Hello I haven't been having much luck finding information on this and was wondering if you could answer or point me in the right direction. I like the method of adding chromaticism within these scales and it works well however I'm having trouble doing the same with any scale that has an augmented second interval like the harmonic minor and probably would have an issue playing scales with consecutive half steps like the neapolitan as well. if I follow the rule I am essentially falling out of the rhythm of playing chord/scale tones on strong beats since I will be playing a consecutive chromatic note making the following scale tone the major 7th on a weak beat. is there a solution for working with scales like the harmonic minor? should I choose a chromatic note within the augmented 2nd interval then play the scale tone and double back to the other when going in a particular direction?
best lesson on youtube
Thanks for your kind words!
I'm so blessed to find this channel. Great
thanks Samson! i am glad you like it!
Just popping back in haha. Phenomenal Lesson!
thanks Blake!😀
Great video, thanks.
Informative and straight to the point. Thanks.
Thanks Nathan!!
WOW
Nice!
Thanks Taso!!
super ! from Poland !!
Thanks a lot 👍
Wow this is great from a kind hearted master. Please 🙏 can you make a video for Dorian Bebop
thanks!
maybe sometime
Thank you. Do you have a video of how you build lines with these?
Unfortunately i didn't make a video showing this concept but you can find some cool things at TILF , things i learned from Barry Harris
🔥🔥🔥🔥
hello, is it possible to know in which shade (key) the chromatisms have been inserted? thanks and congratulations.
Ηello,in the key of c major(ionian)
Hello I haven't been having much luck finding information on this and was wondering if you could answer or point me in the right direction. I like the method of adding chromaticism within these scales and it works well however I'm having trouble doing the same with any scale that has an augmented second interval like the harmonic minor and probably would have an issue playing scales with consecutive half steps like the neapolitan as well. if I follow the rule I am essentially falling out of the rhythm of playing chord/scale tones on strong beats since I will be playing a consecutive chromatic note making the following scale tone the major 7th on a weak beat. is there a solution for working with scales like the harmonic minor? should I choose a chromatic note within the augmented 2nd interval then play the scale tone and double back to the other when going in a particular direction?
This is from Barry Harris. Give credit where credit is due.
I have already mentioned that it s a Barry Harris concept
😀 p̳r̳o̳m̳o̳s̳m̳