitely nailed it when it came to showcasing how powerful and how functional this unit is live. Thank you for this video. 🙏🏽
For a normal metal band with 2 guitarists and 1 bassist, buying this and getting on the road seems to be an extremely convenient and comfy scenario. I'll talk about it with my pals haha
@@unleashthefury111 an amplifier can also die in the middle of the gig, you can cut strings, etc. This stuff shouldn't fail but if does, it does. Shit Happens
@@ItsNotaTuhmah Yes, and in fact, you can have two ready to switch. Because I doubt the three people have no gear at their home, so you'll end up buying two anyway. This have anyway less chances to happen than an amplified dying or a pedalboard.
I’ve never played with a group of guys I trust enough to push my effects pedals at the right time for me. That’s a lot of extra pressure on one guy in the band. Haha. The processing power of the unit is definitely impressive though!
I'm impressed with the polyphonic pitch shifting. I'm sure it's been said in the comments, but Kemper Performance Mode can actually give you 5 completely separate rigs with no gap switching in between and morphing (like a single scene or snapshot) in each rig.
Helix just added Polyphonic effects to the latest firmware, although they take a lot of DSP and limit the number of items you can have on your signal path. I only really use the poly wham pedal though, because I typically play with my Variax JTV-89F (Ibanez style w/ floyd), which lets me do all the tuning stuff per string. I even have a patch that turns my guitar into a four, five or six string bass through an emulated SVT. :p
I don't know if you'll ever read this but you and Miguel Sequiera have got me back into guitar. I'm suating off and re furbishing my old guitars and I have even placed an order for your v. Re learning thrash, black, heavy metal all over again. Thank you! 🤘🥲
A real game changer for travelling bands. If your tech guy knows a thing or two about drums, you only need one tech for the whole band. This translates into savings worth many times the investment.
Amazing!!!! I love when Ola gets serious and dig deeply into whatever he's demoing :) Now I'd like to see some tone comparisons between QC, Fractal etc! :)
Hey man i just purchased one of your guitars and I must say it definitely lived up to expectations an awesome guitar to play Keep up the good work many thanks
Thank you! This is a game changer along with the hybrid scene/stomp mode. Now if they had an option where you could plug your guitar and mic into it and use it as a talk box I'd be really happy.
I actually use this feature for lessons. I teach bass guitar & music production/recording, this thing is actually VERY convenient for all of that. I can have bass rigs and two different guitar rigs ready at any given time and even plug any students into it at the same time I'm playing if I need to. Oh, and the looper can record for a little less than 5 minutes
Marvelous! But the Quad Cortex is not the only one to achieve that. That's just what I've done on my Mod Device pedal. My guitar input goes in a plugin called ToggleSwitch that can go up to 4 different path. So I can have 4 completly different sounds with different preset for each sound with different Amp simulator, cabs, many reverb, delay and looper for each path. Nothing beat Mod Device in term of routing capabilities. Ok Quad cortex has more in and out but Mod Device have 2 in and 2 out so you can use it for 2 guitars. And you can connect as many midi switcher or expression pedal as you want so each guitarist can control his sound! Marvelous! And all that for half the price of a Quad cortex! I hope one day you'll do a review of a Mod Device. Those pedals are really powerfull and sounds great if you take your time to tweak the sound.
Hey Ola, you can have multiple amps in FM3. the FM3 has channels , so yes you can have multiple amps per patch. A B C D. Hope this helps , or I hope I didnt misunderstand.
I notice a hiccup in the sound on the FM3 when switching channels in the amp block. I use a preset with just an amp block and no cab: IN1 -> AMP -> OUT1. Instead of a CAB block, I'm using an external solid state amp (Boss WAZA TAE) with a real VOX AC30 cabinet + speakers. In the Amp block on the FM3, I use the amp type "CLASS-A 30W" for one channel and "CLASS-A 30W TB" for the second channel. Scenes 1 and 2 switch between these two channels. Compared to just stomping an analog drive pedal on/off which feels instant, there is definitely a gap, and I find it to be very awkward when switching in the middle of playing. See my reply to Billy Repko a couple of posts above to read about why I think this gap happens.
