Moment magique un soir d'été à Orange grâce à ce magnifique artiste ,dans ce théâtre complet un silence religieux c'était à pleurer ,quel souvenir ! Merci à vous Mr. Kaufmann
The more Kaufmann sings the better he gets. At the moment Jonas Kaufmann is the best tenor in the world. this won't last forever, but for now and the next 15-20 years he will be the best.
They sing and they perform as well. We are moved by his passion and her feelings . It is incredibly beautiful. I have seen other performances, with great singers, but they stay away, never touch or look at each other ,never express feeelings . Kaufmann and Aldrich convey emotions and sentiment ,one can believe they are actually in love. And we , in turn, also fall in love with them. Thank you for giving so much to us. We can never thank you enough.
I had a friend who told me Carmen is the ultimate bipolar crazy girlfriend. She drives her boyfriends crazy. Poor Don Jose was probably on the brink of insanity when he meet her.
Quelle voix, Quelle expressivité dans Votre Incarnation de Don José!(comme d'habitude devrais-je dire) .Quelle sensualité. Bravo Jonas. Ne changez rien. Merci
cet air - très difficile - est l'un des plus beaux jamais écrits (texte et musique). Jonas kaufmann, vocalement à son zénith, incarne tous ses rôles avec tant d'intelligence et d'émotion que j'en suis totalement bouleversée. Son Don José est si merveilleux. ... "Et j'étais une chose à toi"... pianissimo, faut le réussir !!!!!!!! Ce Bizet, tout de même, est une gigantesque compositeur.
Quest'aria è difficile? Cosa ne dice allora del "tornami a dir che m'ami" del Don Pasquale? (sette La naturale, due Si naturale, un Reb sovracuto, parte di tenore). E non mi venga a parlare di distinzione tra tenore di grazia e tenore lirico spinto: un tenore canta la sua tonalità in qualunque scrittura, se sa davvero cantare. Può variare il timbro e il volume ma non la capacità di tenere la tessitura. Mi faccia sapere quando Kaufmann farà Ernesto oppure Nemorino, lo ascolterò volentieri.
Barbara Gaweł Absolutely...amazing. I wonder how much of the new concept came from Jonas and how much from Dosier the director. Obviously, a collaboration that worked.
+Barbara Gaweł I agree, I watched a presentation of Carmen on DVD recorded live in Vienna, Jonas is superb; I have watched on RUclips several final scenes of Carmen and Jonas interpretation is different every time however he is exquisite
Jonas kaufmann que é, sem dúvida, o melhor tenor da actualidade, vai ser, se Deus lhe der vida e saúde, o herdeiro legítimo da mística do lendário e saudoso Mário Lanza.
Totally agree. He sings La Fleur on his new L'Opera CD. Slightly different from this version - perhaps more exasperation, less sensual/erotic - studio recording without Carmen (or audience) present. That is one of his best attributes - never the same way twice, always in the moment expression and interpretation.
I think Jonas has the same attributes as Nicolai Gedda whom we lost a few months ago. Leopold Simoneau was also very flexible that way fonsidering his era. In my books, Jonas is right now one of the best tenors in the world if he can only take care of his fantastic voice, he is still very young. One other attribute of his is the ease to learn languages, simply incredible. Regards Maurice
Yes, I grew to love opera as a teen and collegiate from recordings and Gedda was a favorite. Your comment prompted me to reread his obituary in Opera News that recalled, "warm, sweet, silvery beauty of his voice," and "unshowy but dazzling technical virtuosity that was invariably in the service of the music." In Kaufmann I think we also see "service of the drama". I think it is the combination of serving the music AND the drama that will save opera for the future. I wish I could have seen Gedda live. I have read & heard he was a natural albeit subtle actor.
