These Sonatas by Brahms are the best and most important Compositions in this genre conceived in the second half of the ' 800, because of their spiritual character, the grandeur of the conception, the orchestra- like pianism, and the trascendental breath they contain. From the nordic inspiration of the first to the dark character of the second, towards the magnificence of the third one, in five movements. Very good renditions, from the three pianists, full of passion but also very focussed on the difficult introverted message these marvellous Sonatas have been conceived for. Thanks to Brilliant.
Well, I' m with you, about the genre, and the Liszt ' s One is among the best Musical Compositions ( and not only Sonatas...) of all time. But the date of publication it is not to be intended in such a strict way...; ) I was referring only to Sonatas genre ( and i said it at the beginning, nevertheless obviously the shorter pieces by Brahms are among his absolute masterpieces...) and, if you really love Brahms well...it is known that Brahms was not so happy with Liszt' s Sonata in B minor at its first listening...; ) Brahms' Ones are more representative of a typical way of composing a Piano Sonata in the second half of that century, and the comparison is to be made with Tchaikowsky' s Sonatas, or Glazunov, the Grieg, and other composers. Liszt' s Sonata is a Masterpiece of its own, characterized by such an original stylistic way that any comparison is of no value.... ; - )
In my youth only the third sonata was ever performed, and it was recorded by Solomon and Clifford Curzon, which is how I came to know it. Julius Katchen later recorded all three, but it was the ground breaking recording by Christian Zimmerman which helped rescue the first two from obscurity.
The first sonata opens with a barely disguised quote from Beethoven's Hammerklavier sonata - was it the young Brahms's announcement that Beethoven's successor had arrived?
Brahms wrote and performed this transcendental set of sonatas when he was 19 years old!! It is a feat which will never be matched again. Not bad for a poor Hamburger boy who tough himself how to play the piano and who grew up surrounded by drunkers and hookers.
Dreams Dreams -- No, not bad at all: You've come a long way, I'm sure, and carved out a life for yourself! (At first, I thought you were referring to Brahms.)
@@steveegallo3384 @Stevee GALLO You did not get my point at all. Let me clarify it to you: Have you ever read about Brahms' life?? Unlike other of his contemporaries who were born into wealthy families, Brahms was a poor boy who had a harsh childhood: when he was in his teens, he needed to play the piano in taverns and in brothels to get money. That must have been hard, mustn't it? Despite those difficult circumstances, he achieved to become a young piano virtuoso who was able to write that marvelous set of piano sonatas when he was only 19 years old. That is remarkable and admirable.
@@dreamsdreams9493 -- You are correct; I missed your point. Would you say that Wagner and Schubert, too, overcame similar obstacles? Not even to mention all the Composers of the Holocaust.....Greetings from San Agustinillo, Oaxaca!
What is it someone said? Psychology tells how we came to be the way we are; character is what we do about it. Our beloved Brahms certainly had character.
@@richardbernard1839 -- Well-said, although I think that it's YOUR formulation! Even so, Could not the same axiom be applied with equal force to, say, Brecht? “Wildsäue haben sich in mir begattet. Raben des milchigen Himmels oft in mich gepißt.” “Wild pigs paired in me. From the milky heavens / The ravens often pissed right into me.” Otherwise translated: “….In me, out of milky skies, ravens have pissed.” [Brecht - EXERZITIEN 13 (118), “Manual of Piety, Die Hauspostille”] Greetings from San Agustinillo!