Helix got a seamless switching recently (not for Stomp though), but you have to sacrifice one DSP path. Still, for live use 8 blocks is quite a lot, plus you don't have to tinker with snapshots or anything, just make a bunch of presets. You even can program all the 12 footswitches to switch to a different preset if needed just have everything one switch away.
Thanks so much for another great video. would be nice to see a video on running the quad cortex through a power amp and a cabinet of your choice as there is not always a PA available for day-to-day practicing.
Fast fwd. You can do scenes in this just like snapshots. I have both this and the helix and this feels like an amp and sounds better. Same thing re the Kemper. I’ll take this over both. Buy my amps will always come first. But I love adding different pedals to the quad. I don’t care to capture them. I like using them externally. No latency with scenes here. .
Hey Ola, i bought a Hagstrom Ultra Swede and i named the Guitar Ola 🤘🙂 btw... I also bought Strenght in Numbers on CD! Great stuff! Have a nice day. Greetings from Germany.
Here's an idea for a video. A blind test for fretwraps. People claim they can hear the difference in overtones and therefore they need the wrap even for plain riff scenarios. Put that to the test for science! Scenarios with a backing track and without one would be cool. Loved your previous blind tests.
makes sense, you're running all 4 paths constantly, never loading anything in or out. imo every modeler should have a way to buffer in several presets for quick switching like this
The more practical application is for processing guitar and vocals at the same time. I want to hear some vocals through this with some reverb or maybe growling with a pitch shift
Hi Ola! 1. You forgott Boss Gt-1000 2. When you review Boss Gt-1000, you said the patch changes were seamless, and they are indeed. Cheers from Portugal 🍺🤘🇵🇹
Ola, please consider making an A/B test of one amp/preset with same IR between your FM3 and the QC, including your personal opinion of the "feeling" while playing. It would also be interesting making a comparison between a Neural plugin like Plini or Gojira and the QC. Especially the Gojira Plugin has a grinding growly "feeling" in the lower mids that I cannot get out of my FM3.
Ola, the amp and cab blocks on the FM3 have 4 channels, so you can select between any 4 amps and 4 cabs using scenes. This means that you can have completely different sounds without having to change presets.
yes but you still have to tap dance to scroll thru with only 3 foot switches. The QC does not require tap dancing which is a huge plus factor. That is my main issue with my fm3 that and only 1 amp/cab oh and I forgot the CAPTURE thing.
@@r.llynch4124 I use 2 Roland FS7 dual switches which gives me a total of 7 switches. This works great for my needs. I would like to try out the QC at some point.
@@thegodless2904 I have the fm3. Yes price is close to same but now you have 2 pieces of gear just to get more switches and something else to break. If you don't mind that it's a great unit.
Billy, Ola's main point here is *gapless* switching. Channels on the FM3 do not run simultaneously, so there's a short gap in the sound when switching. The trick Ola has exploited here on the QC--and it's a genius use case--is to make sure that the amp blocks remain loaded when switching scenes by simply bypassing them. The QC manual says, "Bypassing / disabling the blocks doesn’t decrease the CPU consumption," (version 1.0.0, page 17). The bad news there is that bypassed blocks use CPU; the good news is that it's always loaded so switching between bypassed and enabled is instant. This trick only works if you have enough CPU for all the blocks. You can do the same trick on the FM3 with the blocks "Drive 1" and "Drive 2" by bypassing them on various scenes; it works for the same reasons--the blocks are always running on the CPU, regardless of whether they are bypassed or not. This doesn't work with amps because the FM3 only allows one amp block per preset due to CPU availability. Only the amp type in the channel of the current scene on the FM3 is actually loaded--the other 3 channels are swapped in and out of that block when switching scenes, so you hear a slight gap in the audio playback during the loading period. "Switching between amp sounds" on the Fractal wiki is a fascinating read on this topic: wiki.fractalaudio.com/wiki/index.php?title=Amp_block#Switching_between_amp_sounds
I was just thinking if it is possible to add an external midi controller and assign the scenes for the 2nd guitarist so that he can change the patches him self.
watching this .. 7:50 ... there are no 'blocks' turning on or off between the scene changes. Channels are not being 'muted' and activated. How is this being done? 'soloing' each channel, WITHOUT any bleed from the other 3?