Yes N.J. Mr Gedda was indeed a subtle actor but a very humble man abeit a perfectionist. Son Voltaire etait tout simplement sublime mais il avait toujours peur de faire des fautes . That's what I heard him say on French t.v. when asked about his ease for learning languages. I was lucky enough to see and hear him in Munich in april 1968 in a Gala performance when he sang ( Je crois entendre encore ) a voice so smooth and silky and yet well defined and contoured despite the not so good acoustic then in that Museum. The man seemed to stand so tall in a way that demanded respect from admirers like me. And you're right about Kaufmann's combination of serving the music and the drama saving opera for the future because we have all seen so many changes over the past decades that were not always good, I know that I have once in a while been very disappointed in many aspects of those inevitable transitions. Now, regarding ( La fleur ) I just wanted to add that Kate's reaction to Jonas's singing was just out of this world specially the last 3 or so minutes, outstanding and with good reasons. Kind regards Maurice
Ohhhh the day I hear a man singing this to me, so nicely and being that handsome. I swear that I would go willingly until the end of the earth to follow him. But I've only heard horrible things, so far....safe enough
But, very important to remember HE IS ACTING ALSO...Don Jose is caressing Carmen. It isn't Jonas and it isn't the actress. In the Voigt book I he talks about the "problem" of taking it personal and how he lets it go "the first time" but if it continues, he rushes to clear things up. It is all part of acting and the thin "permeable membrane" that separates the act-or/ress from the wo-/man.
I video restituiscono solo in parte e forse anche minima la realtà, così che esprimere un’opinione obiettiva, che peraltro nessuno richiede, è difficile. Kaufmann secondo me è un caso strano di emissione perché sembra oscillare tra la gola stretta e la nasalità. Sicuramente non è la voce ampia, libera e piena e allo stesso tempo timbrata negli armonici come dovrebbe essere (vedi Franco Corelli), tuttavia possiede un certo fascino perché la capacità di risuonare della timbrica scura esiste comunque. Osserviamo attentamente: perché la voce nelle vocali emesse da lui e da lei sono così diverse? Perché le "e" di Kaufmann e anche le altre vocali, sono così strette? A causa dell'impostazione che invece di lasciare la risonanza del petto ben aperto saldata a quella superiore, pure aperta per evitare di essere nasali, è spinta consapevolmente nella sola zona di maschera. È così che si stringe la gola e si perde anche l'integrità dell'appoggio. Bene il Sib finale a mezza voce dove, per eseguirlo, ha modificato l'imposto. Sarà per questo che dopo (beato lui) ha passato mezz'ora a baciarla? Alla fine non rimane che il gradimento personale: mi piace/non mi piace. La nostra disgrazia è che viviamo un’ ipersimulazione (realtà virtuale) sempre più spinta, a discapito dell’esperienza diretta, così che alla fine crediamo di sapere e invece siamo sempre più ignoranti e disorientati.
La nostra disgrazia........??. Interessante la spiegazione della emissione! Giusto "Alla fine..mi piace/non mi piace". Io lo ascolto sempre molto volentieri.
Άφωνη μπροστά στην φυσικότητα με την οποία αποδιδεται!!! Λες και ό, τι βλέπουμε, συμβαίνει σε έναν ιδιαίτερο χώρο και όχι ότι πάιζεται σε μια Σκηνή... Το παραταιταμενο χειροκρότημα τα λέει όλα.!!!😅 . .....
Jonás kaufman,cariñito,comentarlo,dé Pilar paco,aires Belmonte de San José un inglés,qué no es inglés,una magnífica,cómida familiar,dé nuestra familia. Entre la,comida,antes Milán bayreuth,Salzburgo ya,sé ,entiende,lo qué pasó,con nuestro segundo pre estreno,Cómo en un Espejo,,I puritano lohengrin y los 750€ ,de,los,socios de,la,Asociación incultural colaboración ,para nuestra Gala lírica Luminotecnia y sonido Profesional Iii
Jonas Kaufmann, cariñito, mio, pilar paco, igual, piensa, que, por, compartir, hace un, año, le tocaba, algúna, papeleta, para, asistir, a, la, torre del visco, no, aceptaron el, adelanto, hecho, con, antelación, y, son como, "yo, invito, pero, tú, pagas, todo, el, estado, ebrio".!!!