Tracklist: Composer: Johannes Brahms Artist: Lukas Geniušas 00:00:00 Piano Sonata No. 1 in C Major, Op. 1: I. Allegro 00:07:50 Piano Sonata No. 1 in C Major, Op. 1: II. Andante 00:13:21 Piano Sonata No. 1 in C Major, Op. 1: III. Scherzo 00:18:51 Piano Sonata No. 1 in C Major, Op. 1: IV. Allegro con fuoco Composer: Johannes Brahms Artist: Alan Weiss 00:25:15 Piano Sonata No. 2 in F sharp minor Op. 2: I. Allegro ma non troppo, ma energico 00:31:26 Piano Sonata No. 2 in F sharp minor Op. 2: II. Andante con espressione 00:36:38 Piano Sonata No. 2 in F sharp minor Op. 2 III. Scherzo:Allegro 00:40:35 Piano Sonata No. 2 in F sharp minor Op. 2: IV. Finale: Introduzione - Allegro non troppo e rubato Composer: Johannes Brahms Artist: Philipp Kopachevsky 00:51:53 Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro maestoso 01:01:44 Piano Sonata No. 3 in F Minor, Op. 5: II. Andante espressivo 01:12:39 Piano Sonata No. 3 in F Minor, Op. 5: III. Scherzo, allegro energico 01:17:28 Piano Sonata No. 3 in F Minor, Op. 5: IV. Intermezzo, andante molto 01:21:13 Piano Sonata No. 3 in F Minor, Op. 5: V. Finale, allegro moderato ma rubato
Wunderschöne Interpretation dieser drei spätromantischen und perfekt komponierten Klaviersonaten in verschiedenen Tempi mit klar artikuliertem doch etwas anmutigem Anschlag und perfekt kontrollierter Dynamik. Wahrlich genialer Pianist!
😀Nur dass es sich hier um drei verschiedene durchaus anmutige und klar artikulierende Pianisten handelt, jeder mit seiner eigenen perfekt kontrollierten Dynamik😀
Great performances and clean recordings of these sonatas...I didn’t know Brahms was only 19 when he performed them. In any case, thanks for the posting and the comments they have generated. Hey, as an aside, has anyone out there listened to Simeon ten Holt’s solo piano work? I’ve been studying the score of Soloduiveldans II and IV played by Jeroen van Veen. His solo performance of Canto Ostinato is also worthy of consideration.
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
These Sonatas by Brahms are the best and most important Compositions in this genre conceived in the second half of the ' 800, because of their spiritual character, the grandeur of the conception, the orchestra- like pianism, and the trascendental breath they contain.
From the nordic inspiration of the first to the dark character of the second, towards the magnificence of the third one, in five movements.
Very good renditions, from the three pianists, full of passion but also very focussed on the difficult introverted message these marvellous Sonatas have been conceived for.
Thanks to Brilliant.
Well, I' m with you, about the genre, and the Liszt ' s One is among the best Musical Compositions ( and not only Sonatas...) of all time.
But the date of publication it is not to be intended in such a strict way...; )
I was referring only to Sonatas genre ( and i said it at the beginning, nevertheless obviously the shorter pieces by Brahms are among his absolute masterpieces...) and, if you really love Brahms well...it is known that Brahms was not so happy with Liszt' s Sonata in B minor at its first listening...; )
Brahms' Ones are more representative of a typical way of composing a Piano Sonata in the second half of that century, and the comparison is to be made with Tchaikowsky' s Sonatas, or Glazunov, the Grieg, and other composers.
Liszt' s Sonata is a Masterpiece of its own, characterized by such an original stylistic way that any comparison is of no value....
; - )
Good luck to you too! : )
In my youth only the third sonata was ever performed, and it was recorded by Solomon and Clifford Curzon, which is how I came to know it. Julius Katchen later recorded all three, but it was the ground breaking recording by Christian Zimmerman which helped rescue the first two from obscurity.
The first sonata opens with a barely disguised quote from Beethoven's Hammerklavier sonata - was it the young Brahms's announcement that Beethoven's successor had arrived?
Well, Schumann was of that opinion, about Brahms...
An extraordinary composer and 3 notable pianists. Can anyone ask for more? Well done, guys...
Thank You to Herr Brahms for the Music And Thank you for the Scenery 🎹🎶🎻🌞🏞🏖
Brahms wrote and performed this transcendental set of sonatas when he was 19 years old!! It is a feat which will never be matched again.
Not bad for a poor Hamburger boy who tough himself how to play the piano and who grew up surrounded by drunkers and hookers.
Dreams Dreams -- No, not bad at all: You've come a long way, I'm sure, and carved out a life for yourself! (At first, I thought you were referring to Brahms.)
@@steveegallo3384
@Stevee GALLO
You did not get my point at all.
Let me clarify it to you:
Have you ever read about Brahms' life??
Unlike other of his contemporaries who were born into wealthy families, Brahms was a poor boy who had a harsh childhood: when he was in his teens, he needed to play the piano in taverns and in brothels to get money. That must have been hard, mustn't it?
Despite those difficult circumstances, he achieved to become a young piano virtuoso who was able to write that marvelous set of piano sonatas when he was only 19 years old. That is remarkable and admirable.