So would I be able to run my guitar stereo straight to front of house with a mono output to a power amp and cab, and a bass player output as well? How would that look input/output wise?
That feature is amazing, so, would I be able to use my guitar in one line and plug a mic for vocals in other line to have some reverb, compressor etc? If it works like that I'll be surely buying it!
8:16 The botton third switch seems to be a lot more insensitive than the other switches because it failed to register your press the second time already.
@@mathieupelletier4392 Aye, I’d be happy if they did a version with just one guitar input at a time, it makes sense to all the weekend warriors out there.
Ola, try Digitech GSP1101, it's oldman which fuck up all new guitar processors in smooth switching between presets. Micro latency and no glitches. After switching, the tail of the previous sound remains. Dual core. They made it in the 2000s!
Ola can you get controlled feedback from these types of modelers in a live situation? The good kind of mid-range feedback where a note just blooms when you hold it?
So another Quad Cortex video showcasing it in a live situation, or how I would use it live.
Legend \m/
this things insane man im defo gonna invest in this
Record video with a fight between FM3 and Quad Cortex - which unit will win in your use cases? :D
Ola, can you please upload a full version of the intro song? it's so fu****g good ! PLEASE !
Hey Ola, can you do a demo with the quad cortex through a power cab? With a power cab, you dont need a power amp to power it right? I know if you hook the quad cortex up through a guitar cab a power amp is needed
But what about a power cab?
This is the best demo of the Quad Cortex or one of its features I've seen so far.
Yes, I finally understand how it works. It has cool features.
I love how much money you save in the long run.
No more paying Shipping costs for heads, cabs or pedal boards.
Literally just run this to the mixer and you're good to go.
Everything is now in the carry-on.
Excellent breakdown. The seamless switching is what I was concerned about for live use. This puts my worries to rest. Thanks!
loading a lot of amps, showing cpu percentage and changing between scenes. The most important thing any demo of any modeler should have. THANK YOU!
Okay. This video explaining all of that is brilliant.
Bought one a month ago and still waiting for it to come in thanks again for the great video my dude
A month? Some of us have been waiting over a year. LOL.
@klesh I can’t wait to get one
Ha. Settle in Klesh. I placed my order in Feb 2020.
I preordered one yesterday from Sweetwater and they already presold 1800 units alone and aren't expecting to get in till around November 2021
@@ridfitd This is not great news. Did a rep from Sweetwater tell you this? I know a few people who ordered via SW and they are expecting what is up currently, being "late March". Thanks for any info.
Its freakin amazing how much technology evolved over the last couple of years.
Imagine putting this in a rack, with a sampler (+ click for the drummer + midi switching the channels/presets) + wireless for the guitars and basses and have your power + XLRs for the FOH in one multicore. (maybe even an inear-mixing-console + the transmitters etc.)
You basically show up at a gig and be ready to rock in less than a minute.
Corrected: You basically show up at a gig and the sound guy hates you in less than a minute.
@@foosinn Why should he hate you? Elaborate...
Basically like Line 6 Helix Snapshots. We've been able to do this for years. It works the same way. You stick a bunch of amps on the signal paths. They don't even need to be on separate paths. But if you want, you also have four paths on the Helix. Then you just set up snapshots to turn amps, cabs, pedals on and off per prefix. So you can set up stomps to switch amps, cabs, etc just like on the QC.
What's cool w/ the Helix is that I can also control the Variax guitars. So I can also control tuning (per-string, not just dropping the entire signal by x intervals, so I can go between a drop tuning and a "standard " tuning, to an open tuning with a stomp of a switch), guitar model, any variax setting, with snapshots. I can say, go from a Les Paul to a Strat, to a Banjo, to a 12-string electric or acoustic with a stomp. They can also send midi commands to other devices when a snap is selected through command-center, change inputs/outputs, etc. So you can also control outside devices. Pretty insane.