I wonder if he even understands or feels the difference between posing or intrinsic felt singing like Corelli, Bjoerling or, other repertoire, Patzak. A low-point in the line of the continous declining of the art of opera since Karajan-introduced marketing, Domingos latin-lover-street-singer attitude with not a single signature role at all and Villazon's crack-voice. Neil Shicoff and Giuseppe Giacomini were the last tenors you could take serious. Seriously.
NOT only his voice but his sensitivity, his enormous talent is telling us that he is unique, one of the greatest lyric artists in centuries.
You forget his physical appearance
@@sissi7746🤠❤️
complete ateles, what a great artist.!
Kaufmann minden nyelven csodálatosan énekel! Hangja átjárja szívünket.🎶👏🌹
Without a shadow of a doubt, the finest rendition of that aria I have ever heard.
Chaque fois que je l entend j en ai les larmes aux yeux merci
Qui peut chanter « Carmen je t’aime « avec une voix aussi mélodieuse aussi tendre et amoureusement convaincante ♥️♥️♥️
Wow, si esto no es amor y pasión , entonces qué es ? Es una interpretación histórica !
Moment magique un soir d'été à Orange grâce à ce magnifique artiste ,dans ce théâtre complet un silence religieux c'était à pleurer ,quel souvenir ! Merci à vous Mr. Kaufmann
The more Kaufmann sings the better he gets. At the moment Jonas Kaufmann is the best tenor in the world. this won't last forever, but for now and the next 15-20 years he will be the best.
They sing and they perform as well. We are moved by his passion and her feelings . It is incredibly beautiful. I have seen other performances, with great singers, but they stay away, never touch or look at each other ,never express feeelings . Kaufmann and Aldrich convey emotions and sentiment ,one can believe they are actually in love. And we , in turn, also fall in love with them. Thank you for giving so much to us. We can never thank you enough.
I had a friend who told me Carmen is the ultimate bipolar crazy girlfriend. She drives her boyfriends crazy. Poor Don Jose was probably on the brink of insanity when he meet her.
Le meilleur Don José ,incomparable inimitable Unique : quel grand artiste notre JK 🌹🌹💕💕💕
This is something magical !!!
D` une beauté inoubliable!
This is the most beautiful thing I have ever seen or heard. Sublime.
Sein bester Don José-tief rührend...sowohl stimmlich als auch schauspielerisch ein Kunstwerk.
Absolu, sublime, comme toujours avec Jonas. Merci pour ce moment
The best rendition of Jonas kaufmann of la fleur he has all the quality of the best Tenor Magnificent voice Charismatic Handsome Awesome
Amo la Carmen e adoro il grande tenore kaufmann
Merci Jonas pour ce direct inoubliable...
Quelle voix, Quelle expressivité dans Votre Incarnation de Don José!(comme d'habitude devrais-je dire) .Quelle sensualité. Bravo Jonas. Ne changez rien. Merci
There is NO argument concerning his magnificent voice and his magnificent singing!
cet air - très difficile - est l'un des plus beaux jamais écrits (texte et musique). Jonas kaufmann, vocalement à son zénith, incarne tous ses rôles avec tant d'intelligence et d'émotion que j'en suis totalement bouleversée. Son Don José est si merveilleux. ... "Et j'étais une chose à toi"... pianissimo, faut le réussir !!!!!!!! Ce Bizet, tout de même, est une gigantesque compositeur.
Quest'aria è difficile? Cosa ne dice allora del "tornami a dir che m'ami" del Don Pasquale? (sette La naturale, due Si naturale, un Reb sovracuto, parte di tenore). E non mi venga a parlare di distinzione tra tenore di grazia e tenore lirico spinto: un tenore canta la sua tonalità in qualunque scrittura, se sa davvero cantare. Può variare il timbro e il volume ma non la capacità di tenere la tessitura. Mi faccia sapere quando Kaufmann farà Ernesto oppure Nemorino, lo ascolterò volentieri.