@@dreamsdreams9493 -- You are correct; I missed your point. Would you say that Wagner and Schubert, too, overcame similar obstacles? Not even to mention all the Composers of the Holocaust.....Greetings from San Agustinillo, Oaxaca!
What is it someone said? Psychology tells how we came to be the way we are; character is what we do about it. Our beloved Brahms certainly had character.
@@richardbernard1839 -- Well-said, although I think that it's YOUR formulation! Even so, Could not the same axiom be applied with equal force to, say, Brecht? “Wildsäue haben sich in mir begattet. Raben des milchigen Himmels oft in mich gepißt.” “Wild pigs paired in me. From the milky heavens / The ravens often pissed right into me.” Otherwise translated: “….In me, out of milky skies, ravens have pissed.” [Brecht - EXERZITIEN 13 (118), “Manual of Piety, Die Hauspostille”] Greetings from San Agustinillo!
Bravo! Thank you!
Love Brahms piano 🎹 😍
Tracklist:
Composer: Johannes Brahms
Artist: Lukas Geniušas
00:00:00 Piano Sonata No. 1 in C Major, Op. 1: I. Allegro
00:07:50 Piano Sonata No. 1 in C Major, Op. 1: II. Andante
00:13:21 Piano Sonata No. 1 in C Major, Op. 1: III. Scherzo
00:18:51 Piano Sonata No. 1 in C Major, Op. 1: IV. Allegro con fuoco
Composer: Johannes Brahms
Artist: Alan Weiss
00:25:15 Piano Sonata No. 2 in F sharp minor Op. 2: I. Allegro ma non troppo, ma energico
00:31:26 Piano Sonata No. 2 in F sharp minor Op. 2: II. Andante con espressione
00:36:38 Piano Sonata No. 2 in F sharp minor Op. 2 III. Scherzo:Allegro
00:40:35 Piano Sonata No. 2 in F sharp minor Op. 2: IV. Finale: Introduzione - Allegro non troppo e rubato
Composer: Johannes Brahms
Artist: Philipp Kopachevsky
00:51:53 Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro maestoso
01:01:44 Piano Sonata No. 3 in F Minor, Op. 5: II. Andante espressivo
01:12:39 Piano Sonata No. 3 in F Minor, Op. 5: III. Scherzo, allegro energico
01:17:28 Piano Sonata No. 3 in F Minor, Op. 5: IV. Intermezzo, andante molto
01:21:13 Piano Sonata No. 3 in F Minor, Op. 5: V. Finale, allegro moderato ma rubato
Wunderschöne Interpretation dieser drei spätromantischen und perfekt komponierten Klaviersonaten in verschiedenen Tempi mit klar artikuliertem doch etwas anmutigem Anschlag und perfekt kontrollierter Dynamik. Wahrlich genialer Pianist!
😀Nur dass es sich hier um drei verschiedene durchaus anmutige und klar artikulierende Pianisten handelt, jeder mit seiner eigenen perfekt kontrollierten Dynamik😀
Masterpieces very well played by these excellent pianists. Thanks a lot .
Bravo bravo bravo brilliance fantastic grandiose music sonatas
Great performances and clean recordings of these sonatas...I didn’t know Brahms was only 19 when he performed them. In any case, thanks for the posting and the comments they have generated. Hey, as an aside, has anyone out there listened to Simeon ten Holt’s solo piano work? I’ve been studying the score of Soloduiveldans II and IV played by Jeroen van Veen. His solo performance of Canto Ostinato is also worthy of consideration.
Thank you
You're welcome, thank you for listening
I love his sonatas and these 3 readings of the sonatas
09:50 - 10:32
Thank you!
Wonderful
아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌲🌳🍃🏡🏡🍃🌿🌊🕊🕊🦜🦜🦆🦆🌿🍃🌳🌲🌿🍀☘🌺🌻🌹🏵🌷🌸⚘🌺🌻🌹☘🍀🌿❤❤
😍😍
👌👍😎👏
🎵🎵🎼🎼
1:28:24
Parece a música de Fred Mercury.Seguramente Fred Mercury preso uma idea.!
Muchos de los artistas contemp'oraneos, han imitado o copiado música de los Grandes Compositores de siglos pasados
Brahms who early knew unhappy of human-kind in 21th century by his music. (Exp. melody no. 11 Hungarian dances).
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
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