I recently acquired a QC for home recording and last week my live amp, a Bogner Ecstacy 101B, blew a tube so I needed a quick replacement to get through the next couple of shows. I decided to try the QC direct to the PA using some of the factory amp captures it came loaded with and it worked out really well. I had a lot of friends at the gig who said they wouldn't have even noticed I was running direct if I hadn't told them. I did however have this glitching issue during patch changes which this video addresses. Thanks for this video as it will save me some time troubleshooting and resolving that problem in the future. Besides the glitchiness between patch changes, there were some challenges with achieving a good tone through both the FOH speakers and my monitor. I'm not terribly worried about that as I'm confident I'll be able to dial in the tones a bit more to my liking over time. At the moment, I can say I definitely prefer my tube head to the QC for my live tone. That being said, the QC sounded pretty damn good especially considering how little time I had to throw the patches together. Going forward I plan to fine tune my QC live performance patches and I'll always keep it with me as a backup rig for live shows.
This is the most useful QC demo yet!
Michael Angelo Batio can run both of his guitars at once. Nice.
this sounds amazing!
You sound amazing.
@@ricksanchezito8972 thanks!
Helix snapshots are by far its best feature!
Wow. Ola. This is the video I wanted and needed to see. I was honestly so close canceling my preorder. But you definitely nailed it when it came to showcasing how powerful and how functional this unit is live. Thank you for this video. 🙏🏽
For a normal metal band with 2 guitarists and 1 bassist, buying this and getting on the road seems to be an extremely convenient and comfy scenario. I'll talk about it with my pals haha
What if it craps out mid show with multiple people relying on it?
@@unleashthefury111 an amplifier can also die in the middle of the gig, you can cut strings, etc. This stuff shouldn't fail but if does, it does. Shit Happens
@@ItsNotaTuhmah yeah, not the same. None of the scenarios your described eliminates every stringed instrument from the performance.
@@ChainsawChristmas Still, there's nothing that's 100% bulletproof. The risks are there, so it's a matter if you have the balls to take them or not.
@@ItsNotaTuhmah Yes, and in fact, you can have two ready to switch. Because I doubt the three people have no gear at their home, so you'll end up buying two anyway. This have anyway less chances to happen than an amplified dying or a pedalboard.
I’ve never played with a group of guys I trust enough to push my effects pedals at the right time for me. That’s a lot of extra pressure on one guy in the band. Haha. The processing power of the unit is definitely impressive though!
Set up a computer running to a click track and then program MIDI scene changes, then no one has to change them :)
@@AdamDallas Excellent!
@@AdamDallas can the Cortex actually do scene switches over midi? That's great
A live simultaneous reamping of three separate DI signals... and it's still in time with the synth. Can it run Warzone too?
To be honest, if it had a graphics hard it for sure could…
YES!! About time someone reviewed this thing doing multi instruments!!!! \m/ Cheers Ola!
Fantastic demo Ola. Probably one of the best practical use cases I've seen. Thank you
I'm impressed with the polyphonic pitch shifting. I'm sure it's been said in the comments, but Kemper Performance Mode can actually give you 5 completely separate rigs with no gap switching in between and morphing (like a single scene or snapshot) in each rig.
Helix just added Polyphonic effects to the latest firmware, although they take a lot of DSP and limit the number of items you can have on your signal path. I only really use the poly wham pedal though, because I typically play with my Variax JTV-89F (Ibanez style w/ floyd), which lets me do all the tuning stuff per string. I even have a patch that turns my guitar into a four, five or six string bass through an emulated SVT. :p
Thank you Ola! Finally a video showing multiple amp/cab/fx scenes in one preset and the seamless switching between scenes.
I don't know if you'll ever read this but you and Miguel Sequiera have got me back into guitar. I'm suating off and re furbishing my old guitars and I have even placed an order for your v. Re learning thrash, black, heavy metal all over again. Thank you! 🤘🥲
A real game changer for travelling bands. If your tech guy knows a thing or two about drums, you only need one tech for the whole band. This translates into savings worth many times the investment.