Jonas makes new Don Jose as differnt kind than before....more touching more human and ....does it heavenly!
Barbara Gaweł Absolutely...amazing. I wonder how much of the new concept came from Jonas and how much from Dosier the director. Obviously, a collaboration that worked.
+Barbara Gaweł I agree, I watched a presentation of Carmen on DVD recorded live in Vienna, Jonas is superb; I have watched on RUclips several final scenes of Carmen and Jonas interpretation is different every time however he is exquisite
Martha Vazquez b
I just almost passed out! Sublime singing and could he be more gorgeous or sexy? Whew!
Wonderful. The beat rendering of the aria i have per heard
Jonas est toujours fantastique !!!! Merci !!
Великолепный, неповторимый, непревзойдённый , любимый красавец tenorkaufmann!!!!❤❤❤
The best rendition of ( la fleur ) that I have heard and I have heard them all. Thank you for posting Ms Coleman, very impressing indeed.
Ne ha ascoltate poche mi sa...una buona versione, ma c'è di meglio
Dod you heard Carreras and Agnès Baltsa ? 😊🙏
One of the most beautiful love songs ever written...or sung!
Magnifique interprète que Jonas Kaufmann !!!
Jonas singt und agiert wundervoll. Seine Stimme und sein Ausdruck sehr berührend.
Wonderful rendition of this beautiful aria. Jonas, as usual, at his very best!
intelligent musician- stylish, handsome, he traces a most credible character
Sempre Jonas ¡!¡!¡ in tutto il mondo. Bella bella comunión coi
Sui fans¡!¡!¡!¡❤❤❤
Uno dei migliori Don José, bellissima voce e molto espressivo.
Mon ténor préfèré et il est aussi un comédien accompli.bravo.❤️❤️❤️
Magnifique ..j ai des frissons .. merci d avoir poster cette vidéo
Oui, Jonas! Oui!
Je ne m'en lasse pas de l'écouter et de son jeu.
Bravo,Jonas.
Tenor muy versátil
.excelente interpretación de la opera Carmen ,..
Cet extrait me donne des frissons, imaginez moi état le jour du concert. Epoustouflant!
Il miglior don jose del nostro tempo forse del 2000
Bravo
ah! cette voix chaude et sensuelle! et ce magnifique pianissimo! quel régal!!
Magnifique sublime JK du grand très très ..grand Art 💕💕💕
The flower song was never better.
Jhh
Bhutan
Maravilhoso dueto! Interpretação belíssima do grande JK!Bravo! desde Brasil...
Applaudo grandi interpreti
Il più grande tenore attualmente
Jonas kaufmann que é, sem dúvida, o melhor tenor da actualidade, vai ser, se Deus lhe der vida e saúde, o herdeiro legítimo da mística do lendário e saudoso Mário Lanza.
Great performance
Het is de mooiste uitvoering ,kan echt niet beter,en wat een pasie!!!
Qui peut encore chanter Ça après Jonas ?? ❤️❤️💐💐
Toujours aussi prenant.le corps et l esprit. Magnifique
perfection. wow
Stupendo interprete e grande cantante
Je l'ai ai vu à Orange dans ce rôle ét malgre une mise en scène et des costumes sa prestation était magnifique ét Kate aldrich aussi
BRAVO!
Bravo!
Graçies Jonas per existir i deleitar amb una veu tan magnifica i amb las teves representaçions, ets Fantastic, t'estimo¡¡
MAGNIFICO DUO
I know this will sound very silly, but the only thing I wanted in the end, was a nice kiss between them. So beautifully done!!!!
I know right?! Even though both are just two kinds of crazy, I definitely wanted to see that too!!
Maravilloso!!