Fantastic video Ola!!!!!! Thank you!! 🤘🎸⚡️💚
Amazing!!!! I love when Ola gets serious and dig deeply into whatever he's demoing :) Now I'd like to see some tone comparisons between QC, Fractal etc! :)
It’s a must have in the studio, nice to see it in your hands!
Exactly how I want to use it along with capturing. Thanks for sharing!
Hey man i just purchased one of your guitars and I must say it definitely lived up to expectations an awesome guitar to play
Keep up the good work many thanks
Fantastic tool.
saving up for it - need to replace my Zoom G3x
I need to replace my Boss GT-8....
I would be upgrading from g2.1u lol
Me too lol
Okay this is an awesome video. This is exactly what I was hoping you would show, could be really useful for a 4 or 5 piece band
Thank you! This is a game changer along with the hybrid scene/stomp mode. Now if they had an option where you could plug your guitar and mic into it and use it as a talk box I'd be really happy.
How do you record the QC? directly from the unit or using mic from some speakers u use?
Awesome videos!
I actually use this feature for lessons. I teach bass guitar & music production/recording, this thing is actually VERY convenient for all of that. I can have bass rigs and two different guitar rigs ready at any given time and even plug any students into it at the same time I'm playing if I need to. Oh, and the looper can record for a little less than 5 minutes
Marvelous!
But the Quad Cortex is not the only one to achieve that.
That's just what I've done on my Mod Device pedal. My guitar input goes in a plugin called ToggleSwitch that can go up to 4 different path. So I can have 4 completly different sounds with different preset for each sound with different Amp simulator, cabs, many reverb, delay and looper for each path. Nothing beat Mod Device in term of routing capabilities.
Ok Quad cortex has more in and out but Mod Device have 2 in and 2 out so you can use it for 2 guitars. And you can connect as many midi switcher or expression pedal as you want so each guitarist can control his sound! Marvelous!
And all that for half the price of a Quad cortex!
I hope one day you'll do a review of a Mod Device. Those pedals are really powerfull and sounds great if you take your time to tweak the sound.
You can run the entire band trough it!? OK, this is a game changer.
Outstanding Ola, love your playing and videos as always mate 👍
Just the video I wanted to see. Definitely interested in the idea of using this live. No more amps, no more cabs. More efficient touring.
Badass Ola, make us chuggggg!!🤘❤
Dude that thing is insane.
this is exactly what i asked for under your last video. Thanx
Ola sure can dwelve into a topic like nobody else can!
Wow ... that's a more than mighty machine. 🤘🏻😎🤘🏻
Just imagine how more convenient this would make gigging. In 10 years time on-stage amps will be rare. I still prefer the (analogue) AmpX though.
o.k . Ola, I'm over whelmed by technology augh! Good Job. Seamless switching, cool.
I knew you'd get into this thing alot more. I'm sure it's only gonna get deeper under your skin. I think you're already hooked for good.
Hey Ola, you can have multiple amps in FM3. the FM3 has channels , so yes you can have multiple amps per patch. A B C D. Hope this helps , or I hope I didnt misunderstand.
Awesome video. Great information on what the QC can do.
YES THANK YOU I NEEDED THIS 🙏
Bought one yesterday. Still haven't stopped playing it yet.
Very good demo! I was really thinking about using one for my whole band
Geez!!! I can't wait to get mine! I wants it!!!!!!!!!!!!!!!
My precious
@@jasonjohnson4170 The real Jayson Johnson approves
Thanks for doing this Ola, Much appreciated...!! No we just need a QC video with it running through a power amp and into your Mesa oversize cab....
nice ola. just ordered my solar A2.7 ^^ cant wait to get it. peace
Curious to see when it’s out.
Really looking forward to playing through this thing!
You can change amps in the FM3 with scenes using the channel’s feature. You have 4 per preset.
Does it glitch while switching?
@@athmaid I don’t notice a glitch.
I notice a hiccup in the sound on the FM3 when switching channels in the amp block. I use a preset with just an amp block and no cab: IN1 -> AMP -> OUT1. Instead of a CAB block, I'm using an external solid state amp (Boss WAZA TAE) with a real VOX AC30 cabinet + speakers. In the Amp block on the FM3, I use the amp type "CLASS-A 30W" for one channel and "CLASS-A 30W TB" for the second channel. Scenes 1 and 2 switch between these two channels. Compared to just stomping an analog drive pedal on/off which feels instant, there is definitely a gap, and I find it to be very awkward when switching in the middle of playing. See my reply to Billy Repko a couple of posts above to read about why I think this gap happens.
Helix got a seamless switching recently (not for Stomp though), but you have to sacrifice one DSP path. Still, for live use 8 blocks is quite a lot, plus you don't have to tinker with snapshots or anything, just make a bunch of presets. You even can program all the 12 footswitches to switch to a different preset if needed just have everything one switch away.
It sounds wonderful.
Thanks so much for another great video. would be nice to see a video on running the quad cortex through a power amp and a cabinet of your choice as there is not always a PA available for day-to-day practicing.
Also, on Helix, you can set up 4 paths with 4 amps in a single patch and use snapshots to do what you're doing in this video.
Fast fwd. You can do scenes in this just like snapshots. I have both this and the helix and this feels like an amp and sounds better. Same thing re the Kemper. I’ll take this over both. Buy my amps will always come first. But I love adding different pedals to the quad. I don’t care to capture them. I like using them externally. No latency with scenes here. .
cant wait to get mine end of march !!!!
Hey Ola, i bought a Hagstrom Ultra Swede and i named the Guitar Ola 🤘🙂 btw... I also bought Strenght in Numbers on CD! Great stuff! Have a nice day. Greetings from Germany.
Here's an idea for a video. A blind test for fretwraps. People claim they can hear the difference in overtones and therefore they need the wrap even for plain riff scenarios. Put that to the test for science! Scenarios with a backing track and without one would be cool. Loved your previous blind tests.
Fretwraps are for people who wanna look cool, They serve no other purpose.
There are some that claim they can hear the difference in their tone when a fly lands on their headstocks, too. LOL
makes sense, you're running all 4 paths constantly, never loading anything in or out. imo every modeler should have a way to buffer in several presets for quick switching like this
and the most important question for any footcontroller is: Will it die on beer-spill?
The people who spilled the beer? 100% sure.
@@polx9179 thats alcohol abuse!
7:10 So... is the system continously running all the channels in parallel and switching actually does a quick fade from one channel to another?
It would be nice to "double-tap" on the icons to turn them on/off.
Or just tap on/off. Or Tap and hold to bring up parameters.
Sounds pretty awesome
The more practical application is for processing guitar and vocals at the same time. I want to hear some vocals through this with some reverb or maybe growling with a pitch shift
4 amps 4 cabs and 60% That's crazy good shit.
Great info. on the quadcortex Thanx Ola
Hi Ola!
1. You forgott Boss Gt-1000
2. When you review Boss Gt-1000, you said the patch changes were seamless, and they are indeed.
Cheers from Portugal 🍺🤘🇵🇹
I really want another dual rect but damn this thing is getting more and more tempting
I like the sounds to, not just the power.
Ola, please consider making an A/B test of one amp/preset with same IR between your FM3 and the QC, including your personal opinion of the "feeling" while playing. It would also be interesting making a comparison between a Neural plugin like Plini or Gojira and the QC. Especially the Gojira Plugin has a grinding growly "feeling" in the lower mids that I cannot get out of my FM3.
The fact this sounds amazing through my very recycled iPhone 8 Plus...says a hell of lot!
Can I get a link to hear the intro you are playing. Damn it’s addictive
Ola, the amp and cab blocks on the FM3 have 4 channels, so you can select between any 4 amps and 4 cabs using scenes. This means that you can have completely different sounds without having to change presets.
yes but you still have to tap dance to scroll thru with only 3 foot switches. The QC does not require tap dancing which is a huge plus factor. That is my main issue with my fm3 that and only 1 amp/cab oh and I forgot the CAPTURE thing.