Très beau
deux beaux artistes mais un grand JOSE
Wow! This is terrific singing and acting for both, very sensual
Totally agree. He sings La Fleur on his new L'Opera CD. Slightly different from this version - perhaps more exasperation, less sensual/erotic - studio recording without Carmen (or audience) present. That is one of his best attributes - never the same way twice, always in the moment expression and interpretation.
I think Jonas has the same attributes as Nicolai Gedda whom we lost a few months ago. Leopold Simoneau was also very flexible that way fonsidering his era. In my books, Jonas is right now one of the best tenors in the world if he can only take care of his fantastic voice, he is still very young. One other attribute of his is the ease to learn languages, simply incredible. Regards Maurice
Yes, I grew to love opera as a teen and collegiate from recordings and Gedda was a favorite. Your comment prompted me to reread his obituary in Opera News that recalled, "warm, sweet, silvery beauty of his voice," and "unshowy but dazzling technical virtuosity that was invariably in the service of the music." In Kaufmann I think we also see "service of the drama". I think it is the combination of serving the music AND the drama that will save opera for the future. I wish I could have seen Gedda live. I have read & heard he was a natural albeit subtle actor.
Yes N.J. Mr Gedda was indeed a subtle actor but a very humble man abeit a perfectionist. Son Voltaire etait tout simplement sublime mais il avait toujours peur de faire des fautes . That's what I heard him say on French t.v. when asked about his ease for learning languages. I was lucky enough to see and hear him in Munich in april 1968 in a Gala performance when he sang ( Je crois entendre encore ) a voice so smooth and silky and yet well defined and contoured despite the not so good acoustic then in that Museum. The man seemed to stand so tall in a way that demanded respect from admirers like me. And you're right about Kaufmann's combination of serving the music and the drama saving opera for the future because we have all seen so many changes over the past decades that were not always good, I know that I have once in a while been very disappointed in many aspects of those inevitable transitions. Now, regarding ( La fleur ) I just wanted to add that Kate's reaction to Jonas's singing was just out of this world specially the last 3 or so minutes, outstanding and with good reasons. Kind regards Maurice
Superbe!.
Kaufmann sempre più bravo e molto brava anche lei. Bella Carmen!
Fabuleux !
Best baritone to sing this ever !!!
MERCI
1:24 Beginning of the Aria "La Fleur que tu m'avais jetée"
He is so pasional and handsome
Μπράβο!!!
UN BELLO DUO
Francisco Ferrer Galiana h
Bizet magnifiquement servi Bravo
Life is beautiful.
Восхитительно:)ڰۣ✿Браво...Браво:)
Ohhhh the day I hear a man singing this to me, so nicely and being that handsome. I swear that I would go willingly until the end of the earth to follow him. But I've only heard horrible things, so far....safe enough
он ангел, так поют ангелы
The Flower.
maravilloso jonas kaufmann , lo adoro despues de pavarotti
Todo kaufman voz fisico😘💓✉️
Fantastic.... com sempra.... t'adoro JK
Наслаждаюсь🎶❤️
Then there is an instrumental transition while she thinks it over ... and she says .... "Non!"
🙂
Jonas Kaufmann actualité
okay so
if jonas kaufmann caressed me like he caressed carmen after his aria
i would instantly
no question
even if i was an actress
fall in love
But, very important to remember HE IS ACTING ALSO...Don Jose is caressing Carmen. It isn't Jonas and it isn't the actress. In the Voigt book I he talks about the "problem" of taking it personal and how he lets it go "the first time" but if it continues, he rushes to clear things up. It is all part of acting and the thin "permeable membrane" that separates the act-or/ress from the wo-/man.
The best that I have seen is Jon Vickers, Kauffman comes close.
creo que yo le estropeo la opera al señor Biset. me quedo con don jose, pero seguro.la verdad es que estan insuperables y maravillosos los dos.