@@r.llynch4124 I use 2 Roland FS7 dual switches which gives me a total of 7 switches. This works great for my needs. I would like to try out the QC at some point.
@@r.llynch4124 buy the FC6 to mate with the FM3, combined cost will be less or equal to QC.
@@thegodless2904 I have the fm3. Yes price is close to same but now you have 2 pieces of gear just to get more switches and something else to break. If you don't mind that it's a great unit.
Billy, Ola's main point here is *gapless* switching. Channels on the FM3 do not run simultaneously, so there's a short gap in the sound when switching. The trick Ola has exploited here on the QC--and it's a genius use case--is to make sure that the amp blocks remain loaded when switching scenes by simply bypassing them. The QC manual says, "Bypassing / disabling the blocks doesn’t
decrease the CPU consumption," (version 1.0.0, page 17). The bad news there is that bypassed blocks use CPU; the good news is that it's always loaded so switching between bypassed and enabled is instant. This trick only works if you have enough CPU for all the blocks. You can do the same trick on the FM3 with the blocks "Drive 1" and "Drive 2" by bypassing them on various scenes; it works for the same reasons--the blocks are always running on the CPU, regardless of whether they are bypassed or not. This doesn't work with amps because the FM3 only allows one amp block per preset due to CPU availability. Only the amp type in the channel of the current scene on the FM3 is actually loaded--the other 3 channels are swapped in and out of that block when switching scenes, so you hear a slight gap in the audio playback during the loading period.
"Switching between amp sounds" on the Fractal wiki is a fascinating read on this topic:
wiki.fractalaudio.com/wiki/index.php?title=Amp_block#Switching_between_amp_sounds
Awesome video bro 🤘🤘🤘
Going to get one of those for my band.
@OlaEnglund What is the process for switching/assigning different signal paths?
A shame of the pandemic, would love to see all the members of the haunted jamming to a song using this, that would be killer to watch.
I was just thinking if it is possible to add an external midi controller and assign the scenes for the 2nd guitarist so that he can change the patches him self.
Excellent!
Quad CorDex......but on a serious note: great video Ola 👍
watching this .. 7:50 ...
there are no 'blocks' turning on or off between the scene changes. Channels are not being 'muted' and activated.
How is this being done?
'soloing' each channel, WITHOUT any bleed from the other 3?
Hey! Did you find a way to do this?
So would I be able to run my guitar stereo straight to front of house with a mono output to a power amp and cab, and a bass player output as well? How would that look input/output wise?
Amazing piece of gear
Amazing!
That feature is amazing, so, would I be able to use my guitar in one line and plug a mic for vocals in other line to have some reverb, compressor etc? If it works like that I'll be surely buying it!
this or buying seperate pedals to use live? like buying effect pedals and connect them to stomp on
Ola you can have multiple amps/settings in the Helix floor per Preset. You can then use snapshots to change from one amp to another without drop out.
8:16 The botton third switch seems to be a lot more insensitive than the other switches because it failed to register your press the second time already.
Ola, in the Fractal FM3 you have in deed one amp block but 4 (ABCD) amps possible. also the channel (scenes) selection.
Still, 90% of the buyers will play alone in their bedroom.🤣
99% and that applies to any guitar gear
Metal undies bro
@@irishRocker1 so true! Yet still hilarious to see people getting crazy about the fact that you can plug many guitars in the QC.
@@mathieupelletier4392 Aye, I’d be happy if they did a version with just one guitar input at a time, it makes sense to all the weekend warriors out there.
@@irishRocker1 So no need for the QC, pc or mac is enough to play in bedroom
just a side-note, I love seeing your left arm tattoo grow ;)
Daaaayuuuum ! I can't wait to have mine !!!!!!
Ola, try Digitech GSP1101, it's oldman which fuck up all new guitar processors in smooth switching between presets. Micro latency and no glitches. After switching, the tail of the previous sound remains. Dual core. They made it in the 2000s!
Ola can you get controlled feedback from these types of modelers in a live situation? The good kind of mid-range feedback where a note just blooms when you hold it?