I video restituiscono solo in parte e forse anche minima la realtà, così che esprimere un’opinione obiettiva, che peraltro nessuno richiede, è difficile. Kaufmann secondo me è un caso strano di emissione perché sembra oscillare tra la gola stretta e la nasalità. Sicuramente non è la voce ampia, libera e piena e allo stesso tempo timbrata negli armonici come dovrebbe essere (vedi Franco Corelli), tuttavia possiede un certo fascino perché la capacità di risuonare della timbrica scura esiste comunque. Osserviamo attentamente: perché la voce nelle vocali emesse da lui e da lei sono così diverse? Perché le "e" di Kaufmann e anche le altre vocali, sono così strette? A causa dell'impostazione che invece di lasciare la risonanza del petto ben aperto saldata a quella superiore, pure aperta per evitare di essere nasali, è spinta consapevolmente nella sola zona di maschera. È così che si stringe la gola e si perde anche l'integrità dell'appoggio. Bene il Sib finale a mezza voce dove, per eseguirlo, ha modificato l'imposto. Sarà per questo che dopo (beato lui) ha passato mezz'ora a baciarla? Alla fine non rimane che il gradimento personale: mi piace/non mi piace. La nostra disgrazia è che viviamo un’ ipersimulazione (realtà virtuale) sempre più spinta, a discapito dell’esperienza diretta, così che alla fine crediamo di sapere e invece siamo sempre più ignoranti e disorientati.
La nostra disgrazia........??. Interessante la spiegazione della emissione! Giusto "Alla fine..mi piace/non mi piace".
Io lo ascolto sempre molto volentieri.
Bellissima disquisizione però..non se la prenda preferisco..FRANCO
@@guidogreco341 Prendermela? Bhè non direi, Franco Corelli è stato uno dei cantanti che ho stimato e stimo di più.
Άφωνη μπροστά στην φυσικότητα με την οποία αποδιδεται!!!
Λες και ό, τι βλέπουμε, συμβαίνει σε έναν ιδιαίτερο χώρο και όχι ότι πάιζεται σε μια Σκηνή...
Το παραταιταμενο χειροκρότημα τα λέει όλα.!!!😅
.
.....
Jonás kaufman,cariñito,comentarlo,dé Pilar paco,aires Belmonte de San José un inglés,qué no es inglés,una magnífica,cómida familiar,dé nuestra familia. Entre la,comida,antes Milán bayreuth,Salzburgo ya,sé ,entiende,lo qué pasó,con nuestro segundo pre estreno,Cómo en un Espejo,,I puritano lohengrin y los 750€ ,de,los,socios de,la,Asociación incultural colaboración ,para nuestra Gala lírica Luminotecnia y sonido Profesional Iii
*sigh*
Margareta Bäckemo n
Yet,idiot still don't rate this great Artist..he is far more than a Great Tenor!
Madambutterfly
Jonas Kaufmann, cariñito, mio, pilar paco, igual, piensa, que, por, compartir, hace un, año, le tocaba, algúna, papeleta, para, asistir, a, la, torre del visco, no, aceptaron el, adelanto, hecho, con, antelación, y, son como, "yo, invito, pero, tú, pagas, todo, el, estado, ebrio".!!!
What a mees of comas!
I like him, bur I'm sorry to say his acting is better than his singing. Too throaty for my taste. The stage seems to be awful, as is usual nowadyas.
....nothing exceptional, especially if you consider the great predecessors. I am not convinced at all.
ruclips.net/video/oOjn-HmMlgE/видео.html
I wonder if he even understands or feels the difference between posing
or intrinsic felt singing like Corelli, Bjoerling or, other repertoire,
Patzak. A low-point in the line of the continous declining of the art
of opera since Karajan-introduced marketing, Domingos
latin-lover-street-singer attitude with not a single signature role at
all and Villazon's crack-voice. Neil Shicoff and Giuseppe Giacomini were
the last tenors you could take serious. Seriously.
....for me it sounds dreadful...